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In this week’s essay, John discusses an onboarding memo for his assistant Laura, and recounts his early days living and working in New York City. Notebook Entries: Notebook 75 Onboard memo for Laura Notebook 3, page 44. May 1991 June 17 start job. Good stuff Notebook 3, page 46. May 1991 Tips on buying renting in NYC Ask about broker 20s and 30s East side. Murry Hill Live on no major avenue Interest bearing account for security deposit Medeco locks Notebook 4, page 15 Scared standing on 34th and Broadway $6 cab fare Notebook 4, page 42 Getting lost in the village References: The Little Brown Book of Anecdotes by Clifton Fadiman Medeco Locks “Here is New York” by E.B. White “Silly Job Interview” - Monty Python John Cleese on Creativity in Management Herbie Hancock: Miles Davis’ Essential Lesson On Mistakes Want to listen to Navel Gazing uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Navel Gazing and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/navelgazingplus to get access wherever you listen. Podcast production by Cheyna Roth. Email us at navelgazingpodcast@gmail.com Host John Dickerson Learn more about your ad choices. Visit megaphone.fm/adchoices

In this, the first part of a special series on Amicus and at Slate.com, we are lifting the lid on an old-timey sounding method of constitutional interpretation that has unleashed a revolution in our courts, and an assault on our rights. But originalism’s origins are much more recent than you suppose, and its effects much more widespread than the constitutional earthquakes of overturning settled precedent like Roe v Wade or supercharging gun rights as in Heller and Bruen. Originalism’s aftershocks are being felt throughout the courts, the law, politics and our lives, and we haven’t talked about it enough. On this week’s show, Dahlia Lithwick and Mark Joseph Stern explore the history of originalism. They talk to Professor Jack Balkin about its religious valence, and Saul Cornell about originalism’s first major constitutional triumph in Heller. And they’ll tell you how originalism’s first big public outing fell flat, thanks in part to Senator Ted Kennedy’s ability to envision the future, as well as the past. Learn more about your ad choices. Visit megaphone.fm/adchoices

Former Outward producer June Thomas joins hosts Bryan Lowder and Jules Gill-Peterson to chat about the very gay new series from Starz, Mary and George. They talk 16th-century sex and sexuality and share their prides, provocations, and the gay agenda for May. Read What's Fact and What's Fiction in Mary & George from Slate Podcast production by Palace Shaw. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode of Hear Me Out: solidarity? College campuses across the country are grappling with protests and occupations in the name of a free Palestine. Many hundreds of students, faculty, and outside community members have been arrested in tense clashes with police — called onto campuses by the universities themselves. Student protestors have shaped public discourse on matters like war and the environment for many decades. But without a clear, sympathetic goal, they can also lead to political backlash that far outlasts a four-year degree. So are today’s student protestors instigating change in Gaza… or teeing up a crackdown on speech and protest here at home? Prof. Steven Mintz of UT Austin joins us, and urges a cautionary look at the history books. If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie. Want more Hear Me Out? Subscribe to Slate Plus to access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/hearmeoutplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week’s essay, John discusses the art of attention and how to develop the skill of slow-looking. Notebook Entries: Notebook 75, page 8. September 2021 1016 Notebook 1, page 54. June 1990 - Magna carta 1215 at Salisbury - Girls skipping - The Haunch of Venison - Chris References: Georgia O’Keeffe Museum A Little History of the World by E.H Gombrich Artist Jeff Koons “The Art of Divination: D.H. Lawrence on the Power of Pure Attention” by Maria Popova for The Marginalian “Gabfest Reads: A Woman’s Life in Museum Wall Labels” for Political Gabfest One Woman Show by Christine Coulson “Grammy-winning artist Jason Isbell talks about the craft of songwriting and his latest music” for CBS News A Journey Around My Room by Xavier De Maistre “Just think: The Challenges of the Disengaged Mind” by Timothy Wilson, et.al for Science “Our Rodent Selfies, Ourselves” by Emily Anthes for the New York Times One Man’s Meat by E.B. White Podcast production by Cheyna Roth. Email us at navelgazingpodcast@gmail.com Want to listen to Navel Gazing uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Navel Gazing and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/navelgazingplus to get access wherever you listen. Host John Dickerson Learn more about your ad choices. Visit megaphone.fm/adchoices

When you hear “boy band,” what do you picture? Five guys with precision dance moves? Songs crafted by the Top 40 pop machine? Svengalis pulling the puppet strings? Hordes of screaming girls? As it turns out, not all boy bands fit these signifiers. (Well…except for the screaming girls—they are perennial.) There are boy bands that danced, and some that did not…boy bands that relied entirely on outside songwriters, and those that wrote big hits…boy bands assembled by managers or producers, and quite a few that launched on their own. From Frankie Lymon and the Teenagers to New Kids on the Block, the Monkees to the Jonas Brothers, Boyz II Men to BTS, New Edition to One Direction, and…yeah, of course, Backstreet Boys and *N Sync, boy bands have had remarkable variety over the years. (In a sense, even a certain ’60s Fab Four started as a boy band.) Join Chris Molanphy as he tries to define the ineffable quality of boy band–ness, walks through decades of shrieking, hair-pulling pop history, and reminds you that boy bands generated some of our greatest hits, from “I Want You Back” to “I Want It That Way,” “Bye Bye Bye” to “Dynamite.” Help him “bring the fire and set the night alight.” Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode of Hear Me Out: nobody wins with two parties. A competitive presidential election draws closer every day – and as ever, every vote will count. So is it fair to accuse third-party voters of wasting a vote, as often happens? Or are third-party candidates actually preserving what little we have left of a competitive democracy? Bernard Tamas of Valdosta State University joins us to make the case for the power of the third party. If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie. Want more Hear Me Out? Subscribe to Slate Plus to access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/hearmeoutplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week’s essay, John dives deep into the loss of his beloved dog, George, the essayist’s dilemma, the comfort of quiet mornings, and more. Notebook Entries: Notebook 75, page 5. September 5, 2021 I go to the morning alone. Notebook 75, page 6. September 6, 2021 Phantom nails on the stairs References: “Every Dog Is a Rescue Dog” by John Dickerson for The Atlantic “Oxytocin-gaze positive loop and the coevolution of human-dog bonds” by Miho Nagasawa et.al for Science Haikus by Jennifer Gurney “Which Pet Will Make You Happiest?” by Arthur C. Brooks for The Atlantic “The Family Dog Is in Sync With Your Kids” by Gretchen Reynolds for The New York Times Podcast production by Cheyna Roth. Email us at navelgazingpodcast@gmail.com Want to listen to Navel Gazing uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Navel Gazing and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/navelgazingplus to get access wherever you listen. Host John Dickerson Learn more about your ad choices. Visit megaphone.fm/adchoices

John Dickerson talks with author David E. Sanger about his new book, New Cold Wars. They discuss how Russia and China came to reach their new levels of power, the role the Middle East and Obama Administration played in all of this, and more. Tweet us your questions @SlateGabfest or email us at gabfest@slate.com. (Messages could be quoted by name unless the writer stipulates otherwise.) Podcast production by Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

April is Autism Acceptance Month, and how we’ve come to understand autism has evolved over the past several decades. For years, autism spectrum disorder (ASD) was thought of as something that needed to be cured. Through better data and years of activism, that misunderstanding is changing. On this week’s episode of Well, Now we discuss that evolution with Sara Luterman, caregiving reporter for The 19th. Podcast production by Vic Whitley-Berry and Ahyiana Angel with editorial oversight by Alicia Montgomery. Send your comments and recommendations on what to cover to wellnow@slate.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Bryan talks to writer Neil J. Young about his new book Coming Out Republican: A History of the Gay Right. They dig into some of the inherent contradictions of the Gay Right and the pillars of their political strategy and reveal how central whiteness and maleness is to their politic. Podcast production by Palace Shaw. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week’s essay, John remembers dropping his son off at college, and trying to hold onto moments and feelings while you can. Notebook Entries: Notebook 75, page 6. September 2021: They chose you. Notebook 15, page 4. April 2004: Sitting with Brice by waterfall. Throwing rocks in stream. Loading sand from dump truck and loader and back again. References: What Got You Here, Won’t Get You There by Marshall Goldsmith Songwriter Nick Cave Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin Podcast production by Cheyna Roth. Email us at navelgazingpodcast@gmail.com Want to listen to Navel Gazing uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Navel Gazing and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/navelgazingplus to get access wherever you listen. Host John Dickerson Learn more about your ad choices. Visit megaphone.fm/adchoices

When you hear “boy band,” what do you picture? Five guys with precision dance moves? Songs crafted by the Top 40 pop machine? Svengalis pulling the puppet strings? Hordes of screaming girls? As it turns out, not all boy bands fit these signifiers. (Well…except for the screaming girls—they are perennial.) There are boy bands that danced, and some that did not…boy bands that relied entirely on outside songwriters, and those that wrote big hits…boy bands assembled by managers or producers, and quite a few that launched on their own. From Frankie Lymon and the Teenagers to New Kids on the Block, the Monkees to the Jonas Brothers, Boyz II Men to BTS, New Edition to One Direction, and…yeah, of course, Backstreet Boys and *N Sync, boy bands have had remarkable variety over the years. (In a sense, even a certain ’60s Fab Four started as a boy band.) Join Chris Molanphy as he tries to define the ineffable quality of boy band–ness, walks through decades of shrieking, hair-pulling pop history, and reminds you that boy bands generated some of our greatest hits, from “I Want You Back” to “I Want It That Way,” “Bye Bye Bye” to “Dynamite.” Help him “bring the fire and set the night alight.” Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

Magazines have fallen on hard times – especially the weekly news, fashion, and celebrity mags that once dominated newsstands. The revenue from magazine racks has plummeted in recent years, and many magazines have stopped appearing in print or shut down altogether. And yet, there is something growing in the checkout aisle: one-off publications, each devoted to a single topic, known as “bookazines.” Last year, over 1,200 different bookazines went on sale across the country. They cover topics ranging from Taylor Swift, Star Wars, the Kennedy assassination, K-pop, the British royal family, and as host Willa Paskin recently observed, the career of retired movie star Robert Redford. In today’s episode, Willa looks behind the racks to investigate this new-ish format. Who is writing, publishing, and reading all these one-off magazines – and why? Is the bookazine a way forward for magazines, or their last gasp? Voices you’ll hear in this episode include Caragh Donley, longtime magazine journalist turned prolific writer of bookazines; Eric Szegda, executive at bookazine publisher a360 media; and Erik Radvon, comic book creator and bookazine fan. This episode was produced by Max Freedman and edited by Evan Chung, who produce the show with Katie Shepherd. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cover songs once had a simple playbook: Artists would faithfully rerecord a song—note for note and word for word. They might modernize the instrumentation. If they were feeling radical, they’d punch up the vocals a bit. Now it’s hard to say what a cover is anymore. If Ariana Grande turns “My Favorite Things” into “7 Rings,” does that qualify? When Drake says he’s “Way 2 Sexy,” is he covering Right Said Fred? The recent chart success of “Fast Car”—country star Luke Combs’ very traditional take on Tracy Chapman’s folk classic—has reinvigorated interest in cover songs. Sometimes, isn’t just remaking the song as-is enough? Join Chris Molanphy as he explains the chart considerations and artistic motivations that rebooted the cover song, and whether a straight-up remake will ever top the Hot 100 again. We’re long past the days of “Twist and Shout,” “Venus” and “I’ll Be There.” Podcast production by Olivia Briley. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1986, Andrew Wyeth was the most famous painter in America. He was a household name, on the cover of magazines and tapped to paint presidents. And then he revealed a secret cache of 240 pieces of artwork, many provocative, all featuring the same nude female model. This collection, called The Helga Pictures, had been completed over 15 years and hidden from his wife, until they were revealed and wound up on the covers of both Time Magazine and Newsweek. The implication of these paintings were clear: Wyeth must have been having an affair, but then the story got complicated. Was it a genuine sex scandal? A hoax? Or something else entirely? Some of the voices you’ll hear in this episode include Doug McGill, former New York Times reporter; Neil Harris, author of Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience; Cathy Booth Thomas, former Time Magazine correspondent; Gwendolyn Dubois Shaw, art historian and curator; Jeannie McDowell, former Time Magazine correspondent; Chris Lione, former art director at Art and Antiques; Joyce Stoner, Wyeth scholar; Peter Ralston, Wyeth photographer and friend; and Jim Duff, former director of the Brandywine River Museum. This episode was written by Willa Paskin and produced by Willa Paskin and Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. We had research assistance from Cleo Levin. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. A very special thank you to Paula Scaire. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Myrlie Evers was arguably the first civil rights widow, a woman who was plunged into activism after the assassination of her husband—Mississippi NAACP field secretary Medgar Evers—in 1963. She survived to become a leader of the movement in her own right. But what’s less well known is the remarkable story of how the couple came together, and how their love endures, decades after his death. On today’s episode of A Word, Jason Johnson is joined by journalist Joy-Ann Reid to talk about her book, Medgar & Myrlie: Medgar Evers and the Love Story That Awakened America. Guest: Joy-Ann Reid, host of MSNBC’s The ReidOut Podcast production by Ahyiana Angel Want more A Word? Subscribe to Slate Plus to immediately access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/awordplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cover songs once had a simple playbook: Artists would faithfully rerecord a song—note for note and word for word. They might modernize the instrumentation. If they were feeling radical, they’d punch up the vocals a bit. Now it’s hard to say what a cover is anymore. If Ariana Grande turns “My Favorite Things” into “7 Rings,” does that qualify? When Drake says he’s “Way 2 Sexy,” is he covering Right Said Fred? The recent chart success of “Fast Car”—country star Luke Combs’ very traditional take on Tracy Chapman’s folk classic—has reinvigorated interest in cover songs. Sometimes, isn’t just remaking the song as-is enough? Join Chris Molanphy as he explains the chart considerations and artistic motivations that rebooted the cover song, and whether a straight-up remake will ever top the Hot 100 again. We’re long past the days of “Twist and Shout,” “Venus” and “I’ll Be There.” Podcast production by Olivia Briley. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beyoncé has announced that the second act of Renaissance will be a country album. “Cowboy Carter” is set for release at the end of March, Women’s History Month. Beyoncé has already made history as the first Black woman to top the country charts with “Texas Hold ‘Em,” and recently received Dolly Parton’s blessing to cover her classic song, Jolene. While Beyoncé may seem to be breaking new ground, much of country music has always been rooted in African American culture, and Black women have been singing country for decades. On today’s episode of A Word, Jason Johnson is joined by DePaul University Professor Francesca Royster, the author of Black Country Music: Listening for Revolutions. They talk about the history of Black women in country music, the racial tension that has kept many African American fans away from the genre, and whether this moment represents a new era for Black country artists. Guest: Professor Francesca Royster, author of Black Country Music: Listening for Revolutions Podcast production by Kristie Taiwo-Makanjuola Want more A Word? Subscribe to Slate Plus to immediately access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/awordplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Like a manager or an agent or a publicist, a stylist has become a kind of must-have accessory for well-dressed, A-list celebrities. It’s just expected that they will have hired someone to select the clothes they’ll wear at public appearances. But this was not always the case. In today’s episode, Avery Trufelman, host of Articles of Interest, will guide us through the collapse of a certain kind of Hollywood glamor; to the rise of a growing, financially rewarding relationship between fashion designers and celebrity culture; and then onto the explosion in red carpet events patrolled by fashion police that helped create this new occupation. This episode was produced by Avery Trufelman and Evan Chung, who produces Decoder Ring with Willa Paskin, Katie Shepherd and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. You’ll hear from Teri Agins, Dana Thomas, Melissa Rivers, and Jeanne Yang. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices