One True Podcast

Julie Schumacher, author of The Dear Committee Trilogy (Dear Committee Members, The Shakespeare Requirement , and The English Experience), shares her one true sentence from Hemingway's The Sun Also Rises. As Schumacher explores, Hemingway's short, terse writing often leads to some "long, meandering, winding roads of sentences" like the one she's chosen for this episode. In addition, she raises intriguing questions about how Hemingway drafted the sentence, examines what makes certain characters and dialogue so compelling in The Sun Also Rises, and discusses her own creative process.

Welcome to the sixth of our eighteen shows celebrating the centenary of the Paris edition of Hemingway’s book of vignettes, in our time. The scene depicts the execution of six Greek officials toward the end of 1922. In this episode, we discuss the history of that trial and execution, the journalistic coverage of events, and Hemingway's fictional treatment of the execution. We also relate this vignette to other works, such as A Farewell to Arms, For Whom the Bell Tolls, and even Tintoretto's Crucifixion. We also continue examining how the first third of the book starts cohering into a larger project. Join us as we explore in our time before it became In Our Time!

Welcome to the fifth of our eighteen shows celebrating the centenary of the Paris edition of Hemingway’s book of vignettes, in our time. This scene of a barricade and a retreat continues Hemingway's brilliant depictions of Battle of Mons. In this episode, we explore some historical aspects of that retreat, compare the narrative voice and point of view to chapter four, and much more. As always, we examine how these first five vignettes are cohering into a larger project. Join us as we explore in our time before it became In Our Time!

The two great titans of twentieth-century American literature – Ernest Hemingway and William Faulkner – never met. They corresponded only a time or two; however, they were always on each other’s minds. Their hyper-awareness of the other’s recent work led sometimes to envy, sometimes to awe, and frequently to catty comments. To help us learn more about these two men and their fraught relationship, we invite Prof. Ahmed Honeini of Royal Holloway, University of London, to the program. Honeini is the founder of Faulkner Studies in the UK and has written the superb book, William Faulkner and Mortality: A Fine Dead Sound. Honeini expertly guides us through Hemingway and Faulkner’s lives, works, and relationship as One True Podcast continues its investigation of Hemingway’s many rivalries.

This episode will focus on the Spanish Civil War and how one particular incident – the murder of accused Fascist spy José Robles – ruptured the relationship between Ernest Hemingway and John Dos Passos. To sort out the many moving parts to this chapter of Hemingway’s life, we welcome Stephen Koch, the author of The Breaking Point: Hemingway, Dos Passos, and the Murder of José Robles. Koch takes us through the complicated relationship between Hemingway and Dos Passos, what ended it, and how it ended. Koch also explores Robles’s role in Spain, Martha Gellhorn’s presence, and the legacy of this intricate web of relationships. Join us as we discuss Hemingway, Dos Passos, and the Robles Affair!

Welcome to the fourth of our eighteen shows celebrating the centenary of the Paris edition of Hemingway’s book of vignettes, in our time. At 75 words, this short scene describes the Battle of Mons. To Ezra Pound, Hemingway would refer to this conflict (from August 1914 at the very beginning of the First World War) as "clear and noble." In this episode, we discuss the historical aspects of the battle, Hemingway's friendship with the British soldier Eric Edward “Chink” Dorman-Smith, and the mixture of nobility, naivety, and absurdity that form the atmosphere of this vignette. We also examine how these first four vignettes are beginning to cohere into a larger project. Join us as we explore in our time before it became In Our Time!

Welcome to the third of our eighteen shows celebrating the centenary of the Paris edition of Hemingway’s book of vignettes, in our time. In this scene, Hemingway describes the minarets rising over the landscape overlooking the harrowing evacuation at the Greco-Turkish War in 1922. Hemingway distills the vast scope of inhumanity into the expression of one scared child. We discuss how this scene intersects with his biographical experiences, his journalism, and how the first three vignettes are beginning to cohere into a larger project. Join us as we explore in our time before it became In Our Time!

American modernism is a concept that is so slippery that even scholars don’t always agree on its definition. Is it a historical era, or a literary technique? Was Ernest Hemingway even a modernist? If so, which of his works are most modernistic? For this discussion, we turn to Mark Whalan, editor of the compendious new volume, Cambridge History of American Modernism, and Karen Leick, one of its contributors, who places Hemingway in a conversation with other American modernists including Stein, Faulkner, and Fitzgerald. We discuss his work, his celebrity, the difference between the myth and the man, and the modern world in which he lived and wrote. Join us for this fascinating conversation that tackles Hemingway and his place in the tradition of American literature!

Mark Kurlansky, the author of dozens of books of fiction, nonfiction, and children's literature (including Cod, Salt, and The Importance of Not Being Ernest), shares his one true sentence from Hemingway's story "In Another Country."

Welcome to the second of our eighteen shows celebrating the centenary of the Paris edition of Hemingway’s book of vignettes, in our time. In this scene, Hemingway puts us into a chaotic bullfighting scene, with gorings, hooting crowds, and a kid who tries to save the day. We discuss how this early sketch prefigures Hemingway’s career-long fascination with the bullfight and the problem of depicting it. Just two chapters into this year-long read of in our time, patterns are beginning to emerge. Join us as we explore in our time before it became In Our Time!

One True Podcast reads in our time! Welcome to the first of our eighteen shows celebrating the centenary of Hemingway’s book of vignettes. Starting with the unforgettable opening salvo -- “Everybody was drunk” -- chapter one describes a kitchen corporal in a chaotic battery on the way to the Champagne during World War I. We explore these 112 words and what they reveal about Hemingway’s experimentation, his challenging style, and his attitude about war as a young man. As Hemingway writes, “It was funny going along that road.” Join us as we explore in our time before it became In Our Time!

What was Ernest Hemingway doing in 1924? Where was he? What were his important relationships? What were his challenges? What was he writing? The excellent Verna Kale -- Hemingway biographer and Associate Editor of the Hemingway Letters Project -- joins us to trace Hemingway’s experiences one hundred years ago, walking us through his biography, his letters, his finances, and even some of his poetry. According to Kale, Hemingway wasn’t quite Hemingway yet, but he was right on the cusp. We hope you enjoy one of our favorite traditions, spending our first show of the new year by going back one hundred years to explore Hemingway’s life, work, and world. Happy New Year!

‘Tis the season! And it wouldn’t be the holiday season without welcoming Suzanne del Gizzo to discuss a seasonally appropriate Hemingway work. In this episode, we examine “A North of Italy of Christmas,” a raucous article he wrote for the Toronto Daily Star one hundred years ago. Del Gizzo – the celebrated editor of The Hemingway Review -- discusses the absurd humor in the piece, all the mistletoe, old favorite Chink Dorman-Smith, and Hemingway’s early writing style. She unpacks the curious title, offers some unexpected background on the origin of the mistletoe tradition, and places the article in its biographical context. We end the interview with del Gizzo’s thoughts on the state of Hemingway studies as 2023 draws to a close. And as a special treat to our listeners, we begin the episode with a reading of “A North of Italy Christmas” by former guest Mackenzie Astin, star of The Facts of Life, The Magicians, and In Love and War, where he played the young Henry Villard opposite Chris O’Donnell’s Hemingway and Sandra Bullock’s Agnes von Kurowsky. Thanks for a great 2023, everybody! Enjoy!

Cristen Hemingway Jaynes, author of the short story collection The Smallest of Entryways and Ernest's Way: An International Journey Through Hemingway's Life, shares her one true sentence from her great-grandfather's story "Big Two-Hearted River."

The longest and most mutually beneficial relationship of Ernest Hemingway’s life was with the Charles Scribner's Sons publishing house, a partnership that continues to the present day. Charles Scribner III joins the show to discuss his family’s legacy in publishing, the storied history of Scribner, and Hemingway’s history with the company. We discuss Scribner III’s new book, Scribners: Five Generations in Publishing, which describes the history of the publishing house, including its relationship with legendary authors and its iconic editor, Maxwell Perkins. Join us for this fascinating look at Scribner from the inside!

Tim O'Brien, the author of The Things They Carried, Dad's Maybe Book, and America Fantastica, shares his one true sentence from The Sun Also Rises. Toward the end of the episode, we also reflect on Tim's riveting speech at Dominican University during the 2016 Hemingway Society conference in Oak Park, Illinois.

Join us for a special episode devoted to Lieutenant Rinaldo Rinaldi from A Farewell to Arms! On this episode, scholar Michael Kim Roos (co-author of the essential Reading Hemingway’s A Farewell to Arms) explores the many dimensions of this beloved character. We discuss Rinaldi’s role as Frederic Henry’s best friend, his development over the course of the novel, Hemingway’s historical inspiration for this character, and the way Rinaldi, a man of science and sensualism, represents one of the novel’s most important themes. In addition, we cover Rinaldi’s iconic appearance as Nick Adams’s audience in Chapter VI of In Our Time. “How do you like that, baby?”

Have you ever read “The Porter”? In this episode, we take you to a seldom-visited corner of Hemingway’s short story catalogue to discuss this fascinating outtake from his discarded novel about a father-son train trip across the United States into Canada. For guidance over this unfamiliar terrain, we turn to the great Ian Marshall, who explains the racial, class, and historical elements of this tale. We discuss how Hemingway captures the American landscape, the father-son relationship, where this story fits into Hemingway’s career, and even how “The Porter” relates to Johnny Cash’s “Hey Porter.” Join us as Prof. Marshall helps us celebrate Hemingway’s achievements as a short story writer with this wonderful and illuminating discussion!

Hemingway coined the phrase “grace under pressure” in a 1926 letter to F. Scott Fitzgerald. Since then, the phrase has been repeated like a mantra to describe Hemingway’s attitude toward life and death, his definition of courage, and is regularly used as a lens through which to view his fiction. On this episode, scholar David Wyatt joins us to discuss the significance and legacy of “grace under pressure.” Over the course of the interview, we apply the model of “grace under pressure” to various examples from Hemingway’s career: A Farewell to Arms, “The Short Happy Life of Francis Macomber,” The Sun Also Rises, For Whom the Bell Tolls, and more. Wyatt distinguishes “grace under pressure” from the simplistic descriptions of machismo that often burden considerations of Hemingway’s work. Join us for this illuminating conversation on a classic Hemingway theme with a renowned Hemingway scholar!

Dennis Lehane, author of Mystic River and Small Mercies, shares his one true sentence from A Moveable Feast.