A Philosophical Inquiry Into the Origin of Our Ideas
Edmund Burke
This audiobook is narrated by a digital voice.
An eloquent and sometimes even erotic book, the Philosophical Enquiry was long dismissed as a piece of mere juvenilia. However, Burke's analysis of the relationship between emotion, beauty, and art form...
Location:
United States
Description:
This audiobook is narrated by a digital voice. An eloquent and sometimes even erotic book, the Philosophical Enquiry was long dismissed as a piece of mere juvenilia. However, Burke's analysis of the relationship between emotion, beauty, and art form is now recognized as not only an important and influential work of aesthetic theory, but also one of the first major works in European literature on the Sublime, a subject that has fascinated thinkers from Kant and Coleridge to the philosophers and critics of today. Duration - 5h 2m. Author - Edmund Burke. Narrator - Digital Voice Martin G. Published Date - Wednesday, 08 January 2025. Copyright - © 2014 Start Publishing LLC ©.
Language:
English
Table of Contents:
Duración:00:00:15
Preface
Duración:00:07:11
Introduction: On Taste
Duración:00:36:13
PART I
Duración:00:00:02
SECTION I. NOVELTY
Duración:00:02:02
SECTION II. PAIN AND PLEASURE
Duración:00:03:41
SECTION III. THE DIFFERENCE BETWEEN THE REMOVAL OF PAIN AND POSITIVE PLEASURE
Duración:00:02:51
SECTION IV. OF DELIGHT AND PLEASURE, AS OPPOSED TO EACH OTHER
Duración:00:02:55
SECTION V. JOY AND GRIEF
Duración:00:02:25
SECTION VI. OF THE PASSIONS WHICH BELONG TO SELF-PRESERVATION
Duración:00:00:53
SECTION VII. OF THE SUBLIME
Duración:00:01:43
SECTION VIII. OF THE PASSIONS WHICH BELONG TO SOCIETY
Duración:00:02:08
SECTION IX. THE FINAL CAUSE OF THE DIFFERENCE BETWEEN THE PASSIONS BELONGING TO SELF-PRESERVATION AND THOSE WHICH REGARD THE SOCIETY OF THE SEXES
Duración:00:01:58
SECTION X. OF BEAUTY
Duración:00:02:26
SECTION XI. SOCIETY AND SOLITUDE
Duración:00:01:25
SECTION XII. SYMPATHY, IMITATION, AND AMBITION
Duración:00:00:24
SECTION XIII. SYMPATHY
Duración:00:01:57
SECTION XIV. THE EFFECTS OF SYMPATHY IN THE DISTRESSES OF OTHERS
Duración:00:02:59
SECTION XV. OF THE EFFECTS OF TRAGEDY
Duración:00:03:44
SECTION XVI. IMITATION
Duración:00:02:44
SECTION XVII. AMBITION
Duración:00:01:57
SECTION XVIII. THE RECAPITULATION
Duración:00:02:23
SECTION XIX. THE CONCLUSION
Duración:00:05:36
PART II
Duración:00:00:02
SECTION I. OF THE PASSION CAUSED BY THE SUBLIME
Duración:00:00:47
SECTION II. TERROR
Duración:00:02:06
SECTION III. OBSCURITY
Duración:00:02:05
SECTION IV. OF THE DIFFERENCE BETWEEN CLEARNESS AND OBSCURITY WITH REGARD TO THE PASSIONS
Duración:00:08:07
SECTION V. POWER
Duración:00:13:38
SECTION VI. PRIVATION
Duración:00:01:32
SECTION VII. VASTNESS
Duración:00:02:08
SECTION VIII. INFINITY
Duración:00:02:08
SECTION IX. SUCCESSION AND UNIFORMITY
Duración:00:03:27
SECTION X. MAGNITUDE IN BUILDING
Duración:00:01:34
SECTION XI. INFINITY IN PLEASING OBJECTS
Duración:00:00:42
SECTION XII. DIFFICULTY
Duración:00:00:38
SECTION XIII. MAGNIFICENCE
Duración:00:03:41
SECTION XIV. LIGHT
Duración:00:02:39
SECTION XV. LIGHT IN BUILDING
Duración:00:01:07
SECTION XVI. COLOR CONSIDERED AS PRODUCTIVE OF THE SUBLIME
Duración:00:01:22
SECTION XVII. SOUND AND LOUDNESS
Duración:00:00:58
SECTION XVIII. SUDDENNESS
Duración:00:01:04
SECTION XIX. INTERMITTING
Duración:00:01:24
SECTION XX. THE CRIES OF ANIMALS
Duración:00:01:13
SECTION XXI. SMELL AND TASTE.—BITTERS AND STENCHES
Duración:00:02:50
SECTION XXII. FEELING.—PAIN
Duración:00:01:09
PART III
Duración:00:00:02
SECTION I. OF BEAUTY
Duración:00:01:55
SECTION II. PROPORTION NOT THE CAUSE OF BEAUTY IN VEGETABLES
Duración:00:07:12
SECTION III. PROPORTION NOT THE CAUSE OF BEAUTY IN ANIMALS
Duración:00:02:28
SECTION IV. PROPORTION NOT THE CAUSE OF BEAUTY IN THE HUMAN SPECIES
Duración:00:11:08
SECTION V. PROPORTION FURTHER CONSIDERED
Duración:00:05:08
SECTION VI. FITNESS NOT THE CAUSE OF BEAUTY
Duración:00:05:16
SECTION VII. THE REAL EFFECTS OF FITNESS
Duración:00:04:35
SECTION VIII. THE RECAPITULATION
Duración:00:00:49
SECTION IX. PERFECTION NOT THE CAUSE OF BEAUTY
Duración:00:01:19
SECTION X. HOW FAR THE IDEA OF BEAUTY MAY BE APPLIED TO THE QUALITIES OF THE MIND
Duración:00:02:35
SECTION XI. HOW FAR THE IDEA OF BEAUTY MAY BE APPLIED TO VIRTUE
Duración:00:01:06
SECTION XII. THE REAL CAUSE OF BEAUTY
Duración:00:00:56
SECTION XIII. BEAUTIFUL OBJECTS SMALL
Duración:00:02:11
SECTION XIV. SMOOTHNESS
Duración:00:01:15
SECTION XV. GRADUAL VARIATION
Duración:00:02:45
SECTION XVI. DELICACY
Duración:00:01:45
SECTION XVII. BEAUTY IN COLOR
Duración:00:01:26
SECTION XVIII. RECAPITULATION
Duración:00:00:52
SECTION XIX. THE PHYSIOGNOMY
Duración:00:00:38
SECTION XX. THE EYE
Duración:00:01:21
SECTION XXI. UGLINESS
Duración:00:00:49
SECTION XXII. GRACE
Duración:00:00:52
SECTION XXIII. ELEGANCE AND SPECIOUSNESS
Duración:00:00:54
SECTION XXIV. THE BEAUTIFUL IN FEELING
Duración:00:03:16
SECTION XXV. THE BEAUTIFUL IN SOUNDS
Duración:00:02:59
SECTION XXVI. TASTE AND SMELL
Duración:00:01:06
SECTION XXVII. THE SUBLIME AND BEAUTIFUL COMPARED
Duración:00:02:15
PART IV
Duración:00:00:02
SECTION I. OF THE EFFICIENT CAUSE OF THE SUBLIME AND BEAUTIFUL
Duración:00:02:46
SECTION II. ASSOCIATION
Duración:00:01:33
SECTION III. CAUSE OF PAIN AND FEAR
Duración:00:02:37
SECTION IV. CONTINUED
Duración:00:02:13
SECTION V. HOW THE SUBLIME IS PRODUCED
Duración:00:01:22
SECTION VI. HOW PAIN CAN BE A CAUSE OF DELIGHT
Duración:00:02:18
SECTION VII. EXERCISE NECESSARY FOR THE FINER ORGANS
Duración:00:01:13
SECTION VIII. WHY THINGS NOT DANGEROUS SOMETIMES PRODUCE A PASSION LIKE TERROR
Duración:00:00:39
SECTION IX. WHY VISUAL OBJECTS OF GREAT DIMENSIONS ARE SUBLIME
Duración:00:02:08
SECTION X. UNITY WHY REQUISITE TO VASTNESS
Duración:00:02:15
SECTION XI. THE ARTIFICIAL INFINITE
Duración:00:02:33
SECTION XII. THE VIBRATIONS MUST BE SIMILAR
Duración:00:00:43
SECTION XIII. THE EFFECTS OF SUCCESSION IN VISUAL OBJECTS EXPLAINED
Duración:00:04:18
SECTION XIV. LOCKE’S OPINION CONCERNING DARKNESS CONSIDERED
Duración:00:02:16
SECTION XV. DARKNESS TERRIBLE IN ITS OWN NATURE
Duración:00:02:03
SECTION XVI. WHY DARKNESS IS TERRIBLE
Duración:00:02:43
SECTION XVII. THE EFFECTS OF BLACKNESS
Duración:00:03:26
SECTION XVIII. THE EFFECTS OF BLACKNESS MODERATED
Duración:00:01:28
SECTION XIX. THE PHYSICAL CAUSE OF LOVE
Duración:00:02:56
SECTION XX. WHY SMOOTHNESS IS BEAUTIFUL
Duración:00:01:16
SECTION XXI. SWEETNESS, ITS NATURE
Duración:00:04:18
SECTION XXII. SWEETNESS RELAXING
Duración:00:02:33
SECTION XXIII. VARIATION, WHY BEAUTIFUL
Duración:00:02:40
SECTION XXIV. CONCERNING SMALLNESS
Duración:00:06:00
SECTION XXV. OF COLOR
Duración:00:02:00
PART V
Duración:00:00:02
SECTION I. OF WORDS
Duración:00:01:02
SECTION II. THE COMMON EFFECTS OF POETRY, NOT BY RAISING IDEAS OF THINGS
Duración:00:03:39
SECTION III. GENERAL WORDS BEFORE IDEAS
Duración:00:02:16
SECTION IV. THE EFFECT OF WORDS
Duración:00:02:38
SECTION V. EXAMPLES THAT WORDS MAY AFFECT WITHOUT RAISING IMAGES
Duración:00:09:41
SECTION VI. POETRY NOT STRICTLY AN IMITATIVE ART
Duración:00:00:47
SECTION VII. HOW WORDS INFLUENCE THE PASSIONS
Duración:00:07:14