For the now Oscar-nominated Chilean film ‘A Fantastic Woman,’ director Sebastián Lelio cast transgender actress Daniela Vega as a trans woman dealing with the sudden loss of of her partner. Lelio says box office grosses were less than his last movie, but in terms of starting a social conversation in Chile, the film has been incredibly powerful. Both Lelio and Vega join us to talk about making 'A Fantastic Woman.'
‘Mudbound’ director of photography Rachel Morrison just made history as the first woman nominated for an Academy Award for best cinematography. She’s also the first woman to shoot a big comic book movie: the upcoming Marvel mega-hit, ‘Black Panther.’ She fought hard to get to the top of her male-dominated field, but says more women are getting a shot at getting the shot.
Documentarian Alex Gibney is known for his award-winning investigative films on Enron, Wikileaks and Scientology. For his newest project, he took on the Volkswagen diesel-car emissions scandal and this time, it was personal. Gibney tells us about his new Netflix series ‘Dirty Money,’ in which his look at VW is one of six documentaries in a series on corporate greed.
Tom Rob Smith seems like a nice enough guy, but many of his works are about grisly murders. His newest project is ‘The Assassination of Gianni Versace,’ FX’s second entry in its American Crime Story anthology. The series examines the murder of the fashion icon, and looks at the lives of the other men who died at the hand of killer Andrew Cunanan. Smith tells us why writing about murder is a useful way of exploring a society.
Amazon’s ‘The Marvelous Mrs. Maisel’ tells the story of Midge Maisel--the perfect well-to-do 1950’s New York housewife who turns to stand-up comedy when her husband leaves her. Creator Amy Sherman-Palladino and her husband and producing partner Daniel Palladino tell us about the work that goes into filming a period series in Manhattan and their painstaking process for selecting music for the show.
In 2012, director Ziad Doueiri broke Lebanese law by shooting a movie in Israel. His latest film,‘The Insult,’ has nothing to do with Israel, but Doueiri still has enemies in the Middle East who tried to stop the release of this movie. They failed, and now 'The Insult' is shortlisted for Oscar in the foreign language category and a box-office hit in Lebanon.
Now that Russia has been banned from the upcoming Winter Olympics, we thought it would be a good time to revisit our interview with ‘Icarus’ director Bryan Fogel. We talk about his crazy journey of meeting, befriending, and then very likely saving the life of Dr. Grigory Rodchenkov, the architect of Russia’s state-run Olympic doping program. Plus, an all-new Banter about the effort to keep the #MeToo momentum going.
Sir Ridley Scott just pulled off a one-of-a-kind filmmaking feat--cutting Kevin Spacey out of his new film and reshooting with Christopher Plummer in the role--all in just six weeks. Scott tells us about his mad dash to refilm 22 scenes of the Getty family kidnapping drama All the Money in the World.
Guillermo del Toro's new film, The Shape of Water, is a visually stunning love story between a mute cleaning woman and an exotic sea creature. It looks expensive, but del Toro actually came in under his modest budget. He tells us about the creative ways he stretched a dollar making his awards contender.
For his new series Wormwood, documentarian Errol Morris used interviews and archival footage to tell the story of Frank Olson, an Army scientist who died a mysterious death in 1953. But he also cast Peter Sarsgaard to play Olson in scripted sequences. Netflix footed the bill, though no one quite knew what they were getting themselves into when they first took on the project.
Documentary filmmaker Neil Berkeley desperately wanted to make a movie about the screeching comedian Gilbert Gottfried. But when he started spending time with Gottfried and his wife Dara, he found someone who was much different from -- and quieter than -- his onstage persona. Berkeley tells us about getting to know the real Gottfried and following him on the road, where he is shockingly frugal.
We revisit our conversation with actress and comedian Tiffany Haddish, who had a star-is-born moment earlier this summer with the raunchy comedy Girls Trip. Haddish says the movie has already changed her life, and she has big plans for where her career goes from here. Haddish and Girls Trip director Malcolm D. Lee tell us about filming during the actual Essence Festival and yes, a certain scene involving a grapefruit.
For the new movie Call Me By Your Name, Italian filmmaker Luca Guadagnino started as a consultant but ended up as the director. He tells us about the decade-long journey making the film and how he convinced Armie Hammer to take the part of Oliver, a closeted graduate student who finds a passionate romance one summer in 1980s Italy.
Better Things co-creator Pamela Adlon tells us about learning to stop second guessing herself and embracing many roles -- writer, director, producer and actor. And yes, we ask her about Louis C.K. We spoke to Adlon just days before the New York Times published a story alleging that C.K., her long-time collaborator, had a history of sexual misconduct.
Hollywood chased after Swedish writer-director Ruben Östlund following his well-received 2014 film Force Majeure. But Östlund isn't so sure he wants to be caught. He tells KCRW's Matt Holzman about staying in Scandinavia and his new movie The Square, a satirical dramedy that is his second film selected as Sweden's foreign language submission to the Oscars.
Two women who have carved out great careers in Hollywood share their stories of sexual harassment. Comedy writer Janis Hirsch and Grey's Anatomy showrunner Krista Vernoff talk about what they've had to put up with and their hope that the culture will finally change.
Actor Andy Serkis is best known for his pioneering motion capture work. Now Serkis has stepped behind the camera to direct the new movie Breathe. The film is a very personal one for producer Jonathan Cavendish; it tells the true story of his remarkable parents. Serkis and Cavendish tell us why they wanted to make an old-fashioned love story like Breathe, give a Jungle Book update and talk about some of the new projects in the works at their performance capture studio Imaginarium.
We have interesting guests on The Business, and sometimes our conversations are too long to fit into one show. This week we give you stories that were too good to leave on the cutting room floor, including some sharp insights on making it in the industry from David Mandel, David Simon, Shawn Levy and Matt Reeves.
Filmmakers and married couple Valerie Faris and Jonathan Dayton planned to release their film about the 1973 tennis match between Billie Jean King and Bobby Riggs before the 2016 presidential election. Then their star, Emma Stone, signed on to make La La Land and Battle of the Sexes got pushed back. Now their film -- about a battle against misogyny, gender discrimination and homophobia both on the tennis court and off -- suddenly has more resonance than they expected.