Soundcheck

France-based Cameroonian musician and composer Blick Bassy’s quiet and beautiful songs fall somewhere on the spectrum of R & B, pop, and folk, while the sounds of West and Central Africa have continued to resonate. His Bandcamp calls it "Africanity at the crossroads of soul, folk, and electro". Past albums by Bassy have also referenced Delta blues, and his latest effort, Mádibá, dedicated to the theme of water, is full of modern electronic beats, delicate guitars, brass arrangements, and rich Bassa vocals. Blick Bassy is about to release an extended version of that 2023 LP; it’s called M​á​dibá Ni Mbondi and is due out on May 17. Catch him on tour in the U.S.A. this May. -Caryn Havlik Set List: 1."Loba" 2."Hola Me" 3."Li Yanga" Mádibá Ni Mbondi by Blick Bassy

Vocalist and songwriter Lizz Wright is usually referred to as a jazz or gospel singer, and she certainly does sing both of those styles. But she’s also comfortable with blues and R&B and the Great American Songbook. Her latest album is called Shadow, and it features striking versions of songs by Cole Porter, Sandy Denny, and others. The record also includes a number of Lizz Wright’s own songs, which draw inspiration from her Southern upbringing in Georgia, and wander freely among the many styles of American music. “Shadow” happens to be Wright's studio debut under her label, Blues & Greens Records, a new step in her artistic freedom, and without the genre constraints imposed by record labels. Lizz Wright and her band perform some of these acoustic songs, in-studio. Set list: 1. Sparrow 2. Circling 3. Your Love

Reyna Tropical is led by guitarist, singer, songwriter and co-producer Fabi Reyna, who is the founder of She Shreds Media, dedicated to women and non-binary guitarists. Investigating landscapes of the tropical diaspora - from Cartagena, Colombia to Fajardo, Puerto Rico and Cuaji (la costa chica de Guerrero), the latest release, Malegr​í​a, is a collection of 20 tracks infused with the beat of all things tropical. The music is a blend of Latin rhythms with rock, dance music, and psychedelia and offers connection to the land and the ancestors as well as resilience, and a continuation—a celebration of spiritual survival pulsing with sunny dance beats. Reyna Tropical plays in-studio. - Caryn Havlik Set list: 1. Suavecito 2. Catagena 3. Conexion Ancestral Malegría by Reyna Tropical

Brooklyn-born rapper, producer & founding member of Flatbush Zombies, Erick the Architect released his debut solo LP, I’ve Never Been Here Before, in February. While it’s full of trenchant social commentary, it’s also focused on dealing with loss and finding freedom in vulnerability. The tracks draw from funk, gospel, soul, reggae and jazz, with throughlines to musical greats like John Coltrane and George Clinton (who contributed to the album). Erick the Architect and his touring trio bring their elastic funk basslines, character studies, killer beats, and spacey sound effects to perform in-studio. Set list: 1. Ezekiel's Wheel 2. Beef Patty 3. Liberate I've Never Been Here Before by Erick the Architect

Deerlady is the name of the band led by singer and bassist Mali Obomsawin and guitarist and singer Magdalena Abrego. Mali was part of the folk rock trio called Lula Wiles; then she released her album of Indigenous jazz called Sweet Tooth in 2022, drawing heavily on her Abenaki heritage. Magdalena, a Chicago-born guitarist whose parents migrated from Mexico and Puerto Rico, has played with the minimalism-meets-jazz collective known as Numinous, as well as the improvising sax player Allison Burik. In January, the two of them released their first album together, with the cheeky title Greatest Hits, “a collection of songs about intimacy under colonialism by Mali Obomsawin" (Bandcamp), and it sees the two of them turning the amps to 11 and pairing softly sung vocals with roaring guitars. Deerlady plays their shoegazey headbangers, in stripped-down arrangements, in-studio. - Caryn Havlik 1. Masterpieces 2. Believer 3. There There Greatest Hits by Deerlady, Mali Obomsawin, Magdalena Abrego,

London vocalist, multi-instrumentalist and producer Cosmo Sheldrake creates songs and sound worlds out of people, places, creatures, plants, fungi, and collected sounds. With his combination of traditional instrumentation and electronic production, field recordings, and both human and more-than-human voices (birdsong and insect choruses), Sheldrake pursues adventures in song, capturing the childlike wonder of a curious tea party, and staying connected to the natural world throughout. Cosmo Sheldrake juxtaposes these orchestrated natural sounds with his racks of gear to share his marvelous sound world in some songs from his latest, Eye to the Ear, in-studio. Set list: 1. Stop the Music 2. I Did and I Don't and I Do 3. Does the Swallow Dream of Flying? Eye To The Ear by Cosmo Sheldrake

Honduran-American artist Lorely Rodriguez, known professionally as Empress Of, is a singer, songwriter, musician and record producer based in Los Angeles, California. Her albums are full of bright, indie pop that mixes dance music, electronica, trap, and on her most recent album, Latin music. Empress Of’s new album, her fourth, is called For Your Consideration, and it’s a mischievous exploration of heartbreak, affairs, regaining your sexiness, and pursuing lust and control. Empress Of plays some stripped down versions of some of the new songs, in-studio. - Caryn Havlik Set list: 1.Lorelei 2. Kiss Me 3. What's Love

Welsh musician and songwriter Gruff Rhys (of Super Furry Animals, the pop outfit known for their catchy songs and weird videos) poetically harnesses both the gritty and the trippy in his own music. But he’s also a composer, producer, filmmaker and author. His latest release, the 25th album of his career (individually, collaboratively and as a member of various bands), is a solo album called Sadness Sets Me Free, sung in English, and left open to chance. Rhys and his bandmates play some of these new songs, in-studio. Set list: 1. Bad Friend 2. Sadness Sets Me Free 3. Celestial Candyfloss Sadness Sets Me Free by Gruff Rhys

Formed in North London, Bombay Bicycle Club is the sound of four best friends finding joy and savoring the connection in making music together and experimenting. They think of themselves as a genre-less band (The Independent), “not bound down by genre in a way that a lot of our contemporaries were”. With the 2023 release of My Big Day, and an EP called Fantasies, both of which feature a host of guest vocalists, it’s clear that they’re still freely mixing sounds and cover a lot of ground, sonically. Bombay Bicycle Club plays an unplugged set in-studio. Set list: 1. Turn The World On 2. Diving 3. Luna

The Japanese singer/composer/producer Hatis Noit, is originally from the northernmost island of Hokkaido. Her name, hatis noit ハチスノイト, means the stem of the lotus flower and is intended to serve as a connection between the living world (represented by the lotus flower) and the spirit world (the lotus root). Further, Hatis Noit feels that singing is not unlike Tai chi, and is a way to connect the physical world to the spiritual world and nature. Now based in London and using vocal techniques she’s adapted from around the world, Hatis Noit makes music by using electronics to layer and occasionally process her voice. She sings in a pure, Renaissance vocal style, in the keening tradition of the Balkans, in the style of Japanese gagaku or court music, and in a classical operatic mode… sometimes all in the same song. The Japanese singer and electronic musician Hatis Noit creates these choirs of sound all by herself, using a looping station, live, in-studio. - Caryn Havlik Set list: 1. Aura 2. Himbrimi 3. Inori

Spanish singer and songwriter Maria José Llergo grew up in the region of Andalucia, the home of flamenco music, where she learned violin, and listened to her grandfather sing. From these roots, she grows her own flamenco - and it has "wings" - the sounds of contemporary pop, R&B, and electronica to augment and transform the style. Where there could be flamenco guitar and the "torn throat" crying vocals of flamenco singing, her music is soaring and buoyant global pop, showcasing her instrument - her voice. Maria José Llergo and her band perform in-studio. - Caryn Havlik Set list: 1. Juramento 2. SuperPoder 3. Aprendiendo A Volar Watch "Aprendiendo A Volar":

The “distinctive style” of British composer and musician Roger Eno’s slowly unfolding sonic landscapes has “attracted a cult following” (Eno’s bio). As well as first collaborating with his brother Brian and Daniel Lanois in 1983 on Apollo: Atmospheres and Soundtracks, he has made over a dozen solo albums and other collaborative pieces. He’s composed for theatre, TV, and film; formed the ambient music supergroup Channel Light Vessel in the 90s; collaborated with The Orb, Lou Reed, Laraaji, Jarvis Cocker and Beck; and was the Musical Director for Tim Robbins and his band, The Rogues Gallery, (RogerEno.com). In 2020 the album Mixing Colours by Roger and Brian Eno brough him to the prestigious classical music label Deutsche Grammophon. Roger’s latest solo release for that label is called the skies, they shift like chords, and includes solo piano tracks, layers of instrumental and electronic colours, along with an appearance by vocalist Cecily Eno, his daughter. Roger Eno and Cecily Eno perform in-studio. Set list: 1. There Was a Ship 2. Shadow Clock 3. Tapestry

The Tibetan singer Yungchen Lhamo was given the name Lhamo at birth by a Buddhist monk. The name means Goddess Of Melody, and Yungchen has spent her adult life living up to that title. After fleeing Tibet by walking over the Himalayas, in 1989, she established herself as a leading voice for Tibetan culture in the west, releasing a series of albums on Peter Gabriel’s Real World Record label and has become one of the signature voices on the global music scene, even singing for the Dalai Lama. In her work, she combines songs, prayers, and mantras dedicated to spiritual awakening, unconditional love, and compassion for all beings. Now based in upstate New York, she’s put the principles of Tibetan Buddhism to work not only in her music, but also in her activities leading the One Drop Of Kindness Foundation. Her latest album is also called One Drop of Kindness, and it brings Yungchen Lhamo back to our studio. Set list: 1. Sound Healing 2. Sun and Moon (acapella) 3. Four Wishes

Daymé Arocena, an Afro-Cuban singer from Havana now based in Puerto Rico, has been performing semi-professionally since she was 8 years old. She was trained as a composer, arranger, choir director, and band leader (Wikipedia) at conservatory, in addition to being “a practitioner of the Santeria religion, and a master of its profound musical tradition,” (Afropop Worldwide). Arocena was also part of the band Maqueque, an all-female band of young Cuban artists blending folkloric Cuban music and jazz (NPR Music). Since emerging as a solo artist, her songwriting has been a winning mix of jazz, soul, Caribbean, rumba, and folkloric music, imbued with Yoruban spirituality. But her latest release, Alkemi, celebrates the sounds of North American and Latin pop, intentionally so, as she picked Eduardo Cabra of Calle 13 to help produce on the album, which also features guests and sounds from around the Caribbean. Daymé Arocena and her band play some of the songs from Alkemi, in-studio. - Caryn Havlik Set list: 1. America Boy 2. Como Vivir Por El 3. Por Ti

The singer and songwriter Sheherazaad blends the rich tradition of poetry and music from South Asia with Western instruments and production techniques. Her new album, Qasr, was produced by Grammy-winning Pakistani-American singer Arooj Aftab, and it offers a subtly colored, moody collection of songs that, in the tradition of the old collection 1001 Nights, tell stories. Stories that conjure "real strains of displacement, the push and pull of diaspora, and the depravity of erasure and forgotten roots", (Erased Tapes). Sheherazaad and her ensemble perform the music of her origins, in-studio. Set list: 1. Dhund Lo Mujhe 2. Khatam 3. Koshish

Haitian-American composer, flutist, vocalist, and educator Nathalie Joachim is half of the duo Flutronix, whose music blends classical flute playing with electronic sounds. She also played for a spell in the Grammy-winning contemporary classical music ensemble Eighth Blackbird. But in 2019 Nathalie began exploring her family’s roots in Haiti with a striking album called Famn d’Ayiti, using flute, string quartet, electronics, field recordings and her own singing. Now, she’s continued that exploration with a new album called Ki moun ou ye, or Who Are You / and the Kreyol meaning is Who Claims You? On it, her precisely assembled original songs and compositions explore ideas about family, ancestry, and identity using recorded voices of family members, along with her own flute riffs and voice, and percussive elements. Nathalie Joachim presents music from her latest album called Ki moun ou ye, or "Who Are You / Who Claims You?", in-studio. Set list: 1. Kenbe m 2. Kouti Yo 3. Ki moun ou ye

Singer, songwriter, guitarist, and educator Mary Timony has been a hugely influential figure on the indie and alternative rock scenes for over 30 years. Starting with the band Autoclave in 1990, she went on to front the group Helium for much of the 1990s, was a member of the supergroup Wild Flag, and is a guitarist and singer of the band Ex Hex. Her latest album, Untame The Tiger, is a solo record – her first in at least 15 years – is full of tasty guitar licks and thoughtful lyrics. Mary Timony and her band play some of the new tunes, in-studio. Set list: 1. Summer 2. No Thirds 3. The Guest

Helado Negro is the avant pop project of Roberto Carlos Lange, born in Florida to Ecuadorian parents but for many years based in Brooklyn. In recent years he’s moved around a bit (Marfa, TX!) and is now based in Asheville NC, which is where he made his new dreamscapey bilingual avant-pop album called Phasor. While it definitely has the dreamy, warm sound of an Helado Negro album, it also feels different - the grooves are more prominent and there are new sonic textures we haven’t heard before, perhaps due to inspiration from Pauline Oliveros’ Deep Listening, Foley sound art, and many other sources – including what the sun feels like. Set list: 1. Echo Tricks Me 2. Out There 3. Best For You And Me

The American Patchwork Quartet is a group that reflects the American melting pot – the patchwork quilt of people who’ve come and made the U.S.A. their home. APQ features two-time Grammy winner Clay Ross, of the band Ranky Tanky, drummer Clarence Penn, and two musicians who immigrated from Asia: the singer Falu (from India) and bassist Yasushi Nakamura (from Japan). Their debut, untitled album is just out, and includes fresh, often Indian-tinged arrangements of old fiddle tunes, folk hymns, and early blues. As the famed folksong collector and producer Alan Lomax said, “America has a patchwork culture made of the dreams and songs of all its people.” The American Patchwork Quartet performs their take on old folk songs in-studio. Set list: 1. Wayfaring Stranger 2. Lazy John 3. Shenandoah

Ethan Lipton writes plays, and songs, and sometimes, plays with songs. His musical No Place To Go won an Obie for its trenchant take on the decline of the American workspace, and in another musical, The Outer Space, a couple finds that they can flee planet earth but not its problems. Ethan Lipton & His Orchestra, according to their own biography, offer "modern lounge with a chewy singer-songwriter center" with songs that may present a melancholy wit and a cockeyed worldview. Ethan Lipton & His Orchestra, his longstanding four-piece band, have a new album out, called Did You Do The Thing We Talked About, and they play some of these songs in-studio. Set list: 1. Mess That Summer 2. To Have Done It 3. Crazy for New York