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Wintermut3 Music

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I have always had a general rule about Wintermut3, "I make music I want to hear" A Part of that has been to overcome barriers and "traditions" of what Electronic music has been and continues to be--the upshot being, Wintermut3 will move in directions (Funk, Metal, Rock, etc ) that are of interest, despite being a pure electronic artist. Note this does not exclude me from making more "common" types of Electronic music. I will never stop making--as long as I breathe--Trance, Jungle, Breakbeat, Techno, etc. In Fact for about 15 years I have been exploring the idea that we may be not just at an Post Electronica but may in fact be nearing a musical Epoch (for lack of a better word) what I am saying is we might be heading for a music metamorphis on the order of when Baroque became Classical Bach, Handel, Vivaldi, Telemann (most prolific composer in history, over 3000 compositions (Late Baroque-->Early Classical) Mozart, Haydn, Beethoven, Schubert. These types of musical epochs are a hundred to over two hundred years in length. The period that is being bridged for us is the hundred or even nearly two hundred period in which Blues and Jazz was born and then over a hundred years influenced nearly all forms of music that we know which all music was. Electronica was born around the mid to late 1920s as that was the time several electronic instruments (Theremin ). For the most part Electronic music has been amazingly resistent to Blues and Jazz, but there are definately times that resistence has lessened. I feel all the various forms of music that where born out of Blues and Jazz or heavily influenced by it are fusing back into Electronica. I am not the only artist who strives for a hybid of "real" and electronic. Only time will tell... to that end, from Blade Runner: Dr. Eldon Tyrell: "More Human than Human" which I extend to Wintermut3: "More Real than Real" (on creation of "virtual" music) Overall I am inspired even driven by this quote: “Once you free your mind about a concept of harmony and music being correct, you can do whatever you want. So, nobody told me what to do, and there was no preconception of what to do…" :Giorgio Moroder In addition to living by the above quote: Welcome to my nearly 20 year journey: my music project Wintermut3 originally created in late 1998, with a first public release in early 1999 on mp3.com and other Music sites... Originally inspired by the works of William Gibson, Wintermut3 is about bringing the listener into the sights and visions of the music. The music is highly story and concept driven and is made to immerse the listener in mood and feeling. The overall goal is to take the listener to a place they have never been before. Highly infused with the music of Progressive Rock (Yes, Rush, Genesis, etc.) and early electronic (Tomita, Vangelis, Tangerine Dream, etc) all blended in with more "contemporary" electronic sounds (Massive attack, Enigma, Orbital, the Orb, BT, etc) into something I call: "Concept Electronica". None of the sounds you hear in Wintermut3 are "loops" or "samples" especially the more organic sounds (electric guitars, horns, etc), I lovingly lay every note and run them through various software (DAWs, VST, VSTi, etc) and or model the Instrument that renders them. I have spent many many years to get Wintermut3 to sound as "real" and organic as I can... I take great pride in this ;) Regardless, what results is music that follows the original premise of my musical "project" Wintermut3--music that is a logical progression of what is known and loved up to the point of the project's inception over 16 years ago--In short, it is music "Built for the Future", not now...but it is always fine to like, love it now...

Location:

United States

Description:

I have always had a general rule about Wintermut3, "I make music I want to hear" A Part of that has been to overcome barriers and "traditions" of what Electronic music has been and continues to be--the upshot being, Wintermut3 will move in directions (Funk, Metal, Rock, etc ) that are of interest, despite being a pure electronic artist. Note this does not exclude me from making more "common" types of Electronic music. I will never stop making--as long as I breathe--Trance, Jungle, Breakbeat, Techno, etc. In Fact for about 15 years I have been exploring the idea that we may be not just at an Post Electronica but may in fact be nearing a musical Epoch (for lack of a better word) what I am saying is we might be heading for a music metamorphis on the order of when Baroque became Classical Bach, Handel, Vivaldi, Telemann (most prolific composer in history, over 3000 compositions (Late Baroque-->Early Classical) Mozart, Haydn, Beethoven, Schubert. These types of musical epochs are a hundred to over two hundred years in length. The period that is being bridged for us is the hundred or even nearly two hundred period in which Blues and Jazz was born and then over a hundred years influenced nearly all forms of music that we know which all music was. Electronica was born around the mid to late 1920s as that was the time several electronic instruments (Theremin ). For the most part Electronic music has been amazingly resistent to Blues and Jazz, but there are definately times that resistence has lessened. I feel all the various forms of music that where born out of Blues and Jazz or heavily influenced by it are fusing back into Electronica. I am not the only artist who strives for a hybid of "real" and electronic. Only time will tell... to that end, from Blade Runner: Dr. Eldon Tyrell: "More Human than Human" which I extend to Wintermut3: "More Real than Real" (on creation of "virtual" music) Overall I am inspired even driven by this quote: “Once you free your mind about a concept of harmony and music being correct, you can do whatever you want. So, nobody told me what to do, and there was no preconception of what to do…" :Giorgio Moroder In addition to living by the above quote: Welcome to my nearly 20 year journey: my music project Wintermut3 originally created in late 1998, with a first public release in early 1999 on mp3.com and other Music sites... Originally inspired by the works of William Gibson, Wintermut3 is about bringing the listener into the sights and visions of the music. The music is highly story and concept driven and is made to immerse the listener in mood and feeling. The overall goal is to take the listener to a place they have never been before. Highly infused with the music of Progressive Rock (Yes, Rush, Genesis, etc.) and early electronic (Tomita, Vangelis, Tangerine Dream, etc) all blended in with more "contemporary" electronic sounds (Massive attack, Enigma, Orbital, the Orb, BT, etc) into something I call: "Concept Electronica". None of the sounds you hear in Wintermut3 are "loops" or "samples" especially the more organic sounds (electric guitars, horns, etc), I lovingly lay every note and run them through various software (DAWs, VST, VSTi, etc) and or model the Instrument that renders them. I have spent many many years to get Wintermut3 to sound as "real" and organic as I can... I take great pride in this ;) Regardless, what results is music that follows the original premise of my musical "project" Wintermut3--music that is a logical progression of what is known and loved up to the point of the project's inception over 16 years ago--In short, it is music "Built for the Future", not now...but it is always fine to like, love it now...

Language:

English


Episodes
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Beethoven: Symphony No. 3 in Eb Major (Eroica) Movements III and IV

7/13/2024
I have worked on this for quite a while, on and off again. Probably one of the greatest symphonies ever created. This is not just a electronic facade slapped onto an existing symphonic recording, with the help of IKMultimedia's incredible VSTs I mapped the entire midi score pushing through there soundtanks and the like--in other words the entire recording is mine. Then I worked fretless bass amp simed and my favorite 303 vst which was realtime control mapped against its cutoff, res, evn mod, env decay, step length, env accent, etc to have the 303 complement the orginal score and voices as much as possible. I also worked a couple of Analog synths using various score elements from the woodwinds. Enjoy...

Duration:00:22:43

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Beethoven: Symphony No. 3 in Eb Major (Eroica) Movements I and II

7/12/2024
I have worked on this for quite a while, on and off again. Probably one of the greatest symphonies ever created. This is not just a electronic facade slapped onto an existing symphonic recording, with the help of IKMultimedia's incredible VSTs I mapped the entire midi score pushing through there soundtanks and the like--in other words the entire recording is mine. Then I worked fretless bass amp simed and my favorite 303 vst which was realtime control mapped against its cutoff, res, evn mod, env decay, step length, env accent, etc to have the 303 complement the orginal score and voices as much as possible. I also worked a couple of Analog synths using various score elements from the woodwinds. Enjoy...

Duration:00:21:40

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Menagerie

7/12/2024
I have not produced any music for about 4 or 5 month due to being out of work since January, last night I decided to fire up my DAW (FLSTudio) and this is what resulted. I named it Menagerie due to the various themes that interact in a edgy and not typical way even nearly clashing at time but somehow there is a great deal of beauty overall. The song was built around the rolling bass and piano line that is the first thing heard... then as I listened to that seqence again and again... I heard a lone solo Violin moving slowing against that opening bass movement--from these two themes the rest evoled over the night.

Duration:00:06:19

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Symphony No. 1 "Underworld" 1st Movement

2/2/2024
MTC

Duration:00:12:55

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The Light of Day Into Night

1/17/2024
The idea behind this song is to capture that moment at the very last twight as the remaining light seems to melt away... except those very last lumens move forward into the dark night, seeking the dawn and provide those deizens of night, like us...the smallest glimmer of much needed light at our times of need.... you know.. a moonless night and you suddenly have and urgent need for just the smallest hint of light, you dropped your keys and yet somehow despite the deep moonless night a somehow brief glimspe of light reveals them....those lost lumens seeing dawn maybe ... The cover of the song art, very much reflects in color of what i hope the listener will feel...

Duration:00:08:35

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Just Dream

12/30/2023
MTC Soon added lyrics (with lite to medium vocoding ) --------------------------------------------------------- Dream, Dream, Dream... Dream of Yesterday Dream of Today Always remember who you were Always remember who you are But most of all Dream Dream Dream of Tomorrow Be BE BE... Be who you can be Be who you are Be what you were Be who you want to be Be who you are Be who you were, Never be afraid to look back Never be afraid to look now Never be afraid to look forward Be Yesterday Be Today Be Tomorrow Be the Dream of Yesterday Be the Dream of Today Be the Dream of Tomorrow But always always always... Dream Dream and Be

Duration:00:11:01

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Electronicus Majoris:Claude Debussy:La mer, trois esquisses symphoniques pour orchestre movement III

12/27/2023
Electronicus Majoris:Claude Debussy:La mer, trois esquisses symphoniques pour orchestre movement III by Wintermut3

Duration:00:09:55

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Electronicus Majoris: Claude Debussy:La mer, trois esquisses symphoniques pour orchestre movement II

12/27/2023
Electronicus Majoris: Claude Debussy:La mer, trois esquisses symphoniques pour orchestre movement II by Wintermut3

Duration:00:08:32

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Electronicus Majoris: Claude Debussy: La mer, trois esquisses symphoniques pour orchestre movement I

12/27/2023
Electronicus Majoris: Claude Debussy: La mer, trois esquisses symphoniques pour orchestre movement I by Wintermut3

Duration:00:06:37

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Electronicus Majoris: Beethoven 5th Symphony- Movement I & II - XD

12/20/2023
As I was revisting this piece due to issues with 4th movement the first time around and wanting to use a lot of the mixing ideas that had been the result of my workinig with Beethoven's 7th symphony, I decided to bring more emotion to piece over all and especially to the 3rd movement of his 5th Symphony mostly through tempo/bpm changes (this version ranges from 90 bpm to 135 bpm, and to mirror the flute and piccalo lines with a highly Filtered tb303. So instead of making this a "patch" to the already released 3rd movement... I decided this deserved to be a separate release. So here is the final ( save a few small edits I still wannt to do) version of Beethoven''s 3rd Movement of this amazing 5th Symphony... oh the "XD" refers to the extended Dynamics of this version tansients are fully intact.

Duration:00:16:15

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Electronicus Majoris: Beethoven 5th Symphony- Movement III & IV XD

12/15/2023
As I was revisting this piece due to missing the 4th movement the first time around and wanting to use a lot of the mixing ideas that had been the result of my workinig with Beethoven's 7th symphony, I decided to bring more emotion to this 3rd movement of his 5th Symphony threw tempo/bpm changes (this version ranges from 90 bpm to 135 bpm, and to mirror the flute and piccalo lines with a highly Filtered tb303. So instead of making this a "patch" to the already released 3rd movement... I decided this deserved to be a separate release. So here is the final ( save a few small edits I still wannt to do) version of Beethoven''s 3rd Movement in his amazing 5th Symphony... oh the "XD" refers to the extended Dynamics of this version tansients are fully intact.

Duration:00:23:27

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Electronicus Majoris: Beethoven Symphony No. 7 Movements 3 And 4

12/13/2023
TC I have wanted to do one of my Favorite Symphonies for quite some time, but knew I wanted it to be near perfect. I have learned a lot about this type of production as I have built this "Electronica Majoris" series of "Classics". This is my take on this amazing piece that really shows the incrediable diversity in Beethoven styles. About 50/50 "traditional" to pure electronic voices, however this is all completely electronically generated and arranged. Once again for the Conti Bass and Cello line I have used electric bass ala "Chris Squire" styles and rigged (RIP Mr Squire, you are very missed). The mix is a bit aggressive but I feel it is how this piece should be rendered... The 2nd movement of this piece was feature in the TV series "Mr Robot"...

Duration:00:23:05

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Electronicus Majoris: Beethoven Symphony No. 7 Movements 1 And 2

12/13/2023
MTC I have wanted to do one of my Favorite Symphonies for quite some time, but knew I wanted it to be near perfect. I have learned a lot about this type of production as I have built this "Electronica Majoris" series of "Classics". This is my take on this amazing piece that really shows the incrediable diversity in Beethoven styles. About 50/50 "traditional" to pure electronic voices, however this is all completely electronically generated and arranged. Once again for the Conti Bass and Cello line I have used electric bass ala "Chris Squire" styles and rigged (RIP Mr Squire, you are very missed). The mix is a bit aggressive but I feel it is how this piece should be rendered... The 2nd movement of this piece was feature in the TV series "Mr Robot"...

Duration:00:20:31

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The British Way

12/10/2023
I was inspired to create this track after watching the movie "The Trench" which was about the Battle of the Sommes 1916 July 1 just days before the beginging of the battle is when the story is set. That movie really brings home the savagery of that battle (July 1 to Nov ) a total of 6 miles was gained with the causualites over a million with England suffering over 59k in the first hours of the battle. The men marched across "no mans land" as their officers were in close quarters behind them... ready to shoot any that tried to run away...

Duration:00:07:01

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Electronicus Majoris: Mozart Symphony 41 (Jupiter)

12/5/2023
From the WIki: According to Franz Mozart, Wolfgang's younger son, the symphony was given the name Jupiter by Johann Peter Salomon,[4][13] who had settled in London in around 1781. The name has also been attributed to Johann Baptist Cramer, an English music publisher.[14][15][16] Reportedly, from the first chords, Mozart's Symphony No. 41 reminded Cramer of Jupiter and his thunderbolts. It was this idea that inspired the cover art, and in keeping with the Electronicus Majoris theme of Starships, "Jupiter" (Zeus) rising over the horizon of Earth, hurling Thunderbolts at the ships... Arrangement choices: The choices for voices in a work like this, can allow you to hear the piece in a unique way. Mozart voice choices were not only "traditional" but spot on, to that end I only converted the Conti-Bass and Cello lines to Electric Bass. MTC

Duration:00:29:00

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Over New Frontiers (A Pattern of Darkness mix)

11/24/2023
Over New Frontiers (A Pattern of Darkness mix) by Wintermut3

Duration:00:07:53

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Over New Frontiers

11/22/2023
These was about a 3 hour work last night start to finish all was built around the first bassline (including the 2nd bassline) glitch was done by automated over time GrossBeat and DBlue Glitch. Line up: 2x Modo Bass2, running Funk, Breakbeat standard beat patterns 1 x Modo Drum (Jazz Kit) Sawer (keys) Massive x2(Pads) 1 x Slayer 2 (Jazz guitar 1) 1 x Flex Synth running Muted Strat (Jazz Guitar 2) 4xAmplitude 5 (Env filter, etc) ton of Tracks "Inserts" in fruity--the composition follows my Mix to Mixdown in One config (no post except vol reduction)

Duration:00:06:02

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Electronicus Majoris: Beethoven's 9th Symphony: Presto 'O Freunde, nicht diese Töne!

11/19/2023
Electronicus Majoris: Beethoven's 9th Symphony: Presto 'O Freunde, nicht diese Töne! by Wintermut3

Duration:00:27:08

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Electronicus Majoris: Beethoven 9th Symphony:Adagio molto e cantabile

11/19/2023
Electronicus Majoris: Beethoven 9th Symphony:Adagio molto e cantabile by Wintermut3

Duration:00:10:27

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Electronicus Majoris: Beethoven 9th Symphony:Molto vivace

11/19/2023
Electronicus Majoris: Beethoven 9th Symphony:Molto vivace by Wintermut3

Duration:00:30:06