Confessions of an English Opium-Eater-logo

Confessions of an English Opium-Eater

Thomas De Quincey

“Thou hast the keys of Paradise, O just, subtle, and mighty Opium!” Though apparently presenting the reader with a collage of poignant memories, temporal digressions and random anecdotes, the Confessions is a work of immense sophistication and certainly one of the most impressive and influential of all autobiographies. The work is of great appeal to the contemporary reader, displaying a nervous (postmodern?) self-awareness, a spiralling obsession with the enigmas of its own composition and significance. De Quincey may be said to scrutinise his life, somewhat feverishly, in an effort to fix his own identity. The title seems to promise a graphic exposure of horrors; these passages do not make up a large part of the whole. The circumstances of its hasty composition sets up the work as a lucrative piece of sensational journalism, albeit published in a more intellectually respectable organ – the London Magazine – than are today’s tawdry exercises in tabloid self-exposure. What makes the book technically remarkable is its use of a majestic neoclassical style applied to a very romantic species of confessional writing - self-reflexive but always reaching out to the Reader. (Summary by Martin Geeson)

“Thou hast the keys of Paradise, O just, subtle, and mighty Opium!” Though apparently presenting the reader with a collage of poignant memories, temporal digressions and random anecdotes, the Confessions is a work of immense sophistication and certainly one of the most impressive and influential of all autobiographies. The work is of great appeal to the contemporary reader, displaying a nervous (postmodern?) self-awareness, a spiralling obsession with the enigmas of its own composition and significance. De Quincey may be said to scrutinise his life, somewhat feverishly, in an effort to fix his own identity. The title seems to promise a graphic exposure of horrors; these passages do not make up a large part of the whole. The circumstances of its hasty composition sets up the work as a lucrative piece of sensational journalism, albeit published in a more intellectually respectable organ – the London Magazine – than are today’s tawdry exercises in tabloid self-exposure. What makes the book technically remarkable is its use of a majestic neoclassical style applied to a very romantic species of confessional writing - self-reflexive but always reaching out to the Reader. (Summary by Martin Geeson)
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Description:

“Thou hast the keys of Paradise, O just, subtle, and mighty Opium!” Though apparently presenting the reader with a collage of poignant memories, temporal digressions and random anecdotes, the Confessions is a work of immense sophistication and certainly one of the most impressive and influential of all autobiographies. The work is of great appeal to the contemporary reader, displaying a nervous (postmodern?) self-awareness, a spiralling obsession with the enigmas of its own composition and significance. De Quincey may be said to scrutinise his life, somewhat feverishly, in an effort to fix his own identity. The title seems to promise a graphic exposure of horrors; these passages do not make up a large part of the whole. The circumstances of its hasty composition sets up the work as a lucrative piece of sensational journalism, albeit published in a more intellectually respectable organ – the London Magazine – than are today’s tawdry exercises in tabloid self-exposure. What makes the book technically remarkable is its use of a majestic neoclassical style applied to a very romantic species of confessional writing - self-reflexive but always reaching out to the Reader. (Summary by Martin Geeson)

Language:

English

Narrators:

LibriVox Community

Length:

5h 22m


Chapters

Chapter 1
Chapter 1

12:56


Chapter 2
Chapter 2

20:50


Chapter 3
Chapter 3

21:06


Chapter 4
Chapter 4

27:21


Chapter 5
Chapter 5

22:36


Chapter 6
Chapter 6

16:05


Chapter 7
Chapter 7

19:44


Chapter 8
Chapter 8

15:31


Chapter 9
Chapter 9

20:36


Chapter 10
Chapter 10

18:04


Chapter 11
Chapter 11

26:39


Chapter 12
Chapter 12

17:31


Chapter 13
Chapter 13

15:48


Chapter 14
Chapter 14

17:38


Chapter 15
Chapter 15

20:30


Chapter 16
Chapter 16

29:05