Fingal's Cave - A Podcast for all dedicated Pink Floyd Fans

Lee Harris, the founder and guitarist of the successful band ‘Nick Mason's Saucerful of Secret’ was our first interview guest almost two years ago. We had an exciting conversation back then and we knew we wanted to invite him back to our podcast. Now, 25 episodes later, the time has finally come, Lee Harris is back! Together with Phil Salathé, in this episode we talk about Lee's youth, his own career as co-manager and guitarist of the band ‘Ian Dury and the Blockheads’ and the musical development of Pink Floyd between the years 1967 and 1972, an era they cover with the 'Saucers'. Lee also gives us a fascinating behind-the-scenes look at the band, describing the conditions under which the songs were chosen and why Echoes came so late in the setlist. Look forward to a lively conversation between two full-blooded musicians and some great and nerdy insights... On a personal note, to our knowledge Pink Floyd performed 'The Alan's Psychedelic Breakfast' four times during the UK leg of their British Winter Tour in 1970.

To celebrate the 50th anniversary of the start of the North America tour in 1975, we present a new and exciting episode of the Fingal's Cave podcast. In more than 2 hours we discuss Pink Floyd's so-called transition period between 1974 and 1975, often derided as the band's creative low point. But even though there were many late decisions, sound problems, mishaps and - to be frank - a certain amount of laziness, these three tours, which started in Colmar (France) on 22nd June and ended in Knebworth (UK) on 5th July, offered plenty to talk about. From one of the finest Dark Side of the Moon shows in Bristol to a total disaster in Knebworth, Pink Floyd went through a rollercoaster ride in these 380 days, defining their own future by road-testing new material and setting the stage (no pun intended) with stunning new visuals, including the birth of Mr. Screen. After several weeks of preparation, we are proud to bring you an in-depth chat that even the dedicated Pink Floyd fan will learn something from, we promise! Our yt-channel: https://www.youtube.com/@Fingals_Cave_Podcast Most important shows: 1974-06-22 Colmar (tour start) https://www.youtube.com/watch?v=8AFkERLrJQU 1974-11-19 Stoke on Trent (British Winter Tour 74 bootleg) https://www.youtube.com/watch?v=7F2-bSdNHTY 1974-12-14 Bristol (Best Dark Side Set) https://www.youtube.com/watch?v=nlFm7s-Gypc 1975-04-26 Los Angeles (Millard recording) https://www.youtube.com/watch?v=4clpGEnZz0o 1975-06-09 Landover (Best ‘75 Dark Side Set) https://www.youtube.com/watch?v=e8iLvc72N1w 1975-06-17 Uniondale (Great show) https://www.youtube.com/watch?v=qPzaR1PcUDI 1975-06-28 Hamilton (Superb recording) https://www.youtube.com/watch?v=jAR5x2LGHO0 Videos: 1975-04-27 Los Angeles (8mm) https://www.youtube.com/watch?v=0NYLy9NqlAY 1975-06-09 Landover (8mm) https://www.youtube.com/watch?v=pH1mGiSmbRk 1975-06-26 Montreal (8mm) https://www.youtube.com/watch?v=Nb7lxh_9eOk 1975-06-28 Hamilton (8mm) https://www.youtube.com/watch?v=fSXZMFq_Msk 1975-07-05 Knebworth (video) https://www.youtube.com/watch?v=0Oi5BCXeV4A

In today's episode we talk about a very special time for Pink Floyd between 1978 -1981 and the staging of THE WALL live shows. This would be the last time until 2005 where the main four members played live as a band, so it is an important, if melancholic period. Together with Kyle and Phil (Salathé) we discuss the circumstances surrounding the album THE WALL, the so-called ‘Performance Manuscript’ and of course many shows from the tour itself. In particular we discuss the tour rehearsals, the start of the tour in Los Angeles on February 7th 1980, the video recordings of the concert in New York at the Nassau Coliseum, in London at Earl’s Court, and of course about the great shows in Dortmund, a typical German city in the middle of the Ruhr area. We also take a brief look at the last run of wall shows in June of 1981. In a little more than 2 hours you will learn many insights, mishaps, surprises and hopefully yet unknown things about the Wall live! Credit goes to RarePinkFloyd for providing research materials for this episode. You can view his wonderful website here; http://www.rarepinkfloyd.fr/ Credit also goes to Vernon Fitch and Richard Mahon’s incredible book, “Comfortably Numb: A History of The Wall 1978-1981”, which you can purchase here; http://www.pfapublishing.com/

In this special holiday episode, Nils and Ian sit down with Bob and Oakley—two young superfans who weren’t even born when Pink Floyd’s last tour ended. Together, they unwrap stories of rare recordings, audio engineering wizardry, and the friendships that make the fan community feel like family. Bob and Oakley dive into their passion for finding rare recordings, chasing down rumours, and earning respect from experienced fans in the broader Pink Floyd community. Their love for live recordings has led them to develop impressive audio engineering and mastering skills. Bob and Oakley share their experience working on projects like matrix mixes and quadrophonic remasters, where they combine multiple audience recordings—each captured from different spots in a venue. They break down the techniques, challenges, and how these projects often deliver audio quality far beyond expectations. Our first 2023 episode declared: “Once you’re hooked, there’s no way back.” Bob and Oakley embody this sentiment, proving how Pink Floyd’s music continues to inspire a new generation of researchers, audio specialists, and devoted fans. From all of us at Fingal’s Cave, merry Christmas and happy holidays!

If you were to make a list of the musicians who made some of the most beloved recordings in rock music, the name Jerry Shirley will come up over and over again. In addition to his role as drummer in Humble Pie, he has worked closely with luminaries like B.B. King, John Entwistle, and of course, Syd Barrett. In this episode, he sits down with Phil Salathé to discuss his long and storied career, and to share stories from his work with Syd in the studio and live. We also investigate a few mysteries in the process, including an enigmatic Syd outtake that's stymied researchers for decades. You won't want to miss it!

Over the course of eight days in January 1972, Pink Floyd began to showcase The Dark Side Of The Moon, their brand-new piece of music, which would ultimately define their legacy. The band kicked off their tour with concerts in Brighton, Portsmouth, Bournemouth, and Southampton, before heading north to Newcastle and Leeds. For live recording collectors, these early dates have long been a source of confusion, with persistent issues regarding accurate dates and uncertainties surrounding the content and quality of the audience recordings. Consequently, the pivotal January shows are often overshadowed by the February 1972 Rainbow Theatre concerts. In this episode, Phil Salathé and Ian Priston delve deep into the January shows, offering insightful musical analysis and thorough research to shed light on this pivotal moment in Pink Floyd’s history.

Hello and welcome back! In this episode we have another exciting guest. While the name of our interviewee may not be familiar to you, his works are for sure. Alex started creating artwork for various Pink Floyd bootlegs in the late 90's and supported the Harvested label on a few releases. He then started a YouTube channel and released animated versions of the official Pink Floyd artwork. This later led to a collaboration with Nick Mason's Saucerful of Secrets and eventually a close association with the family of Roger “Syd” Barrett, where Alex is the official animator for all content on the official website. The conversation was exciting, funny and insightful, but hear for yourself! Links: https://www.sydbarrett.com/ https://www.youtube.com/c/artistontheborder https://www.youtube.com/watch?v=TZq92A0il6Q (Animated Relics Artwork)

On this, our 20th episode, we speak with a person who has chosen to go by the pseudonym of "Mick the Hat", and when you listen you'll certainly understand why. One of our favorite things to do on this podcast is to interview people who have knowledge that no one else in the world possesses, and who can shed light on some of the most legendary events in the history of Pink Floyd. Mick the Hat is one of those people. For anyone interested in the saga of Pink Floyd live recordings and vinyl bootlegs, you won't want to miss a minute of Mick the Hat's recollections, as elicited by podcast producer and interviewer Ian Priston. His tales of BPI busts gone wrong, of taping some of the most beloved shows in Pink Floyd history, and of dealing with some of the quirkiest characters out there, are one of a kind revelations that you won't hear anywhere else.

“In the end it's all about Friendship!” In this episode, we look back on 50 years of an intimate experience with Pink Floyd and its solo members. Ron Fleischer may not be known to everyone by name, but all dedicated Pink Floyd fans have at least one of his outputs, released under the name HARVESTED, at home. But in this episode we don't want to talk about the HARVESTED label, but rather take you on a journey through almost 50 Pink Floyd related concerts that began in Miami in 1977 and is still ongoing... Ron tells us about these shows with many exciting anecdotes and above all gives us a story about friendship and passion that connects us Pink Floyd fans. Ron Fleischer is not only an important part of the Pink Floyd community but has made many things accessible to the fans thanks to his projects, so this episode in which he tells his story, is a very special one for us.

In this episode, we wanted to open up discussion on the solo career of Roger Waters, starting in 1984. Waters’ albums and stage productions depict some of the most interesting, powerful, and sometimes confusing concepts in music. So, to help us out, we invited two Roger Waters enthusiasts to delve deeper into this era of his career. We discuss our thoughts on each of Roger’s solo works from this period, as well as 1983’s The Final Cut. We also give insights into his groundbreaking stage productions from this era, talk about Magic BILLY and Radio KAOS, the reality of finding sound in a sea of faces and dust at The Wall in Berlin 1990, as well as answer the age old question: “What are The Pros and Cons of Hitchhiking?”

In this episode we want to tackle a topic that is often fraud with emotions and talk about the Pink Floyd period after Roger Waters left the band often called “The Later Years”. To help me out we invited two Pink Floyd specialists to delve deeper into this era. We discuss exciting topics like the pros and cons of the album “A Momentary Lapse of Reason”, the world tour 1987-1989 and why Echoes was only played in the first 12 shows. We talk about the musicians on stage, irritating lyrics and why we think that the 1994 world tour is unfortunately just a boring version of the 1987 tour. Finally, we discuss the remix version of AMLOR and what we like about this release.

Drawing on his exceptional knowledge of both artists, Rob Chapman serves up a palatable Syd Barrett and Nick Drake broth, replete with historical and cultural references. For followers of the Fingal’s Cave Podcast, Rob is perhaps best known for his two groundbreaking books about Pink Floyd and Syd Barrett, An Irregular Head, published in 2010 and The Lyrics of Syd Barrett, published in 2021. Rob’s latest novel is Unsung: Unsaid, an exploration of the creativity of Syd Barrett and Nick Drake through the medium of speculative fiction. Encouraged by hosts Ian Priston and Phil Salathé, Rob explains his inspirations, why he chose to trap Syd and Nick at the same Kensington Market café table, and his approach to characterisation and structure. Rob reflects on his early memories of Pink Floyd and Syd Barrett in the 1960s and his two solo albums. Guiding us on various tangents, Rob also explains why his love of Pink Floyd extends to 1971 and describes working with David Gilmour. If you haven’t encountered Spike Hawkins’ Instant Poetry Broth, you will undoubtedly wish to search for details after hearing Rob’s explanation.

Pink Floyd's 1967 concerts were raw, fast and unpredictable musical experiences. Many concert setlists are incomplete or missing. The best-surviving evidence exists in snippets of film, two BBC radio sessions, photographs and three audience recordings captured between September and November 1967. In this episode, we reflect on this essential cluster of amateur recordings: who taped them and how, what to listen for, the degree to which they reflect Syd's withdrawal, what's missing and the possibilities for the existing tapes and new discoveries. Seek out • September 10th at Gyllene Cirkeln, Stockholm, Sweden • September 13th at Starclub, Copenhagen, Denmark, and • November 13th at Hippy Happy Fair, De Oude-Ahoy Hallen, Ahoy Heliport, Rotterdam, The Netherlands And join us for a Reaction in G.

We start the new year with another wonderful guest, who is a musician, composer and one of the most versatile artists we had on the show so far. He has been a crucial part on every single Roger Waters tour between 2002 and 2016 and if his last name is familiar, that’s because he is also the son of Roger Waters. We talk enthusiastically about music in general, playing to click tracks, his last shows with Roger Waters at Coachella 2016, his excitement about Chick Corea and his programming work for a Nintendo game. Harry played many show with LES CLAYPOOL and reveals how much he loves the Album ANIMALS. We very much respected his wish not to ask him any personal questions about his father so expect a in depth talk about music.

In this X-Mas Special we welcome back Phil Salathé to dive into an analysis of Pink Floyd's music. Phil is a professor and teaches music theory and composition at a state university in northern New York, is a musician and composer himself and is therefore the perfect conversation partner to analyze the music and musical development of Pink Floyd over the years and to examine the band's structures from a creative perspective. Since Phil is working on a new book, we also have the pleasure of getting a first insights at the book's topics. Look forward to a great conversation with Phil Salathé and learn what he thinks makes Pink Floyd so special!

Charles Beterams is not only an icon of the Dutch Pink Floyd fan scene but also an author, publisher, and operator of the world's largest web shop for Pink Floyd related items and memorabilia. Ian met Charles in London and they spoke for over an hour about his love of the band, experiences as a fanzine editor, books and publishing work. Few people in Europe know more about Pink Floyd than Charles, and hardly anyone has attended more concerts or can demonstrate their passion for the band with such sincerity. Enjoy over 60 minutes of in-depth commentary from two Pink Floyd researchers and experts!

Col Turner is an influential and significant figure amongst Pink Floyd fans across the globe who has been following Pink Floyd since 1966. We discuss Col's UFO Club experiences and the London scene. Col emigrated after the Hyde Park 1970 concert and reconnected to the band in Australia in 1971 and 1988. Perhaps best known for 'A Fleeting Glimpse' (www.pinkfloydz.com), Col's website was created 25 years ago and features countless stories, interviews and fascinating Pink Floyd insights. Col has met Roger Waters on four occasions and, as you will hear, it hasn't always gone smoothly. Join us to hear Col, Nils and Ian enjoy a warmhearted conversation and stories from this superfan's 57 year Pink Floyd journey. Facebook ' A Fleeting Glimpse': https://www.facebook.com/PinkFloydAFleetingGlimpse/

Syd Barrett: “An amazingly attractive, energetic, sparkly boy goes the wrong way in life and is lost” Rosemary Breen knew her brother Syd Barrett better than anyone. They were inseparable as children, and in later years, Rosemary cared for Syd between the early 1980s and his untimely death in 2006. A "bright cookie" and kind, Syd had an unusual brain, and Rosemary became the single individual he could cope with. Rosemary spoke to Ian Priston on 16 September 2023 to get things on record and encourage youngsters who look up to Syd to carefully think about why and how things happened to him. Rosemary eloquently sums up how Syd wanted to play with the other members of Pink Floyd and with sound. He neither sought celebrity nor understood it. When being in the band ceased to be fun, Syd left. Syd Barrett expressed his true self through his art. After he returned to Cambridge, Syd produced some memorable artworks when he was in a good frame of mind. He had many ideas and would paint enormous canvases, and there was often one in progress when Rosemary visited. The two used to go on days out. On one occasion, Rosemary and Syd were in central Cambridge, and Syd stopped and feared crossing a road because he felt compelled to get a painting out of his head and onto a canvas. For Syd, art was about much more than simply being creative; according to Rosemary, the process fulfilled a need and was vital. The interview covers some serious topics, but there is also humour. For example, Rosemary explains how Syd was “Mr. DIY”. Talking about Syd Barrett’s lyrics, Rosemary says, "They make me giggle. He was a clown and was joking. Life was a joke. If anybody took him seriously, he just would giggle away."

It's episode number 8, and we return to the 1977 Animals Tour with our guest David Fidler. David was a good friend of Chris Cockram, whom we had the privilege of interviewing for episode 5. It's David's first-ever interview about his sound engineering work with Pink Floyd. David was primarily responsible for Pink Floyd's quad system, and his memories provide invaluable insights into the challenges Pink Floyd's crew faced as they supported 56 dates in Europe and North America. Unedited Video here: https://www.youtube.com/watch?v=gYcb-0L_KrI