Movie Schmovie

Ron, Steve, and John discuss 1990’s The Hunt for Red October, the new trailer for Zach Cregger‘s Weapons, and Sinners (yes, again)!

Steve’s Required Viewing pick leaves no tears unshed as the guys are emotionally destroyed by The Remarkable Life of Ibelin, a unique Norwegian documentary about online life, coping with illness, and the need for friendship. Then they regroup to share thoughts on other recent things they’ve watched—including more enthusing about Sinners, which John finally caught.

It’s an episode bursting with positive vibes for new movies! What more could you want? Maybe if we said “John reveals something potentially embarrassing from his past,” that would hook you in. The choice is yours.

John’s Required Viewing pick for this episode is Zucker-Abrams-Zucker’s 1984 spy/Elvis/war spoof, Top Secret!, starring the late, great Val Kilmer in an early, loose-limbed comedic role. After that, Ron gives us the low-down on Drop, the brand-new Blumhouse thriller in theaters now; there’s a survey of some recent trailers for films that the guys are excited about; and finally it’s time to share a few thoughts on the White Lotus season finale.

Steve’s Required Viewing pick is an indie film that straddles a few genres, including horror, sci-fi, and psychological drama. Find out what the guys think! Also get Ron’s take on Flight Risk, a new thriller from Ambassador to Hollywood Mel Gibson in which Mark Wahlberg rocks his most interesting hairline yet!

Ron’s Required Viewing pick this week is 1986’s Howard the Duck, a silly sci-fi adventure torn from the pages of Marvel Comics. After discussing that, the guys dig into a few other things they’ve seen and spend a segment extolling the virtues of Walton Goggins, who is having a moment.

Ron, Steve, and John hop in the car with Samuel L Jackson and Geena Davis to keep tabs on 1996’s The Long Kiss Goodnight, a violent and bombastic neonoir/action/comedy thriller directed by Renny Harlin. Then they break down the other things they’ve watched recently, including Daredevil: Born Again (the latest Disney+ MCU series), and Bong Joon-Ho’s wild and funny sci-fi epic, Mickey 17. And more!

Just look at that episode title! What a bunch of stuff to talk about, and that’s without the implications of the word “more.” Are Ron, Steve, and John up to the task? Only those who listen will know.

Ron, Steve, and John talk-sing their way through the minefield of topics that is this week’s Required Viewing pick, Emilia Pérez. Then they blast through internet issues to take on the real enemy: Mediocre superhero films. Who wins that battle? Listen in to find out the answer to that, as well as some recent TV shows the guys have been watching.

In a special installment celebrating 400 episodes since John joined the podcast, the Schmovie Boyz chat about streaming series’ whose names start with S (more or less); play a government-ordered round of The Schmovie Studios Movie Game; and reassess some old topic-based episodes of the show in a new segment called “Forever Ever?”

Ron, Steve, and John get lost in the catacombs with a very chilled-out Crypt Keeper, who guides us through this week’s Required Viewing selection, 1972’s UK anthology film, Tales from the Crypt. Then it’s back to the office as the long-awaited season two premiere of Severance finally arrives. Worth the wait? Join us and find out!

We dive into Steve’s Required Viewing pick, Asphalt City, and its storytelling impact, then review 2025’s Wolfman starring Christopher Abbott, exploring its place in the werewolf genre. Plus, more movie and pop culture discussions!

Ron, Steve, and John are here to give you something to look forward to as they list their most anticipated movies and TV shows of the upcoming year. Because in 2025, escapism is where it’s at!

Ron, Steve, and John are going live for the first time ever! Join the guys as they count down their favorite films of 2024 in this special year-end episode. From jaw-dropping blockbusters to hidden indie gems, they share their top picks and reflect on the year in cinema. Tune in for laughs, hot takes, and maybe a few surprises as they wrap up 2024 with a celebration of the movies that made an impact. Don’t miss this epic live stream event—grab your popcorn and let’s talk film!

Ron, Steve, and John search their souls and discuss the relatable predicament of having to pick a new pope by digging in to Conclave, a recent, dialogue-driven Vatican drama packed with terrific actors. Ronald and Steve share in the fun they had with Netflix’s holiday action thriller Carry-On, and then the guys hop into John’s car to break down Robert Eggers’s dread-infused remake of classic vampire film Nosferatu.

Ron, Steve, and John travel back to feudal Japan to sneak into The Hidden Fortress, and then it’s off to a galaxy far, far away for the latest Disney+ Star Wars show, Skeleton Crew, which beats the odds by being pure fun.

The guys attach the customary electrodes and flip a few switches so they can chat up Netflix’s bizarre, darkly funny body-swap thriller It’s What’s Inside. Then they dive headlong into a round-robin discussion of things they’re thankful for this year—mostly related to entertainment but some related to life-stuff! Whether you’re getting ready for a big family feast or hiding somewhere with a quiet snack, do Turkey day right: with us in your ear.

In this relatively brief episode that’s not really an episode, the guys huddle in John’s car for a field recording of their Gladiator II thoughts, minutes after viewing the film. ALSO, hear about Ron’s emotional experience seeing Wicked: Part 1.

In a wide-ranging episode, the guys tackle Max Julien’s 1974 blaxploitation western, Thomasine and Bushrod; pay their respects to the late Tony Todd; and dig into the premiere of Silo’s second season on Apple TV Plus. Then Ron and John deliver a spoiler section on the first season of The Penguin and Steve shares a few thoughts about creepy Hugh Grant in Heretic.

Ron, Steve, and John get together to talk about a horror remake from 1988, because there isn’t anything else going on. It’s Chuck Russell’s version of The Blob, a film with scary practical effects and an even scarier mullet.