Tim Wardle was working at a production company in London when he first heard about identical triplets separated at birth in the 1960’s and adopted by three different families. The brothers knew nothing of each other’s existence until they were reunited by chance at age 19. Wardle talks to Matt Holzman about how he got to make the crazy story told in his new documentary ‘Three Identical Strangers.’
After seven seasons starring in the CBS series ‘The Mentalist,’ Simon Baker made his feature directing debut with the coming-of-age film, ‘Breath.’ Shot in part in the wild waters off the West Coast of Australia, ‘Breath’ stars two teenagers who had never acted, but were excellent surfers. Baker tells us how compared to surfing, acting is the easy part.
Director Morgan Neville knew his new documentary about the life and legacy of Fred Rogers and his neighborhood would be emotional. But he wasn’t prepared for theaters full of mass sobbing. He tells us why Mister Rogers makes us cry and how he made the deeply touching film, 'Won't You Be My Neighbor?'
Usually cancellation means death for a TV series, but these days, there is hope for resurrection. Showrunner Dan Goor went through an emotional Tilt-A-Whirl when his cop comedy ‘Brooklyn Nine-Nine’ was dropped by Fox after 5 seasons, only to be brought back to life by NBC just one day later. Goor takes us through the topsy turvy ride.
Amazon’s ‘The Marvelous Mrs. Maisel’ tells the story of Midge Maisel--the perfect well-to-do 1950’s New York housewife who turns to stand-up comedy when her husband leaves her. Creator Amy Sherman-Palladino and her husband and producing partner Daniel Palladino tell us about the work that goes into filming a period series in Manhattan and their painstaking process for selecting music for the show.
Soon after Tanya Saracho got the green light to write a pilot for her first TV series, she contracted a dangerous spinal infection that left her stuck in bed for months. But Saracho rallied and her show 'Vida' has just premiered on Starz. A former Chicago-based playwright, Saracho tells us about her tough first experiences as a TV writer and how she ended up running the first all Latinx writers room in cable.
As the series ‘Dear White People’ launches its second season on Netflix, the show about black students grappling with life at a fictional Ivy League university maintains a 100% fresh rating on Rotten Tomatoes. Creator Justin Simien tells us about writing things satirically and then watching them become reality. And he explains why for many years, he didn’t believe he could be a part of creating pop culture.
The documentary ‘Bombshell’ explores the life and legacy of Hedy Lamarr, a star from Hollywood’s golden age and an inventor whose ideas are still in use in wireless technology. Her inventions weren’t recognized until late in her ultimately tragic life, and never made her any money. ‘Bombshell’ director Alexandra Dean tells us about Lamarr’s extraordinary career, on-screen and off.
Susanne Daniels has run the entertainment divisions of The WB, Lifetime and MTV. In those days, she sometimes faced a challenge of convincing big names to come to her network. Now, she oversees original content at YouTube, and she says getting talent is not a problem. She tells us about making the transition from traditional TV to streaming, and how YouTube Red is evolving with projects like ‘Cobra Kai.’
When director Chloé Zhao met horse trainer Brady Jandreau on the Pine Ridge Indian Reservation, she knew she wanted to put him in her next project. Then, Jandreau--a rising rodeo star--suffered a devastating riding accident, and Zhao knew she had the starting point of her new film. Zhao and Jandreau tell us how they made ‘The Rider’ on location in South Dakota on a shoestring budget with first-time actors.
‘Blockers ’is comedy writer Kay Cannon’s directorial debut. When she was hired for the project, she had some work to do on a script about girls, written by a bunch of guys. Cannon tells us how she made ‘Blockers’ funnier and more feminist.
‘The Looming Tower’ on Hulu follows FBI agent Ali Soufan as he tries to prevent an Al Qaeda attack on U.S. soil. The real Soufan says watching an actor play him has been weird, but could have an important payoff: teaching people what led to 9/11 and preventing another attack. Soufan and ‘The Looming Tower’ author Lawrence Wright tell us how they adapted the complicated story for TV.
TV writer Nell Scovell’s credits include ‘The Simpsons,’ ‘Murphy Brown,’ ‘Late Night with David Letterman’ and ‘NCIS.’ When she started working in TV in the late 1980’s, more often than not, she’d be the only woman in the writers room. And in a lot of places, she's found, that's still the case. She tells us about calling out Letterman in Vanity Fair and shares stories from her new book ‘Just the Funny Parts.’
Sometimes our guests have so many interesting things to say that we can’t fit it all into one show. This week we bring you delicious leftovers: stuff that was too good to leave on the cutting-room floor, including insights from writers facing distinct challenges. Listen in for stories from comedy writer Janis Hirsch, writer-director Armando Iannucci, and showrunners Amy Sherman-Palladino and Daniel Palladino.
You might know puppeteer and filmmaker Frank Oz as Miss Piggy or Cookie Monster. He is also Yoda, and he directed movies including 'Little Shop of Horrors' and 'What About Bob?' A new documentary called ‘Muppet Guys Talking’ reunites Oz and some of the other talents behind the Muppets for the first time in years. Director Frank Oz and producer Victoria Labalme tell us about getting the gang together again.
Some of the scenes in Armando Iannucci’s new film, ‘The Death of Stalin,’ seem a bit over the top. But Iannucci says says he actually had to downplay the real story to make it believable. The political satirist behind ‘The Thick of It’ and ‘Veep’ tells us about his first time working on a project based on real people and how he had to work to balance comedy and terror when writing about the chaos that followed Stalin's death in 1953.
As 'Black Panther' mauls box office records, we stopped by a theater showing the film in a new panoramic format called ScreenX. We get reactions from 'Black Panther' fans and talk to Paul Kim, the man who’s trying to make ScreenX take off in America. Plus, we revisit our interview with director Ryan Coogler.
A year ago, a satirical horror film about race relations in America would not have sounded like an idea for a hit movie. But ‘Get Out’ was a box-office smash and it’s nominated for 4 Oscars, including best picture. Jordan Peele is also nominated for best director and best original screenplay--not bad for someone making his directorial debut. Peele tells us about the years-long process of getting to ‘Get Out.’
For the now Oscar-nominated Chilean film ‘A Fantastic Woman,’ director Sebastián Lelio cast transgender actress Daniela Vega as a trans woman dealing with the sudden loss of of her partner. Lelio says box office grosses were less than his last movie, but in terms of starting a social conversation in Chile, the film has been incredibly powerful. Both Lelio and Vega join us to talk about making 'A Fantastic Woman.'
‘Mudbound’ director of photography Rachel Morrison just made history as the first woman nominated for an Academy Award for best cinematography. She’s also the first woman to shoot a big comic book movie: the upcoming Marvel mega-hit, ‘Black Panther.’ She fought hard to get to the top of her male-dominated field, but says more women are getting a shot at getting the shot.