Bluegrass Jam Along

My guest this week is Bill Nowlin, co-founder of Rounder Records. Bill joins me to talk about Rounder's extraordinary 50 year legacy as one of the most important, influential and best loved independent labels in American roots music. We chat about how Rounder started, after Bill was randomly assigned Ken Irwin as his college roommate, and how, along with Marian Leighton Levy, they grew Rounder from a small enterprise releasing a couple of records a year into a successful label, responsible for the career of one of the most awarded artists in the history of the Grammys. Bill shares how they discovered Alison Krauss, via a demo tape she wasn't even the lead vocalist on, and subsequently signed her when she was just a teenager. We talk about how Alison's success, along with that of other artists like George Thorogood, helped Rounder establish themselves and how Rounder managed to position themselves at the forefront of industry developments, including releasing the first ever bluegrass CD. We also chat about some of the iconic records Rounder put out over the years, from artists like JD Crowe, Norman Blake, Tony Rice, Tony Trischka and Alison Krauss, and how the founders eventually decided to sell Rounder. That led to a new label, Down the Road Records which, in a lovely full circle moment, put out Alison Krauss and Union Station's return to bluegrass 'Arcadia' in 2025. This was a fascinating conversation about a fascinating legacy. If you want to hear more about Rounder's history, I can highly recommend Bill's book Vinyl Ventures: My Fifty Years at Rounder Records and David Menconi's Oh, Didn't They Ramble: Rounder Records and the Transformation of American Roots Music Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook- Review us on Apple Podcasts

My guest on the podcast this week is Brad Kolodner. Brad is a fantastic clawhammer banjo player. As well as his solo records - 'Chimney Swifts' and the recent album of solo gourd banjo tunes 'Old Growth' - Brad also plays with the band Charm City Junction, as a duet with fiddler George Jackson and with his father, Ken, as part of Ken & Brad Kolodner. He's also an award-winning radio broadcaster for Folk Alley and Bluegrass Country Radio, jam leader, festival organiser, community builder and ambassador for old-time and bluegrass music, as well as serving on the board of the IBMA. We chat about Brad's route into old-time music - which took longer than you might think, given his upbringing - as well as his love of gourd banjos, the different projects he's involved with and why community and connection is so important as a musician. Check out bradkolodner.com for more info. The tracks played in the show are: Check out Brad's website or Bandcamp page to buy his releases Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook- Review us on Apple Podcasts

My guest this week is John Wirtz. John, along with his partner Moira, runs Sore Fingers, a UK bluegrass and old time music camp that celebrates it's 30th anniversary this year. John joins me to chat about how the camp started up and how it's grown over the years to play a major role in the UK and European bluegrass scenes. We talk about some of the extraordinary tutors who have travelled across the Atlantic to teach at Sore Finger over the years and how they've helped thousands of people develop their musical skills, whilst helping to shape a community in the process. 2026 marks the 30th anniversary of the first event and this year's courses feature some wonderful tutors, including Tony Trischka, Michael Daves, Jacob Jolliff, Mike Compton, Stephen Mougin and Becky Buller. For more info, visit the Sore Fingers site at www.sorefingers.co.uk Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook - Review us on Apple Podcasts

Welcome to this month’s Bluegrass Briefing, a monthly series of episodes taking a look at what’s going on in the world of bluegrass. Here are the links to stuff mentioned in this episode. Ted Olson interviewpart 1part 2 News and announcements - church street news Punch Brothers tour dates Scroll on Buddy Atkin Guitars pallet guitarJude Rogers - The Sound of Being HumanBrittany Haas w/ Paul Kowert & Mike Gaisbacher - Impromptu Sessions Other bits Full list of interviewsCollings Guitars Happy picking. Matt Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook - Review us on Apple Podcasts

My guest this week is Ted Olson, professor of Appalachian Studies at East Tennessee State University. Ted joins me to celebrate the Rich-R-Tone record label and it's offshoot Folk Star. Rich-R-Tone was founded in 1946 by James Hobart Stanton who, in Ted's words, "was probably single-handedly the most important documentarian of Appalachian music." Ted has extensively researched Stanton and the Rich_R-Tone label for a project he co-produced for Bear Family Records - The Rich-R-Tone/Folk Star Story: Appalachia On Record, 1946-1954. Featuring 317 expertly remastered recordings spread over 12 CDs and including a 144-page hardcover book, this set, produced by Ted Olson, Matteo Ringressi, and Richard Weize, features newly researched liner notes and a complete discography. Many of these recordings are incredibly rare and are taken from 78 rpm discs held in private collections. We talk about Stanton's background in jukebox repair and distribution and how that helped shape his vision for the label; why both place and time are so vital in this particular story; the importance of Rich-R-Tone being a label based in Appalachia, rather than being a major label coming to the region just to record local talent and how Stanton played an important role in The Stanley Brothers' career. It's a fascinating story and one I knew very little about before my conversation with Ted, who was a pleasure to chat with as always. During the conversation we play excerpts of three tracks from the box set. You'll hear (in order): For more info on the box set visit Bear Family Records To hear my previous interviews with Ted, check out the two episodes below: The Bristol Sessions and BeyondDoc Watson's 100th Birthday Celebration Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook - Review us on Apple Podcasts

My guest on this week's Bitesize episode is Sara Watkins, who joins me to talk about I'm With Her's Grammy winning album 'Wild and Clear and Blue'. It's an album I really love (and a conversation I loved too) and I wanted to put something out to celebrate not only the Grammy win, but also the Grammy they won for the opening track 'Ancient Light'. Sara talks about the process behind writing the record, which began to take shape shortly after the pandemic, why collaboration was so important and the central themes that emerged during the process. We also talk about community and connection in music and how the line between audience and stage is a little thinner in folk music than for some other formats. This comes from a longer conversation we had in 2025. You'll find the full interview with Sara here. Sara also mentions an interview I did with her bandmate Sarah Jarosz, about her album 'Blue Heron Suite'. For more info on I’m With Her, including upcoming tour dates and to buy I’m With Her vinyl, CDs and merch, visit imwithherband.com For regular updates follow Sara on Instagram and Facebook Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook - Review us on Apple Podcasts

Welcome to this month’s Bluegrass Briefing, a monthly series of episodes taking a look at what’s going on in the world of bluegrass. Here are the links to stuff mentioned in this episode. News and announcements - church street news Chris Thile’s AcousticampTony Trischka’s New York Banjo NightBruce and Darol’s Great Big Fiddle HangSore FingersRockygrass Releases (The Grass is New) Bryan Sutton/Billy Strings videoAlasdair Fraser & Natalie HaasTony Trischka Earl Jam 2 (preorder)Della Mae Scroll on Buddy Willie Nelson (preorder) Other bits Full list of interviewsCollings Guitars Happy picking. Matt Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook - Review us on Apple Podcasts

My guest this week is sound engineer Dave Sinko, who returns to chat about The David Grisman Quintet. We've talked about that record a lot on the podcast, but this is less about the story behind the album and more about how it influenced Dave and informed the way he approaches recording. In his words 'it changed my life.' We chat about his subsequent work with member of the DGQ, including Grisman himself, and recording Tony Rice for a project with Alison Brown. We also discuss how that first DGQ record set the standard for what acoustic instruments could and should sound like, the contributions Bill Wolf and Bob Shumaker made to recording acoustic music and how Dave approaches miking instruments, based on what he learned from the first DGQ album, including on Chris Thile's latest Bach album, an extraordinary and challenging project to work on. I hope you enjoy this one as much as I did. Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook - Review us on Apple Podcasts

My guest this week is Tony Trischka, who returns to chat about the New York bluegrass scene in the early 1970s. New York and the surrounding area played a huge role in the development of bluegrass and in the genesis of what would become known as New Acoustic music. Tony talks about the early days of his career, including the bands Country Cooking and Breakfast Special and the overlap between that scene and the birth of Rounder Records. We also chat about some of the musicians who came out of the New York scene in the 1960s and 70s, including David Grisman, Andy Statman, Stacy Phillips, Russ Barenberg and Bela Fleck, and how those players began to collaborate with the musicians emerging from the San Francisco Bay Area and Nashville scenes. Tony also talks about his early solo albums, including Banjoland, Hill Country and (a personal favourite of mine) A Robot Plane Flies over Arkansas. It was, as always, a treat chatting with Tony. I hope you enjoy this one. If you missed the David Grisman Quintet episodes we mention, you'll find them here: Part 1 (Darol & Mike) - https://podcasts.apple.com/gb/podcast/celebrating-50-years-of-the-david-grisman-quintet-part/id1556697198?i=1000711133817 Part 2 (Todd) - https://podcasts.apple.com/gb/podcast/celebrating-50-years-of-the-david-grisman-quintet-part/id1556697198?i=1000712407689 Part 3 (David) - https://podcasts.apple.com/gb/podcast/celebrating-50-years-of-the-david-grisman-quintet-part/id1556697198?i=1000713402530 Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook - Review us on Apple Podcasts

My guest this week is Kristina R. Gaddy, who returns to chat about her new book, a collaboration with Rhiannon Giddens, called Go Back and Fetch It: Recovering Early Black Music in the Americas for Fiddle and Banjo. The book picks up on the research Kristina did for her previous book Well of Souls: Uncovering the Banjo's Hidden History (you can hear our conversation about that here). Crucially though, this volume doesn't just present a series of tunes as research pieces, it includes both banjo transcriptions and standard music notation, so people can play the music and give it a place in the current repertoire. We talk about why so little music was collected from black people in the Americas (fewer than 10 songs before 1861 were collected in the United States that we definitely know are from Black musicians); why these tunes were collected and how; how the way they were collected (and who did the collecting) shaped what was gathered and much more. As always, it was fascinating talking to Kristina. You can find out more about Go Back and Fetch It (and buy the book) via the University of North Carolina Press. For more on Kristina and updates on her research, follow her on Instagram and Substack Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook - Review us on Apple Podcasts

Welcome to this month’s Bluegrass Briefing, a monthly series of episodes taking a look at what’s going on in the world of bluegrass. Here are the links to stuff mentioned in this episode. Pod news Highlights from the first 500 episodesInspiration for Musicians episode News and announcements - church street news Dawg at 80 on NugsBilly Strings Tiny Desk ConcertNPR Tiny Desk ContestOld Settler’s Music Festival Releases (The Grass is New) Sam Grisman ProjectCarolina Chocolate DropsAlasdair Fraser & Natalie HaasMichael Daves EP Scroll on Buddy Is Bluegrass Too Fast? Other bits Full list of interviewsCollings Guitars Happy picking. Matt Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook - Review us on Apple Podcasts

If you were listening last week, you'll know that my interview with Trey Hensley about Flatt and Scruggs at Carnegie Hall was the 500th episode of Bluegrass Jam Along. To celebrate I thought I'd put together an episode with a few of my highlights and favourite moments from those first 500. You'll hear from: Church Street BluesDriveBlue Heron SuiteWild and Clear and BlueThis journey has been a lot of fun and I can't wait to get stuck into the interviews I already have lined up for the next set of episodes. Thanks to all my guests and to all of you who've listened over the past four and a half years. If you want to hear a bit more about my journey with the podcast, check out this interview I did with Daniel Patrick from the Mandolins and Beer podcast. Finally, if you know anyone who you think would like this episode, please share it with them! Matt Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook - Review us on Apple Podcasts

Welcome to the 500th episode of Bluegrass Jam Along! My guest this week is Trey Hensley, who joins me to celebrate the very first record he bought - Flatt and Scruggs at Carnegie Hall. This historic album was a pivotal moment for bluegrass and also served as a personal intro to the music for many fans. We chat about why Flatt & Scruggs' performance at Carnegie Hall, on December, 1962 was groundbreaking, the initial skepticism from the press, the audience's enthusiastic reception and some of the famous (and soon to be famous) face in the crowd on the night. We also talk about the pivotal role Lousie Scruggs had, not just in getting this performance recorded, but in putting Flatt and Scruggs (and bluegrass music) in front of a new, younger audience. This one was a real treat! For more info on Trey check out www.treyhensley.com === If you're a Flatt and Scruggs fan and missed the Earl Scruggs 100th birthday episodes I put together last year (including Trey as a guest!) you'll find them here: Earl Scruggs 100th Birthday Tribute: Part 1 - Tony Trischka, Kristin Scott Benson and Alan MundePart 2 - Jerry Douglas, Alison Brown and Tim O'BrienPart 3 - Trey Hensley, Kyle Tuttle (Molly Tuttle and Golden Highway) & Willow OsborneJim Mills on Earl Scruggs and pre-War Gibson banjosJerry Douglas celebrates Earl Scruggs' 100th Birthday Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook - Review us on Apple Podcasts

This week's Bitesize episode celebrates one of the most important dates in bluegrass music - December 8th. The main reason this date is so important is that it marks the first time Earl Scruggs joined Bill Monroe at The Opry, on December 8th 1945, leading many people to describe it as 'the birth of bluegrass'. That makes 2025 the 80th anniversary of bluegrass! Fast forward to December 8th 1962 and we have another Flatt and Scruggs milestone - their performance at New York's Carnegie Hall, which was released the year after as Flatt and Scruggs Live at Carnegie Hall, a record that went on to become a firm favourite of bluegrass fans the world over. To celebrate that record, I'll be joined by Trey Hensley in the next episode of the podcast...which is also Bluegrass Jam Along's 500th episode! If you missed the Earl Scruggs 100th birthday episodes I put together last year, you'll find them here: Jerry Douglas celebrates Earl Scruggs' 100th Birthday Earl Scruggs 100th Birthday Tribute: Part 1 - Tony Trischka, Kristin Scott Benson and Alan Munde Part 2 - Jerry Douglas, Alison Brown and Tim O'Brien Jim Mills on Earl Scruggs and pre-War Gibson banjos Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook - Review us on Apple Podcasts

Welcome to this month’s Bluegrass Briefing, a monthly series of episodes taking a look at what’s going on in the world of bluegrass. Here are the links to stuff mentioned in this episode. News and announcements - church street news European Bluegrass Summit registrationAlison Krauss & Union Station - Live - vinyl reissueBela Fleck Jingle All the Way tour dates and vinyl reissueZoom link to join Releases (The Grass is New) Hildaland (Bandcamp)The Grass is (mostly) New 2025 playlist Scroll on Buddy Watch Other bits The Grass is (mostly) New 2025 playlistFull list of interviewsCollings Guitars Happy picking. Matt Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook - Review us on Apple Podcasts

My guest this week is David Grier, who joins me to celebrate the classic album 'The White Brothers - Live in Sweden' (recently remastered and reissued in an expanded form as 'The New Kentucky Colonels - Live in Sweden'). We talk about what makes this recording special, including the fact it was recorded live and never intended for release, and why Clarence and Roland had such a unique approach to music, particularly when it comes to their joint sense of timing. David also shares his thoughts about why bluegrass picking should be about more than just playing licks over chords and why true artistry often gets lost, as well as calling out some of the current players he loves. This was a fascinating conversation that started as a celebration of a classic album but widened out to being about what making music is really all about. If you want to hear my previous interview with David, which came from a two episode special to commemorate the 50th anniversary of Clarence White's death, you'll find it here. To buy the reissued CD, and for lots more info on Clarence and Roland, visit rolandwhite.com Don't forget to check out www.davidgrier.com for more info on David and to buy his CDs. Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook - Review us on Apple Podcasts

In an age where pop culture dominates the airwaves, understanding the rich variety of music beyond the mainstream becomes increasingly important. In this week's episode, journalist and broadcaster Craig Havighurst joins me to talk about his new book "Musicality for Modern Humans," his journey of exploring musical literacy and the importance of 'listening for' something in music. Craig began his journey into music journalism in his late teens, driven in part by a curiosity about why Americans listen to some kinds of music more than others and why certain genres, such as bluegrass, jazz and classical, seem to have become marginalised. A pivotal theme in his book is the idea of musical literacy. Craig explains why understanding music isn't just about formal education or knowing historical context; it’s about engaging with music on a personal level. We also chat about why bluegrass is such a successful model for nurturing musical appreciation; how the bluegrass community fosters a culture of amateur musicianship, where fans feel connected to the music-making process, and why this relationship between artists and audiences creates a unique environment that encourages exploration and appreciation of the music. "Musicality for Modern Humans" remind us of the importance of musical literacy and the value of diverse musical experiences but, more than anything, of the fact that listening deeply to music brings huge rewards. For more info on Craig and to buy the book visit www.craighavighurst.com Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook - Review us on Apple Podcasts

My guest this week is Eddie Barbash. We chat about his unique journey as a saxophonist who has embraced the world of fiddle tunes. He shares insights into the challenges and joys of transitioning from jazz to fiddle music, the intricacies of improvisation, and the importance of social music-making. Eddie also talks about his three year journey playing with Sierra Hull and the recording process for his new album 'Larkspur', including why he chose to use film as a starting point for the tracks, his reasons for choosing to record solo versions, rather than collaborate, and the role of the natural environment in which it was recorded. This was a fascinating conversation on many levels, which not only gave me an insight into how other instrumentalists think, but also helped me see bluegrass and string band music from a new perspective. You can watch the videos on Eddie's YouTube channel For more info on Eddie and his musical projects, visit www.eddiebarbash.com Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook - Review us on Apple Podcasts

Welcome to this month’s Bluegrass Briefing, a monthly series of episodes taking a look at what’s going on in the world of bluegrass. Here are the links to stuff mentioned in this episode. News and announcements - church street news Old & In the Way Live vinyl releaseCraig Havighurst bookBlue Ridge Guitar Camp Releases (The Grass is New) Alison Brown & Steve Martin albumWes Corbett - DriftI’m With Her/Iron & WineCaitlin CantyBen GarnettDarol AngerThe Grass is (mostly) New 2025 playlist Scroll on Buddy Sierra Hull Gibson signature mandolinChris Thile interview with Rick Beato Other bits The Grass is (mostly) New 2025 playlistFull list of interviewsCollings Guitars Happy picking. Matt Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook - Review us on Apple Podcasts

This week's Bitesize episode features a conversation I had with Chris Eldridge from Punch Brother and Mighty Poplar celebrating Tony Rice's classic album Church Street Blues. Chris talks about Tony's ability to combine big musical gestures with intricate detail, how other musicians played better when they played with Tony and why you should listen to Church Street Blues on vinyl, if you can find a copy (but why that's not necessarily true of other albums). This extract comes from a two part special I put together celebrating the 40th anniversary of the release of Church Street Blues in 1983, including in-depth interviews with Wyatt Rice, Alison Krauss, Tim Stafford, Bryan Sutton and many more. I've included links below to those. Tony Rice - Church Street Blues 40th anniversary: - part 1 (Tim Stafford, Wyatt Rice, Mike Marshall, Alison Krauss, Bryan Sutton, Chris Eldridge & Caroline Wright) - part 2 (Bob Minner, Jake Eddy, Justin Moses, Marcel Ardans, Scott Nygaard, Jason Keiser & tony_units) Support the show === Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins - Sign up to get updates on new episodes - Free fiddle tune chord sheets - Here's a list of all the Bluegrass Jam Along interviews - Follow Bluegrass Jam Along for regular updates: InstagramFacebook - Review us on Apple Podcasts