MoMA Talks: Panel Discussions and Symposia
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Meta Monumental Garage Sale: Exploring Value Systems
November 19, 2012 6:00 p.m. In conjunction with the exhibition Meta-Monumental Garage Sale, join three invited guests from diverse fields—a psychic, a stylist, and an art conservator—for an exploration of varying notions of value. Following a short discussion between these specialists, visitors can browse the garage sale, purchase items, and have a conversation with any or all of the guests—and perhaps assess the "value" of your purchase.
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A Salon de Fleurus Salon
Thursday, October 11, 20126:00 p.m. For two decades, Salon de Fleurus has quietly kept its doors open in New York, defying definitions while fascinating visitors. Oscillating between a museum and a domestic space, Salon de Fleurus functions as an intimate cabinet of wonder for modern art. As part of this tribute to Salon de Fleurus, a number of prominent artists and writers will share their first encounters of the space. Participants include Laurent Binet, writer and essayist; Andrea Geyer,...
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De Kooning Now, Part I
Friday, November 11, 2011 10:00 a.m.–5:30 p.m. De Kooning Now is a daylong series of talks and discussions in which artists, critics, and scholars explore Willem de Kooning’s work, examining its processes, themes, and influences; its place in Abstract Expressionism; and its significance for the art of our time. Participants include artists Cecily Brown, Tom Ferrara, William Tucker, Josh Smith, and Terry Winters; art historians William Agee, Lynne Cooke, John Elderfield, Pepe Karmel, David...
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De Kooning Now, Part II
Friday, November 11, 2011 10:00 a.m.–5:30 p.m. De Kooning Now is a daylong series of talks and discussions in which artists, critics, and scholars explore Willem de Kooning’s work, examining its processes, themes, and influences; its place in Abstract Expressionism; and its significance for the art of our time. Participants include artists Cecily Brown, Tom Ferrara, William Tucker, Josh Smith, and Terry Winters; art historians William Agee, Lynne Cooke, John Elderfield, Pepe Karmel, David...
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Panel Discussion Contemporary Chinese Art: Primary...
The Museum of Modern Art and Asia Art Archive (AAA) have co-launched two documentary projects, an anthology and a website, that seek to ameliorate this situation. MoMA’s publication Contemporary Chinese Art: Primary Documents, and AAA’s website Materials of the Future: Documenting Contemporary Chinese Art, 1980–1990, are essential to a deeper understanding of the history of contemporary Chinese art. To celebrate the launch of these two projects, MoMA and AAA are bringing together a number of...
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Democratizing Museums: Pioneering the Use of Media to...
Part 8 of 8 Closing remarks and Q & A with all speakers and respondents
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Democratizing Museums: Pioneering the Use of Media to...
Part 7 of 8 Lynn Spigel
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Democratizing Museums: Pioneering the Use of Media to...
Part 4 of 8 What in the World? Pablo Helguera, Director of Adult and Academic Programs, MoMA and artist
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Mining Modern Museum Education: Juliet Kinchin
Part 8 of 9 Juliet Kinchin, Curator, Department of Architecture and Design, The Museum of Modern Art
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Mining Modern Museum Education: Elliott Kai-Kee
Part 7 of 9 Elliott Kai-Kee, Education Specialist, J. Paul Getty Museum
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Women and the Bauhaus: Interior Design/Lilly Reich
Wednesday, January 13, 2010 6:30 P.M. Presented by the Modern Women’s Project, this program features Matilda McQuaid, Deputy Curatorial Director, Cooper-Hewitt National Design Museum, who prioritizes Reich’s work and experience at the Bauhaus and external projects undertaken during Mies Van Der Rohe’s tenure as Director. Following this talk, Maria Makela, Professor, Visual Studies, California College of the Arts, speaks about the emergence and significance of artificial fabrics in Germany...
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Music at the Bauhaus: A Concert
December 01, 2009, 6:30 PM The interdisciplinary innovations in design, movement, and performance that were characteristic of the Bauhaus had a great impact on the era’s musical vanguard. Several significant composers had ties to the Bauhaus and many others were represented in Bauhaus performances, forging an entirely new musical language that incorporated the school’s unique ethos. In this concert, which accompanies the exhibition Bauhaus 1919–1933: Workshops for Modernity, Maria Tegzes,...
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Women and the Bauhaus: Weaving/Anni Albers
November 18, 2009, 6:30 P.M. The Museum presents a series, made possible by the Modern Women’s Fund, of four discussions on female members of the Bauhaus whose important contributions have often been overlooked in earlier histories of the school. Tonight’s program, the first in the series, features Nicholas Fox Weber, Executive Director, The Josef and Anni Albers Foundation, as he spotlights Anni Albers’s works and experience at the Bauhaus, including her pivotal role in the weaving...
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Women and the Bauhaus: Metal/Marianne Brandt
Wednesday, December 9, 2009 6:30 PM The Modern Women’s Project presents a series of four discussions on female members of the Bauhaus whose important contributions have often been overlooked in earlier histories of the school. Tonight’s program, the second in the series, features Elizabeth Otto, Assistant Professor, Department of Visual Studies, University at Buffalo, State University of New York, as she discusses Marianne Brandt’s work in the metal workshop as well as in other mediums such...
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Mining Modern Museum Education: Robert Eskridge
Part 5 of 9 Katharine Kuh and the Evolution of Modern Art at the Art Institute of Chicago Robert Eskridge, Woman’s Board Endowed Executive Director of Museum Education, Art Institute of Chicago
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Mining Modern Museum Education: Jessica Gogan
Part 6 of 9 Jessica Gogan, museum education consultant and former Director of Education, The Andy Warhol Museum
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Mining Modern Museum Education: Kelly McKinley
Part 4 of 9 Arthur Lismer and the Early Educational Foundations of the Art Gallery of Ontario Kelly McKinley, Richard and Elizabeth Currie Director of Education and Public Programming, Art Gallery of Ontario
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Caribbean Modernist Architecture Symposium: Panel Four:...
February 28–March 2, 2008 Saturday, March 01, 2008: Symposium Day 2 PANEL SESSION FOUR Mark Raymond, architect, Trinidad and Tobago “Critical Practice”
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Before and After 1933: The International Legacy of the...
Friday, January 22, 2010 10:00 AM–5:00 PM The legacy of the Bauhaus has been shaped by the tides of the twentieth century. After the school’s forced closing in 1933, many of its faculty and students left Germany for the Americas, Palestine, South Africa, and elsewhere. Through this diaspora, varied understandings of the Bauhaus proliferated, and over many years it served as a key symbol in intellectual and political debates around the world. In the United States, Bauhaus migrs were...
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Mining Modern Museum Education: Briley Rasmussen
Part 3 of 9 Victor D’Amico, Director of the Educational Project, Museum of Modern Art (1937-70) Briley Rasmussen, Museum Educator, Los Angeles County Museum of Art
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Mining Modern Museum Education: Kim Kanatani
Part 2 of 9 Hilla Rebay, and the Solomon R. Guggenheim Museum Kim Kanatani, Deputy Director and Gail Engelberg Director of Education, Solomon R. Guggenheim Museum, New York
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Women and the Bauhaus: Public Relations/Ise Gropius,...
Wednesday, January 6, 2010 6:30 PM The Modern Women’s Project presents a series of four discussions on female members of the Bauhaus whose important contributions have often been overlooked in earlier histories of the school. Tonight’s program, the third in the series, features Adrian Sudhalter, Assistant Research Curator, Department of Painting and Sculpture, The Museum of Modern Art, as she discusses Ise Gropius’s role as spokesperson for the Bauhaus; and Claire Zimmerman, Assistant...
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Contemporary Artists' Book Conference (Part 3 of 3)
Part 3 of 3 In conjunction with the Contemporary Artists' Books Conference, a collaboration between the Art Libraries Society of New York and Printed Matter, Inc., numerous institutions in New York City are offering panels, artists' presentations, and tours. Participants include Barbara Bader, Stuart Bailey, Geoffrey Batchen, AA Bronson, Bill Burns, May Castleberry, Alejandro Cesarco, Luc Derycke, Dexter Sinister (David Reinfurt and Stuart Bailey), Deirdre Donohue, Jason Fulford, Bettina...
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Contemporary Artists' Book Conference (Part 2 of 3)
Part 2 of 3 In conjunction with the Contemporary Artists' Books Conference, a collaboration between the Art Libraries Society of New York and Printed Matter, Inc., numerous institutions in New York City are offering panels, artists' presentations, and tours. Participants include Barbara Bader, Stuart Bailey, Geoffrey Batchen, AA Bronson, Bill Burns, May Castleberry, Alejandro Cesarco, Luc Derycke, Dexter Sinister (David Reinfurt and Stuart Bailey), Deirdre Donohue, Jason Fulford, Bettina...
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Contemporary Artists' Book Conference (Part 1 of 3)
Part 1 of 3 In conjunction with the Contemporary Artists' Books Conference, a collaboration between the Art Libraries Society of New York and Printed Matter, Inc., numerous institutions in New York City are offering panels, artists' presentations, and tours. Participants include Barbara Bader, Stuart Bailey, Geoffrey Batchen, AA Bronson, Bill Burns, May Castleberry, Alejandro Cesarco, Luc Derycke, Dexter Sinister (David Reinfurt and Stuart Bailey), Deirdre Donohue, Jason Fulford, Bettina...
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Visual Arts Workspaces and Contemporary Art Making
Friday, October 2, 2009 1:00–5:00 P.M. The New York State Artist Workspace Consortium is an organization comprising ten leading contemporary art institutions across the state. Fostering the creative process, the workspaces provide artists with freedom, space, time, equipment, technical assistance, stipends, and other resources for experimentation and exploration. This half-day conference examines the evolving relationships between workspaces, artists, curators, funders, journalists, and...
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Joan Mir: New Approaches
January 10, 2009 10:00 a.m–4:45 p.m. To mark the close of the exhibition Joan Mir: Painting and Anti-Painting 1927–1937, MoMA hosts a daylong symposium to consider issues surrounding the artist's creative production during a transformative decade within his long career. A distinguished group of international scholars offer new approaches to this period of the artist's work, examining its relation to the crisis of painting in Surrealism, the specific nature of the French and Catalan...
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Caribbean Modernist Architecture Symposium: Respondent:...
February 28–March 2, 2008 Saturday, March 01, 2008: Symposium Day 2 Respondent Jean Franois Lejeune, University of Miami, Florida
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The Feminist Future: Keynote Address: Lucy R. Lippard,...
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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Caribbean Modernist Architecture Symposium: Keynote: Dr....
February 28–March 2, 2008 Saturday, March 01, 2008: Symposium Day 2 Keynote address Dr. Ken Yeang, architect, Malaysia and United Kingdom
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Caribbean Modernist Architecture Symposium: Panel Four:...
February 28–March 2, 2008 Saturday, March 01, 2008: Symposium Day 2 PANEL SESSION FOUR Mervyn Awon, architect, Barbados “Modernist Architecture in Barbados”
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Caribbean Modernist Architecture Symposium: Panel Four:...
February 28–March 2, 2008 Saturday, March 01, 2008: Symposium Day 2 PANEL SESSION FOUR L. Mark Taylor, Head, Caribbean School of Architecture, University of Technology, Jamaica “Concrete Expressions: A Sketch of the Birth and Development of a Modernist Architecture in Jamaica with Special Reference to the Capital City, Kingston”
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Caribbean Modernist Architecture Symposium: Panel Four:...
February 28–March 2, 2008 Saturday, March 01, 2008: Symposium Day 2 PANEL SESSION FOUR Jackson Burnside, architect, Bahamas “The Houses of Ray Nathaniels”
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Caribbean Modernist Architecture Symposium: Panel Four:...
February 28–March 2, 2008 Saturday, March 01, 2008: Symposium Day 2 PANEL SESSION FOUR Moderator: Margaret Jarrett, Programme Director, M. Arch, Caribbean School of Architecture, University of Technology, Jamaica
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Caribbean Modernist Architecture Symposium: Panel Three:...
February 28–March 2, 2008 Saturday, March 01, 2008: Symposium Day 2 PANEL SESSION THREE Louise Noelle, Professor, National Autonomous University of Mexico, Mexico “La Modernidad Arquitectnica en el Caribe Mexican”
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Caribbean Modernist Architecture Symposium: Panel Three:...
February 28–March 2, 2008 Saturday, March 01, 2008: Symposium Day 2 PANEL SESSION THREE Bruno Stagno, architect, Costa Rica “Tropical Modern”
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Caribbean Modernist Architecture Symposium: Panel Three:...
February 28–March 2, 2008 Saturday, March 01, 2008: Symposium Day 2 PANEL SESSION THREE David Gouverneur, architect and visiting lecturer, The University of Pennsylvania, Philadelphia “Venezuela: Modernist Architecture Contextualized”
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Caribbean Modernist Architecture Symposium: Panel Three:...
February 28–March 2, 2008 Saturday, March 01, 2008: Symposium Day 2 PANEL SESSION THREE Carlos Brillembourg, architect, Caracas and New York “Caracas: Towards a New City, 1936–1958”
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Caribbean Modernist Architecture Symposium: Panel Three:...
February 28–March 2, 2008 Saturday, March 01, 2008: Symposium Day 2 PANEL SESSION THREE Moderator: Jorge Otero Pailos, Columbia University, New York
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Caribbean Modernist Architecture Symposium: Keynote:...
February 28–March 2, 2008 Friday, February 29, 2008: Symposium Day One Keynote address Enrique Norten, Primary Architect, TEN Arquitectos, Mexico and New York
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Caribbean Modernist Architecture Symposium: Response:...
February 28–March 2, 2008 Friday, February 29, 2008: Symposium Day One Respondent Gustavo Luis Mor, architect and editor of Archivos de Arquitectura Antillana, Dominican Republic
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Caribbean Modernist Architecture Symposium: Panel Two:...
February 28–March 2, 2008 Friday, February 29, 2008: Symposium Day One PANEL SESSION TWO Silvia Arango, Professor, National University of Colombia, Colombia “Modernist Architecture in Colombia”
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Caribbean Modernist Architecture Symposium: Panel Two:...
February 28–March 2, 2008 Friday, February 29, 2008: Symposium Day One PANEL SESSION TWO Ronny Lobo, organic architect, Netherlands Antilles “Modernist Architecture in the Dutch Caribbean”
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Caribbean Modernist Architecture Symposium: Panel Two:...
February 28–March 2, 2008 Friday, February 29, 2008: Symposium Day One PANEL SESSION TWO Jean Doucet, engineer and author, Martinique ”Several Sights of Modernist Architectural Production in Guadeloupe and Martinique”
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Caribbean Modernist Architecture Symposium: Panel Two:...
February 28–March 2, 2008 Friday, February 29, 2008: Symposium Day One PANEL SESSION TWO Moderator: David Harrison, Principal Lecturer, Caribbean School of Architecture, University of Technology, Jamaica
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Caribbean Modernist Architecture Symposium: Panel One:...
February 28–March 2, 2008 Friday, February 29, 2008: Symposium Day One PANEL SESSION ONE Miguel Rodriguez, architect and Dean of the Polytechnic School of Architecture, Puerto Rico “Soldiers and Tourists: The Subjective Selves of Puerto Rico’s Modern Architecture” Note: end of the speech not recorded
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Caribbean Modernist Architecture Symposium: Panel One:...
February 28–March 2, 2008 Friday, February 29, 2008: Symposium Day One PANEL SESSION ONE Marcus Barinas, architect and Professor, Universidad Nacional Pedro Henriquez Urea, Dominican Republic “The End of the Quiet City: The Parques Miradores and a New Perceptual Paradigm for Santo Domingo”
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Caribbean Modernist Architecture Symposium: Panel One:...
February 28–March 2, 2008 Friday, February 29, 2008: Symposium Day One PANEL SESSION ONE Belmont Freeman, architect, New York “Housing the Revolution: Cuba 1959–1969”
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Caribbean Modernist Architecture Symposium: Panel One:...
February 28–March 2, 2008 Friday, February 29, 2008: Symposium Day One PANEL SESSION ONE Moderator—Barry Bergdoll, Museum of Modern Art, New York
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Caribbean Modernist Architecture Symposium: Day One:...
February 28–March 2, 2008 Friday, February 29, 2008: Symposium Day One Keynote address Mrs. Epsy Campbell-Barr, human rights activist, professor, and economist, Costa Rica (In Spanish with limited translation)
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Caribbean Modernist Architecture Symposium: Day One:...
February 28–March 2, 2008 Friday, February 29, 2008: Symposium Day One Keynote address Introduction of Keynote speaker Pat Ramsey, Director, Center for the Arts
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Caribbean Modernist Architecture Symposium: Day One...
February 28–March 2, 2008 Friday, February 29, 2008: Symposium Day One Official opening ceremony Honorable Bruce Golding, Prime Minister, Jamaica
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Mining Modern Museum Education: Introduction by Wendy...
Part 1 of 9
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Contemporary Artists' Books Conference: Keynote
October 24, 2008 4:00 p.m. In conjunction with the Contemporary Artists' Books Conference, a collaboration between the Art Libraries Society of New York and Printed Matter, Inc., numerous institutions in New York City are offering panels, artists' presentations, and tours. MoMA hosts the keynote session, which features curator and critic Hans Ulrich Obrist in conversation with artists Joseph Grigely and Rirkrit Tiravanija about new developments in the dynamic genre of artists' books and...
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Kirchner and the Berlin Street: A Symposium: Roundtable...
Kirchner and the Berlin Street: A Symposium October 17, 2008 1:00 p.m. Ernst Ludwig Kirchner's series of Berlin Street Scene paintings is widely considered a highpoint in his career, as well as a milestone in the German Expressionist movement. This exhibition presents the largest group of these paintings ever seen together. On this occasion, international scholars in the field are brought together to offer new insights on this defining series in history of early modernism. The symposium...
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Kirchner and the Berlin Street: A Symposium: Part Two
Kirchner and the Berlin Street: A Symposium October 17, 2008 1:00 p.m. Ernst Ludwig Kirchner's series of Berlin Street Scene paintings is widely considered a highpoint in his career, as well as a milestone in the German Expressionist movement. This exhibition presents the largest group of these paintings ever seen together. On this occasion, international scholars in the field are brought together to offer new insights on this defining series in history of early modernism. The symposium...
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Kirchner and the Berlin Street: A Symposium: Part One
Kirchner and the Berlin Street: A Symposium October 17, 2008 1:00 p.m. Ernst Ludwig Kirchner's series of Berlin Street Scene paintings is widely considered a highpoint in his career, as well as a milestone in the German Expressionist movement. This exhibition presents the largest group of these paintings ever seen together. On this occasion, international scholars in the field are brought together to offer new insights on this defining series in history of early modernism. The symposium...
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Vanguard Lost and Found: Case Studies: Senator Sergei...
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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Art and Perception Series: Modalities of the Visible:...
Art and Perception Series Modalities of the Visible: Understanding and Sensing Images April 5, 2008 4:00 p.m. This multidisciplinary series of discussions features prominent artists, art historians, scientists, conservators, and others as they provide a variety of perspectives on the complex process of experiencing art. Discussions explore the ways in which the perception of a single artwork evolves over time, how artists adopt optical and perceptive strategies as a means of influencing a...
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MIND Design + Science
April 3, 2008 6:30 p.m. Presented by MoMA and Seed, in collaboration with Parsons The New School for Design. Collaboration between science and design is yielding a radical new way of visualizing, understanding, and manipulating the natural world. MIND is a two-day conference, inspired by MoMA's Design and the Elastic Mind exhibition, which aims to catalyze this convergence. Bringing together an eclectic group of speakers and participants, including leading scientists, designers, and...
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Art and Perception Series: The Evolving Artwork
March 20, 2008 6:30 p.m. This multidisciplinary series of discussions features prominent artists, art historians, scientists, conservators, and others as they provide a variety of perspectives on the complex process of experiencing art. Discussions explore the ways in which the perception of a single artwork evolves over time, how artists adopt optical and perceptive strategies as a means of influencing a particular sensorial experience, and the impact of recent scientific research and color...
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New Perspectives in Latin American Art, 1930-2006: Works...
Works of Art as Objects January 24, 2008 6:30 p.m. To complement the installation New Perspectives in Latin American Art, 1930-2006: Selections from a Decade of Acquisitions, scholars explore the ways in which selected seminal works and artists revolutionized the visual arts in their countries in a given period. Gabriel Prez-Barreiro, curator of Latin American Art, Jack S. Blanton Museum of Art, The University of Texas at Austin, examines Gyula Kosice's Mobile Articulated Sculpture (1948);...
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Vanguard Lost and Found: Respondents Discussion
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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Vanguard Lost and Found: Respondents: Richard Pare
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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Vanguard Lost and Found: Respondents: John H. Stubbs
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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Vanguard Lost and Found: Respondents: Maristella Casciato
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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Vanguard Lost and Found: Respondents: Introduction by...
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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Vanguard Lost and Found: Roundtable: Senator Sergei...
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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Vanguard Lost and Found: Roundtable: David Sarkisian
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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Vanguard Lost and Found: Roundtable: Clementine Cecil
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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Vanguard Lost and Found: Roundtable: Introduction by...
Vanguard Lost and Found: Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian,...
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Vanguard Lost and Found: Boris Kirikov (in Russian)
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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Vanguard Lost and Found: Margarita Shtiglits (in Russian)
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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Vanguard Lost and Found: Katia Melnikova (in Russian)
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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Vanguard Lost and Found: Afternoon Introduction by Barry...
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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Vanguard Lost and Found: Case Studies: Discussion
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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Vanguard Lost and Found: Case Studies: Yuri Avvakumov
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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Vanguard Lost and Found: Case Studies: Alexei Ginzburg
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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Vanguard Lost and Found: Case Studies: Jean-Louis Cohen
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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Vanguard Lost and Found: Case Studies: Anke Zalivako
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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Vanguard Lost and Found: Introduction by Barry Bergdoll
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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Vanguard Lost and Found: Case Studies: Introduction by...
Vanguard Lost and Found: Soviet Modernist Architecture between Peril and Preservation Symposium: Saturday, September 29, 2007 Following the seminal "Heritage at Risk" conference held in Moscow in April 2006, this symposium addresses pressing issues in the preservation of the modernist legacy of the most significant edifices built by radical Soviet architects in the 1920s and 1930s. Through two keynote addresses, case studies, and a roundtable discussion, Russian, European, and American...
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The Revolution Will Not Be Curated: Discussion #2
The Museum of Modern Art's Third Annual Graduate Symposium Keynote address, Friday, April 13 | Symposium, Saturday, April 14 The Revolution Will Not Be Curated: Twenty-First Century Perspectives on Art and Politics This symposium seeks to investigate the historical and contemporary artists' attempts to deploy art as a means of political force and to critically engage with radically changing conditions of modern and contemporary life. This tradition stretches across media and time, from the...
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The Revolution Will Not Be Curated: Emily Liebert
The Museum of Modern Art's Third Annual Graduate Symposium Keynote address, Friday, April 13 | Symposium, Saturday, April 14 The Revolution Will Not Be Curated: Twenty-First Century Perspectives on Art and Politics This symposium seeks to investigate the historical and contemporary artists' attempts to deploy art as a means of political force and to critically engage with radically changing conditions of modern and contemporary life. This tradition stretches across media and time, from the...
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The Revolution Will Not Be Curated: Taro E.F. Nettleton
The Museum of Modern Art's Third Annual Graduate Symposium Keynote address, Friday, April 13 | Symposium, Saturday, April 14 The Revolution Will Not Be Curated: Twenty-First Century Perspectives on Art and Politics This symposium seeks to investigate the historical and contemporary artists' attempts to deploy art as a means of political force and to critically engage with radically changing conditions of modern and contemporary life. This tradition stretches across media and time, from the...
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The Revolution Will Not Be Curated: Discussion
The Museum of Modern Art's Third Annual Graduate Symposium Keynote address, Friday, April 13 | Symposium, Saturday, April 14 The Revolution Will Not Be Curated: Twenty-First Century Perspectives on Art and Politics This symposium seeks to investigate the historical and contemporary artists' attempts to deploy art as a means of political force and to critically engage with radically changing conditions of modern and contemporary life. This tradition stretches across media and time, from the...
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The Revolution Will Not Be Curated: Irmgard Emmelhainz
The Museum of Modern Art's Third Annual Graduate Symposium Keynote address, Friday, April 13 | Symposium, Saturday, April 14 The Revolution Will Not Be Curated: Twenty-First Century Perspectives on Art and Politics This symposium seeks to investigate the historical and contemporary artists' attempts to deploy art as a means of political force and to critically engage with radically changing conditions of modern and contemporary life. This tradition stretches across media and time, from the...
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The Revolution Will Not Be Curated: Luke Skrebowski
The Museum of Modern Art's Third Annual Graduate Symposium Keynote address, Friday, April 13 | Symposium, Saturday, April 14 The Revolution Will Not Be Curated: Twenty-First Century Perspectives on Art and Politics This symposium seeks to investigate the historical and contemporary artists' attempts to deploy art as a means of political force and to critically engage with radically changing conditions of modern and contemporary life. This tradition stretches across media and time, from the...
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The Revolution Will Not Be Curated: Tana B. Caragol
The Museum of Modern Art's Third Annual Graduate Symposium Keynote address, Friday, April 13 | Symposium, Saturday, April 14 The Revolution Will Not Be Curated: Twenty-First Century Perspectives on Art and Politics This symposium seeks to investigate the historical and contemporary artists' attempts to deploy art as a means of political force and to critically engage with radically changing conditions of modern and contemporary life. This tradition stretches across media and time, from the...
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The Revolution Will Not Be Curated: Introduction and Tom...
The Museum of Modern Art's Third Annual Graduate Symposium Keynote address, Friday, April 13 | Symposium, Saturday, April 14 The Revolution Will Not Be Curated: Twenty-First Century Perspectives on Art and Politics This symposium seeks to investigate the historical and contemporary artists' attempts to deploy art as a means of political force and to critically engage with radically changing conditions of modern and contemporary life. This tradition stretches across media and time, from the...
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The Revolution Will Not Be Curated: Keynote Address:...
The Museum of Modern Art's Third Annual Graduate Symposium Keynote address, Friday, April 13 | Symposium, Saturday, April 14 The Revolution Will Not Be Curated: Twenty-First Century Perspectives on Art and Politics This symposium seeks to investigate the historical and contemporary artists' attempts to deploy art as a means of political force and to critically engage with radically changing conditions of modern and contemporary life. This tradition stretches across media and time, from the...
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The Feminist Future: Response: Linda Nochlin
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Panel Discussion:...
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Ingrid Sischy
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Helen Molesworth
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Wangechi Mutu
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Panel Discussion: Writing the...
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Griselda Pollock
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: David Joselit
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Connie Butler
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Ute Meta Bauer
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Anne M. Wagner, Question and Answer
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Sunday Welcome and Anne M. Wagner
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Catherine de Zegher
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Panel Discussion:...
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Martha Rosler
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Geeta Kapur
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Beatriz Colomina
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Marina Abramovic
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Panel Discussion:...
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Richard Meyer
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Carrie Lambert-Beatty
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Guerrilla Girls Frida Kahlo and...
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Coco Fusco
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Feminist Future: Introduction
The Feminist Future: Theory and Practice in the Visual Arts Friday–Saturday, January 26–27, 2007 9:30 a.m.–5:30 p.m. both days This symposium addresses critical questions surrounding the relationship between art and gender, bringing together international leaders in contemporary art, art history, and related disciplines. After the activism of the 1960s and ’70s, and the revisionist critiques of the 1980s and ’90s, this symposium will examine ways in which gender is currently addressed by...
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The Art of Engagement: Bonnie Pittman
Thursday, November 21, 2006 6:30 p.m. How does the museum context shape audiences' engagement with artworks? What are the expectations placed on the museum experience? What lessons can be gleaned from recent audience studies? This roundtable considers art, the audience, and the museum context. Special attention is given to the challenges of teaching with contemporary art objects in a museum. Program participants include: James Elkins, the E.C. Chadbourne Chair of the Department of Art...
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The Art of Engagement: James Elkins
Thursday, November 21, 2006 6:30 p.m. How does the museum context shape audiences' engagement with artworks? What are the expectations placed on the museum experience? What lessons can be gleaned from recent audience studies? This roundtable considers art, the audience, and the museum context. Special attention is given to the challenges of teaching with contemporary art objects in a museum. Program participants include: James Elkins, the E.C. Chadbourne Chair of the Department of Art...
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The Art of Engagement: Introduction
Thursday, November 21, 2006 6:30 p.m. How does the museum context shape audiences' engagement with artworks? What are the expectations placed on the museum experience? What lessons can be gleaned from recent audience studies? This roundtable considers art, the audience, and the museum context. Special attention is given to the challenges of teaching with contemporary art objects in a museum. Program participants include: James Elkins, the E.C. Chadbourne Chair of the Department of Art...
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The Art of Engagement: Conversation
Thursday, November 21, 2006 6:30 p.m. How does the museum context shape audiences' engagement with artworks? What are the expectations placed on the museum experience? What lessons can be gleaned from recent audience studies? This roundtable considers art, the audience, and the museum context. Special attention is given to the challenges of teaching with contemporary art objects in a museum. Program participants include: James Elkins, the E.C. Chadbourne Chair of the Department of Art...
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The Art of Engagement: Howard Gardner
Thursday, November 21, 2006 6:30 p.m. How does the museum context shape audiences' engagement with artworks? What are the expectations placed on the museum experience? What lessons can be gleaned from recent audience studies? This roundtable considers art, the audience, and the museum context. Special attention is given to the challenges of teaching with contemporary art objects in a museum. Program participants include: James Elkins, the E.C. Chadbourne Chair of the Department of Art...
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Representing Dada: Roundtable
Representing Dada Saturday, September 9, 2006 To mark the close of the international Dada exhibition organized by the National Gallery of Art, Washington, and the Centre Pompidou, Paris, in collaboration with The Museum of Modern Art, New York, MoMA hosted a day-long symposium to consider issues involved in representing Dada through texts, images, and objects, with a particular focus on the semantics of display. A distinguished group of scholars discussed landmark Dada exhibitions and past...
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Representing Dada: "The Pattern that Connects Is a...
Representing Dada Saturday, September 9, 2006 To mark the close of the international Dada exhibition organized by the National Gallery of Art, Washington, and the Centre Pompidou, Paris, in collaboration with The Museum of Modern Art, New York, MoMA hosted a day-long symposium to consider issues involved in representing Dada through texts, images, and objects, with a particular focus on the semantics of display. A distinguished group of scholars discussed landmark Dada exhibitions and past...
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Representing Dada: The Making of Making Mischief: Dada...
Representing Dada Saturday, September 9, 2006 To mark the close of the international Dada exhibition organized by the National Gallery of Art, Washington, and the Centre Pompidou, Paris, in collaboration with The Museum of Modern Art, New York, MoMA hosted a day-long symposium to consider issues involved in representing Dada through texts, images, and objects, with a particular focus on the semantics of display. A distinguished group of scholars discussed landmark Dada exhibitions and past...
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Representing Dada: Approaching a Myth: The 1988...
Representing Dada Saturday, September 9, 2006 To mark the close of the international Dada exhibition organized by the National Gallery of Art, Washington, and the Centre Pompidou, Paris, in collaboration with The Museum of Modern Art, New York, MoMA hosted a day-long symposium to consider issues involved in representing Dada through texts, images, and objects, with a particular focus on the semantics of display. A distinguished group of scholars discussed landmark Dada exhibitions and past...
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Representing Dada: Dada and Surrealism Reviewed: From...
Representing Dada Saturday, September 9, 2006 To mark the close of the international Dada exhibition organized by the National Gallery of Art, Washington, and the Centre Pompidou, Paris, in collaboration with The Museum of Modern Art, New York, MoMA hosted a day-long symposium to consider issues involved in representing Dada through texts, images, and objects, with a particular focus on the semantics of display. A distinguished group of scholars discussed landmark Dada exhibitions and past...
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World Art | Art World: Discussion #2
World Art | Art World: Changing Perspectives on Modern and Contemporary Art The Museum of Modern Art's Second Annual Graduate Symposium In the past few decades, the art world has seen unprecedented growth and globalization. These developments are apparent in a number of areas: new and larger museums and cultural institutions; a thriving market of galleries, art fairs, and biennials around the world; new press outlets for the dissemination of art criticism, marketing, and education through...
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World Art | Art World: "William Kentridge's Rock and the...
World Art | Art World: Changing Perspectives on Modern and Contemporary Art The Museum of Modern Art's Second Annual Graduate Symposium In the past few decades, the art world has seen unprecedented growth and globalization. These developments are apparent in a number of areas: new and larger museums and cultural institutions; a thriving market of galleries, art fairs, and biennials around the world; new press outlets for the dissemination of art criticism, marketing, and education through...
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World Art | Art World: "In Transit: Fantasy Coffins...
World Art | Art World: Changing Perspectives on Modern and Contemporary Art The Museum of Modern Art's Second Annual Graduate Symposium In the past few decades, the art world has seen unprecedented growth and globalization. These developments are apparent in a number of areas: new and larger museums and cultural institutions; a thriving market of galleries, art fairs, and biennials around the world; new press outlets for the dissemination of art criticism, marketing, and education through...
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World Art | Art World: Discussion #1
World Art | Art World: Changing Perspectives on Modern and Contemporary Art The Museum of Modern Art's Second Annual Graduate Symposium In the past few decades, the art world has seen unprecedented growth and globalization. These developments are apparent in a number of areas: new and larger museums and cultural institutions; a thriving market of galleries, art fairs, and biennials around the world; new press outlets for the dissemination of art criticism, marketing, and education through...
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World Art | Art World: "Some Aspects of the South...
World Art | Art World: Changing Perspectives on Modern and Contemporary Art The Museum of Modern Art's Second Annual Graduate Symposium In the past few decades, the art world has seen unprecedented growth and globalization. These developments are apparent in a number of areas: new and larger museums and cultural institutions; a thriving market of galleries, art fairs, and biennials around the world; new press outlets for the dissemination of art criticism, marketing, and education through...
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World Art | Art World: Introduction and "The Global...
World Art | Art World: Changing Perspectives on Modern and Contemporary Art The Museum of Modern Art's Second Annual Graduate Symposium In the past few decades, the art world has seen unprecedented growth and globalization. These developments are apparent in a number of areas: new and larger museums and cultural institutions; a thriving market of galleries, art fairs, and biennials around the world; new press outlets for the dissemination of art criticism, marketing, and education through...
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World Art | Art World: Keynote: "De-Flattening...
World Art | Art World: Changing Perspectives on Modern and Contemporary Art The Museum of Modern Art's Second Annual Graduate Symposium In the past few decades, the art world has seen unprecedented growth and globalization. These developments are apparent in a number of areas: new and larger museums and cultural institutions; a thriving market of galleries, art fairs, and biennials around the world; new press outlets for the dissemination of art criticism, marketing, and education through...
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Pioneering Modern Painting Symposium: Roundtable
Pioneering Modern Painting: A Symposium on Czanne and Pissarro Saturday, September 10, 2005 9:30 a.m-4:00 p.m. Held in conjunction with the exhibition Pioneering Modern Painting: Czanne and Pissarro. Roundtable Moderated by Joachim Pissarro, curator, Department of Painting and Sculpture, The Museum of Modern Art, and organizer of the exhibition.
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Pioneering Modern Painting Symposium: Collaborations in...
Pioneering Modern Painting: A Symposium on Czanne and Pissarro Saturday, September 10, 2005 9:30 a.m-4:00 p.m. Held in conjunction with the exhibition Pioneering Modern Painting: Czanne and Pissarro. The Legacy of Czanne and Pissarro "Collaborations in Contemporary Art" Brett Littman, Deputy Director, P.S.1 Contemporary Art Center, and art and design critic
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Pioneering Modern Painting Symposium: Session Two
Pioneering Modern Painting: A Symposium on Czanne and Pissarro Saturday, September 10, 2005 9:30 a.m-4:00 p.m. Held in conjunction with the exhibition Pioneering Modern Painting: Czanne and Pissarro. The Truth in Painting "Poldex" Paul Smith, Professor and Chair of History of Art, University of Warwick, Great Britain "This Great Argument" T. J. Clark, George C. and Helen N. Pardee Professor of Art History, University of California at Berkeley
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Pioneering Modern Painting Symposium: Session One
Saturday, September 10, 2005 9:30 a.m-4:00 p.m. Held in conjunction with the exhibition Pioneering Modern Painting: Czanne and Pissarro. Technique: The Mark and the Stroke "Touch, Movement, Motif" Richard Shiff, Effie Marie Cain Regents Chair in Art, The University of Texas at Austin "Mark and Touch, Knife or Brush: The Painting Techniques of Czanne and Pissarro" Anthea Callen, Professor of Visual Culture, University of Nottingham, Great Britain
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Pioneering Modern Painting Symposium: Keynote
Pioneering Modern Painting: A Symposium on Czanne and Pissarro Keynote Address Friday, September 9, 2005 6:30–8:00 p.m. "Three Impressionist Dialogues: Pissarro/Czanne, Pissarro/Gauguin, Pissarro/Seurat" Presented by Richard Brettell, Margaret McDermott Distinguished Professor of Art and Aesthetics, University of Texas at Dallas, School of Arts & Humanities Held in conjunction with the exhibition Pioneering Modern Painting: Czanne and Pissarro.
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