The History of Film

In this episode we cover just how, exactly, American cinema came to dominate Europe in the wake of WW1. We take a look at the economic practices that facilitated the "invasion" of American cinema onto French screens. We also examine one picture in particular, The Cheat, which exemplifies the technical sophistication of U.S. national cinema, and that film's reception by the City of Lights. If you would like to email me you can do so at historyoffilmpodcast@gmail.com History of Film Discord: https://discord.gg/Ud8EcEzvSF Letter Boxed: https://boxd.it/3cZn3 Support the show

This week we cover the effect of The War on the French film Industry. While The Conflict's Titanic needs did a real number on French production, it did also help develop a new kind of documentary filmmaking: The Newsreel, which was then put to work in service to the Republic. If you would like to email me you can do so at historyoffilmpodcast@gmail.com History of Film Discord: https://discord.gg/Ud8EcEzvSF Letter Boxed: https://boxd.it/3cZn3 Support the show

This episode reexamines some topics we have already looked at, but this time as context for one of history's greatest butcheries, rather than as pure film history. The development of cinema is intertwined with the forces that defined the 20th century. Today we explore how the First World War and the movies are cut from the same fabric, as we set the stage for some of the screen's greatest epochs -- German Expressionism, French Impressionism, Soviet Montage, and the Golden Age of American Silent Film. All that is tied up in The War, so let's start our journey facing it head-on. -Jake If you would like to email the show, you can do so at historyoffilmpodcast@gmail.com. Support the Show.

The History of Film Podcast has been on Haitus since May of 2022. This announcement officially ends that. Let's get back to it! If you have any ideas on how I can improve the show, you can email me at historyoffilmpodcast@gmail.com. See you soon! -Jake! Support the Show.

In this episode we finish up our series on early animation by covering Gertie the Dinosaur and The Sinking of the Lusitania, both animated by Winsor McCay. Next time it's back to Europe, where we will cover the the effect of the First World War on European film! I decided to end the Patreon, at least for the foreseeable future. It was a hard decision, but I wasn't in the position to devote the time that I wanted and needed to make the channel what I wanted it to be. A special thank you to all my patrons for their support. I hope that I can find a way to bring all of the ideas I had for it to life for you in the future! If you would like to contact me, you can email me at historyoffilmpodcast@gmail.com. You can visit historyoffilmpodcast.com to access helpful resources for this episode. The history of the film has a discord server, which you can access through this here link: discord.gg/Ud8EcEzvSF Support the Show.

This is the first of two episodes (only two, I promise) about the great animator Winsor McCay. We cover his life before he became a filmmaker, and his two first movies: Little Nemo (1911) and How a Mosquito Operates (1912). The history of the film has a discord server, which you can access through this here link: discord.gg/Ud8EcEzvSF Thank you to my wonderful patrons who helped make this show possible! A special thank you to patron Ed & Shari for supporting this program in such a big way. If you want to support this show, read your name down here in the credits, and get access to cool bonus content, you can! By visiting patreon.com/historyoffilm and becoming a patron, you can play an integral part in actually making this show exist. If you would like to contact me, you can email me at historyoffilmpodcast@gmail.com. You can visit historyoffilmpodcast.com to access helpful resources for this episode. Support the Show.

It's a new year, and the History of Film is back! In this episode, we cover the life and achievements of French animator Emile Cohl, as he creates the first paper film animation, and brings fluidity and grace to a medium he helped invent! Thank you to my wonderful patrons who helped make this show possible! A special thank you to patron Ed & Shari for supporting this program in such a big way. If you want to support this show, read your name down here in the credits, and get access to cool bonus content, you can! By visiting patreon.com/historyoffilm and becoming a patron, you can play an integral part in actually making this show exist. If you would like to contact me, you can email me at historyoffilmpodcast@gmail.com. You can visit historyoffilmpodcast.com to access helpful resources for this episode. You can join the History of Film discord server by using this link; discord.gg/Ud8EcEzvSF Support the Show.

The long promised day is finally here! We dive into the world of animation, examine ancient Iranian pottery, and meet animators named Charles-Emile Reynaud and James Stewart Blackton, as we begin our journey though a whole other kind of cinema. Thank you to my wonderful patrons who help make this show possible! A special thank you to patron Ed & Shari for supporting this program in such a big way. If you want to support this show, read your name down here in the credits, and get access to cool bonus content, you can! By visiting patreon.com/historyoffilm and becoming a patron, you can play an integral part in actually making this show exist. If you would like to contact me, you can email me at historyoffilmpodcast@gmail.com. You can visit historyoffilmpodcast.com to access helpful resources for this episode. You can join the History of Film discord server by using this link; discord.gg/Ud8EcEzvSF Support the Show.

In this episode we take a look at Griffith's second most famous movie, Intolerance, and examine its production, structure, and impact. We also (finally) finish the long arc of Griffith's story, and bring his career, and his time here on the podcast, to a close. I would like to give special credit to my wonderful patron Ed & Shari for supporting this episode and helping to make this show possible. If you want to support this show, read your name down here in the credits, and get access to cool bonus content, you can! By visiting patreon.com/historyoffilm and becoming a patron, you can play an integral part in actually making this show exist. If you would like to contact me, you can email me at historyoffilmpodcast@gmail.com. You can visit historyoffilmpodcast.com to access helpful resources for this episode. Support the Show.

This is the last of it. In this episode, we dig into how and why The Birth of a Nation was so influential, and who was influenced by it. I am happy to say that next week we will be moving on from here. So three cheers for that. If you would like to email me, you can do so at historyoffilmpodcast@gmail.com You can visit the show's website at historyoffilmpodcast.com and you can support the show at patreon.com/historyoffilm Thank you for listening! Support the Show.

When I write these, I never know just how long they will be. As it turns out, talking about a film that has had a huge impact on the development of film history, and made the world so much worse, is taking a lot of words. So, this is the second of what I hope to be three episodes of The Birth of a Nation. In this episode, we describe the plot of the movie in detail (though I still skipped a couple of things here and there for the sake of brevity, believe it or not), and talk about how the ideas present in the story interact with each other. The clip I play toward the end is from the 1993 Documentary D. W. Griffith: The Father of Film, directed by Kevin Brownlow and David Gill. You can contact me at historyoffilmpodcast@gmail.com, and you can visit the show's website: historyoffilmpodcast.com to view resources for each episode. Support the Show.

Well, where it is. The Birth of a Nation is an extremely important movie. It would be hard to overstate it. In this episode, we cover the original novel the film was based on, and the film-making process for the movie. So, spoilers for a 106-year-old movie, The Birth of a Nation is an evil film. other than the films that were created by the Nazi regime during WWII, I don't think there have been movies that have spread so much evil and hate that have been so widely received. We have to deal with it, so we will do so now. If you would like to email me, you can do so at historyoffilmpodcast@gmail.com. Support the Show.

This is the first of (hopefully) a recurring series of episodes on film critical theory. Today, with special guest Melissa Favara, we cover the idea of cultural production. This is kind of the broadest way of looking at movies, as a product of a culture rather only the work of an individual or group of filmmakers. This is a lens with witch to look at movies, and a tool for building context for the movies we will encounter throughout this series. I hope you enjoy it! You can email me at: historyoffilmpodcast@gmail.com Support the Show.

Here it is! Its an episode and a subject that has been a long time coming, and it's one that is less important then people used to think, though perhaps a little more important than some people say it is now. D. W. Griffith was a filmmaker who invented nothing, innovated on much, and influenced many (including influencing people to commit acts of viscous evil and pernicious violence). In today's episode, we cover his early life and career, and talk about some of the movies that would lead him to making The Birth of a Nation. You can learn more about some of Griffith's movies in Episode 13, 15, and 16a of this show. If you would like to email me, you can do so at historyoffilmpodcast@gmail.com. I hope you enjoy thew show! -Jake Support the Show.

Hi everybody! This is just a quick announcement to let you know that episode 23 won’t be coming out today Monday, but will be here a little bit later in the week. I want to make sure it’s really excellent, and I am adding some ambitious elements to the show that I want to get right, so I’m delaying it’s release just a little bit. Okay! I’ll see you soon! -Jake

Hello and welcome back! This is everything about early Italian films that we didn’t cover in the last two episodes. That means we talk a little about how Italian studios were run throughout the 1910s, Important actors not playing Maciste, influential directors (including another of the most prolific women of early film), and a film movement: Futurism. We talk about the movement’s origin, and its only surviving film – Thaïs – and how it, and the whole Italian film industry, entered a decline throughout the 1920s. If you would like to contact me, you can email me at histoeyoffilmpodcast@gmail.com And you can visit the show's website at Historyoffilmpodcast.com Support the Show.

A few words on exciting changes that are coming to "The History of film in very near future. historyoffilmpodcast@gmail.com historyoffilmpodcast.com Support the Show.

This week it's all about two movies Quo Vadis? from 1912 or 1913 and Cabiria from 1914. If you would like to visit the show's website, you can do so at historyoffilmpodcast.com. You can email me at historyoffilm@gmail.com. thank you so much for listening! I hope to see you next week! Support the Show.

This is the first of a planned three-episode series about Italian film from before the 1920's and the rise of fascism in Italy. In this very first episode, we cover the earliest origins of Italian film, though much more briefly than we did French film, mostly because there isn't as much written about it. We also go into some detail about the astonishing 1911 special effects wonderland The Inferno directed by a bunch of Italian guys whose names I struggle with. If you would like to contact me you can email me at historyoffilmpodcast@gmail.com, and you can visit the show's website at historyoffilmpodcast.com Support the Show.

It is a little late, but it is also long! This is one I have been researching and working on for a long time. This week it's all about a new kind of serial film–one that takes us out of the light, and into the shadowy depths of a criminal and violent Paris. Louis Feuillade takes us to depths not before plumbed by this show, as we give some much-deserved attention to serial films made by the man whom Alice Guy hand-picked to be her replacement. Fantomas and Les Vampires are two excellent movie serials that will keep you on the edge of your seat! You can watch them on YouTube, but if you have access to it through your local library, I recommend you use the streaming service Kanopy to give them a watch! The clip I used of Alfred Hitchcock I got here. You can see resources for this episode and others at historyoffilmpodcast.com, and you can contact me at historyoffilmpodcast@gmail.com. Happy Listening! -Jake Support the Show.