PhilosophyPodcasts.Org

Susan Stewart Poetry's Nature

Joshua Landy Proust: A very short introduction

Caleb Smith Thoreau's axe: Distraction and discipline in American culture Today, we’re driven to distraction, our attention overwhelmed by the many demands upon it—most of which emanate from our beeping and blinking digital devices. This may seem like a decidedly twenty-first-century problem, but, as Caleb Smith shows in this elegantly written, meditative work, distraction was also a serious concern in American culture two centuries ago. In Thoreau’s Axe, Smith explores the strange, beautiful archives of the nineteenth-century attention revival—from a Protestant minister’s warning against frivolous thoughts to Thoreau’s reflections on wakefulness at Walden Pond. Smith examines how Americans came to embrace attention, mindfulness, and other ways of being “spiritual but not religious,” and how older Christian ideas about temptation and spiritual devotion endure in our modern ideas about distraction and attention. Smith explains that nineteenth-century worries over attention developed in response to what were seen as the damaging mental effects of new technologies and economic systems. A “wandering mind,” once diagnosed, was in need of therapy or rehabilitation. Modeling his text after nineteenth-century books of devotion, Smith offers close readings of twenty-eight short passages about attention. Considering social reformers who designed moral training for the masses, religious leaders who organized Christian revivals, and spiritual seekers like Thoreau who experimented with regimens of simplified living and transcendental mysticism, Smith shows how disciplines of attention became the spiritual exercises of a distracted age.

Henry David Thoreau A Very Short Introduction Lawrence Buell The first concise account of Thoreau's life, thought, work, and impact in more than half a century Builds upon the explosion of new scholarship on Thoreau during the decade of the bicentennial of his birth Treats Thoreau's two most famous and influential works - Walden and "Civil Disobedience" - both as an interdependent pair and as a window into the evolution of his thought and writing as a whole

Man-Devil: The Mind and Times of Bernard Mandeville, the Wickedest Man in Europe John J. Callanan A lively and provocative account of Bernard Mandeville and the work that scandalized and appalled his contemporaries—and made him one of the most influential thinkers of the eighteenth century In 1714, doctor, philosopher and writer Bernard Mandeville published The Fable of the Bees, a humorous tale in which a prosperous hive full of greedy and licentious bees trade their vices for virtues and immediately fall into economic and societal collapse. Outrage among the reading public followed; philosophers took up their pens to refute what they saw as the fable’s central assertion. How could it be that an immoral community thrived but the introduction of morality caused it to crash and burn? In Man-Devil, John Callanan examines Mandeville and his famous fable, showing how its contentious claim—that vice was essential to the economic flourishing of any society—formed part of Mandeville’s overall theory of human nature. Mandeville, Callanan argues, was perfectly suited to analyze and satirize the emerging phenomenon of modern society—and reveal the gap between its self-image and its reality. Callanan shows that Mandeville’s thinking was informed by his medical training and his innovative approach to the treatment of illness with both physiological and psychological components. Through incisive and controversial analyses of sexual mores, gender inequality, economic structures, and political ideology, Mandeville sought to provide a naturalistic account of human behavior—one that put humans in close continuity with animals. Aware that his fellow human beings might find this offensive, he cloaked his theories in fables, poems, anecdotes, and humorous stories. Mandeville mastered irony precisely for the purpose of making us aware of uncomfortable aspects of our deepest natures—aspects that we still struggle to acknowledge today. "Entertaining. . . .[Callanan] has convinced me that exposing Mandeville and his writings to a new generation of readers is indeed worthwhile."---Howard Davies, Literary Review "John Callanan’s Man-Devil: The Mind and Times of Bernard Mandeville, the Wickedest Man in Europe (Princeton University Press) is by far the best discussion we have of this paradoxical, and immensely influential thinker, and everyone interested in the history of moral, social, or economic theorising should read it."---David Wootton, Engelsberg Ideas "[A] superb book."---Joseph Hone, History Today "Callanan, a philosopher at King’s College, London, has produced an engaging, expansive and effortlessly erudite study of a man who today too few people know. Man-Devil is a fascinating and welcome corrective, not least because Bernard Mandeville was amongst the first to argue that we don’t really know ourselves."---Peter West, The Critic “Bernard Mandeville was one of the most controversial writers of early eighteenth-century England, famed for coining the paradox ‘private vices, publick benefits’ as the subtitle to his major work, The Fable of the Bees. While John Callanan never loses sight of this satirical, even mischievous, bent, he convincingly shows the reader why Mandeville became such an influential figure in eighteenth-century thought, taken up by David Hume and Adam Smith among others. Well-researched and original in its approach, his book is highly recommended.”—Malcolm Jack, historian and Mandeville scholar “Mandeville is the first great social theorist, and everyone who comes after him—Rousseau, Smith, Marx, Hayek—is deeply in his debt. But he is slippery and paradoxical. John Callanan at last makes Mandeville’s core doctrine clear and brings out his continuing importance for understanding human beings as sociable animals. This is an important, long-needed book.”—David Wootton, author of Power, Pleasure, and Profit: Insatiable Appetites from Machiavelli to Madison “Callanan sensibly and sensitively places the infamous Fable of...

Dan Zahavi Phenomenology: The basics, 2nd Edition Copyright 2025 Description Phenomenology: The Basics is a concise and engaging introduction to one of the important philosophical movements of the twentieth century and to a subject that continues to grow and diversify. Yet it is also a challenging subject, the elements of which can be hard to grasp. This lucid book provides an introduction to the core ideas of phenomenology and to the arguments of its principal thinkers, including Husserl, Heidegger, and Merleau-Ponty. Written by a leading expert in the field, Dan Zahavi examines and explains key questions such as: What is a phenomenological analysis? What are the methodological foundations of phenomenology? What does phenomenology have to say about intentionality, embodiment, intersubjectivity, and the lifeworld? How do ideas from classic phenomenology relate to ongoing debates in qualitative research and the cognitive sciences? This second edition has been thoroughly revised and expanded. It contains a new chapter on critical phenomenology and updated discussions of the application of phenomenology in psychiatry, psychology, and qualitative research. Including a glossary of key terms and suggestions for further reading, Phenomenology: The Basics is a superb starting point for anyone seeking a concise and accessible introduction to this rich and fascinating subject. Table of Contents Preface to the second edition Introduction Part I: Foundational issues 1. The phenomena 2. Intentionality 3. Methodological considerations 4. Science and the lifeworld 5. Digging deeper: From surface to depth phenomenology 6. Merleau-Ponty’s preface to Phenomenology of Perception Part II: Concrete analyses 7. Spatiality and embodiment 8. Intersubjectivity and sociality 9. Critical and political phenomenology Part III: Applied phenomenology 10. Classical applications: Psychology, psychiatry, sociology 11. Current debates in qualitative research and the cognitive sciences 12. A method, an attitude, a theoretical framework Conclusion Glossary References Index Author(s) Biography Dan Zahavi is Professor of Philosophy at the University of Copenhagen, Denmark, and Director of the Center for Subjectivity Research in Copenhagen. His book The Phenomenological Mind (third edition, 2021), coauthored with Shaun Gallagher, is also available from Routledge. Critics' Reviews "Clear, engaging and insightful, there is no better introduction to the past, present and future of phenomenological philosophy than this new edition of Zahavi's book." - Dave Ward, University of Edinburgh, UK "Nuanced, problem-driven, and accessible, this is simply the best introduction to phenomenology. Lucidly written, it presents clear explanations of key concepts and theories while covering the breadth of the phenomenological tradition. The revised edition now also provides an introduction to Critical Phenomenology, likely the most-discussed trend in phenomenology today." - Tobias Keiling, University of Warwick, UK Praise for the previous edition: "For the one seeking a way into phenomenological thinking today, or a way to help others find one, it has not been obvious, in the English context, what resource should serve as the best point of entry. The first great merit of Dan Zahavi’s book, Phenomenology: The Basics, is to change this calculus for good. Offering English readers an entry point into phenomenology that is accessible, lucid, and engaging, presents key concepts and insights faithfully (but not ploddingly), along with their pertinence in multiple fields of contemporary research, and doing this without obvious error or negligence, is no small achievement." - Karl Hefty, Reading Religion "A lucid and authoritative introduction to phenomenology including its practical applications in sociology and psychology from one of the world’s leading phenomenologists." - Dermot Moran, Boston College, USA "Zahavi’s Phenomenology: The...

It is gross really to see the patients staying inside day after day, week after week, and in some cases month after month. But it is gross only when you start. Evidently, you get used to it. Some of the people who work at Corrigan IPU are humane people dedicated to their patients. But eventually, they must be able to subconsciously supress how disgusting this is. How does this happen? I found this quotation from Rousseau's Confessions to hit the real: “I have derived an important moral principle, perhaps the only one of any real practical use, which is that we should avoid situations that bring our duty into conflict with our interests … since I am certain that in such situations, … we will sooner or later weaken, without noticing it, and become unjust and wicked in deed without having ceased to be just and good in spirit” I first raised this issue with Corrigan in October 2024 to Larry Weiner who is the Director of Human Rights at Corrigan. He simply ignored me. Danielle Keogh, LICSW, actively resisted my efforts. I then decided to make a formal Human RIghts Complaint. I assumed this would get a response. However no one from Corrigan would even acknowledge they received it. I sent it to: Jose Afonso ("provider" where a "provider" is sometimes called a "prescriber". It is essentially someone who can prescribe, so it is a nurse practitioner, DO, etc.) Maxwell I. Mayer (provider) Larry Weiner and Jeanne Crespi, social worker. I have invited each of these people to come on to this podcast and correct me where I am wrong. Until they correct me, I would attribute Afonso and Mayer's non-response to their occupational or characterological contrariness and sense of superiority. They are "providers." They also have a vested interest (which is subliminal [see Rousseau]) as they possess the big swinging dicks at Corrigan IPU, are used to being kowtowed to, and, on information and belief, seem to use the Corrigan IPU as the IPU for their personal (presumably middle-class, white) patients. (The nurses will hold a bed open when they know that one of the providers' patients will soon be needing a bed. On information and belief, they also keep their own patients there longer ceteris paribus. Also as the golden goose: Corrigan IPU apparently requires an MD be on call all the time in case of an admission. The upshot is that it is good to have one of them as a provider. From the perspective of their patients' families, keeping this small (16-bed) unit open is a godsend. It only starts to look sketchy when you think of the anonymous payers of taxes and insurance premia. Why did I send it to Jeanne Crespi? She is the interim "Person in Charge," meaning she is the person you are supposed to contact with a Human Rights Complaint. It was thus quite surprising to me that neither she nor Larry Weiner even acknowledged my Complaint, or were willing to indicate to me that my Complaint would be taken seriously. I mean: that is one of their official, professional duties, as the Human Rights Officer and Person in Charge. In each case I was specifically--and increasingly plaintively--asking that they person please acknowledge receiving my Complaint, as a matter of simple courtesy. To no avail. Repeatedly shunned, I felt myself in full Karen mode. I went up the chain of command until, finally, I reached Star Sims, JD, Director of Human Rights for all of DMH. I appreciate attorney Sims responding quickly and professionally, acknowledging receipt of my complaint. Below are: (I) my exchange with Attorney Sims (II) timeline dates, factoids, and gossip mentioned in the podcast (III) my letters to Corrigan staff (each of which was met with the silent treatment) (I) my exchange with Attorney Sims On Tue, Feb 18, 2025 at 9:38 AM Sims, Startese (DMH) wrote: Good Morning Mr. [sic] Baker, I am acknowledging that I have received your email. I have forwarded your email/complaint to the DMH Office of Investigations for processing. The Human...

Owen Flanagan [Duke University] James B. Duke University Professor Emeritus of Philosophy & Professor of Neurobiology Emeritus What Is It Like to Be an Addict?: Understanding Substance Abuse "A brilliant and unparalleled synthesis of the science, philosophy, and first-person phenomenology of addiction. Owen Flanagan is a distinguished philosopher who ... is also an ex-addict. This book is beyond excellent. It is wise. Everyone who wants to understand addiction must read it." -- Hanna Pickard, Bloomberg Distinguished Professor of Philosophy and Bioethics, Johns Hopkins University "This elegant and clear book ... deserves to be a landmark in the study of addiction." -- Carl Erik Fisher, M.D., Assistant Professor of Clinical Psychiatry, Columbia University, author of The Urge: Our History of Addiction Owen Flanagan is an internationally acclaimed philosopher of mind, consciousness, ethics, and comparative philosophy and author of 12 books translated into many languages. A powerful and important exploration of how addiction functions on social, psychological and biological levels, integrated with the experience of being an addict, from an acclaimed philosopher and former addict. What is addiction? Theories about what kind of thing addiction is are sharply divided between those who see it purely as a brain disorder, and those who conceive of it in psychological and social terms. Owen Flanagan, an acclaimed philosopher of mind and ethics, offers a state-of-the-art assessment of addiction science and proposes a new ecumenical model for understanding and explaining substance addiction. Flanagan has first-hand knowledge of what it is like to be an addict. That experience, along with his wide-ranging knowledge of the philosophy of mind, psychology, neuroscience, and the ethics and politics of addiction, informs this important and novel work. He pairs the sciences that study addiction with a sophisticated view of the consciousness-brain/body relation to make his core argument: that substance addictions comprise a heterogeneous set of "psychobiosocial" behavioral disorders. He explains that substance addictions do not have one set of causes, such as self-medication or social dislocation, and they do not have one neural profile, such as a dysfunction in dopamine system. Some addictions are fun and experimentation gone awry. Flanagan reveals addiction to be a heterogeneous set of disorders, which are picked out by multifarious cultural, social, psychological, and neural features. Flanagan explores the ways addicts sensibly insist on their own responsibility to undo addiction, as well as ways in which shame for addiction can be leveraged into healing. He insists on the collective shame we all bear for our indifference to many of the psychological and social causes of addiction and explores the implications of this new integrated paradigm for practices of harm reduction and treatment. Flanagan's powerful new book upends longstanding conventional thinking and points the way to new ways of understanding and treating addiction.

Agnes Callard Open Socrates This is the the most impressive book I have ever read. What a mind! I was more nervous than usual, and I think I kept pronouncing her name wrong, but I feel honored, really, to have been able to talk with Agnes about this stunning work.

Wouter Kusters A Philosophy of Madness: The Experience of Psychotic Thinking MIT Press: https://mitpress.mit.edu/9780262044288/a-philosophy-of-madness/

The IPU at Corrigan Mental Health Center. This is a psychiatric IPU in Fall River, MA. It's a DMH facility. Best parts: 1) there are some excellent staff members (excellent both for patients and for co-workers), (e.g., OT Kyle, providers Max and Allison, nurses Christian and Jill, tech Sean, Social Worker Nicole). 2) As a public-sector, unionized shop, the staff can be their authentic selves. For those who don't like their jobs, they can express that openly. They are not pressured to dissimulate. 3) for patients, if you are looking for a place to stay a while, (i.e., if you are okay with being detained longer than the usual 72 hours), and if you are young and hence able to access the outdoors space, it may be a good place. If you are a patient of one of the Corrigan doctors (like Mayer, then an advantage of having Mayer as a doctor is that he is able to use this unit as an IPU for his regular outpatient clients. He can keep them there in an emergency and thus provide a respite for the patient and their family, a chance to return to stabilization) Worst parts: (a) Approximately half of the patients do not have actual access to the outside. The staff will tell you they provide four outdoor opportunities per day. But for practical purposes, many of the patients cannot--orwould not be reasonably expected to--access the outdoors as provided by Corrigan. (To go outside requires negotiating a steep set of stairs [it can be possible to take elevators but the elevators are difficult to operate, the techs don't make them readily available, and even when the techs are asked to take someone down in the elevator, they may choose not to. ). In addition, accessing the outside can only be done in a large group. Many of the patients are anxious in groups and would love to access the outside if they were able to do so individually, but prefer not to go down in the crowded group, long-stair, way with chains and locks, and authentically depressed staff). (b) Taxpayers lose big time. This is an extremely cost inefficient IPU. It is staffed 24/7/365, (including always an on-call provider apparently), and the staffing levels are such that, during the day shift alone, there are more staff than patients!!! At one time, Corrigan IPU had 40 patients. The folklore is that a patient there hung themself and, as a result, the beds were dropped all the way to 16. But there are more than 16 staff working the day shift alone (not even counting the evening shift or nighttime shift). During the daytime, there are 5 nurses (a charge nurse, another unit nurse, a med nurse, and two nurses in an administrative role (not on unit). 2 occupational therapists 2 providers 4 techs and 3 social workers That is for 16 beds, and often a bed or two is empty, so let's say 15 patients on average. In addition, there are other staff who are not full time (or who work full time, but divide their time across the IPU and other operations): a pharmacist, a nutritionist (she may be full time), a peer advocate, a human rights officer, and more layers of admin. In addition, Corrigan tends to keep people longer than other inpatient units--- much longer (e.g., instead of 72 hours, one stays for months or even, for two patients, 2 years and counting). Because of this, there are more court proceedings compared to units which churn more on a 72 hour cycle. Few if any patients bring their own counsel. So whenever there is a hearing, the taxpayers are paying for the DMH attorney, the Corrigan Staff, the patient's attorney, and the judge or magistrate. (c) social work. Let's not ask "who did what wrong" or "who is at fault?" Let's instead ask "What happened?" DMH emphasizes a patient centered approach. But the incentives facing SW Danielle Keogh, in combination with her training and experience, have resulted in a flouting of patient-centeredness, supposedly because it doesn't apply to these patients. Her focus, instead, is on auditing: that is, on auditing from DMH ultimately...

Alenka Zupančič Disavowal This book argues that the psychoanalytic concept of disavowal best renders the structure underlying our contemporary social response to traumatic and disturbing events, from climate change to unsettling tectonic shifts in our social tissue. Unlike denialism and negation, disavowal functions by fully acknowledging what we disavow. Zupancic contends that disavowal, which sustains some belief by means of ardently proclaiming the knowledge of the opposite, is becoming a predominant feature of our social and political life. She also shows how the libidinal economy of disavowal is a key element of capitalist economy. The concept of fetishistic disavowal already exposes the objectified side of the mechanism of the disavowal, which follows the general formula: I know well, but all the same, the object-fetish allows me to disregard this knowledge. Zupancic adds another twist by showing how, in the prevailing structure of disavowal today, the mere act of declaring that we know becomes itself an object-fetish by which we intercept the reality of that very knowledge. This perverse deployment of knowledge deprives it of any reality. This structure of disavowal can be found not only in the more extreme and dramatic cases of conspiracy theories and re-emerging magical thinking, but even more so in the supposedly sober continuation of business as usual, combined with the call to adapt to the new reality. To disrupt this social embedding of disavowal, it is not enough to change the way we think: things need to change, and hence the way they think for us

Stijn Vanheule (approximate pronunciation "Stayin' VonHoil) Why Psychosis Is Not So Crazy A Road Map to Hope and Recovery for Families and Caregivers An expert’s guide to humanizing psychosis through communication offers key insights for family and friends to support loved ones during mental health crises. Are we all a little crazy? Roughly 15 percent of the population will have a psychotic experience, in which they lose contact with reality. Yet we often struggle to understand and talk about psychosis. Interactions between people build on the stories they tell each other—stories about the past, about who they are or what they want. In psychosis we can no longer rely on these stories, this shared language. So how should we communicate with someone experiencing reality in a radically different way than we are? Drawing on his work in psychoanalysis, Stijn Vanheule seeks to answer this question, which carries significant implications for mental health as a whole. With a combination of theory from Freud to Lacan, present-day research, and compelling examples from his own patients and well-known figures such as director David Lynch and artist Yayoi Kusama, he explores psychosis in an engaging way that can benefit those suffering from it as well as the people who care for and interact with them.

Consider the turkey Peter Singer Why this holiday season is a great time to rethink the traditional turkey feast

Maria Balaska. Anxiety and wonder: On being human Description At times, we find ourselves unexpectedly immersed in a mood that lacks any clear object or identifiable cause. These uncanny moments tend to be hastily dismissed as inconsequential, left without explanation. Maria Balaska examines two such cases: wonder and anxiety – what it means to prepare for them, what life may look like after experiencing them, and what insights we can take from those experiences. For Kierkegaard anxiety is a door to freedom, for Heidegger wonder is a distress that opens us to the truth of Being, and for Wittgenstein wonder and anxiety are deeply connected to the ethical. Drawing on themes from these thinkers and bringing them into dialogue, Balaska argues that in our encounters with nothing we encounter the very potential of our existence. Most importantly, we confront what is most inconspicuous and fundamental about the human condition and what makes it possible to encounter anything at all: our distinct capacity for making sense of things. Table of Contents Preface Acknowledgments Abbreviations Introduction 1. What Makes Us Anxious? 2. Anxiety and the Origin of Human Existence 3. Wonder and the Origin of Philosophy 4. The Paradox of Anxiety and Wonder 5. After Anxiety and Wonder Notes Bibliography Editorial Reviews Review “In this astute analysis of anxiety and wonder, Maria Balaska argues that understanding ourselves requires more than natural causal explanations and resists psychopathological approaches to overpowering experiences. With Kierkegaard, Heidegger, Wittgenstein, and Lacan, she insightfully elucidates the deeply human desires to feel at home in the world and find meaning in it-and the possibility of their fulfilment.” ―Kate Kirkpatrick, Regent's Park College, University of Oxford, UK “Maria Balaska presents the best treatment to date of wonder and anxiety in Kierkegaard and Heidegger. Focused on the objectlessness of both experiences – what Kierkegaard calls the ambiguous power of spirit and Heidegger terms “the nothing” – the book draws as well on Freud, Lacan, Plato, and Wittgenstein to argue that living authentically means embracing the liberating power of one's mortal open-endedness. Capacious, insightful, and written in lucid prose, Prof. Balaska's text will enrich both lay and professional readers.'” ―Thomas Sheehan, Professor Emeritus of Religious Studies, German Studies and Philosophy, Stanford University, USA “Maria Balaska facilitates a conversation between Heidegger, Kierkegaard, Lacan and Wittgenstein that presents philosophy as embodying an anxious wonder at our capacity to make sense of things. She thereby deepens our understanding of all four thinkers, and illuminates not only the distinctive nature of philosophy, but its ineliminable role in the perennial human task of making sense of ourselves and our place in the universe.” ―Stephen Mulhall, Professor of Philosophy, University of Oxford, UK “This is an excellent book … A must-read for specialists interested in how continental philosophy can contribute to the thriving discourse on the experience and place of anxiety and wonder in our lives.” ―Philosophical Investigations About the Author Maria Balaska is a Research Fellow at Åbo Akademi University, Finland, and a Visiting Research Fellow at the University of Hertfordshire, UK. She is the author of Wittgenstein and Lacan at the Limit: Meaning, and Astonishment (2019) and editor of Cora Diamond on Ethics (2020). Publisher ‏ : ‎ Bloomsbury Academic (May 2, 2024) Language ‏ : ‎ English Paperback ‏ : ‎ 168 pages ISBN-10 ‏ : ‎ 1350302937 ISBN-13 ‏ : ‎ 978-1350302938

Our third talk with Deirdre Nansen McCloskey. Today, we talk with her about two working papers on liberalism.

Sharon Patricia Holland an other In an other, Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE’s incarnation as an animal liberation group; uses sovereignty in Morrison’s A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett’s films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives. “With her characteristic brilliance and speculative flair, Sharon Patricia Holland breaks new ground in an other, a book that will prove to be her most philosophical and speculative text yet. Holland pulls at the ways that blackness as ontology and epistemology undoes and ethically remakes the bio/zoopolitical distinction between animals and humans. She remakes the very ideas that underline life itself as a human project that both denies and relies on animality: love, death, knowing, being, and ultimately revolution as it happens on the scale of the ordinary and the everyday. An essential volume.” — Kyla Wazana Tompkins, author of Racial Indigestion: Eating Bodies in the Nineteenth Century “Sharon Patricia Holland’s an other is a beautiful, expansive, rich, and genius gift to a world that could not have anticipated it. Her work at the level of the animal and cohabitation and about relationality and comportment is assuredly a necessary and brilliant offering. Holland’s enormous intervention cannot be overstated. Black studies will not be the same after this book.” — Sarah Jane Cervenak, author of Black Gathering: Art, Ecology, Ungiven Life Sharon Patricia Holland is Townsend Ludington Distinguished Professor of American Studies at the University of North Carolina at Chapel Hill, and author of The Erotic Life of Racism and Raising the Dead: Readings of Death and (Black) Subjectivity, both also published by Duke University Press

Stephanie Li Ugly White People: Writing Whiteness in Contemporary America White Americans are confronting their whiteness more than ever before, with political and social shifts ushering in a newfound racial awareness. And with white people increasingly seeing themselves as distinctly racialized (not simply as American or human), white writers are exposing a self-awareness of white racialized behavior—from staunch antiracism to virulent forms of xenophobic nationalism. Ugly White People explores representations of whiteness from twenty-first-century white American authors, revealing white recognition of the ugly forms whiteness can take. Stephanie Li argues that much of the twenty-first century has been defined by this rising consciousness of whiteness because of the imminent shift to a “majority minority” population and the growing diversification of America’s political, social, and cultural institutions. The result is literature that more directly grapples with whiteness as its own construct rather than a wrongly assumed norm. Li contextualizes a series of literary novels as collectively influenced by changes in racial and political attitudes. Turning to works by Dave Eggers, Sarah Smarsh, J. D. Vance, Claire Messud, Ben Lerner, and others, she traces the responses to white consciousness that breed shared manifestations of ugliness. The tension between acknowledging whiteness as an identity built on domination and the failure to remedy inequalities that have proliferated from this founding injustice is often the source of the ugly whiteness portrayed through these narratives. The questions posed in Ugly White People about the nature and future of whiteness are vital to understanding contemporary race relations in America. From the election of Trump and the rise of white nationalism to Karen memes and the war against critical race theory to the pervasive pattern of behavior among largely liberal-leaning whites, Li elucidates truths about whiteness that challenge any hope of national unity and, most devastatingly, the basic humanity of others. Ugly White People is not about the 'racists' but about the way whiteness shapes the subjectivity of all white people. Relying on an elegant and parsimonious textual analysis of the work of contemporary authors, Stephanie Li shows how whites manage to evade while they acknowledge their whiteness, how they consume people of color through racist love, and how they accept whiteness in a way that neglects addressing racism. I highly recommend this book to readers interested in understanding contemporary whiteness. — Eduardo Bonilla-Silva, Duke University The best writing critically studying whiteness today intensely engages imbrications of race with other identities, especially class, gender, nationality, and disability. No one does all of that better than Stephanie Li. Addressing literary moments with a sure grasp of history and an adventuresome readings of texts, Ugly White People speaks compellingly to the persisting strength of Trump and white nationalism and to the desire for social media celebrity as something authors both explore and share. — David Roediger, author of The Sinking Middle Class: A Political History of Debt, Misery, and the Drift to the Right Stephanie Li is Lynne Cooper Harvey Distinguished Professor of English at Washington University in St. Louis. She is author of Pan-African American Literature, Playing in the White, and Signifying without Specifying.

Gilligan, Carol In a Human Voice Carol Gilligan's landmark book In a Different Voice – the "little book that started a revolution" – brought women's voices to the fore in work on the self and moral development, enabling women to be heard in their own right, and with their own integrity, for the first time. Forty years later, Gilligan returns to the subject matter of her classic book, re-examining its central arguments and concerns from the vantage point of the present. Thanks to the work that she and others have done in recent decades, it is now possible to clarify and articulate what couldn't quite be seen or said at the time of the original publication: that the "different voice" (of care ethics), although initially heard as a "feminine" voice, is in fact a human voice; that the voice it differs from is a patriarchal voice (bound to gender binaries and hierarchies); and that where patriarchy is in force or enforced, the human voice is a voice of resistance, and care ethics is an ethics of liberation. While gender is central to the story Gilligan tells, this is not a story about gender: it is a human story. With this clarification, it becomes evident why In a Different Voice continues to resonate strongly with people's experience and, perhaps more crucially, why the different voice is a voice for the 21st century. ----------------------------------------------------------------------- During the podcast, Mary Gaitskill's piece on Anna Karenina, from Fassler, Joe. Light the Dark: Writers on Creativity, Inspiration, and the Artistic Process (pp. 69-73). Penguin, excepted here: MARY GAITSKILL "I Don’t Know You Anymore" I READ ANNA KARENINA for the first time about two years ago. It’s something I’d always meant to read, but for some reason I didn’t expect to like it as much as I did. ... I found one section in particular so beautiful and intelligent that I actually stood up as I was reading. I had to put the book down, I was so surprised by it—and it took the novel to a whole other level for me. Anna’s told her husband, Karenin, that she’s in love with another man and has been sleeping with him. You’re set up to see Karenin as an overly dignified but somewhat pitiable figure: He’s a proud, stiff person. He’s older than Anna is, and he’s balding, and he has this embarrassing mannerism of a squeaky voice. He’s hardened himself against Anna. He’s utterly disgusted with her for having gotten pregnant by her lover, Vronsky. But you have the impression at first that his pride is hurt more than anything else—which makes him unsympathetic. Then he finds out Anna is dying, and he goes to visit her.] He hears her babbling, in the height of her fever. And her words are unexpected: She’s saying how kind he is. That, of course, she knows he will forgive her. When Anna finally sees him, she looks at him with a kind of love he’s never seen before. ... Throughout the book, he’s always hated the way he’s felt disturbed by other people’s tears or sadness. But as he struggles with this feeling while Anna’s talking, Karenin finally realizes that the compassion he feels for other people is not weakness: For the first time, he perceives this reaction as joyful, and becomes completely overwhelmed with love and forgiveness. He actually kneels down and begins to cry in her arms; Anna holds him and embraces his balding head. The quality he hated is completely who he is—and this realization gives him incredible peace. He even decides he wants to shelter the little girl that Anna’s had with Vronsky (who sits nearby, so completely shamed by what he’s witnessing that he covers his face with his hands). You believe this complete turnaround. You believe it’s who these people really are. I find it strange that the moment these characters seem most like themselves is the moment when they’re behaving in ways we’ve never before seen. I don’t fully understand how this could be, but...

Merav Roth A Psychoanalytic Perspective on Reading Literature: Reading the Reader (Art, Creativity, and Psychoanalysis Book Series) 1st Edition What are the unconscious processes involved in reading literature? How does literature influence our psychological development and existential challenges? A Psychoanalytic Perspective on Reading Literature offers a unique glimpse into the unconscious psychic processes and development involved in reading. The author listens to the 'free associations' of various literary characters, in numerous scenarios where the characters are themselves reading literature, thus revealing the mysterious ways in which reading literature helps us and contributes to our development. The book offers an introduction both to classic literature (Poe, Proust, Sartre, Semprún, Pessoa, Agnon and more) and to the major psychoanalytic concepts that can be used in reading it – all described and widely explained before being used as tools for interpreting the literary illustrations. The book thus offers a rich lexical psychoanalytic source, alongside its main aim in analysing the reader’s psychological mechanisms and development. Psychoanalytic interpretation of those literary readers opens three main avenues to the reader’s experience: the transference relations toward the literary characters; the literary work as means to transcend beyond the reader’s self-identity and existential boundaries; and mobilization of internal dialectic tensions towards new integration and psychic equilibrium. An Epilogue concludes by emphasising the transformational power embedded in reading literature. The fascinating dialogue between literature and psychoanalysis illuminates hitherto concealed aspects of each discipline and contributes to new insights in both fields. A Psychoanalytic Perspective on Reading Literature will be of great interest not only to psychoanalytic-psychotherapists and literature scholars, but also to a wider readership beyond these areas of study.