Backstage Babble

Today, I am so thrilled to announce my episode with one of the theater’s most influential minds, the New York Times’s chief theater critic Jesse Green. Tune in today for an in-depth interview as Jesse discusses his varied career. Highlights include: working with Hal Prince on A Doll’s Life, why he decided to stop working on Broadway, his view of the role of a critic, covering the “Tear Beat,” the off-Broadway show this season he has been looking forward to, being begged by John Kander not to become a critic, the play he regrets reviewing, the exciting profile that fell apart, his hopes for the future of Broadway, his rule for standing ovations, his three-laugh-a-page rule for Shy, and so much more. You won’t want to miss this fascinating conversation. Note: This interview was recorded in February 2023.

Today, I’m so thrilled to announce my episode with veteran theater and cabaret performer Lorna Dallas, whose new show Glamorous Nights and Rainy Days is playing on May 17 at the Laurie Beechman Theater. You can find seats here: Glamorous Nights and Rainy Days Meanwhile, tune in to hear some of the stories of her legendary career including the advice Molly Picon’s husband gave her about converting to Judaism, going from fan to friend with Caterina Valente, working with Danny La Rue on the first male-led Hello, Dolly!, auditioning Ambassador with Hal Hackady, the inspiration for her new show, getting a song written by Ann Hampton Callaway, her unique experience during the pandemic, and so much more.

Today, I am thrilled to announce my episode with the Pulitzer Prize-winning playwright David Auburn, whose play Summer, 1976 is currently running at the Samuel J. Friedman Theater on Broadway. Tune in to hear some of the stories of David’s career, including the method of putting replacement casts into Proof, the play idea he abandoned about Harry Houdini, the original intention for Summer, 1976, working with John Lithgow, his research process, what it was like editing Tick…Tick…BOOM! for the stage, adapting the play The New York Idea for the modern day, his new adaptation of The Wild Duck (which is about to be read at Classic Stage Company), and more. You won’t want to miss this conversation.

Today, I am thrilled to announce my episode with the great Paulo Szot, who is currently starring as Lance DuBois in Broadway’s smash hit & Juliet—a joyous show which I highly recommend! Tune in today to hear Paulo tell some of the stories of his fantastic career in the opera and Broadway worlds: growing up in Brazil in a family that encouraged the arts over all else, the musical movie that inspired him, working with Luciano Pavarotti, the challenge of singing in modern operas, the ways that he keeps up his voice during a long run, what he brought to his South Pacific audition, the experience of re-opening Broadway with Chicago, what Erika Jayne brought to the role of Roxie, bringing his classical training to theater and pop scores, and of course the saga of & Juliet! You won’t want to miss this candid conversation with one of Broadway’s best voices!

Today, I am so thrilled to announce my episode with Sharr White, playwright of Pictures from Home which is currently playing at Studio 54 starring Nathan Lane and Danny Burstein. Tune in today to hear some of the stories of Sharr’s career, including the plays of his that have been based on New York Times article, basing Annapurna on a former teacher, the process of pitching Halston, why war used to be a theme that fascinated him, the play of his he’s hoping to bring into New York, working with Larry Sultan’s widow Kelly Sultan on Pictures from Home, Robert LuPone’s ability to destroy scripts, his many years writing advertising copy, and the projects he’s currently working on.

Today, I am so thrilled to announce my episode with Douglas Lyons, who is currently starring in Parade at the Bernard Jacobs Theatre. Tune in to hear some of the other stories of his great career, including the experience of opening a Broadway play right after the Covid-19 pandemic, writing a musical about Five Points, the play of his that never got off the ground, the genius of Beautiful, why The Book of Mormon should be valued as a work of genius, writing for TV with Fraggle Rock, how an interview with Phylicia Rashad inspired his off-Broadway musical Polkadots, going on the road with Rent, and so much more.

On April 16, The Phantom of the Opera will take its final Broadway bow. And today, I am so honored to be joined by Ben Crawford, the last man to wear the iconic mask before the show closes. Tune in today to hear Ben talk about funniest audience reactions, onstage mishaps, the physical challenges of singing through a mask, the unique feedback he got from Hal Prince, and his long audition process for the role. There are also stories about the rest of Ben’s great career, including the genius of Scott Ellis, the musical he’d like to be in next (hint: it involves a Founding Father), a disastrous audition story, the absurd comedy of Irma La Douce, life on the road in Guys and Dolls, and so much more. You won’t want to miss this delightful conversation with one of Broadway’s best.

Today, I am so excited to announce the release of my episode with Tony-winner BD Wong. BD is currently the director of Yes, I Can Say That! at 59e59 Theaters, the hilarious new solo show starring Judy Gold about the intersection between comedy and cancel culture. You can find tickets to that here: https://www.59e59.org/shows/show-detail/yes-i-can-say-that/ Tune in to hear some of the stories of his legendary career, including why M. Butterfly was so successful, the abuse he suffered at the hands of John Dexter, coming in to Face Value for its New York run, being the first male Peter Pan, contrasting TV experiences with Awkwafina and Margaret Cho, the simplicity that You’re a Good Man, Charlie Brown, collaborating with Stephen Sondheim, his newfound interest in directing, and so much more. You won’t want to miss this inspiring, honest interview with one of the best actor/directors in the business.

Today, I am so thrilled to announce my episode with Tony-winning librettist Robert Horn, currently the author of Broadway’s funniest hit Shucked and the Disney adaptation Hercules, now playing at the Paper Mill Playhouse. Tune in today for a deep dive into the history of Shucked, plus stories about a surprise phone call from Bette Midler, comiing in on the musical 13 out of town, the challenges of adapting Tootsie during the #MeToo movement, taking over the TV series Designing Women, three favorite pilots of his that didn’t get picked up, how he almost adapted Funny Girl, being mentored by Thomas Schumacher and Bob Boyett, his many new projects, and so much more. You won’t want to miss this masterclass from one of Broadway’s funniest people!

Today, I am so excited to announce my episode with one of Broadway’s most influential figures, 38-time Tony nominated producer Daryl Roth. Currently, Daryl is producing Life of Pi on Broadway, which begins performances on March 9. Tune in today to hear some of the stores of her long career, including the play she produced that ended up being performed in medical schools, why raising money is her least favorite part of producing, how she converted a bank into a theater, why she chose not to take Edward Albee’s The Goat out of town, the process of reuniting the original cast of How I Learned to Drive, why London is a good breeding ground for Broadway transfers, opening theater up post-pandemic with Blindness, the famous actress who insisted on being barefoot on stage, and so much more.

Today, I am so happy to announce my episode with artistic director of San Diego’s Old Globe Theater, Barry Edelstein. Barry is the director of Roundabout’s hit production of The Wanderers, a funny, dramatic, and extremely timely play that’s a must-see for New York audiences. You can find tickets here: The Wanderers Tune in to hear some of the stories of his prestigious career, including what he learned from Joseph Papp, how he met Steve Martin, putting on a Philip Glass piece at Classic Stage Company, recommending Shylock to Al Pacino, why we’re in a golden age of American playwriting, the play that Oskar Eustis recommended to him, his experience with moving to the West Coast, upholding the literary standards of the Old Globe, and so much more.

Today, I am so honored to announce my episode with 8-time Tony nominee Jane Alexander. Tune in to hear some of the stories of Jane’s legendary career, including the bad audience reactions she received in THE GREAT WHITE HOPE, how Henry Fonda would break the fourth wall, trying to get Elizabeth Taylor to a set on time, how she launched Tommy Lee Jones’ career, the changes made to THE SISTERS ROSENSWEIG, the part she felt she wasn’t right for, why she never performed at the Williamstown Theater Festival, why she decided to come back to Broadway with GRAND HORIZONS, and so much more. You won’t want to miss this in-depth conversation with one of the greatest performers to grace the American stage.

I am so thrilled to announce the release of my interview with composer Gary William Friedman. On January 30, Gary will be presenting a concert version of an update of his show Platinum, entitled Platinum Dreams at 54 Below. You can find tickets for that event (a can’t-miss for theater fans) here: Platinum Dreams And in the mean time, tune in today to hear some of the fantastic stories of his life and career, including the legendary singer who insisted on auditioning for his musical Taking My Turn, the fairytale origins of The Me Nobody Knows, the differences between Tommy Tune and Joe Layton, watching Jan Peerce fall from the orchestra pit, working with his wife Stevie Holland on Love, Linda, and many more.

Today, I am so happy to announce my interview with Steven Skybell, most recently the star of the enormously popular Fiddler Afn Dakh at New World Stages. Tune in to hear some of the stories of his great career, including what he learned from Jason Robards and Colleen Dewhurst, why Tevye is similar to Shakespearean roles, Bartlett Sher’s unique approach to the character of Lazar Wolf, working with Joseph Papp on Cafe Crown, how his role in the film The Cradle Will Rock got expanded, why Joel Grey’s acting experience makes him a great director, working with Julie Taymor, the show he turned down, and so much more.

I can’t think of a better way to ring in 2023 than by presenting my interview with the luminous Melissa Errico. Tune in today to hear some of the stories of her legendary career, including the controversial ending that her production of My Fair Lady almost had, a funny mishap during Anna Karenina, the advantages of dressing the part for an audition, how being a mother added to her interpretation of Sharon McLonergan, how seeing On Your Toes affected her as a young person, the show she’d like to revisit, learning poshness to star in High Society, and why she loves the part of Kate in Kiss Me, Kate. This interview is a true masterclass in stardom and the actor’s process.

Happy Holidays everyone! I can’t think of a better way to celebrate than listening to an in-depth interview with Broadway legend and 4-time Tony nominee Faith Prince. Tune in to hear her tell many of the fascinating stories of her career, including the failed Terrence McNally play that she worked on with Nathan Lane, the major Broadway revival she turned down, why a rehearsal with Arthur Laurents caused her to call her therapist, a short-lived feud with Jerome Robbins, how Terrence McNally got her into doing straight plays, why Bells Are Ringing couldn’t run as long as it should’ve, why she worked personally with Christopher Renshaw on The King and I, what she learned while touring with Billy Elliot, and more. You won’t want to miss this fascinating conversation.

Today, I am so excited to announce my episode with theater veteran Thom Sesma. Thom Sesma is currently appearing in A Man of No Importance at Classic Stage Company. You can find tickets to see him in that wonderful production here: https://www.classicstage.org/current-season/a-man-of-no-importance In the meantime, tune in today to hear some of the stories of his legendary career, including the show that "dares to have an idea as it’s main character,” how he figured out the secret to virtual theater, how he won the respect of Arthur Laurents, why he loves working with John Doyle, how Sondheim treated his works, the family that Twyla Tharp creates, the show he has a unique concept for, the offensiveness of Chu Chem, the direct line between him and Alfred Drake, and more.

Today, I am so happy to announce my episode with Tony-nominated director and actor Gabriel Barre. Gabriel Barre is the director of the December 12 performance YOUR OWN THING, which will benefit The Red Bull Theatre and feature an all-star cast including Santino Fontana and Lesli Margherita. You can find tickets to that here: https://www.redbulltheater.com/your-own-thing And meanwhile, tune in today to hear some of the stories of his legendary career, including the three-page letter he received from Hal Prince, why RAGS couldn’t succeed on Broadway, the art of performing as a mime, the inside story of THE WILD PARTY, the old-fashioned politeness of Eartha Kitt, why young writers are more reticent to cut material, the power of ALMOST, MAINE, the process of writing his new musical HERE YOU COME AGAIN, and so much more.

Today, I am so honored to announce my episode with Robert Viagas, author of Good Morning, Olive: Haunted Theatres of Broadway and Beyond, available here: https://www.amazon.com/Good-Morning-Olive-Theatres-Broadway/dp/1493064533/ref=asc_df_1493064533/?tag=hyprod-20&linkCode=df0&hvadid=564758369972&hvpos=&hvnetw=g&hvrand=4273849164588888770&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9067609&hvtargid=pla-1636952550220&psc=1 You can go back and hear my full interview with Robert from June 2021, but today, he joins me for a late Halloween celebration to talk about theater’s many ghosts! You won’t want to miss this fun-filled and spooky conversation.

Today, I am so honored to announce my episode with Tony-winning composer and lyricist Marc Shaiman, writer of the current Broadway smash hit Some Like it Hot. Tune in today to hear some of the stories of his long career, including the joy of working with Peter Allen, the disappointment of bringing Leader of the Pack to Broadway, the musical that started out as an adaptation of Stage Door, the bipolarity of working on Smash, what makes Bette Midler genius, starting out as an underage piano bar player, some of the small but important changes that Harvey Fierstein made to Hairspray, the inspiration behind Some Like it Hot, an unusual request from Rob Marshall, writing additional lyrics for The Music Man, the advice he would give to young writers, and more.