ACSA ArtSpeak

Andrew Purvis sits down with Julia Robinson to discuss her exhibition The Beckoning Blade at Hugo Michell Gallery. From scythes to smocks, the Burry Man to the Wicker Man, witchfinders and gourdfathers; tune in to hear about the cultural, conceptual, and material considerations that drive Julia’s practice. Show Notes JuliaRobinson.netThe Beckoning BladeMatthew HopkinsThe BurrymanThe Wicker ManThe Song of Master John GoodfellowgourdThe GourdfatherBeatriceRappaccini’s DaughterThe Names of the Hare Image: Julia Robinson, The Cull, linen, thread, steel, fixings, 110 x 110 x 15cm, 2021, photo Sam Roberts. Julia Robinson is represented by Hugo Michell Gallery. This project has been assisted by the Australian Government through Arts South Australia, its art funding and advisory body.

Andrew Purvis chats with Mark Valenzuela about his journey as an artist and his current exhibition, 'Still Tied to a Tree' at Adelaide Central Gallery. Tune in to hear about his influences and connections to his practice – from Filipino culture, to chess, to the fictitious villain General Zod. Show Notes SALA Feature ArtistAdelaide Central GalleryWakefield PressWikipediaTerraformingWikipediaWikipedia

Andrew Purvis sits down with Clem Newchurch to discuss his arts practice and how it ties to his cultural journey. Tune in to hear about Clem’s processes; from collecting natural material and being guided by its properties, to reflecting on museum collections to position his techniques in time and place. They yarn about the recent exhibition KAURNA: Still Here as an outcome of the Guildhouse Collections Project, all while Clem demonstrates weaving techniques for the audience. Show Notes [wikipedia]Catalogue (PDF)]The Collections ProjectwikipediaInDaily article@ClemNewchurchArt image: Clem Newchurch, Uncle Peter taking photo of second valley painting, 2022, Digital composition with artist photo and George French Angas, Coast scene near Rapid Bay at sunset, 1847.

Catherine Truman joins Andrew Purvis to discuss the dynamics of artist residencies, the importance of a self-imposed 'pause', the desire to artistically locate the person behind their research, and the beginnings of her work from her time in residency at Carrick Hill. Show Notes Gray Street WorkshopIan GibbinsCarrick HillFlinders Centre for Opthalmology and Vision Research'Epithelium' FilmCatherine Truman - websiteCatherine Truman - Instagram

Andrew Purvis catches up with Rosina Possingham to chat about her intricate photographic processes (that dote on old and new technology), collaboration, and 'the Patch', a body of work recently exhibited at Praxis Artspace inspired by Lefevre Park/Namtu Wama. Show Notes RosinaPossingham.comZINCBrianna SpeightPark Lands ProjectThe Patch

Tom Borgas and Athanasios Lazarou make time to chat about Tom's practice. From feedback loops, to making the unseen seen, and the weather conditions that constitute a 'Tom day'. Show Notes Keller EasterlingTimothy MortonJames BridlePost Digital RuinsResearchers Reveal Why We Don't See Cell Phones In Our Dreams

Andrew Purvis chats to Heidi Kenyon about the themes of her practice and her work in Neoteric at the Adelaide Train Station. HeidiKenyon.com@HeidiKenyon.ArtNeotericExhibition.comWe shall by morning inherit the earthNeoteric Digital Catalogue Image: Heidi Kenyon, work in progress for We shall by morning inherit the earth, 2022, photo Adrian Kenyon

Andrew Purvis sits down with SA artist Jess Taylor to discuss her arts practice and her show Primordial at Hugo Michell Gallery. Tune in to hear about Jess' journey since art school, how art can perform the social function or horror (and ethical hurdles around executing this), and what draws her to the mediums she uses. Show Notes Primordial at Hugo Michell GalleryView Master at FELTspaceACE Open Studio ResidencyFrancisco GoyaChaïm SoutineFrancis Baconthe Chapman BrothersSaturn Devouring His SonJess Taylor, When I die, I’ll die on timeCordycepsJess Taylor, Now I love You In The DarkMidsommar Image: Jess Taylor, A Lie for a Lie (detail),

Alex Mullen speaks about the influence his travels have had upon his work, forging into the gallery circuit, and his new body of work 'The Saloon of the Refused'.