Basic Folk

Accidental bandleader and beloved Canadian Tony Dekker joins us to talk about Great Lake Swimmers' new album, 'Caught Light.' Tony is up to old tricks again, like recording in a remote and weird place (in a century-old farmhouse in the middle of the woods) and working with his merry band of rotating musician friends, including producer Darcy Yates (Bahamas). The album was recorded in three days, the shortest amount of time he's ever spent on a record. In that very fast process, he had to learn to let go of control. In our Basic Folk conversation, he shares what he's learned about the beauty of letting go. We also get into how Tony feels most capable of confronting environmental and political themes in his songwriting and daily practice. In recent years, Dekker has moved his family from Toronto, the big city, back to the Niagara area in Ontario where he grew up, to establish a small town community and life. We revisit his early years in Wainfleet, ON, discussing the ins and outs of his family's farm, his love of country radio, and talent for picking any instrument. He learned the joy of playing music at a young age. The reward of music was enough, and that notion has translated into how Great Lake Swimmers operates and what kind of bandleader he is. As stated before, the fact that he is the group's bandleader is an accident, since he only wanted to organize the band and act as a background member. Finding himself more and more on the frontline, he did some serious work learning how to be a good leader and how to operate a band that's made up of good friends. It's clear that Tony's figured out how to be a humble leader and friend as his collaborators return to his orbit time and time again. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

Mary Chapin Carpenter's latest album, 'Personal History,' is as lush in production and color as the beautiful farmland she calls home in Virginia. Carpenter will often wake up early for sunrise walks with her dog, Angus, and one of several daily cups of coffee (of course) to start the day. In our Basic Folk conversation, she reflects on how living in this serene farmhouse has brought her peace, drawing parallels to Carl Sandberg's "creative hush." Mary Chapin also discusses her method of "song walking" as a tool to overcome writer's block, often accompanied by her pets. She goes on to touch on her evolving relationship with fame and the importance of surrounding herself with grounded people; she reveals her younger self was shy, and talks about how being less concerned with others' opinions has empowered her over time. We cover her connection to the Celtic music community and how it inspired her collaborative album 'Looking for the Thread' with Scottish musicians Julie Fowlis and Karine Polwart. That record was her first with Josh Kaufman as producer and it worked so well, she decided to have him produce her new solo album, too. We also chat about "hyphen-gate," due to her double first name, the process of feeling visible and valued, and the impact of Elizabeth Strout on her perspective of songwriting. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

To send 2025 off into the great abyss, we have a sensational year-end Basic Folk roundtable featuring Lizzie's group chat: Kaïa Kater, Olivia Ellen Lloyd, and Isa Burke. It can feel so challenging to know which media you can trust and whose takes you can really take to the bank. There is no one we trust more to wrap-up this wild and wacky year than these gals. We turned to them at the end of 2025 to hear their hot takes, what they're grateful for, what they've learned, and what four poppin' folk musicians were up to in this crazy year in the industry. We also share a couple of Basic Folk clips from 2025! Our most-listened to episode featured Ani DiFranco and Carsie Blanton onboard Cayamo, so of course we wanted to share a portion of their conversation about periods. Lizzie tees up a clip from her favorite episode featuring Cindy's meet-cute moment with Morgan Toney. Morgan spoke of how he started to get more familiar with his Indigenous musical heritage and shares incredible insights about how to connect with your cultural heritage as a marginalized artist. Lizzie & Cindy then get into what each has been up to this year, together and separately. They especially reflect on their trip to Alaska with Parlor in the Round, the pod's new baby, Lizzie's Yallidarity Social Club podcast, and the latest on their dogs – including one emergency surgery to remove a six month old corn cob. Goodbye, 2025! Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

Our episode with Madison Cunningham was one of those all-time Basic Folk moments where a guest gets really deep really quickly. I'm so grateful to have had the chance to speak with this brilliant young torchbearer of the folk tradition to celebrate the release of her new album, 'Ace.' Cunningham grew up in the church, an environment which shaped her earliest memories of music. From the very beginning she had a sense of togetherness and transcendence in music which remains today and is represented throughout her catalogue. It was fascinating to hear Madison describe how she developed into a commanding solo performer, renegotiating her relationship with spirituality and individuality along the way. After the massive impact of her GRAMMY-winning 2022 album, 'Revealer,' and collaborations with artists like Andrew Bird, Cunningham summoned all her creative, form-breaking powers for her new album. As we talked through the track list and arrangements I got the sense that this is an artist who is always challenging herself to release control. She lets things fall apart and then puts the pieces back together according to her own imagination. This is freedom. Her reflections on heartbreak feel intimate, thoughtful, hopeful, and unique. 'Ace' may or may not be a "Folk" album by aesthetic measures, but it is certainly an outstanding example of world-building in the singer-songwriter format. Whether on piano or guitar, Cunningham has a focused way of expressing herself that makes me want to know what unpredictable gems she will create next. Long live the creativity of independent women! - Lizzie No Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

Frazey Ford has always loved soul music. She fell in love with Otis Redding at age 11 and discovered people like Ann Peebles along the way, but it was Al Green that really knocked her out. She loved the layers, the expression, and especially his voice. She completely dove in and even started an Al Green cover band. Although she had been perfecting her soul sound, the band that took off for Ford was, of course, The Be Good Tanyas. She talks in our Basic Folk interview about how the trio really worked to perfect quiet, beautiful country music rooted in her love of soul. She took that love into her solo career with her first record, 'Obadiah.' Even though her solo debut was mostly a folk record, documentary filmmaker Robert Gordon heard one of those songs on the radio. He sent her an email and invited her to work with Al Green's band, The Hi Rhythm Section. That invitation was the inception of her second album, 2014's 'Indian Ocean.' Now seeing a deluxe edition release in 2025, 'Indian Ocean' captured Frazey coming into her own as a solo artist. Working with brothers Charles (organ), Leroy (bass) and Teenie (guitar) Hodges, The Hi Rhythm Section taught her so much about groove, space, and collaboration. In our conversation, Frazey revisits those sessions and the lessons they brought. She talks about how the brothers had always wanted to record with a folk artist and what kind of care and attention they brought to her songs. She reflects on her time working with Teenie , who died before 'Indian Ocean' was released, but not before it was finished. We also get into her early life with her hippie family, her many creative outlets, and her fashion ethos. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

In the eight years since The Barr Brothers last released an album, Andrew has been drumming with people like Feist, Mumford & Sons, and Broken Social Scene while Brad released a solo record and underwent incredible personal change. Brad made the huge decision to get sober, which he talks about candidly in our Basic Folk interview. Anything you read about the new record, 'Let it Hiss,' might allude to his newfound sobriety while not mentioning it directly. The band made a conscious decision not to include it in any press releases, specifically so that their audience could have their own relationship with the new music. It seems like getting sober has impacted every aspect of the album, but one could listen and project just about any personal pivotal shift onto these songs. Regardless, I am so appreciative that Brad opened up about his sobriety, so we could better understand the music and the incredible relationship that he and Andrew share. In our conversation, we talk about Brad's deep connection to the number 216, its origin, and why he's kept that number close to him for most of his life. He shares his reflections on the music lessons given to him and Andrew from visiting Malian musicians, who exchanged their services for free dental work from their father. Those lessons completely changed the musical trajectory of the brothers and still impact them today. We also talk about their former band, The Slip (who are actually still active every now and again), a much loved Boston group that was fully embraced in the jamband world. I find the music of Andrew and Brad Barr to be completely transformative and not of this world – and I'm so grateful for the new record. Please go see them live, especially if you are into celestial experiences!! Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

Asheville-based songwriter David Wilcox has been through some s-h-i-t. A difficult childhood in Northeast Ohio sent him seeking answers – mostly on his bicycle – in an attempt to get away. He has spent his lifetime leaning into his problems and digging into their roots at the source: his own heart. He decided to see what lessons his heart had been trying to teach him and, at 67 years old, he's still listening and learning. He claims to have the answer of how to heal your heart and how to do it in two minutes; he lays it out in our conversation. We also talk about his new album, 'The Way I Tell the Story,' which continues his exploratory journey through the lens of his wife's Parkinson's diagnosis, retelling the story of his childhood, and staying calm in an emergency and in the aftermath of Hurricane Helene, which has devastated his community. We discuss how David was able to walk the line of acknowledging his talents without getting too caught up in the hot-and-fast success he experienced at the start of his career. He explains when it's best to feel the depths of sorrow versus disassociate and he talks about his lifelong love of cycling and how it continues to be a meditation and a life-saver. David is full of gems and wisdom – I think I'll be listening back to this edition of Basic Folk many times over. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

Kathleen Edwards claims that she's now a pretty frequent crier after not crying for the first 30 years of her life. One reason for this change is the connectedness she has been feeling since leaving music and starting her coffee shop, Quitters. In our Basic Folk conversation, Edwards tears up talking about the cover of her new album 'Billionaire,' which was shot by a former Quitters employee, Riley. Riley – along with a fellow employee Amanda – traveled to Nashville in 2019 to watch Kathleen perform. The event was a pinnacle moment in her adult life, especially since, sadly, Amanda has since passed away. Kathleen also discusses her folk music roots, which began during her days at a bucolic childhood summer camp where her counselor suggested that she could make a career out of writing and performing songs. She gives a hat tip to Ani DiFranco, who she cites as a major influence musically and personally. Through Ani's example, she learned that success in the music business meant being self-reliant. Edwards talks about overcoming clinical depression, her decision to take a hiatus from music to open Quitters cafe, and how that period impacted her life and career. She delves into the making of the new album, highlighting the contributions of Jason Isbell and other collaborators to the project. Throughout our chat, Kathleen emphasizes the importance of authenticity, self-reliance, and the role of humor and vulnerability in her music – and life. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

Legendary Massachusetts-born, California-based musician Peter Rowan is best known for his bluegrass roots. A practicing Buddhist, he did time in Bill Monroe's Blue Grass Boys as well as in the short-lived and epically important Old & In the Way with Jerry Garcia and David Grisman. However, his latest album 'Tales of the Free Mexican Airforce' celebrates the music of the Southwest and draws a throughline from Tex-Mex to bluegrass. Rowan has a long history with this music from his very first solo record, which includes the original recording of "The Free Mexican Airforce" as well as "Midnight-Moonlight." Both of those classic Rowan compositions got re-recorded for the new record and feature the late great Flaco Jiménez (as did the original 1978 recordings), who just passed away in July of 2025. In our Basic Folk conversation, we talk about Flaco's enthusiasm for Peter's music, the many collaborations they recorded. and why he included a recording of Flaco speaking on the album. Peter speaks about how immigrants and musical culture from Latin America are constantly inspiring him and keeping him patriotic. He also spoke about what keeps him aging well, what his energy and enthusiasm look like at 83 years old, and, of course, Bill Monroe's baseball team. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

This time on Basic Folk, we are checking in with country singer-songwriter and Color Me Country radio host Rissi Palmer and Americana country artist Miko Marks. The two close friends both came up as Black women in country music in the early part of the 21st century where they experienced gatekeepers and discrimination in the industry, but undeniable love from listeners. Both stepped away from music for several years, but have since come back and found their audiences, artistic grooves, and industry independence. We last spoke with the pair in 2023 (you gotta go listen to that convo if ya missed it!) and have wanted them back on ever since! Rissi and Miko dive into who they think is making waves and positive change in country and Americana. We talk about rising pop-country singer Adell Tanner and her 2023 hit "Buckle Bunny," a song that's clearly written for a different kind of country music fan (read: young Black women). Rissi mentions having Mississippi country sensation KIRBY on her show recently and promises her upcoming 'Miss Black America' to be a monster of an album. There was a lot of consensus on the podcast that Madeline Edwards has released the best album of 2025 with her record 'Fruit,' where she digs into the extreme grief and extreme joy she experienced after her brother passed away. Elsewhere, we also touch on the pair's experiences at Rhiannon Giddens' inaugural Biscuits & Banjos fest in Durham earlier this year, an event dedicated to reclamation and exploration of Black music. We talk about Alice Randall's new compilation, 'My Black Country - The Songs of Alice Randall,' a collection of Randall compositions recorded by Black women – including selections performed by both Miko and Rissi. We talk about audiences in London versus the US, a contrast BF co-host Lizzie as well as Rissi and Miko have experienced first hand. In fact, Rissi has been curating a Color Me Country stage at The Long Road Festival in Leicestershire, England for the past four years. We hope you learn something new, get some insight into what's happening in Americana for musicians who are Black, and gain some joy from listening to Rissi and Miko's hilarious banter. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

Maya de Vitry, Ethan Jodziewicz, Joel Timmons, and Shelby Means are on Basic Folk today talking about their new collaborations. Maya produced both Shelby and Joel's debut solo albums this year; Joel and Ethan play in Maya's band; and the two couples (Joel & Shelby are married and Ethan & Maya are partners) are all very close friends. They met in Nashville, where Maya & Ethan still live, while Joel & Shelby live in Charleston. Joel talks about the huge gesture Shelby made in leaving Nashville behind for his hometown of Charleston. He also talks about the elated feeling they both got when Shelby, who also used to tour with Della Mae, got the chance to play upright as a member of Molly Tuttle & Golden Highway. Big themes of this friend group include trust, lifting each other up, and being one another's "vibe coaches." In our conversation we talk about choosing love, connecting with your music friends in non-musical ways, and, of course, the most epic hair in Americana: Joel Timmons and his mullet. The group shares insights on how they are still close and able to connect and spend time with each other despite the distance. Short flights and drives are worth it when you've got friends like this. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

Bob Dylan once called Paul Brady a "secret hero" and meant it as a compliment. The Irish songwriting legend has not been bothered by the fact that his profile has not risen as high as some of his peers. Starting off in the world of traditional Irish music, Brady spent time in the hugely influential Irish group Planxty until they disbanded in 1975. After that, he and bandmate Andy Irving recorded a record of trad music together. In 1981, he released an album of original songs titled 'Hard Station,' that was based on his experience of growing up during The Troubles in Northern Ireland. It was a huge left turn for him stylistically and in being so personal with his writing. After that, Brady's songwriting career took off; he has written songs for Bonnie Raitt, Santana, Tina Turner, and many others. In our Basic Folk conversation, he reflects on his upbringing and how music served as his reliable companion. He also discusses his parents' artistic influences, particularly his father's passion for acting and how it shaped his own stage performances. We touch on themes of perfectionism, imposter syndrome, and the inherent pressures of the music industry. Additionally, Paul talks about his latest massive box set, 'The Archive,' which features rare demos, live recordings, and unique collaborations, offering a comprehensive look at his extensive body of work. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

Originally from northern Minnesota, Joe K. Walsh grew up in Duluth and became enthralled with the mandolin (his primary focus, currently) after hearing the first David Grisman Quintet record. His dad got the young Joe his own mando. He ended up getting very serious about the instrument and found himself studying at Berklee College of Music in Boston (where he is now on faculty in the string department). Joe, in fact, was THE FIRST mandolin student at Berklee in a town that is now flooded with amazing mandolin players. His already strong sense of community and collaboration led him to becoming a main player in the Boston scene with his string band Joy Kills Sorrow and the Gibson Brothers. He now resides in Portland, Maine and plays solo as well as with Mr. Sun, a group led by fiddler Darol Anger. In our conversation, we talk about taking over at Berklee after the death of professor John McGann, a beloved Boston trad player who recorded with David Grisman, Mark O’Connor, Tim O’Brien, and the Boston Pops, among others. Joe addresses the question of whether bringing folk music into a college setting is "academizing" it or perhaps “folking” music academia. Also he gets into hot button issues like improv, simplicity, and restraint. And, of course, he finally reveals his true feelings about the "other" Joe Walsh. Joe's new instrumental album, 'Trust and Love,' is a peaceful listen in these wild times. I'm happy to know Joe and have already benefited from his friendship! He and his wife gave my family a TON of baby hand-me-downs that have proved SO useful. Everyone has a friend in Joe. K Walsh. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

Olive Klug and I (Cindy) recorded this interview in my closet while they were in Portland, Maine to play a show. They stayed along with their band Cori, Haley, and Payton and it was a real pleasure to be around them for a few days. You can tell that Olive is at their best around their band and it is a true collaboration on stage. Shoutout to the whole crew for leaving such a remarkable impression on me and my wife and for assembling some baby furniture while they were staying at our house. In our conversation for Basic Folk, Olive takes us on a journey through their musical upbringing, exploring their childhood influences, including their father's eclectic taste in '60s and '70s rock and folk. Olive discusses their love for Joni Mitchell and Taylor Swift, which inspired them to learn guitar and develop their own musical tastes. They provide insights into their early internet presence on platforms like YouTube and Tumblr, and how these shaped their creative expression and online identity. Olive also touches on their experience of transitioning to a music career, going viral on TikTok, and the emotional and practical challenges that come with it. Additionally, they delve into how their psychology background and neurodivergence inform their songwriting, live performances, and day-to-day life. Our conversation wraps up with thoughts on the productive chaos of touring, the importance of community in the folk world, and their aspirations for long-term, sustainable growth in the music industry. Everyone belongs at the Olive Klug show. They leave their glow wherever their travels take them. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

New bestie Gina Chavez speaks about her journey in music, her deep love for connecting with people, and the influence of her mixed cultural background on Basic Folk. Her parents are of Mexican and Swiss-German descent. Her father, although second generation Mexican-American, was not raised with Spanish language or any Mexican culture. Gina discusses growing up in Austin, Texas, and the role music – or the absence of it – played in her household. She talks about being a choir kid in the '90s before it was cool, about discovering her Latin roots later in life, and how singing in Spanish feels spiritually significant to her. Gina also shares her experiences studying abroad in Argentina, running a college fund for girls in El Salvador, and the moment she unlocked her true singing voice in the studio. We hear about how she met her wife, Jodi Granado, at the Catholic Student Center at the University of Texas. Then, we get into her complex relationship with Texas, her Catholic upbringing, her advocacy work, and the joy of performing on Olivia Travel cruises. Throughout the interview, Gina emphasizes the importance of being true to oneself and learning to embrace and express all parts of her identity. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

You may recognize the voice, face, and vibe of wonderful human being Tony Kamel from his acclaimed bluegrass group, Wood & Wire. But Tony is on Basic Folk today to talk about his wonderful solo albums, including his latest, 'We're All Gonna Live.' The album, which just came out, is a realist-optimist's guide to navigating a complex and often heartbreaking world. There's something remarkably encouraging about the songs, which are so humane and so empathetic. The music is rooted in bluegrass, but I found it to be really well-rounded contemporary country/folk with great singing and songwriting. It's actually a super fun album even though it deals with some heavy topics. One of the parts of the interview that was most thought provoking for me was talking to Tony about the differences between being in a band and being a solo artist. When he got into bluegrass, he really just wanted to be able to gel with and collaborate with other musicians. He claimed that they let him hang out because he was a great singer and then he started really figuring out the guitar. There's a culture in bluegrass where people really want to master being a picker and Tony didn't wanna show up and not have the goods. He had his voice to get his foot in the door, then he just got to work and honing all of his skills. While he says he's still not a good guitarist, I really enjoyed his playing on this album. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

On this episode of Basic Folk, Kora Feder talks about her new album, 'Some Kind of Truth,' as well as reflecting on the incredible changes and growth she's experienced since we last spoke in February 2020. One of the impacts of the pandemic on her music career was the necessity of exploring other artistic ventures like crafting hats and lino-cutting. She relocated from Philly to California, finally settling in Detroit. Daughter of songwriter Rita Hosking, Kora went slightly viral during the height of COVID lockdowns thanks to her song "In a Young Person's Body." In the poignant composition she pays tribute to John Prine and old friends she hasn't spoken to in years – and captured that lonesome feeling of the pandemic incredibly well. Elsewhere in our conversation, Kora also discusses the passing of her grandparents, who she moved back to California to be with before they died. Their lives and deaths deeply influenced the new record. She opens up about the nuances of her gender identity, the importance of historical friendships that allow for unfiltered creativity, and her approach to writing both personal and political songs. We go through many of the tracks on the new project, including what I think is the best break-up song I've ever heard, "Paragraphs." Kora Feder is a really incredible leave-you-breathless songwriter, particularly with her political writing. Here's hoping that she doesn't wait five more years to release a record, because we're gonna need her. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

In recent years, Tami Neilson has been learning to carry both great joy and great sorrow simultaneously. The New Zealand-based, Canada-born powerhouse's new album, 'Neon Cowgirl,' is named after the towering electric figure on a sign that's overlooked Broadway in Nashville, watching over Tami's career since she was 16 years old. The songs were born from a five-month family road trip combined with a major musical tour that would allow Tami the once-in-a-lifetime chance to really give it her all with her career. It was the chance for her children to experience what her life was like at their age, when she toured the country with her family's band, led by her eccentric and wildly lovable dreamer-father, Ron Neilson. Before she got the chance to hit the road for that trip, Tami landed in the ICU with sepsis and nearly lost her life. She blessedly recovered, but found that all her priorities centered around trip/tour had changed. In our Basic Folk conversation, we talk about the songs on 'Neon Cowgirl,' her dear friendship and collaborations with Willie Nelson, and Tami's exciting performances at the Grand Ole Opry. One of the songs on 'Neon Cowgirl,' "Keep On," was inspired by a cosmic conversation she had with Wynonna Judd. Judd, to her surprise, quoted the same exact phrase – "Keep on, keep on, keep on” – that Tami's late father had written in one of her most cherished letters. We also talk a lot about her brother, Jay Neilson. For all of her career and life, Jay has been by her side as her guitarist, co-writer, and musical partner. Last July, Jay suffered a rare and debilitating brain injury that he is still recovering from. Tami and Jay have not been able to perform together since that injury. She shares what it's been like to be without Jay and how it's been for him to be so public about his condition. Tami Neilson and I first connected during the pandemic. She was a guest on the podcast after she released her 2020 album, 'Chickaboom!' Since then, I have loved following her career, listening to her new music, and experiencing her highs and lows. She's one of my favorite guests and I'm thrilled to welcome Tami back to talk about her wonderful new record. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

(Editor’s Note: Welcome to our Reissue series! For the past several weeks, Basic Folk has been digging back into the archives and reposting some of our favorite episodes alongside new introductions commenting on what it’s like to listen back. This is our last Reissue for now, so please enjoy! This episode featuring separate interviews with The Indigo Girls (Amy Ray and Emily Saliers) and host Cindy Howes was originally posted winter 2019.) Back in 2019, my now-wife and I attended the inaugural Girls Just Wanna Weekend in Cancun, Mexico, which featured an all-women lineup curated and hosted by Brandi Carlile. I was lucky enough to be able to interview The Indigo Girls there in two separate solo interviews. I still feel nervous thinking about the scene of talking to both Amy Ray and Emily Saliers in each of their (very nice!) hotel suites on my new little Shure mic that connected to my phone. Lucky for me, both Amy and Emily were really into my new mic, so it served as the best possible ice breaker. Each were very generous with their time and with their answers to my unorthodox questions. First I got to speak to Amy Ray, who talks about growing up in a conservative, modest Southern family with her radiologist father and a smart, scholarship-attaining mother. She speaks to how her suburban upbringing and intake of conservative values of the South has influenced her identity. She shares about her father's deep involvement in community service and the impact of her father's generosity on her own activism. I also asked Amy about her sense of fashion and how it challenges traditional gender norms. She talks about her love for creative clothing and that her historically unconventional approach to style serves as a form of activism. Next up: Emily Saliers. She talks about her relationship with guitar playing, tracing it back to childhood lessons at the YMCA and musical members of her family. She also points out how playing electric guitar changed the game, particularly through collaborations with Amy Ray. Emily talks about first solo album, 'Murmuration Nation.' Released in 2017, it took a long time to come to fruition due to challenges and emotional hurdles she faced during its creation. Lyris Hung, longtime Indigo Girls friend, collaborator, and producer – including on that solo album – brought her expansive musical imagination and played a critical role in shaping the record. We also get into Emily's love for hip-hop, specifically political hip-hop, and the profound impact the genre has had on her. Emily ends with talking about her other great love, food, by drawing parallels between the communal nature of music and cuisine, illustrating how both bring people together in meaningful ways. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

(Editor’s Note: Welcome to our Reissue series! For the past several weeks, Basic Folk has been digging back into the archives and reposting some of our favorite episodes alongside new introductions commenting on what it’s like to listen back. Enjoy! This episode featuring Lizzie No interviewing Joy Oladokun, was originally posted on February 24, 2022.) Arizona-born Joy Oladokun grew up listening to her dad’s extensive record collection and falling in love with the wide and wondrous world of rock and roll. You can hear these diverse sonic influences, from Genesis to Tracy Chapman, in Joy’s rootsy, contemporary, and pop-savvy 2021 album, 'in defense of my own happiness.' Of particular note are her superpowers for melody and smart repetition, which have made her a force to be reckoned with ever since she made the leap from LA to Nashville to make a life as a musician. Joy is not only a phenomenal songwriter, but she's also fearless and hilarious on social media. Believe it or not, it was Twitter that brought us together and catalyzed this Basic Folk interview. It was fascinating to hear her talk about how she uses her platform as a rising star in indie pop and folk to create the kind of world she wants to see. She's using emotional transparency as a tool for political change; she is healing in public and gently nudging others to heal as well. Her single, “keeping the light on,'' is the perfect distillation of her radical softness. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands