Feminist Frequency Radio

FFR is going to be back soon with a new season focusing on the family... just in time for the holidays! Listen to our mini preview ep where we'll explain the theme in more detail, and give a little teaser of the special bonus segment each episode will include. From festival favorites to reality TV, we're looking ahead to discussing onscreen portrayals of all different kinds of families, and what Hollywood thinks it's saying about any of it. Discussed in this episode: "Plugged In" reviewThe Fast and the FuriousFind Kat: letterboxd.com/katexmachinabsky.app/profile/katexmachina.bsky.socialtwitter.com/kat_ex_machinaFind A.C.: letterboxd.com/aclambertyinstagram.com/aclambertyFind Us: Join Our Patreon for Bonus ContentOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxdbsky.app/profile/femfreq.bsky.social

"Bingo." As the epic conclusion to our season of Musical Mayhem, we watched Jacques Audiard's 2024 extravaganza Emilia Pérez. Did we hate it? Kinda! Did we love it? Kinda! We also have a teaser of next season on Feminist Frequency Radio, coming soon. This full episode is a special bonus for upper-level Patreon supporters, but also available as a one-off purchase for non-subscribers. >> Listen to the full episode HERE << Discussed in this episode: reviewJohanne SacrebleuFind Kat: letterboxd.com/katexmachinabsky.app/profile/katexmachina.bsky.socialtwitter.com/kat_ex_machinaFind A.C.: letterboxd.com/aclambertyinstagram.com/aclambertyFind Us: Join Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxdbsky.app/profile/femfreq.bsky.social

It's Andrew Lloyd Webber week in our Musical Mayhem season, and to turn the volume all the way up, we've selected Joel Schumacher's most renowned superhero flick, The Phantom of the Opera. And for those of you who couldn't care less about musicals, but have been along for the ride with us on this journey... this episode concludes the season! Next week we're bringing a special bonus episode for Patreon supporters at the Fearless Feminist tier and above. Yes, we're finally watching Emilia Pérez... Discussed in this episode: Antonio Banderas as the Phantom, and the animal kingdom's own Christine Daaé Find Kat: letterboxd.com/katexmachinabsky.app/profile/katexmachina.bsky.socialtwitter.com/kat_ex_machinaFind A.C.: letterboxd.com/aclambertyinstagram.com/aclambertyFind Us: Join Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxdbsky.app/profile/femfreq.bsky.social

Watching the 1968 film adaptation of the Broadway musical The Wiz, we can't help but feel that director Sidney Lumet and screenwriter Joel Schumacher deeply underserved their stars, craftspeople, and source material. It's impossible not to be captivated by the performances, especially as the movie is such a memorable intersection of the careers of Diana Ross and Michael Jackson, but the staging and writing continually let us down. Discussed in this episode—the September 1975 Essence article by Sharon Stockard Martin: "The Tanning of Oz: Reflections on the Usurpation of a Myth," which is available for Patreon supporters to read at patreon.com/femfreq. Find Kat: letterboxd.com/katexmachinabsky.app/profile/katexmachina.bsky.socialtwitter.com/kat_ex_machinaFind A.C.: letterboxd.com/aclambertyinstagram.com/aclambertyFind Us: Support Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxdbsky.app/profile/femfreq.bsky.social

We couldn't do a whole season about movie musicals without watching a Barbra vehicle. There are so many elements of 1968's Funny Girl that elevate the form, from William Wyler's direction taking a stage show to the screen, and Streisand's performance as her character Fanny Brice evolves from fame-hungry teenager to worldly star and wife. We found a lot of nuance in the film's exploration of labor and gender dynamics, and can't help but watch this as a memetic piece of a puzzle with Postcards from the Edge, All That Jazz, A Star Is Born and countless explorations of insecure men struggling in romantic relationships with successful women. Find Kat: letterboxd.com/katexmachinabsky.app/profile/katexmachina.bsky.socialtwitter.com/kat_ex_machinaFind A.C.: letterboxd.com/aclambertyinstagram.com/aclambertyFind Us: Join Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxdbsky.app/profile/femfreq.bsky.social

Halfway through our season of Musical Mayhem, we decided to dive deep into the shallow waters of 2021's Dear Evan Hansen. After covering Glee last week, we felt like we had no other choice. This full-length episode is a special bonus for Patreon supporters at the "Fearless Feminist" level and above, but it's also available as a one-time purchase for non-subscribers. >> Listen to the full episode HERE << Discussed in this episode: promotional artReveriecoverFind Kat: letterboxd.com/katexmachinabsky.app/profile/katexmachina.bsky.socialtwitter.com/kat_ex_machinaFind A.C.: letterboxd.com/aclambertyinstagram.com/aclambertyFind Us: Support Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxdbsky.app/profile/femfreq.bsky.social

Never has the micro-generational divide between Kat and A.C. been sharper than in their relationships to Glee, arguably the most influential musical series ever on television. It's hard not to get glib in our discussion of the "issues" the show attempted to tackle over the course of its six seasons. Especially when the show's tone varied from mean-spirited to earnest representation politics throughout the course of the series. Discussed in this episode: ‘Glee’ 15th Anniversary: Looking Back at a Cultural Moment Never to Be RepeatedDon't Rain on My ParadeFind Kat: letterboxd.com/katexmachinabsky.app/profile/katexmachina.bsky.socialtwitter.com/kat_ex_machinaFind A.C.: letterboxd.com/aclambertyinstagram.com/aclambertyFind Us: Subscribe to Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxdbsky.app/profile/femfreq.bsky.social

Is this the first "perfect" movie we've covered on this podcast? This was Kat's first time watching Bob Fosse's 1979 self-referential musical drama All That Jazz, one of A.C.'s absolute favorites. There's something compelling about the way Joe Gideon, Fosse's stand-in for himself, is far from being the hero in his own larger-than-life story of addiction, perfectionism, and womanizing. And though the ending is foreshadowed from the opening scene, it's still jaw dropping when it happens. Discussed in this episode: Le Jeune Homme et La MortWhite NightsFind Kat: letterboxd.com/katexmachinabsky.app/profile/katexmachina.bsky.socialtwitter.com/kat_ex_machinaFind A.C.: letterboxd.com/aclambertyinstagram.com/aclambertyFind Us: Join Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxdbsky.app/profile/femfreq.bsky.social

For the first full episode of our new "Musical Mayhem" season, we watched the 1955 film Guys and Dolls. The gender expectations and relationship dynamics between the central two couples in this movie feel like they'd be right at home in today's modern "trad wife" resurgence as certain segments of society seek to backslide into authoritarianism. Even the series finale of the Sex and the City follow-up And Just Like That... portrays established, successful women post-middle age wringing their hands about whether a man will propose. Unsurprisingly, Guys and Dolls' thin handling of race and class leaves a lot to be desired. But, there's joy to be had in many of the song-and-dance numbers, especially "Pet Me Poppa" featuring Vivian Blaine as showgirl Adelaide. Discussed in this episode: Tituss Burgess performing "Sit Down, You're Rockin' the Boat" at the 2009 Tony AwardsCarrie Coon talking about the training that sets theater performers apart in a time when arts programs are underfundedFind Kat: letterboxd.com/katexmachinabsky.app/profile/katexmachina.bsky.socialtwitter.com/kat_ex_machinaFind A.C.: letterboxd.com/aclambertyinstagram.com/aclambertyFind Us: Join Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxdbsky.app/profile/femfreq.bsky.social

Kat and A.C. are back from an extended hiatus in the Heavyside Layer to bring you an all-new season of Feminist Frequency Radio! This time, we're being critical about the media we love while tapping our toes: the screen musical. Join us for a preview episode where we discuss the season ahead and what you can expect from our movie and TV selections, new Letterboxd lists themed to each episode, and special full-length bonuses for Patreon supporters. Discussed in this episode: The Ethel Merman Disco AlbumFind Kat: letterboxd.com/katexmachinabsky.app/profile/katexmachina.bsky.socialtwitter.com/kat_ex_machinaFind A.C.: letterboxd.com/aclambertyinstagram.com/aclambertyFind Us: Join Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxdbsky.app/profile/femfreq.bsky.social

A.C. and Kat are joined by director Sav Rodgers to discuss his documentary feature debut, Chasing Chasing Amy, and the complicated legacy of its subject matter, Kevin Smith's 1997 film Chasing Amy. Sav shares about the arduous process of becoming the central story in his own doc, and examining his relationship to the movie that saved his life as a young queer person. We explore how we take our various fandoms seriously, and what it means to blend loving a piece of media with making that love the focus of our work and/or our identities. Discussed in this episode: CHASING CHASING AMY,KanopyChasing Amyaction figuresFind Sav: bsky.app/profile/savrodgers.bsky.socialletterboxd.com/savrodgersFind Kat: letterboxd.com/katexmachinabsky.app/profile/katexmachina.bsky.socialtwitter.com/kat_ex_machinaFind AC: letterboxd.com/aclambertyinstagram.com/aclambertyFind Us: Support us on PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxdbsky.app/profile/femfreq.bsky.social

A.C. and Kat are back from their first semester at Shiz University for winter break, and we just had to talk about Jon M. Chu's blockbuster Broadway adaptation of Wicked: Part One. Starring Cynthia Erivo and Ariana Grande in the story before the story we all know from The Wizard of Oz, this is a tale that was originally published as a novel by Gregory Maguire in 1995. On its face it's a movie about accepting yourself when you don't fit in, but it's much more so about the way marginalized communities are threatened by authoritarian governments and the complicit neighbors who don't want to "rock the boat." We were impressed by its portrayal of class consciousness and the added nuance brought by casting a Black actress in the role of Elphaba. Finally, we hold a mini state of the union on Hollywood movie musicals. Find Kat: twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC: instagram.com/aclambertyletterboxd.com/aclambertyFind Us: Support Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxd

Kat's fighting a vicious cold, and only had enough raspy voice left to record a bonus mini episode with AC this week. We caught up on all of the random movies and TV Kat watched while traveling or coughing on the couch, from Hit Man and Trap to Love Again and Hot Frosty. AC shared what movies he rewatches annually on Thanksgiving, and yes—The Silence of the Lambs is first on his list. Plus, we talk about AC's new publication with Currant Jam: Gelée, a digital zine on pop culture from emerging journalists, writers, and tastemakers. Discussed in this episode: episodeThe Manchurian CandidateGeléeFind Kat: twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC: instagram.com/aclambertyletterboxd.com/aclambertyFind Us: Support Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxd

Luke Perry biographer Margaret Wappler joined us for a conversation about her hybrid memoir profiling the '90s heartthrob, and the impact Perry had on viewers from 90210 to Riverdale. We dug into Fran Rubel Kuzui's 1992 film Buffy the Vampire Slayer, starring Perry alongside Kristy Swanson and Donald Sutherland. We particularly loved the comedic swings of supporting cast members Paul Reubens and David Arquette. Overall, we think the movie's feminist message and uneven tone are almost anachronistic, but can't deny its lasting impact. Discussed in this episode: A Good Bad Boy: Luke Perry and How a Generation Grew UpFind Margaret: instagram.com/margaretwapplermargaretwappler.comFind Kat: twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC: instagram.com/aclambertyletterboxd.com/aclambertyFind Us: Join Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxd

Writer and musician Tara Giancaspro joins Kat and A.C. for a rootin' tootin' rip-roarin' review of Colin Higgins' 1982 movie musical The Best Little Whorehouse in Texas. We get lost in the fun and charm of the music, dancing, and wigs! We delight in the beauty of Dolly Parton and Burt Reynolds! And we get caught up in a discussion of whether a movie like this could be made today, with its light-hearted treatment of sex workers being unfairly persecuted. Plus, an unhinged installment of the "what's wrong with me" game returns, as we decide which famous men we'd let watch our drinks. Discussed in this episode: episode9 to 5HIPSFind Tara: twitter.com/sweatylamarrtaragiancaspro.substack.comsweatylamarrmusic.bandcamp.comFind Kat: twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC: instagram.com/aclambertyletterboxd.com/aclambertyFind Us: Support our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxd

Anita Sarkeesian returns to the podcast this week to discuss Coralie Fargeat's buzzy body horror film The Substance, starring Demi Moore and Margaret Qualley. Anita gives the movie 5 out of 5 stars, but she, Kat, and A.C. all find something uniquely different to love about it. After an electrifying in-theater experience, we couldn't stop thinking about its storytelling on the panopticon of the patriarchal gaze. Not to mention its gonzo gross-out creature work! Find Anita: twitter.com/anitasarkeesianinstagram.com/anitasarkeesianletterboxd.com/anitasFind Kat: twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC: instagram.com/aclambertyletterboxd.com/aclambertyFind Us: Support our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxd

Film critic and podcast host Alonso Duralde previously joined us for a discussion about 1950s Hollywood, and it was such a treat to have him return to the show. He recently published the film history compendium Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film, so what better film for us to watch together than William Wyler's 1961 opus of lesbian shame, The Children's Hour, starring Audrey Hepburn and Shirley MacLaine. Discussed in this episode: The Celluloid Closet (1995)podcast episodeSecondsFind Alonso: instagram.com/alonso.duraldeThe Film LibraryFind Kat: twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC: instagram.com/aclambertyletterboxd.com/aclambertyFind Us: Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxd

We were so excited to welcome author and journalist Emma Specter to the show, that we asked them if we could talk about their favorite movie. Join us as we traverse journalism onscreen in James L. Brooks' 1987 film Broadcast News, starring Holly Hunter, William Hurt, and Albert Brooks. We also ask Emma about the process of writing her reported memoir, More, Please, and what she might say about elements of the movie "as a private citizen," versus in her official capacity as culture writer for Vogue. Discussed in this episode: More, Please: On Food, Fat, Bingeing, Longing, and the Lust for EnoughShe Saidhttps://dirt.fyi/article/2022/12/all-the-things-she-saidFind Emma: emmaspecter.comtwitter.com/EmmaSpecterinstagram.com/specteremmaFind Kat: twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC: instagram.com/aclambertyletterboxd.com/aclambertyFind Us: Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxd

Kat and A.C. are starving for a blockbuster to make them feel something, as if the movies are actually, finally back. So, they saw Lee Isaac Chung’s Twisters, and unfortunately—they’re still hungry. Listen in as they hypothesize about what Glenn Powell’s character was doing in the years before the events of this film took place (while Anthony Ramos’ was “working for the military” and Daisy Edgar-Jones’ was Being A City Girl). Could the tornado wrangler have been doing crunches? Optimizing his SEO? We just want cinema to try something new, please! Find Kat: twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC: instagram.com/aclambertyletterboxd.com/aclambertyFind Us: Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxd

Kat and A.C. ~*witnessed*~ the fifth installment in George Miller’s apocalypse epic, Furiosa: A Mad Max Saga and… we found it completely unnecessary. We know that movies about women are not by default inherently feminist (Anita tweeted about this specifically related to Fury Road back in 2015), but it’s always a bummer when we’re more invested in the male characters in a movie centered around a female protagonist. Then, we played another round of our “What’s Wrong With You?” guessing game, this time with a Pride Month theme (of sorts). Find Kat: twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC: instagram.com/aclambertyletterboxd.com/aclambertyFind Us: Join our PatreonLetterboxdOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagram