Historians At The Movies

This week Greg Eghigian drops in to talk about Steven Spielberg's first extraterrestrial film and his new book charting the global history of UFO sightings. We get into the histories behind the sightings, how the Cold War affected how we think about space aliens, and whether or not one should put gravy on Devil's Tower. About our guest: Greg is a professor of history and bioethics at Penn State University. A historian of both the human sciences and modern Europe, he is particularly interested in how societies grapple with the questions and problems associated with modernity through the vehicles of science, technology, and medicine. His research has largely focused on the nature of power and the relationship between the state, science, and medicine in understanding and managing things such as disability, deviance, criminality, mental illness, and security. He regularly writes articles and present papers on the general history of madness and psychiatry. In recent years, however, his interests have moved into studying the history of supernatural and paranormal phenomena.

This week Jamie Goodall joins #HATM regulars John Wyatt Greenlee and Leah Lagrone to get to the bottom of a serious question: to which generation does The Goonies belong. We are up to no good in this episode and even through in some pirate history to boot. HATM never says die. About our guests: Dr. John Wyatt Greenlee is a medievalist and a cartographic historian. His academic research is primarily driven by questions of how people perceive and reproduce their spaces: how movement through the world — both experiential and imagined — becomes codified in visual and written maps. You can find him on twitter at @greenleejw Dr. Leah LaGrone is an assistant professor of history and public history director. She graduated from Texas Christian University in Fort Worth, Texas, with a PhD in history focused on borderlands, labor, and gender studies in early 20th century. Her research examines state legislation and the discourse on minimum wages for women, specifically the connections of sex work with low wages. Her current book project, “A Woman’s Worth: How Race and Respectability Politics Influenced Minimum Wage Policies,” demonstrates that the politics around race and the minimum wage for women drove conversations among labor, politicians, and progressive reformers about the future of white supremacy in Texas. Dr. Jamie L.H. Goodall is a historian at the U.S. Army Center of Military History in Washington, D.C. All views expressed on my website are my own and are not reflective of my employer, the U.S. Army, or the Department of Defense. She also teaches part-time at Southern New Hampshire University in their College of Online & Continuing Education. She is the author of Pirates of the Chesapeake Bay: From the Colonial Era to the Oyster Wars (Charleston, SC: The History Press, 2020), National Geographic’s Pirates: Shipwrecks, Conquests, and their Lasting Legacy (Washington, D.C.: National Geographic, 2021), Pirates and Privateers from Long Island Sound to Delaware Bay (Charleston, SC: The History Press, 2022), and The Daring Exploits of Black Sam Bellamy: From Cape Cod to the Caribbean (Charleston, SC: The History Press, 2023).

This week Julio Capó, Jr. drops in to talk about The Birdcage. We get into Robin Williams' queer performances, what this film meant then, and what it means now. We also talk about Julio's scholarship of Miami's immigration and LGBTQ+ history, along with our mutual love of Florida. One of the best pods we've ever done. I hope you enjoy. About our guest: Professor Capó is a transnational historian whose research and teaching interests include modern U.S. history, especially the United States’s relationship to the Caribbean and Latin America. He addresses how gender and sexuality have historically intersected with constructions of ethnicity, race, class, nation, age, and ability. His first book, Welcome to Fairyland: Queer Miami before 1940 (UNC Press, 2017), highlights how transnational forces—including (im)migration, trade, and tourism—to and from the Caribbean shaped Miami’s queer past. The book has received six awards and honors, including the Charles S. Sydnor Award from the Southern Historical Association for the best book written on Southern history. His work has appeared in the Journal of American History, Radical History Review, Diplomatic History, Journal of Urban History, Journal of American Ethnic History, Modern American History, GLQ, H-Net, American Studies, and several volumes. Capó’s research extends to his commitment to public history and civic engagement. He curated “Queer Miami: A History of LGBTQ Communities” for History Miami Museum (open from March-September 2019) and participated in a National Park Service initiative to promote and identify historic LGBTQ sites and contributed a piece on Miami’s queer past for its theme study. Prior to entering graduate school, he worked as a broadcast news writer and producer, and his work has appeared in several outlets such as The Washington Post, Time, The Miami Herald, and El Nuveo Día (Puerto Rico). Capó is the recipient of several awards including the Audre Lorde Prize from the Committee on Lesbian, Gay, Bisexual & Transgender History and the Carlton C. Qualey Award from the Immigration and Ethnic History Society. He currently serves as the co-chair of the Committee on Lesbian, Gay, Bisexual & Transgender History and on the Editorial Board for the Journal of American History.

This week Max Felker-Kantor and I talk about what may be the world's most unlikely history movie: 21 Jump Street. We talk about the real-life attempts to embed police officers undercover in schools, the rise and fall of D.A.R.E., and the role DARE played in creating the carceral state. This is such a surprising episode with some real revelations and Max is an awesome guest. I hope you dig it. About our guest: Max Felker-Kantor is an associate professor of history at Ball State University. He teaches courses in twentieth-century American and African American history. His research explores policing, race, policing, politics, and cities since World War II. His first book, Policing Los Angeles: Race, Resistance, and the Rise of the LAPD (University of North Carolina Press, 2018) explores policing and antipolice activism in Los Angeles from the Watts uprising to the 1992 Los Angeles Rebellion. His second book, DARE to Say No: Policing and the War on Drugs in Schools, is a history of the DARE Program and will be published by the University of North Carolina Press in 2024. He is currently working on a new project on the history of the Los Angeles Police Department’s Rampart Scandal and the origins of twenty-first century policing. His work has been published in the Journal of Urban History, Modern American History, Journal of Civil and Human Rights, Boom California, and the Pacific Historical Review, as well as a range of other academic and popular outlets.

This week Liz Covart drops in to talk with Kelsa and I about the final episode of Franklin, along with her thoughts on the show as it was. We get into the diplomatic manuevering at Paris, Liz's Codfish moment, the brigand that was William Augustus Bowles and ask if the French lost the American Revolution. About our guest: Liz Covart is a historian of early America who practices scholarly history, public history, and digital humanities, primarily as the Founding Director of Colonial Williamsburg Innovation Studios at the Colonial Williamsburg Foundation. She is the creator and host of the incredible history podcast, Ben Franklin's World.

This week marine biologist and world reknowned shark expert Melissa Cristina Márquez dives in to talk all things Jaws. We talk about her career as a scientist, the role of sharks in the ecosystem, and the impact the book and film had on global shark populations. This is a different look for HATM and a lot of fun talking to an inspiring scholar. We're gonna need a bigger pod. About our guest: Known as the "Mother of Sharks," Melissa Cristina Márquez is a Latina marine biologist and conservationist who studies sharks and their relatives (the skates, rays, and chimaeras- collectively, this groups of animals are known as 'Chondrichthyans'). Márquezspecifically studies their habitat use (why they are where they are) and how their portrayal in the media influences attitudes towards marine predators and conservation initiatives. She founded The Fins United Initiative (TFUI; www.finsunited.co.nz) a program that introduces audiences worldwide to the diverse sharks and scientists who study them. You may have seen her on Shark Week or watched her TEDx talk on Youtube, "Sharks & Female Scientists: More Alike Than You Think." She is also a freelance wildlife writer and regularly covers marine science in regards to sharks as a Forbes contributor. You can follow Melissa's worldwide science communication efforts on her Twitter (@mcmsharksxx) or Instagram (@melissacristinamarquez) and learn more about her research and outreach there.

Listen. You don't need to have watched the Franklin series at this point. Listen to THIS POD. This one. Everything you need is here. We've got Kelsa Pellettiere. We have Michael Hattem. We have JOANNE FREEMAN. We have colonial ideologies and diatribes on where an American Revolution series should go. We have disappointment in Michael Douglas. We have fart jokes. We have codfish (you'll see). Easily one of the most fun conversations of my life. Enjoy. About our guests: Kelsa Pelletiere is the guest host for the duration of the Franklin podcast miniseries. I sought out someone who is an absolute expert on the man and his life and seemingly everyone came back with Kelsa. She is a doctoral candidate in history at the University of Mississippi. Her research focuses on early diplomatic history in the United States, specifically Benjamin Franklin and the American Revolution. Her teaching interests include eighteenth, nineteenth, and twentieth-century American history; Revolutionary America; U.S. diplomacy; and the Atlantic world. Michael Hattem is an American historian, with interests in early America, the American Revolution, and historical memory. He received his PhD in History at Yale University and am the author of Past and Prologue: Politics and Memory in the American Revolution (Yale University Press, 2020) and The Memory of ’76: The Revolution in American History (Yale University Press, 2024). He has taught History and American Studies courses at The New School and Knox College. Joanne Freeman specializes in the politics and political culture of the revolutionary and early national periods of American History. She earned her Ph.D. at the University of Virginia. Her most recent book, Affairs of Honor: National Politics in the New Republic (Yale University Press), won the Best Book award from the Society of Historians of the Early American Republic, and her edited volume, Alexander Hamilton: Writings (Library of America) was one of the Atlantic Monthly’s “best books” of 2001. Her current project, The Field of Blood: Congressional Violence in Antebellum America, explores physical violence in the U.S. Congress between 1830 and the Civil War, and what it suggests about the institution of Congress, the nature of American sectionalism, the challenges of a young nation’s developing democracy, and the longstanding roots of the Civil War.

This week Kelsa and I ask the tough questions about the series: Are they spending too much time on Temple? Is Lafayette the best character? How will they resolve the series? Which Founding Father would have had an OnlyFans account? Stick around for the wildest discussion on the American Revolution you've ever heard.

This week we are joined Bathsheba Demuth to talk about the Chris Hemsworth-led In The Heart of the Sea. Bathsheba is the author of one of my favorite books, Floating Coast: An Environmental History of the Bering Strait and we talk about the history of whaling, her work with Indigenous communities in the Yukon, and of course, Moby Dick. This is one of the most fun conversations I've had on this podcast and I hope you enjoy. About our guest: Bathsheba Demuth is writer and environmental historian specializing in the lands and seas of the Russian and North American Arctic. Her interest in northern places and cultures began when she was 18 and moved to the village of Old Crow in the Yukon, where she trained huskies for several years. From the archive to the dog sled, she is interested in how the histories of people, ideas, and ecologies intersect. In addition to her prize-winning book Floating Coast: An Environmental History of the Bering Strait, her writing has appeared in publications from The American Historical Review to The New Yorker and The Best American Science and Nature Writing. She is currently the Dean’s Associate Professor of History and Environment and Society at Brown University.

This week my good friend and native Coloradan Kathleen Belew drops in to talk about the movie that etched the word "wolverines" into our lives forever: Red Dawn. We talk about how Red Dawn depicts Cold War fears on the big screen, and how it has been perceived in the *checks notes* forty years since its release. As usual, Kathleen and I talk about where to get the best food in Colorado, skiing, and god knows what else. This is a pod you've been asking for. I hope you like it. About our guest: Kathleen Belew is a historian, author, and teacher. She specializes in the history of the present. She spent ten years researching and writing her first book, Bring the War Home: The White Power Movement and Paramilitary America (Harvard, 2018, paperback 2019). In it, she explores how white power activists created a social movement through a common story about betrayal by the government, war, and its weapons, uniforms, and technologies. By uniting Ku Klux Klan, neo-Nazi, skinhead, and other groups, the movement mobilized and carried out escalating acts of violence that reached a crescendo in the 1995 bombing of Oklahoma City. This movement was never adequately confronted, and remains a threat to American democracy. Her next book, Home at the End of the World, illuminates our era of apocalypse through a history focused on her native Colorado where, in the 1990s, high-profile kidnappings and murders, right-wing religious ideology, and a mass shooting exposed rents in America’s social fabric, and dramatically changed our relationship with place, violence, and politics (Random House). Belew has spoken about Bring the War Home in a wide variety of places, including The Rachel Maddow Show, The Last Word With Lawrence O’Donnell, AC 360 with Anderson Cooper, Frontline, Fresh Air, and All Things Considered. Her work has featured prominently in documentaries such as Homegrown Hate: The War Among Us (ABC) and Documenting Hate: New American Nazis (Frontline). Belew is an Associate Professor of History at Northwestern University. She earned tenure at the University of Chicago in 2021, where she spent seven years. Her research has received the support of the Chauncey and Marion Deering McCormick Foundation, the Andrew W. Mellon Foundation, and the Jacob K. Javits Foundation. Belew earned her BA in the Comparative History of Ideas from the University of Washington, where she was named Dean’s Medalist in the Humanities. She earned a doctorate in American Studies from Yale University.

This week the legendary Seth Cotlar joins in with Kelsa and me to talk about Episode 5 of Franklin. We get into the dynamics between John Adams and Benjamin Franklin, talk about the need for more meat some of these storylines, and address the needs of the colonies to those of Ukraine in the present day. It's another great trip to the 18th century.

This week Agnes Arnold-Forster jumps in to talk about the emotional roller coaster that is Pixar's Inside Out. We talk about how historians have conceptualized emotions, their role in the human experience, and Agnes' new book which charts the history of nostalgia. This is such a cool pod because we go places we rarely get to visit. I hope you dig it. About our guest: Agnes Arnold-Forster is a writer; researcher; and historian. She has written, researched, and presented on everything from women's health in today's Britain to the history of cancer; from the 1918 flu pandemic to the well-being of surgeons in twenty-first-century America. She is an expert in the history of Europe, the USA, and Canada, and my research spans the eighteenth century to the present day. She explores societies, cultures, medicine, science, technology, emotions, and the world of work. She is currently writing a book about the history of nostalgia, due to be published by Picador in April 2024.

This week HATM friend Lindsay Chervinsky drops in to talk about Episode 4 of Franklin. We talk about the very real possibility all of this could fail, spies galore, a young Louis XVI (with a head!) and a villainous John Adams? Join in with us now! About our guest: Dr. Lindsay M. Chervinsky is a presidential historian. She is the author of the award-winning book, The Cabinet: George Washington and the Creation of an American Institution, co-editor of Mourning the Presidents: Loss and Legacy in American Culture, and the forthcoming book, Making the Presidency: John Adams and the Precedents That Forged the Republic. She regularly writes for public audiences in the Wall Street Journal, Ms. Magazine, The Daily Beast, The Bulwark, Time Magazine, USA Today, CNN, and the Washington Post.

This week Elsa Devienne drops in to talk about Gidget and the history and transformation of the California beach. We get into the fascination with the US and the environment, as well as the influence of Hawaii on California beach culture. We also jump into issues of body image, gender dynamics, and queer representation in beach movies and the global trasnformation of surf culture post Gidget. This is a fun talk. About our guest: Elsa Devienne joined Northumbria University in 2019, having previously taught at Princeton University, Université Paris Nanterre, and the Ecole des Hautes Etudes en Sciences Sociales. Her research lies at the intersection of urban history, environmental history, and the history of gender, body, and sexuality, with a focus on the 20th century. She is particularly interested in the history of Americans’ intense engagement with their coastlines, from the 19th-century beach-bathing boom until today’s climate crisis and its catastrophic consequences for coastal communities. Her first book, La ruée vers le sable: une histoire environnementale des plages de Los Angeles (Sorbonne Editions, 2020), won the 2021 Willi Paul Adams Award awarded by the Organization of American Historians for the best book on American history published in a language other than English. A translated and updated version with a new epilogue is coming out with Oxford University Press in 2024 under the title Sand Rush: The Revival of the Beach in Twentieth-Century Los Angeles. She is also the author of several articles published in academic journals in the US and Europe, including in The Journal of Urban History, The European Journal of American Studies, California History, Vingtième Siècle. Revue d'histoire and Actes de la recherche en sciences sociales.

This week begins our first episode covering the new series on Apple TV, FRANKLIN, starring Michael Douglas. Each week we'll recap the episode, fill in with historical backstory, and offer plenty of snark. We have a permanent cohost for the series in Kelsa Pelletiere, one of the foremost Franklin scholars in the world. And we'll rotate in new guests each week to provide fresh thoughts and perspective on what we are seeing onscreen. This is gonna be fun. About our guests: Kelsa Pelletiere is the guest host for the duration of the Franklin podcast miniseries. I sought out someone who is an absolute expert on the man and his life and seemingly everyone came back with Kelsa. She is a doctoral candidate in history at the University of Mississippi. Her research focuses on early diplomatic history in the United States, specifically Benjamin Franklin and the American Revolution. Her teaching interests include eighteenth, nineteenth, and twentieth-century American history; Revolutionary America; U.S. diplomacy; and the Atlantic world. Craig Bruce Smith is an associate professor of history at National Defense University in the Joint Advanced Warfighting School (JAWS) in Norfolk, VA. He authored American Honor: The Creation of the Nation’s Ideals during the Revolutionary Era and co-authored George Washington’s Lessons in Ethical Leadership. He specializes in American Revolutionary and early American history, specifically focusing on George Washington, honor, ethics, war, the founders, transnational ideas, and national identity. In addition, he has broader interests in colonial America, the early republic, leadership, and early American cultural, intellectual, and political history.

This week Drew McKevitt returns to talk about Robocop (1987). We get into depictions of Detroit as a failed city and of Robocop as both the commercial answer to the Terminator and maybe the antithesis of Dirty Harry. And we dive deep into Drew’s new book to talk about the rise of the gun culture in the United States. Hanging with Drew is always a blast- he’s one of the smartest and funniest historians you’re gonna meet. About our guest: Drew McKevitt is an associate professor of history at Louisiana Tech University. He recently published a book called Consuming Japan: Popular Culture and the Globalizing of 1980s America. His new book is Gun Country: Gun Capitalism, Culture, and Control in Cold War America. His next project examines U.S. workers in foreign-owned manufacturing facilities in the United States since the 1970s. You can find him on twitter at @drewmckevitt or his website, https://andrewcmckevitt.com/

This week the pod welcomes back Thomas Lecaque and John Wyatt Greenlee along with #HATM newcomer Anna Waymack to talk about maybe the best medieval movie ever made: A Knight's Tale. We talk Chaucer, romance, Heath Ledger, the Black Prince, and that fucking soundtrack. Let's go. About our guests: Thomas Lecaque is an associate professor of History at Grand View University in Des Moines, Iowa. He specializes in the nexus of apocalyptic religion and political violence. He has written for the Washington Post, Religion Dispatches, Foreign Policy and The Bulwark, among others. Follow him on Twitter: @tlecaque. John Wyatt Greenlee is a medievalist and a cartographic historian.His academic research is primarily driven by questions of how people perceive and reproduce their spaces: how movement through the world — both experiential and imagined — becomes codified in visual and written maps. You can find him on twitter at @greenleejw Anna Waymack, is a Ph.D. candidate in Cornell's Medieval Studies Program, and was selected as a fellow in Olin Library's Summer Graduate Fellowship for Digital Humanities in 2016. As part of that fellowship, Anna developed digital humanities expertise and produced a public website focused on an aspect of her research, Geoffrey Chaucer and the charge of raptus brought forth by Cecily Chaumpaigne.

This week Jeff Melnick and Erik Baker jump in to talk about Steven Spielberg's Munich. We talk about the history behind the attacks in 1972, why they were relevant in 2005, and why they remain relevant today. And yes, we absolutely discuss the warfare and attempted genocide in Palestine today. This is a really important conversation and I hope that it helps to illustrate how movies can be part of historical dialogue. I learned a lot from these guys and I hope you will too. About our guests: Jeffrey Melnick is a professor at University of Massachusetts Boston and the author of 9/11 Culture: America Under Construction (Wiley-Blackwell, 2009), Black-Jewish Relations on Trial (University Press of Mississippi, 2000), and A Right to Sing the Blues (Harvard University Press, 1999). You can find him on twitter at @melnickjeffrey1 Erik Baker is currently a Lecturer in the History of Science at Harvard University and oversee the senior thesis program for undergraduates. As an associate editor at The Drift, I've been involved since its inception. He earned his Ph.D. from Harvard in May 2022, and my dissertation won the 2023 Leo P. Ribuffo Prize from the Society for U.S. Intellectual History. His research delves into the modern U.S. work culture and the impact of scientific expertise on workers' self-perception. In his forthcoming book, Make Your Own Job: The Entrepreneurial Work Ethic in Modern America, he explores how social scientists and management intellectuals reshaped the American work ethic during the turbulence of twentieth-century U.S. capitalism. He has contributed articles on labor, politics, and American history to publications such as Harper’s, n+1, The Baffler, Jewish Currents, Jacobin, and The Drift, where he has been an editor since its inception.

This week Christina Abreu drops in to discuss Cuban-American history, Cuban music, and the representation of Cubans in film. We explore the origins and characteristics of Cuban music, as well as the migration of Cubans to the United States in the 1950s. We also discuss the relationship between Cuban-Americans and other Latino groups, as well as the integration and segregation within Cuban-American communities. This is a fun podcast and deep dive into Cuban American history. I hope you dig it. About our guest: Christina Abreu is associate professor of history and director of the Center for Latino/Latin American Studies at Northern Illinois University. Her research focuses on the role of race, nationalism, and migration in the Cuban and Spanish Caribbean diasporic communities of the United States with a particular emphasis on popular culture. Her first book, Rhythms of Race: Cuban Musicians and the Making of Cuban New York City and Miami, 1940-1960, examined the relationship between black and white Cuban musicians and the Cuban and broader Latinx communities of New York City and Miami in the 1940s and 1950s. In her second book, Patria over Profits: The Story of Afro-Cuban Boxing Champion Teófilo Stevenson, she offers a cultural history of the life and times of Afro-Cuban boxing champion Teófilo Stevenson, winner of three heavyweight boxing Olympic gold medals in 1972, 1976, and 1980. In detailing Stevenson’s triumphs in the ring, another more complex and interconnected story emerges about revolutionary Cuba and the island’s Afro-Caribbean connections, race and black athletic activism, Cuban exile culture and politics, and international sports celebrity. Patria over Profits is under contract with the Sport and Society series at the University of Illinois Press.

We've reached the end of the mission here at Historians At The Movies. This week Sarah, Colin, Luke and I talk about the final thrust of the air war in Germany, POW camps and escape attempts, Rosie's legacy, and the melancholy of leaving the war behind. We also give our final thoughts about the series, where to place it alongside Band of Brothers and The Pacific and what series we'd like to see next. Hope you've enjoyed this ride as much as we did.