Don’t Call Me Resilient

Research shows social media apps are designed to entrap children who are even more susceptible than adults to its harms. Plus, technologies are not neutral: They’re embedded with and actively reinforce structures of racism. A recent survey of Canadian children in grades 7 to 11 found nearly half of participants reported seeing racist or sexist content online, and youth from marginalized groups were more likely than others to encounter this type of content. So, what’s to be done? Five school boards in Ontario have recently sued the makers of Facebook, Instagram, TikTok and Snapchat for $4.5 billion, arguing the social media giants are causing mental health issues and other harms that are making the jobs of educators much harder. The Ontario Premiere has called the lawsuit a waste of time and money, and announced its government was doubling down on a 2019 ban on cellphones in schools as a way to address the problem. It also pledged $30 million to a surveillance program they think will help solve problems in school like cell phone and vape addictions. On today's episode, Vinita gets into it with two education researchers, both former teachers, who challenge the idea of a ban and think there are better ways to address the problem.

Over the last 30 years, there has been an exponential growth of Indigenous media and Indigenous media makers, especially here in Canada which has one of the largest repositories of Indigenous media. However, the road to get here hasn’t been easy. Indigenous filmmakers, producers, and artists have had to navigate the complex and often unfriendly terrain of Canadian media institutions and media production companies. Their negotiations -- and struggles -- have helped make space for a generation of Indigenous media-makers who are increasingly making shows and films on their terms, with their ideas. Karrmen Crey who is Stó:lō from Cheam First Nation, is an associate professor in the School of Communication at Simon Fraser University in Burnaby, British Columbia, and the author of “Producing Sovereignty: The Rise of Indigenous Media in Canada.” In this special episode, recorded on-site with an audience in Vancouver at Iron Dog books, Karrmen speaks with Vinita about the ways Indigenous creators are using humour along with a sharp critique of pop culture to show just how different the world looks when decision-making power over how stories get told shifts and Indigenous media makers take control. This episode was produced in front of a live audience at Iron Dog Books in Vancouver, in partnership with Simon Fraser University's Faculty of Communication, Art and Technology and the Amplify Podcast Network. Simon Fraser student, Natalie Dusek performed tech duties. Theme music by Zaki Ibrahim, Something in the Water. Image credit: Jana Schmieding plays Reagan, a member of the fictional Minishonka nation, on the sitcom, Rutherford Falls. (Evans Vestal Ward/Peacock)

Many news organizations have reported on the Israel-Gaza war. However, many journalists have criticized those same media organizations for how they have covered the conflict, and have spoken out against what they say is a stifling of Palestinian voices and perspectives. In today's episode, Vinita talks to Sonya Fatah and Asmaa Malik, associate professors of journalism at Toronto Metropolitan University whose research focuses on newsroom culture, global reporting practices and equity in journalism. They argue that these press freedom concerns go far beyond Gaza.

Around the world, people are being forced to leave their homes in droves. We are seeing it happen in Gaza, as Israeli forces continue to wage war. And in Sudan, which has also been wracked by war. Then there are the people fleeing political or economic strife - like those living in Haiti, or Venezuela. Canada has various refugee programs designed to take in those seeking asylum from what's happening in their home countries. But the problem is, they weren't all created equal. In today's episode, Vinita talks to Christina Clark-Kazak, professor of public and international affairs at the University of Ottawa. Clark-Kazak says Canada's refugee system has always been politicized - but never more so than now.

The release of Beyoncé’s new album, Cowboy Carter, was a much awaited event for a lot of us. There was much anticipation about this being a country album — and a lot of talk about the resistance some radio stations had and still have to that idea. That’s because country music is considered "white music," even though its Black historical roots are well documented. But Cowboy Carter is about so much more than country music. It honours other Black musical legends — and challenges the segregation we still see and hear in the music industry today. Vinita is joined by two experts to talk about it all. Alexis McGee is an Assistant Professor of Writing Studies at the University of British Columbia and author of "From Blues to Beyoncé: A Century of Black Women’s Generational Sonic Rhetorics." And Jada Watson is Assistant Professor of Digital Humanities at the School of Information Studies at the University of Ottawa. Her current research, called SongData, uses music industry data to examine representation in the country music industry.

In today's episode, we're continuing the conversation we started last week about using forced famine as a tool to control land, resources and people. For centuries, starvation has been effectively used by colonial powers to control populations, to acquire land and the wealth that comes with that. Today, we’re looking at the decimation of Indigenous populations in the Plains of North America –. and the 1943 famine that took three million lives in Bengal, India, which was then under British rule. These are two vastly different populations that were devastated by a complex set of factors. But both populations had a few things in common: they were thriving with healthy and wealthy communities. And although disease and famine existed before the arrival of Europeans, it cannot be denied colonial powers accelerated and even capitalized on chronic famine and the loss of life due to disease and malnutrition. Through these two examples, Vinita looks at how starvation has been used as a tool in the colonial "playbook." She is joined by James Daschuk, Associate Professor in the Faculty of Kinesiology and Health Studies at the University of Regina and the author of Clearing the Plains: Disease, Politics of Starvation and the Loss of Aboriginal Life. And Janam Mukherjee is an Associate Professor of History at Toronto Metropolitan University, and the author of Hungry Bengal: War, Famine and the End of Empire.

On Monday, the European Union's foreign policy chief accused Israel of using starvation as a weapon of war and provoking famine in Gaza. They were some of the strongest words against Israel we have heard from a western power about the situation in Gaza since October. They come on the heels of a UN-backed report that warns that more than one million people — half of Gaza’s population — face catastrophic starvation conditions. The report goes on to say that without an immediate ceasefire and a major influx of food and to areas cut off by fighting, famine and mass death in Gaza are imminent. Scholars of famine say this is, in fact, the worst food deprivation they have observed in war time since the Second World War. And according to international law, intentional starvation of a population is a war crime. In this episode, Vinita breaks down the use of hunger as a tool of war in Gaza with Hilal Elver, former UN Special Rapporteur on the Right to Food and research professor of Global Studies at the University of California Santa Barbara.

On Sunday, nine years after #OscarsSoWhite, millions of us tuned in to the 96th annual Academy Awards — some to simply take in the spectacle. And some to see how much had changed. The hashtag #OscarsSoWhite started after many people noticed that, for a second year in a row, all nominees for four of five major categories were white. The movement called on Hollywood to do better: to better reflect America’s demographic realities and also to expand its depiction of our histories. The reason: representation in Hollywood matters. What gets put on screens and by whom has reverberating impacts on how all of us see each other and see ourselves. So .... how did the Oscars do this year? And how is the entertainment industry in general faring when it comes to diversity and inclusion? It's a mixed bag. Despite some recent wins, a report from Telefilm Canada revealed that Black women have the least representation in TV and film. They also lead the fewest projects and receive the least funding overall. In today's episode, Vinita breaks down the progress made and the challenges still present especially for women of colour. She is joined by Naila Keleta-Mae, the Canada Research Chair in Race, Gender and Performance and associate professor of communication arts at the University of Waterloo and Mariah Inger, an actor and director and chair of ACTRA National’s Diversity, Equity, Inclusion & Belonging Committee.

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Monk is the lead character of the new movie "American Fiction," which is based on the 2001 novel "Erasure" by Percival Everett. Monk is a Black man but never feels 'Black' enough: he graduated from Harvard, his siblings are doctors, he doesn't play basketball and he writes literary novels. In fact, his last novel got rejected for not being "Black enough." As a Black man who thinks about race but also rages against having to talk about it, Monk gets so frustrated that he decides to poke fun of those who uncritically consume what has been sold to them as "Black culture." He uses a pen name to write an outlandish "Black" book of his own - a story about "thug life" called "My Pafology." But plot twist: the book becomes wildly popular - and Monk ends up profiting from the stereotypes he so despises. The story has so many layers, and in this last episode of Season 6, Vinita breaks it down with two scholars who are well versed in Percival Everett's work - and the use of Black stereotypes in pop culture. Vershawn Ashanti Young is the director of Black studies at the University of Waterloo. And Anthony Stewart is a professor of English at Bucknell University.

In this episode which we're running in full, host Gemma Ware speaks with Doseline Kiguru, a research associate in cultural and literary production in Africa at the University of Bristol in the UK, who has co-published research on the history of choral music and the role it plays in Kenyan national political culture. The episode originally aired on Dec. 11. Kenya is marking 60 years since its independence from British colonial rule on December 12, 1963. Each year, the country celebrates the occasion with a national holiday, Jamhuri Day. And for much of the past 60 years, patriotic choral music has been a regular feature of those celebrations. In this episode, Gemma and Doseline explore how much one song can tell you about the politics of a new nation -- and who controls what gets remembered and what gets forgotten. You can listen to or follow TC Weekly on Apple Podcasts, Spotify YouTube or wherever you listen to your podcasts. Further reading: • All episodes of TC Weekly Further Research: Kenya's 'patriotic' choral music has been used to embed a skewed version of history Kenya at 60: the shameful truth about British colonial abuse and how it was covered up

You may have noticed that food bank lines have grown exponentially this year. In Toronto alone, the number of people who use food banks has doubled since last year and nationwide, the numbers using food banks have jumped by 32 percent from last year and 78 per cent since 2019. And those who are lining up for food defy the stereotypes: many, for example, are employed full-time. In other words, we are in the middle of a major food insecurity crisis. And as we head into this holiday season - traditionally a time for giving and sharing and gathering around food - there is no better time to talk about this and help us understand what we as individuals can do to help. According to the latest Statistics Canada data, almost one in five households experiences food insecurity. Single-mother households are especially affected, as are some racialized homes. Black and Indigenous people face the highest rates of food insecurity, with over 46 per cent of Black children and 40 per cent of Indigenous children living in households that don’t have a reliable source of food. But for years, advocates have been saying that more food banks is not the answer. So what is? In today's episode, Vinita sits down with Elaine Power, a Professor in Health Studies at Queen’s University whose research focuses on issues related to poverty, class, food and health. She is also the coauthor of "The Case for Basic Income: Freedom, Security, Justice." Prof. Power says reducing food insecurity requires our political and business leaders to address the root causes – including the ability of household incomes to meet basic needs. Some of those solutions won't happen overnight, so she also has tips for individuals looking to make a difference now.

The idea for today's episode started with local Toronto kids, who were reporting experiencing sexist, homophobic and racist attitudes in the classroom, especially from the boys. The research shows they are not alone; the rise in far right ideologies globally has deeply affected school-age students. Many experts point to Andrew Tate, the far-right social media influencer as one of the culprits. Teachers say he has a big presence in the classroom. On top of that, there's been an exponential rise in antisemitism and Islamophobia in Canada that have also impacted the classroom. Why are boys especially attracted to these hateful ideologies? As we near December 6, the National Day of Remembrance and Action on Violence Against Women, Vinita speaks to two experts who have been thinking a lot about this question. Teresa Fowler is an assistant professor in the faculty of Education at Concordia University of Edmonton whose research focuses on critical white masculinities. Lance McCready is an associate professor in the Department of Leadership, Higher and Adult Education at the Ontario Institute for Studies in Education at the University of Toronto. His research explores education, health and the wellbeing of Black men, boys and queer youth, especially in urban communities and schools.

When a lot of us think about psychedelics, we think about magic mushrooms - and hallucinatory drug trips. But the concept of psychedelics as a tool in therapy is making its way into the mainstream. Online stores have popped up selling psilocybin capsules promising to boost focus. And on a more official front, the Canadian Senate recently recommended fast-tracking research into how psychedelics can help veterans suffering from Post Traumatic Stress Disorder (PTSD). But research also suggests psychedelics - including psilocybin ("magic mushrooms") and MDMA - can help heal racial trauma. In today's episode, Vinita speaks to clinical psychologist and University of Ottawa psychology professor Monnica Williams, about how psychedelic-assisted therapy can help with those dealing with this type of trauma, which usually encompasses ongoing experiences of what Williams calls "insults to your person." But it doesn't end there: With racial trauma, Williams says, therapists are also looking at events beyond an individual's lifetime such as "historical trauma, that may have happened decades or even centuries ago, that is still associated with the person's cultural group." And while psychedelics show incredible promise in treating this type of trauma, many challenges remain. Part of it has to do with legalization and the lack of clinical trials. Another part has to do with the terrible track record institutions have when it comes to communities of colour and drugs. There is a long and ugly history of using Black and racialized bodies without consent for medical experimentation, including drug testing. And we can't ignore the racial roots of the war on drugs and the devastating impact it had - and continues to have - on Black and racialized communities. Williams tackles these hurdles in her work. And in this episode, she shares her thoughts about how we can open up the healing properties of psychedelics to racialized people in need in a way that works with them, rather than against them.

As violence continues to erupt in Gaza, and more than 200 hostages taken by Hamas on Oct. 7 remain missing, many of us are seeking to better understand the context of the Israeli-Palestinian conflict that has been raging for decades. Some of us assume that the violence between Jewish Israelis and Palestinians — a majority of whom are Muslim — is a religious conflict, but a closer look at the history of the last century reveals that the root of the tension between the two communities is more complicated than that. At its root, it’s a conflict between two communities that claim the right to the same land. And for millions of Palestinians, it’s about displacement from the land. Land has so much meaning. It’s more than territory: land represents home, your ancestral connection and culture – but also the opportunity to be productive with the land; to feed yourself and your country. One of the things that colonizers are famous for is the idea of terra nullius – that the land is empty of people before they come to occupy it. In the case of Palestine, the Jewish settlers in 1948, and the British before that, viewed the desert as empty and as something they needed to “make bloom.” But the land was already blooming. There is a long history of Palestinian connection to the land, including through agricultural systems and a rich food culture that is often overlooked by colonial powers. Our guests on this week's podcast have been working on a film about the importance of preserving Palestinian agriculture and food in exile. Elizabeth Vibert is a professor of colonial history at University of Victoria. She has been doing oral history research to examine historical and contemporary causes of food crises in various settings including Palestinian refugees in Jordan. Salam Guenette is the consulting producer and cultural and language translator for their documentary project. She holds a master's degree in history.

Earlier this week, nearly five dozen people appeared in a courthouse outside Atlanta, Georgia to answer criminal racketeering charges brought against them by the state. The charges are related to protests against a planned paramilitary police and fire services training facility nicknamed Cop City. Georgia prosecutors have called the demonstrators “militant anarchists.” But many of those charged say they were simply attending a rally or a concert in support of the Stop Cop City movement. The protesters, their lawyers and their supporter say the government is using heavy-handed tactics to silence the movement -- and worry about the type of precedent this might set for our right to protest. Kamau Franklin, one of the leaders of the Stop Cop City movement and a lawyer himself, and Zohra Ahmed, a professor of law at the University of Georgia, join Vinita to talk about the situation, and why so many people are watching it.

When the Buffy Sainte-Marie news broke last week, people were stunned. A CBC investigation was accusing the legendary singer-songwriter of lying about her Indigenous roots. Sainte-Marie had already come out on social media and said she had been claimed by the Piapot Cree First Nation in Saskatchewan - something the Piapot First Nation confirmed. And from earlier conversations about “pretendians” - those faking an Indigenous identity - it was clear kinship ties were maybe even more important than genealogy when it comes to establishing Indigeneity. In today’s episode, Lori Campbell, Associate Vice President of Indigenous Engagement at the University of Regina, speaks to Vinita about how this story rolled out, and why it matters to everyone following it. Read Lori Campbell's story in The Conversation Canada: Revelations about Buffy Sainte-Marie’s ancestry are having a devastating impact on Indigenous communities across Canada: https://theconversation.com/revelations-about-buffy-sainte-maries-ancestry-are-having-a-devastating-impact-on-indigenous-communities-across-canada-216602 Episode show notes: https://theconversation.com/how-journalists-tell-buffy-sainte-maries-story-matters-explained-by-a-60s-scoop-survivor-216805

It's hard to escape the news coming out of the Middle East. It's everywhere. And it's excruciating to take it all in. First came the Oct. 7 attack by Hamas on Israel. 1,400 people were viciously attacked and murdered and at least 200 more were kidnapped and taken hostage. Then came the retaliation by the state of Israel. Almost immediately, those living in Gaza, under the leadership of Hamas, were faced with an evacuation order for more than a million people. They had their food and water supplies cut off and 6,000 bombs were dropped on them in one week. So far, more than 5,000 Palestinians have been killed in Israel’s assault. There is so much polarization that it has become really hard to have a conversation about what is happening - and what has been happening for decades. In today's episode, Vinita speaks to two guests about how and why the conversation is getting shut down - and what we can do about it. Natalie Rothman is a professor of historical and cultural studies at the University of Toronto Scarborough. She grew up in Israel. She has friends and relatives in the region including family members who have been taken hostage by Hamas. Norma Rantisi is a professor of geography and urban planning at Concordia University who has done work in the region. She has family in the West Bank and is a member of the Academics for Palestine Concordia, and the Palestinian-Canadian Academics and Artists Network.

Everybody knows it and almost everyone feels it: we’re in the grips of a major housing crisis. Home ownership is out of reach for so many people and for renters, units are hard to find and expensive. It seems everywhere you turn these days, there’s another rent strike. One of the factors driving this affordability crisis has been a shift away from publicly built housing toward large corporate-owned buildings. As Prof. Nemoy Lewis, from the School of Urban and Regional Planning at Toronto Metropolitan University, puts it: now “housing is treated as a commodity, rather than a human right.” He joins Vinita to discuss these corporate landlords and the disproportionate impact they are having on Black and low-income communities. He says it’s creating truly income-polarized cities – and urban centres that are increasingly accessible to only a small group of wealthy people.

For decades, North American Black women have been using hair relaxers to help them fit into mainstream workplaces and the European standards of beauty that continue to dominate them. More recently, research has linked these relaxers to cancer and reproductive health issues - and a spate of lawsuits across the United States, and at least one in Canada, have been brought by Black women against the makers of these relaxants. Cheryl Thompson, a professor at Toronto Metropolitan University and author of "Beauty in a Box: Detangling the Roots of Canada's Black Beauty Culture," joins Vinita to untangle the complicated history Black women like herself have with hair relaxants - and where these lawsuits might lead.