Southern Songs and Stories

There are stories where the characters and events are so extraordinary and gripping that one can miss their overall meaning. It can be easy to take stories like the one you are about to hear at face value, and leave their larger context unrealized. But even the most casual reading of the events and people of Madison County, North Carolina from 1863 should raise a lot of red flags about our own worst tendencies. Even a pulp fiction version of the Shelton Laurel Massacre would lend plenty of insight into the all too often dark heart of humanity. But pull the lens back, and consider these events, their beginnings and repercussions in the arc of history, and you might come to an even more chilling conclusion. What caused neighbors and kinfolk to terrorize and murder one another in the Appalachian mountains all those generations ago, what larger forces that worked to bring out the cruelty and violence this chapter of history reveals, and what hatred and divisions that earned the place the moniker “Bloody Madison” are not only in history books; they are with us today. It would be nice to think that because America went through its Civil War, and Shelton Laurel had its Massacre, that it cannot happen again. But once you get sight of the forest beyond all its trees in this bit of history, you might wonder.

Travis is a musical treasure both for his work as founding member, songwriter and bass player for Infamous Stringdusters as well as for giving us his decidedly non-bluegrass, non-acoustic debut solo record Love and Other Strange Emotions. Hear his conversation with as well as commentary from host and producer Joe Kendrick in this episode, which includes excerpts of his new album.

What connects you to the year 1946? Think of the time immediately following World War II, and perhaps black and white images of men in fedoras and women in long dresses come to mind. Maybe you have parents or grandparents who were born around that time, or maybe you know someone who lived then and has past on. It is an era that now seems quite distant for most of us, a kind of abstraction that can be read about but which remains present only in its dusty tomes and mono records. But like all eras of our past, the time when bluegrass music was born remains with us in tangible, even impactful ways. In 1946, Bill Monroe and the Blue Grass Boys recorded their first songs with new members Lester Flatt and Earl Scruggs, and a new genre of music was born. Born that same year in New York City was Pete Wernick, who came to know all of the Blue Grass Boys as well as most if not all of the other first-generation stars, and played with many of them eventually as well. He remains one of the few people today who embodies a direct link to this era, making it leap from the pages of history across the decades and get us tapping our feet to bluegrass music that is still being born. Pete Wernick Songs heard in this episode: “Waiting For Daylight” by Pete Wernick & Flexigrass, from What The “Powwow the Indian Boy” by Hot Rize, from Hot Rize, excerpt “Untold Stories” by Hot Rize, from Untold Stories, excerpt “Spring Break” by Pete Wernick, from On A Roll Thank you for visiting us and giving this podcast a listen! This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to everyone at IBMA for their role in making this episode possible, and you can listen to more episodes on this series on artists interviewed at previous IBMA conferences, like Sierra Hull, Bela Fleck, Stephen Mougin and Ben Wright (Sam Bush Band and Henhouse Prowlers respectively), and C.J. Lewandowski (Po’ Ramblin’ Boys), to name a few. Thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW, and to Joshua Meng, who wrote and performed our theme songs. Southern Songs and Stories is currently ranked #13 in Southern podcasts here on feedspot.com, and moved up to a top 2.5% globally ranked podcast by Listen Notes, which makes us smile. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

Conversation with the Durango, CO three piece acoustic band Stillhouse Junkies, including commentary as well as excerpts of their new music performed live

Stephen Mougin and Ben Wright speak with host Joe Kendrick from the fall 2023 IBMA conference about their own music as well as the history and future of bluegrass, along with excerpts of their latest music.

Tony Trischka pays homage to Earl Scruggs on the 100th anniversary of his birth with Earl Jam: A Tribute To Earl Scruggs; Travis Book steps out from his mainstay gig in Infamous Stringdusters to release a solo record, Love and Other Strange Emotions.

Delta blues found its voice and audience on the airwaves of KFFA’s King Biscuit Time, a daily broadcast out of Helena, Arkansas. Bluesmen like Sonny Boy Williamson and Robert Lockwood Jr., who would go on to become legends, interspersed their own songs with advertising jingles. King Biscuit Time, which launched in 1941, gave unprecedented exposure to African American musicians while selling everyday grocery staples like flour and cornmeal. And it’s still on the air. Reporter-producer Betsy Shepherd travels to Helena to tell the story for Gravy.

Imagine getting your dream job and immediately being scrutinized for your appearance; being asked to wear a wig that was nothing like your natural hair; being quizzed on obscure bits of the history of your field; being asked whether you took the job as a stepping stone to another one. Imagine getting lots of hate mail about the fact that you look different than everyone else with that job. What about being stopped by security when they did not believe that you were really supposed to be in front of people at your own event? Would you stay in that job? I would not. And neither did Rissi Palmer, at least for a time. Fortunately, she came back in a few years, and she has a remarkable tale to tell, which is reflected in her latest album, Revival. Palmer tells us about that comeback, which began in earnest with the 2020 debut of her Apple Music series Color Me Country Radio With Rissi Palmer; the love she has for her adopted hometown of Durham, NC; hints of what is to come in her next album, and much more in this episode which features excerpts of her music both live and on album. Rissi Palmer performs at Earl Scruggs Music Festival 09-03-23 (photo: Joe Kendrick) Songs heard in this episode: “Seeds” by Rissi Palmer, from Revival “I’m Still Here” by Rissi Palmer feat. Miko Marks, excerpt “Summerville” by Rissi Palmer, live at Albino Skunk Music Festival 05-12-23 “Speak On It” by Rissi Palmer, from Revival Thank you for visiting us and giving this podcast a listen! This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW, and to Joshua Meng, who wrote and performed out theme songs. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

Despite bearing a title that might seem to point back to the old world, Nora Jane Struthers’ latest collection Back To Cast Iron finds the Nashville-based artist striding confidently into a more electric, rock and roll kind of territory. In this episode, she addresses this evolution in her sound; she describes having gone from telling other women’s stories to telling her own; husband and bandmate Joe Overton talks about his love of rock bands like Wednesday and Slow Pulp; we hear how both Nora and Joe balance work and life now that they have two children, and much more. Recorded in October 2023 at the Albino Skunk Music Festival in Greer, SC, this episode also features music from their set.

A special presentation featuring a recent podcast episode of The Broadside from public radio WUNC In today’s episode of The Broadside, co-host and producer Charlie Shelton-Ormond looks at the influential, exploitative and evolving world of music in Southern prisons. You’ll hear from a historian and incarcerated musicians, one of which is rapper Deon Thomas. As a person incarcerated in the state of Virginia, Deon doesn’t have access to a recording studio. Instead, he’s part of a small group of artists who record songs through phone calls and distribute them through a prison-only digital music service. It's a modern twist on a long and complicated tradition

We caught up with No Depression editor Stacy Chandler at this fall's International Bluegrass Music Association conference and festival, and she is our guest on this episode which includes conversation, commentary and music excerpts from artists featured in the journal's fall edition.

Shinyribs is a shindig, and a large one at that, but it is also a vehicle for band leader Kev Russell’s unique brand of poetry, which can point to deeper, darker issues at times, especially on his latest album Transit Damage. We spoke with Kev in early October 2023 ahead of Shinyribs’ performance as headliner at The Albino Skunk Music Festival, where we talked about the secret sauce that went into his new album, about making good records in the studio and being equally good live, how starting Shinyribs felt like a "Hail Mary" to him at first, plus we discuss James Brown and an Albino Skunk Fest memory which parallels one of The Godfather of Soul’s signature parts of his shows. There is a lot more, including more live music from Shinyribs’ performance that night.

Featuring episodes of the music talk show feature What It Is, which aired weekday mornings on WNCW beginning in September 2007 and running until April 2012. Starting with music writers/editors Jeff Eason and Fred Mills, we added writer, musician and WNCW old-time music host Carol Rifkin to the music roundtable before bringing in many more voices over the series’ nearly five year run. Here, we present two episodes with that original crew of panelists.

Conversation with Bella White after her debut performance at MerleFest last spring, and Jonathan Wilson spoke with us by video call from his studio in Topanga Canyon, California. This episode features music from both artists as well as their conversations which touch on everything from Jonathan’s wife using AI in creating his latest music videos to Bella White’s intentional honesty and vulnerability in her songwriting, and much more.

Call me biased, and I am, but the four days of the 2023 Earl Scruggs Music Festival ranked as one of the best music experiences of my life.

Conversation with one of roots and Americana music's rising stars from her visit to NC's Reevestock Music Festival in Elkin, NC including excerpts of her music

Ed Snodderly is a renaissance man -- he is a prolific songwriter with a who’s who of artists performing his compositions; his lyrics to the song "The Diamond Stream" are featured in Nashville’s Country Music Hall Of Fame; he is half of the duo The Brother Boys with musical partner Eugene Wolf going back to their inception in the late 1980s, and this year he gave us his tenth solo album, Chimney Smoke. Ed also teaches songwriting at East Tennessee State University’s Bluegrass, Old-Time and Roots Music program; we bring in commentary from one of many notable program graduates, Amythyst Kiah, to this episode as well. We talk about the title song specifically, as well as what makes this collection, as Ed Snodderly’s press release says, a “quintessential Southern album”. In our conversation via video call, we also take on the meaning of Americana, what artists get from studying music from previous decades and centuries, how he sees the live music business in the age of COVID-19, and much more, including music from Ed’s new album. Ed Snodderly Songs heard in this episode: “Chimney Smoke” by Ed Snodderly, from Chimney Smoke “Just Like You River” by Ed Snodderly, from Chimney Smoke, excerpt “Better Just Ride The Mule” by Ed Snodderly, from Chimney Smoke, excerpt “Crow’s Fever” by Ed Snodderly, from Chimney Smoke We appreciate it so much when you tell someone about this series, and it is easy to follow us on your podcast platform of choice, where it will only take a minute to give us a good rating, and where it is an option, a review. When you do that, it makes this series go up in the rankings, which means that more people just like you will find it, and more people will get turned on to the artists and endeavors we profile. This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes of this podcast on Bluegrass Planet Radio here. Thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW, where we worked with Joshua Meng who wrote and performed our theme songs. This is Southern Songs and Stories: the music of the South and the artists who make it. — Joe Kendrick

Conversation with and live music from the country soul artist Miko Marks

Conversation with the North Carolina by way of Georgia music artist along with commentary and music from his live performance as well as his fourth album and his radio show

It is that time of year again -- the beginning of summer and in the U.S., Independence Day. The July 4th holiday is celebrated in many ways, including in song, like the one that starts off this podcast, Billy Stewart’s version of the George Gershwin and Edward Dubose Heyward classic “Summertime”. With over 25,000 versions recorded in its now almost 90 year history, it is the most recorded song in the world. What are your favorite songs for the summer and for the holiday? We talk about the abundance of summertime and July 4th soundtrack possibilities in this episode, as we go back in time to a conversation I had on public radio station WNCW on my old show What It Is, a music talk show that featured a rotating roster of guests -- writers, music artists, DJs from WNCW and elsewhere, and music professionals. What It Is aired from 2007 to 2012, and this episode is from 2010, with the late Jeff Eason, along with then-WNCW host Zak Sitter, and Carol Rifkin, who continues to host the old time music show This Old Porch on WNCW on Sunday afternoons. Fireworks! (photo: Jill Wellington) Songs heard in this episode: “Summertime” by Billy Stewart “Rock Steady” by Aretha Franklin, excerpt “The Star Spangled Banner” by Bela Fleck & The Flecktones, from Flight Of The Cosmic Hippo Thanks for dropping by, and we are even more grateful whenever you share this with someone. Sharing in person is tops, but please also follow us on your podcast platform of choice, and then it will only take a minute to give it a top rating and, where it is an option, a review. It makes a great impact! Great ratings, and reviews especially, will make Southern Songs and Stories and the artists it profiles more likely to find a home with more fans. This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes of this podcast on Bluegrass Planet Radio here. Thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW, where we worked with Joshua Meng who wrote and performed our theme songs. This is Southern Songs and Stories: the music of the South and the artists who make it. — Joe Kendrick