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Winesburg, Ohio

Sherwood Anderson

Winesburg, Ohio has the most memorable cast of characters in 20th-century fiction. Listeners will remember at least a few stories and their characters for the rest of their lives. Each of the 23 stories stands on its own. Each is also interwoven into the fabric of the book. Winesburg has a special glow, a grace, poignant feelings, and a magical quality. Winesburg moves forward in a cascading fashion to the final chapters with Helen White, the most beautiful and richest girl in Winesburg, and "Departure" with George Willard, the charismatic character instrumental to all the characters, who reveal themselves through conversation - or a lack of it - with George. The primary characters in some stories become the bit characters in others, much as Tom Stoppard showed that Hamlet was only a bit character in the lives of the hangers on, Rosencrantz and Guildenstern. Winesburg avoids isms, making it a purely literary work. The only political comments involve characters talking to each other, not pushing political views. Winesburg is not narrowly realistic as in Dreiser's novels. Rather, Winesburg is broadly realistic, because it involves everything good and bad about people and their circumstances. At first it seems that everyone is stuck in Winesburg. But as you listen, you will notice that most people have been elsewhere or are on a road from or to some other place, either physically or in dreams. The town is vibrant with the "moving on" of American life, both in the character's thinking and doing. For all of these reasons, these characters seem far more timeless than those of more famous 20th-century authors, such as Hemingway, Fitzgerald, Dreiser, Lewis, or Faulkner. Those authors recognized this at some level and, with the exception of Fitzgerald, acknowledged that Anderson was the master from whom they learned. Jack Kerouac may have said it best: "Winesburg sticks to your ribs."

Winesburg, Ohio has the most memorable cast of characters in 20th-century fiction. Listeners will remember at least a few stories and their characters for the rest of their lives. Each of the 23 stories stands on its own. Each is also interwoven into the fabric of the book. Winesburg has a special glow, a grace, poignant feelings, and a magical quality. Winesburg moves forward in a cascading fashion to the final chapters with Helen White, the most beautiful and richest girl in Winesburg, and "Departure" with George Willard, the charismatic character instrumental to all the characters, who reveal themselves through conversation - or a lack of it - with George. The primary characters in some stories become the bit characters in others, much as Tom Stoppard showed that Hamlet was only a bit character in the lives of the hangers on, Rosencrantz and Guildenstern. Winesburg avoids isms, making it a purely literary work. The only political comments involve characters talking to each other, not pushing political views. Winesburg is not narrowly realistic as in Dreiser's novels. Rather, Winesburg is broadly realistic, because it involves everything good and bad about people and their circumstances. At first it seems that everyone is stuck in Winesburg. But as you listen, you will notice that most people have been elsewhere or are on a road from or to some other place, either physically or in dreams. The town is vibrant with the "moving on" of American life, both in the character's thinking and doing. For all of these reasons, these characters seem far more timeless than those of more famous 20th-century authors, such as Hemingway, Fitzgerald, Dreiser, Lewis, or Faulkner. Those authors recognized this at some level and, with the exception of Fitzgerald, acknowledged that Anderson was the master from whom they learned. Jack Kerouac may have said it best: "Winesburg sticks to your ribs."
More Information

Genres:

Classics

Description:

Winesburg, Ohio has the most memorable cast of characters in 20th-century fiction. Listeners will remember at least a few stories and their characters for the rest of their lives. Each of the 23 stories stands on its own. Each is also interwoven into the fabric of the book. Winesburg has a special glow, a grace, poignant feelings, and a magical quality. Winesburg moves forward in a cascading fashion to the final chapters with Helen White, the most beautiful and richest girl in Winesburg, and "Departure" with George Willard, the charismatic character instrumental to all the characters, who reveal themselves through conversation - or a lack of it - with George. The primary characters in some stories become the bit characters in others, much as Tom Stoppard showed that Hamlet was only a bit character in the lives of the hangers on, Rosencrantz and Guildenstern. Winesburg avoids isms, making it a purely literary work. The only political comments involve characters talking to each other, not pushing political views. Winesburg is not narrowly realistic as in Dreiser's novels. Rather, Winesburg is broadly realistic, because it involves everything good and bad about people and their circumstances. At first it seems that everyone is stuck in Winesburg. But as you listen, you will notice that most people have been elsewhere or are on a road from or to some other place, either physically or in dreams. The town is vibrant with the "moving on" of American life, both in the character's thinking and doing. For all of these reasons, these characters seem far more timeless than those of more famous 20th-century authors, such as Hemingway, Fitzgerald, Dreiser, Lewis, or Faulkner. Those authors recognized this at some level and, with the exception of Fitzgerald, acknowledged that Anderson was the master from whom they learned. Jack Kerouac may have said it best: "Winesburg sticks to your ribs."

Language:

English

Narrators:

Deaver Brown

Length:

6h 59m


Chapters

Chapter 1
Chapter 1

17:04


Chapter 2
Chapter 2

01:54


Chapter 3
Chapter 3

04:42


Chapter 4
Chapter 4

14:49


Chapter 5
Chapter 5

07:19


Chapter 6
Chapter 6

19:53


Chapter 7
Chapter 7

14:48


Chapter 8
Chapter 8

07:30


Chapter 9
Chapter 9

43:41


Chapter 10
Chapter 10

17:02


Chapter 11
Chapter 11

10:29


Chapter 12
Chapter 12

17:10


Chapter 13
Chapter 13

16:00


Chapter 14
Chapter 14

13:08


Chapter 15
Chapter 15

28:09


Chapter 16
Chapter 16

06:21


Chapter 17
Chapter 17

17:58


Chapter 18
Chapter 18

17:29


Chapter 19
Chapter 19

20:30


Chapter 20
Chapter 20

19:01


Chapter 21
Chapter 21

21:00


Chapter 22
Chapter 22

12:52


Chapter 23
Chapter 23

16:50


Chapter 24
Chapter 24

22:58


Chapter 25
Chapter 25

19:06


Chapter 26
Chapter 26

06:23


Chapter 27
Chapter 27

05:01