The YVR Screen Scene Podcast

Vertical dramas originated in China in the late 2010s, and they’ve only grown in popularly since then: in 2024, revenue from vertical dramas in China surpassed traditional Chinese film box office receipts. Worldwide, they’re an $11 billion dollar industry, and the industry is only growing. Shot in 9:16 (specifically for phones) for apps like ReelShort and DramaShort, episodes of these serialised dramas are one to two minutes long and pay-as-you-go; in order to get to the end, viewers need to buy credits. The stories themselves rely on very specific genre tropes, including werewolves, forbidden love affairs, and secret identities, and have titles like Found a Homeless Billionaire Husband for Christmas, Fated to my Forbidden Alpha, and Married for Green Card, Stayed for Love (which are all real titles). Vancouver has become a go-to destination for the filming of these vertical dramas. However, even though vertical productions employ many of the same artists who work on independent film productions, content-wise, there isn’t a lot of crossover between the two. Is it even possible for indie filmmakers to leverage the vertical space to tell their stories? According to Julie Bruns, there is indeed space for indie filmmakers in the world of vertical dramas. Julie is an award-winning indie filmmaker and actress (including Ada, about 19th-century genius mathematician Ada Byron King), a veteran of 25 vertical dramas, and the force behind Beneath Crimson Sails, which recently premiered on the vertical streamer Muvpix. Beneath Crimson Sails is a fully independent fantasy pirate vertical series filled with treasure, magic, sword fights, ships, stunts, and nary a trope in sight. In this fascinating and informative interview, Julie speaks with Sabrina about the world of vertical dramas, and what a project like Beneath Crimson Sails tells us about what’s actually possible in that space. Episode sponsor: Fish Flight Entertainment

Actress and filmmaker Nat Boltt (Penelope Blossom on Riverdale) returns to the YVR Screen Scene Podcast to discuss Holy Days, her feature film directorial debut that screened at the venerable Toronto International Film Festival and is currently wowing crowds around the world. Based on the acclaimed novel by Dame Joy Cowley, Holy Days is a joyful adventure about faith, friendship, and the courage to take one last leap of belief. Three unconventional nuns embark on a last-ditch road trip across New Zealand on a journey to fight for their independence. Along the way, they form an unlikely bond with a young Māori boy on a deeply personal mission of his own. Holy Days was written and directed by the Vancouver-based Nat and stars a trio of legends: Academy Award nominee and Emmy, Golden Globe, and BAFTA winner Judy Davis, BAFTA winner Miriam Margolyes, and two-time Academy Award nominee Jacki Weaver; the young Māori boy is portrayed with stunning depth by rising star Elijah Tamati. Holy Days is moving, whimsical, funny, wildly entertaining, and beautiful. Recently, Holy Days has enjoyed screenings across North America (and will return to Vancouver’s Park Theatre on April 25), and will soon be available on VOD. In this fascinating and episode, Nat Boltt reflects on the wild ride to bring this rollicking feature film directorial debut to the screen. It’s a fun one! Episode sponsor: Fish Flight Entertainment

Next week, Family Law takes its final bow after four critically acclaimed seasons on Global Television and Stack TV. The Lark Productions comedy-drama series – which follows a group of flawed family members who reluctantly work together at their father's law firm in Downtown Vancouver – was the brainchild of showrunner and award-winning author Susin Nielsen. Susin is an exceptionally gifted storyteller, and she’s got the awards, accolades, and stats to back it up: more than one hundred hours of television; author of seven best-selling young adult novels, some of which have won the Governor General’s Literary Award, the UKLA award, and over a dozen young readers’ choice awards; recipient of the Writers’ Trust Vicky Metcalf Award for her body of work, which now includes a book for adults, Snap (about three people who meet in a court-mandated anger management class). In this compelling conversation with Sabrina Rani Furminger, Susin discusses what she learned about storytelling and this crazy biz in her four years at the helm of Family Law, the time Family Law star Jewel Staite gave her the middle finger for real, and turning real-life rage into comedy gold in Snap – and she also takes the time to say goodbye to Family Law’s viewers, crew, and cast. Episode sponsor: Fish Flight Entertainment

Filmmaker Corey Payette swings by the YVR Screen Scene Podcast to talk about Starwalker, his critically acclaimed movie musical about drag queens in East Vancouver. Starwalker is the story of Star, an Indigi-Queer Two-Spirit call boy, who becomes entranced by the House of Borealis, a popular drag house in East Van. Blending drag performance with their grounded cultural spirit, a new, powerful persona emerges on stage: Starwalker. Corey – a renowned writer, lyricist, composer, producer, interdisciplinary storyteller, and director in theatre and film – is the force behind the critically acclaimed stage musical Children of God, about the echoes of residential schools. On the film front, he directed film festival favourites Stories That Transform Us, Guide My Way, and Les Filles du Roi. Corey’s next stage project is On Native Land, and it has its world premiere in April at the York Theatre – but not before Starwalker screens seven times in Vancouver at the Vancity Culture Lab. Corey’s work is searing, life-affirming, and abundant with soul-stirring indigeneity and what the Hollywood Reporter once described as “joyful rebellion.” In this wonderfully entertaining episode, Corey and avowed “musical theatre girlie” Sabrina riff on joyful rebellion, musical theatre as a vehicle for social change, their admiration for previous podcast guest Andrea Menard, and all things Starwalker. Episode sponsor: Fish Flight Entertainment

Sachin Sahel and Dhirendra return to the #YVRScreenScenePodcast for a raucous chat anchored in A Nice Indian Boy, the 2025 American romantic comedy film directed by Roshan Sethi and based on Madhuri Shekar's play of the same name. The film follows Naveen, an Indian-American doctor, who brings his fiancé, Jay Kurundkar, a white man adopted by Indian parents, to meet his traditional family. It stars Karan Soni, Jonathan Groff, Sunita Mani, Zarna Garg, and Harish Patel. Sachin plays Manish, an orthopaedic surgeon who marries Naveen’s sister – he’s the first nice Indian boy we meet in the film – and Dhirendra plays a very capable but utterly terrifying wedding planner. Not only is A Nice Indian Boy everything we love in a rom-com, but it builds on the genre, bringing Queer and Indian stories into that well-established North American rom-com space, and with nary a cliché in sight. Some of the best moments in A Nice Indian Boy are those that take place around the dinner table; thus, for this episode, Sabrina invites Sachin and Dhirendra to join her at the YVR Screen Scene table to raise a glass, break some bread, and talk about A Nice Indian Boy, our industry, and how they choose to stay joyful during challenging times. Also: what it’s really like to work with Jonathan Groff (spoiler: he’s a delight); chasing ghosts at Riverview; disco cobblers. Episode sponsor: Fish Flight Entertainment

Supinder Wraich returns to the YVR Screen Scene Podcast to chat all things Allegiance, the wildly popular CBC crime procedural that is both filmed and set in Surrey, British Columbia. Supinder is Sabrina Sohal, a brilliant and empathetic detective in the serious crimes unit of the CFPC who is simultaneously a bright light in her department and a serious threat to anyone who traffics in corruption. There’s a lot to love about Allegiance. It’s a showcase for Vancouver actors, from veterans like Vincent Gale to Stephen Lobo, to emerging talents like Hudson Williams (yes, Shane Hollander of Heated Rivalry fame). It explores pressing issues like mental illness, addiction, income inequality, xenophobia, and the impact of gang violence on communities and families, without being preachy about any of it. It centres beautifully diverse Surrey as a main character in its own right. Its foundation stone is an intelligent and compassionate women of colour who is at once vulnerable and extremely capable. In short, Allegiance shows us what’s possible when we centre hyper-local stories and Canadian talent. Allegiance’s third season kicked off in January, and has already served up heart-pounding episodes that touch on drug cartels, serial killers targeting marginalised women, domestic violence, and migrant workers. In this funny and fascinating interview with Sabrina Rani Furminger, Supinder reflects on Sabrina Sohal’s journey to date, and also heads down some roads we haven’t gone in our previous episodes, namely: the shows that raised us (remember Passions?), what she remembers about working with Hudson Williams in one of his first television roles, and where Sabrina Sohal ends and Supinder Wraich begins. Episode sponsor: Fish Flight Entertainment

Filmmaker Zach Lipovsky visits the YVR Screen Scene Podcast to reflect on his past, present, and future. His past includes placing fifth out of 12,000 on Steven Spielberg's filmmaking competition show On the Lot; collaborating with Adam Stein on the 2018 genre hit Freaks, numerous episodes of genre television, and 2025’s Final Destination Bloodlines, the last of which was the first Final Destination movie to cross $100 million in domestic earnings and gross more than $315 million worldwide. As for his present and future, there’s Gremlins 3 – which Zach and Adam are currently co-writing with Chris Columbus (the iconic director of Home Alone and Mrs. Doubtfire who also wrote the original Gremlins) – and the sequel to Freaks. Beyond the writing, directing, and producing, Zach has and continues to mentor emerging and aspiring filmmakers through organisations like Crazy8s and the British Columbia District Council of the Directors Guild of Canada (AKA DGC BC). This weekend, the DGC BC will recognise Zach’s many contributions to the film and television scene when it honours him with the Industry Builder Award at its annual Spotlight BC Directors Conference. On the eve of the conference, Zach sits down with Sabrina Rani Furminger to talk filmmaking, his love for Vancouver cast and crews, Final Destination Bloodlines, Mogwai, his longtime collaboration with Adam Stein, how he helped save Vancouver’s Park Theatre, and what it means to be an industry builder. Episode sponsor: Fish Flight Entertainment

Kashif Pasta returns to the YVR Screen Scene Podcast to talk about his new short film, The Muslim Guide to Prayer in Space, which screens this weekend at the DGC BC’s Spotlight Directors Conference. The Muslim Guide to Prayer in Space stars friend of the pod Osric Chau as a Malaysian astronaut endeavouring to find a direction to pray in orbit, where there is no up or down. Kashif’s film is inspired in part by the experience of Dr. Sheikh Muszaphar Shukor, a Muslim astronaut who made history as the first Malaysian in space and actually ascended during Ramadan, which presented all kinds of challenges that he and religious authorities worked to figure out. Kashif’s film was funded in part by the DGC BC, who awarded Kashif the DGC BC Established Greenlight Award at the 2024 Spotlight BC Directors Conference (full disclosure: our host – Sabrina – was on the jury that awarded Kashif this prize). In this wildly entertaining episode, Kashif reflects on the hows and whys of his thought-provoking, funny, visually stunning, and soul-stirring film. Episode sponsor: Fish Flight Entertainment

Filmmaker Kate Green (NarcoLeap) returns to the YVR Screen Scene Podcast to discuss Menopause: Coming In Hot, her audacious documentary that was produced through Telus Originals and has its world premiere this week at the 2025 Whistler Film Festival. Inspired by Kate's own journey through menopause, Menopause: Coming in Hot features candid personal accounts and expert insight about perimenopause and menopause. Fascinating, relatable, and often hilarious – spoiler alert: there’s a vulva puppet – the film reframes menopause as an empowering stage of life, helping women feel seen, heard, and understood. Not only does the film break the stigma that exists around perimenopause and menopause, but it acknowledges the existence of both, which is groundbreaking in and of itself. As Kate’s own mom says in the documentary, “Women need to know.” Another line that sums up the experience of perimenopause and menopause AND Kate’s execution of this film? “Shit gets done when women get angry.” In this compelling conversation with Sabrina Rani Furminger, Kate Green talks vulva puppets, “the change,” breaking the stigma, and the kind of shit that gets done when women get angry. Episode sponsor: Fish Flight Entertainment

Jay Brazeau is an icon of the Vancouver film and television scene, and he’s got the filmography to prove it. He’s appeared in iconic television series like The X-Files, Supernatural, Stargate SG-1, Da Vinci’s Inquest, and 21 Jump Street, Hollywood fare like Watchmen and Best In Show, and critically acclaimed indie fare like Eadweard, Down River, and Carl Bessai’s Fathers and Sons. He actually won a Leo Award for Fathers and Sons, which is a role that required him to get in a knife fight with Ben Immanuel, get drunk, and talk dirty over a coffin at a funeral. Jay is also an in-demand voice actor whose credits are many and include Sabrina: The Animated Series and the Academy Award nominated National Film Board of Canada short The Big Snit, the latter of which celebrates its 40th anniversary this year. On stage, he’s starred in productions of Hairspray!, Fiddler on the Roof, The Cat Came Back, and The Battle of Georges Boivin. There are plenty of reasons as to why Jay has been a go-to character actor for the Vancouver screen scene for decades (his versatility; his reliability; his intuition; his artistry), but if you ask Jay, it’s because he’s lucky and (his words) “every production needs a fat guy.” In this compelling conversation with Sabrina Rani Furminger, Jay reflects on his journey from Winnipeg to screens and stages large and small, appearing in a whopping 10 productions of Fiddler on the Roof, and how he confirmed that his improvised knife fight in Fathers and Sons was true to life. Episode sponsor: UBCP / ACTRA

Filmmaker and screenwriter Ken Kabatoff (Travelers) took home the big prize at the DGC BC’s Greenlight competition a couple of years ago, and the short film he created with that financial backing – The Doukhobor – is one of the most impactful horror films our host has ever seen. The Doukhobor draws its inspiration from the story of the Freedomite Doukhobors, and the abysmal treatment this group of pacifists, freethinkers, and anti-materialists (whose members included Ken’s own family) received at the hands of the Canadian government. Ken is also the filmmaker of two terrifying horror shorts – LUTO and LUTO 2 – as well as a recent video in which he attempted to remake his first LUTO film shot for shot using AI (a video that is horrifying for reasons not related to it being a remake of a horror film). In this riveting conversation with Sabrina Rani Furminger, Ken talks about making horror films for audiences who live in horrifying times, the bravery of Freedomite Doukhobors (and how their history impacted his short film), and what his recent experiment taught him about AI. Episode sponsor: Fish Flight Entertainment

The wildly talented multi-hyphenate Mayumi Yoshida returns to the YVR Screen Scene Podcast to discuss her long-awaited feature film directorial debut, Akashi, which is inspired by Mayumi’s own experience of living in the space between cultures. Ten years after moving to Vancouver, struggling visual artist Kana (that’s Mayumi) returns to Tokyo to attend the funeral of her beloved grandmother. Arriving in Japan, she rekindles a tentative flame with her bashful ex-boyfriend, Hiro, an aspiring thespian who vanished from her life a decade prior. As Kana digs deeper into her grandmother’s past, she uncovers a family secret that prompts her to reconsider everything she thought she knew about love, duty, and belonging. Akashi – which Mayumi wrote, directed, and starred in – has its world premiere this week at the 2025 Vancouver International Film Festival. The feature began its life as a Fringe Festival play in 2016, before evolving into a Storyhive-funded short film in 2017 (the latter for which she earned a slew of awards, including the award for Best Female Director at the 2018 Vancouver Short Film Festival, and the Outstanding Writer Award at the NBCUniversal Short Film Festival). Although it’s been a long road to bring Akashi to the screen in its current feature-length incarnation, Mayumi hasn’t been idle in the intervening years: between directing short films – including the music video for Different Than Before, which won the SXSW Music Video Jury Award in 2023 – and working as a dialect coach and cultural consultant and advocating for diversity and inclusion in our challenging industry, Mayumi has been fighting to get this film made. This included, in 2021, taking on Telefilm, Canada’s major funding provider, for their outdated language requirements that didn’t take Canada’s purported commitment to diversity and inclusion into consideration. In this riveting conversation with Sabrina Rani Furminger, Mayumi reflects on her journey to this moment, how Akashi changed over the years, and how Akashi changed her as an artist. Episode sponsor: UBCP / ACTRA

What has the Taliban’s shocking return to power meant for Afghan women? Brishkay Ahmed’s new documentary In The Room hands the mic to Afghan women who’ve stepped onto the world stage and reclaimed their homeland and identity. This includes Brishkay herself, who literally steps through the looking glass and confronts and contextualises her own identity. At times dreamlike and always impactful, In The Room is at once a celebration of Afghan resistance, and a reminder that – in age where women’s rights are being gleefully eroded all over the world, including most notably south of our border – our autonomy as women must be actively protected. In The Room was produced through the National Film Board of Canada and has its world premiere at the 2025 Vancouver International Film Festival. In this wildly fascinating conversation with Sabrina Rani Furminger, Brishkay reflects on her own journey with her Afghan identity, the power of anger in activism and resistance, and the parallels she sees between what’s happened in Afghanistan and what’s currently occurring all over the world. Episode sponsor: Fish Flight Entertainment

Today’s episode of the YVR Screen Scene Podcast is both another instalment in our ongoing #IndustryBFFs series AND our season opener! Sabrina is joined in the podcast studio by two powerhouse actresses who are uplifting women in film via their new project, the Liberated Actresses Playground: Aliyah O’Brien and Priscilla Faia. Returning guest Aliyah O’Brien is beloved for her work on Rookie Blue, Legends of Tomorrow, and You Me Her, for her beautiful smile, and her equally beautiful personality. Priscilla Faia is a new friend-of-the-pod but a veteran actress around town. You know her from You Me Her – for which she won a Leo Award for Best Performance in a Music, Comedy or Variety Program or Series – and for Rookie Blue, for which she was nominated for a Canadian Screen Award. In this rambunctious and at times emotional conversation (facilitated by vodka soda and the “airport drinking” paradigm), Aliyah and Priscilla discuss what it means to be a liberated actress, how their friendship has helped them navigate this sometimes unfriendly industry, and why women are stronger when we stand together. Episode sponsor: UBCP / ACTRA

Earlier this month, Angela’s Shadow won two awards – for best screenwriting and best production design – at the 2025 Leo Awards. It was the latest in a string of successes for the film, which won the Panorama Audience Award at the 2024 Vancouver International Film Festival, kicks off a theatrical run in Toronto this weekend, and is acclaimed Cree filmmaker Dr. Jules Arita Koostachin’s highly anticipated follow-up to the similarly lauded Broken Angel. In Angela’s Shadow, Angela (played by Sera-Lys McArthur) and Henry (Matthew Kevin Anderson), young 1930s socialites with a baby on the way, embark on a short trip north to visit Angela’s beloved childhood nanny, Mary (Renae Morriseau). When Angela is harassed by a menacing shadow figure, Mary moves to bless and protect her and her unborn child with illegal Cree ceremonies and medicine. As the truth about her ancestry and the spectral figure’s identity unfold, Angela must decide whether to delve into her newfound spiritual traditions in order to protect herself from her husband’s escalating purity-obsessed racism. Angela’s Shadow is the second film in a trilogy that follows three sets of Cree characters all connected to each other in some way, across three different time periods, who use their connections to their Cree spiritual traditions to combat and heal from settler colonialism. The first film – the aforementioned dramatic thriller entitled Broken Angel – won Sera-Lys the award for Best Actress at the 2022 American Indian Film Festival. In this compelling conversation with Sabrina Rani Furminger, Jules and Sera-Lys talk about healing from settler colonialism through art, working with family (three of Jules’ sons and her mom all appear in the film), being pregnant IRL shortly after being pregnant onscreen, and where they’re going to take us next. Episode sponsor: Directors Guild Of Canada, BC District Council

Bronwen Smith was nominated for a UBCP/ACTRA Award for her scene-stealing dramatic turn in Laura Adkin’s feature film directorial debut, Re: Uniting. Catherine Lough Haggquist (who received the Lorena Gale Woman of Distinction Award from UBCP/ACTRA in 2020) garnered a globe-spanning fanbase for her role as the ass-kicking General Bellweather on Motherland: Fort Salem. Separately, they are powerhouse performers; together, they are #IndustryBFFs whose friendship directly impacts their individual journeys through this topsy-turvy film and television industry (not to mention the work they do through The Drama Class, where they provide online education, support, and community for actors everywhere and at every level). In this contemplative, moving, and at times hilarious episode, Bronwen and Cat discuss their three decades of friendship – and why people sometimes ask if they’re actually okay. Episode sponsor: UBCP/ACTRA

Inedia is a disquieting and psychologically charged dramatic feature exploring a young woman’s descent into a dangerous online fasting movement. Filmed on Salt Spring Island, Inedia tells the story of Cora (Amy Forsyth), a desperate young woman who signs up for an alternative lifestyle community to escape her mounting food allergies. At Sun Haven, they practice “breatharianism,” subsisting on light and air. The group’s charismatic leader (Susanne Wuest) and peaceful vibes give Cora hope, but it’s not long before she realizes there are tensions beneath the surface. At its core, Inedia is an eerie study of emotional and psychological disturbance and the way it manifests outwardly. Filmmaker Liz Cairns joins Sabrina in the YVR Screen Scene studio to discuss her journey with Inedia and her experience visiting a breatharian retreat in Peru. Episode sponsor: Fish Flight Entertainment

Beloved Vancouver actor Alex Zahara swings by the YVR Screen Scene Podcast studio to discuss his wildly entertaining turn as Uncle Howard (RIP) in Final Destination: Bloodlines and his own remarkable career on stage and screen. The funny and fascinating conversation covers a lot of territory: how Zach Lipovsky and Adam Stein’s critically acclaimed, blockbuster contribution to the Final Destination universe is a love letter to Vancouver; how he gets into character (a process that somehow involves primordial ooze); memorable roles from his career, including his 40 on-screen deaths; how he navigates the quiet times; and what it is about this topsy-turvy biz that keeps him coming back for more. Episode sponsor: UBCP/ACTRA

Simon Barry (Warrior Nun, Continuum) returns to the YVR Screen Scene Podcast to discuss his latest series. Bet – 10 episodes of which dropped on Netflix in May 2025 – draws its inspiration from the manga Kakegurai – Compulsive Gambler. The series tells the story of Yumeko (portrayed by Miku Martineau), a young woman who enrols in an exclusive boarding school to avenge the murder of her parents. This exclusive boarding school ain’t Hogwarts: it’s a cutthroat academy run by a powerful Student Council whose power structure is entirely based on gambling. Yumeko’s prowess at gambling and her overarching revenge quest put her in the crosshairs of the Student Council and its formidable president, Kira – leading to a showdown that is both high-octane and deeply satisfying. Bet is at once a breath of fresh air and exactly what we’ve come to expect from Simon Barry: a wildly entertaining adventure set in an unexpected world about a whip-smart woman on a seemingly impossible quest. In this fascinating interview, Simon discusses his journey with Bet, what Miku Martineau brought to the pivotal role of Yumeko, his thoughts on AI, collaborating with director Jacquie Gould (Outlander, Obi-Wan Kenobi), Dennis Heaton’s brain, and what he learned from Warrior Nun and its fans. Episode sponsor: Directors Guild Of Canada, BC District Council

The Vancouver-shot Dil Rakh: Gloves of Kin tells the story of Sukh Sidhu, a South Asian man who spent 20 years in jail for a crime he didn't commit. Upon his release, he returns to the small predominantly white town where his life went sideways, where racism abounds and where his son Dayton is in deep with a group of petty criminals who barely conceal their contempt for his brownness. Dayton is pissed with his dad for leaving the family for 20 years, and reconciliation seems impossible – until father and son find common ground in the boxing ring. Dil Rakh: Gloves of Kin is one part drama, one part boxing, one part commentary on racism in small town North America, and 100 per cent heart; in other words (and in the opinion of YVR Screen Scene host Sabrina Rani Furminger), it’s a game-changer. The film won the Sundar Prize for Best BC Film at the 2024 Sundar Prize Film Festival and is currently available for streaming on Amazon Prime. Actors Dalj Brar (who also wrote and directed) and Umar Farook Khan join Sabrina in the YVR Screen Scene Podcast lab to talk the evolution of representation, boxing, changing the game, and keeping the faith. Episode sponsor: Fish Flight Entertainment