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Columbia Workshop, Volume 1-logo

Columbia Workshop, Volume 1

Multiple Authors

When Columbia Workshop debuted on CBS in 1936, the concept of network radio was still in its infancy, just ten years old. Many within the radio business were undecided about various aspects of this new medium, including whether or not it could yield anything of value, something that can be seen as art and not simply a forgettable derivative of popular culture. The concept of Columbia Workshop, conceived by Irving Reis, was essentially to try new innovations on radio, to push the medium's boundaries. Although early shows struggled to strike a balance between what the actors and the production crew contributed to the programs, the best shows from the program focused on both the cutting edge work of sound techs and producers as well as the ability of performers to push themselves in ways other shows did not require them to. Extreme attention was paid to every aspect of the show's production. Music became more specialized and new tricks and techniques for sound proved to be one of the hallmarks of th

When Columbia Workshop debuted on CBS in 1936, the concept of network radio was still in its infancy, just ten years old. Many within the radio business were undecided about various aspects of this new medium, including whether or not it could yield anything of value, something that can be seen as art and not simply a forgettable derivative of popular culture. The concept of Columbia Workshop, conceived by Irving Reis, was essentially to try new innovations on radio, to push the medium's boundaries. Although early shows struggled to strike a balance between what the actors and the production crew contributed to the programs, the best shows from the program focused on both the cutting edge work of sound techs and producers as well as the ability of performers to push themselves in ways other shows did not require them to. Extreme attention was paid to every aspect of the show's production. Music became more specialized and new tricks and techniques for sound proved to be one of the hallmarks of th
More Information

Description:

When Columbia Workshop debuted on CBS in 1936, the concept of network radio was still in its infancy, just ten years old. Many within the radio business were undecided about various aspects of this new medium, including whether or not it could yield anything of value, something that can be seen as art and not simply a forgettable derivative of popular culture. The concept of Columbia Workshop, conceived by Irving Reis, was essentially to try new innovations on radio, to push the medium's boundaries. Although early shows struggled to strike a balance between what the actors and the production crew contributed to the programs, the best shows from the program focused on both the cutting edge work of sound techs and producers as well as the ability of performers to push themselves in ways other shows did not require them to. Extreme attention was paid to every aspect of the show's production. Music became more specialized and new tricks and techniques for sound proved to be one of the hallmarks of th

Language:

English

Narrators:

Ensemble Cast

Length:

9h 51m


Chapters

Chapter 1
Chapter 1

29:33


Chapter 2
Chapter 2

29:33


Chapter 3
Chapter 3

59:21


Chapter 4
Chapter 4

29:33


Chapter 5
Chapter 5

29:33


Chapter 6
Chapter 6

29:33


Chapter 7
Chapter 7

29:28


Chapter 8
Chapter 8

29:33


Chapter 9
Chapter 9

29:33


Chapter 10
Chapter 10

29:23


Chapter 11
Chapter 11

29:29


Chapter 12
Chapter 12

29:33


Chapter 13
Chapter 13

29:32


Chapter 14
Chapter 14

29:27


Chapter 15
Chapter 15

29:33


Chapter 16
Chapter 16

29:31


Chapter 17
Chapter 17

29:44


Chapter 18
Chapter 18

29:27


Chapter 19
Chapter 19

29:48