One Good Take

How do you go from being a director of photography to a successful business owner of a film production company starting from scratch? Some people say you have to be a specialist to succeed in this modern world. And there’s a lot of truth in that. But filmmaker Daniel Fazio has gone about things differently. In his own words, he’s not been amazingly successful at any one thing, but he’s been pretty damn good at a lot of things - and that’s what has enabled him to build a solid business. Perhaps more interestingly, his capacity to take on new skills and adapt to new ways of getting ahead as a filmmaker, has helped him better understand who he is and what he wants in life. If you’re just starting out as a filmmaker, or even if you want more insight into working with creatives, this episode is packed with valuable observations about the process of getting all kinds of film projects off the ground and distributed. == Boost your mental performance in a single shot I was looking for a way to boost my energy levels, without resorting to more coffee, tea or snacks, when I came across Magic Mind. This unique energy drink comes in these handy, little bottles and works like a shot. You knock it back in a gulp or two and it boosts your energy for the next few hours without any of the usual downside of coffee or tea. Grab your Magic Mind discount and help this podcast while you're at it Go to: HTTPS:/MAGICMIND/ONEGOODTAKE Put in the code GOODTAKE20 And that’ll get up to a whopping 56% off your subscription, or 20% off a one-time purchase. Support the Show.

How do you go from being a director of photography to a successful business owner of a film production company starting from scratch? Some people say you have to be a specialist to succeed in this modern world. And there’s a lot of truth in that. But filmmaker Daniel Fazio has gone about things differently. In his own words, he’s not been amazingly successful at any one thing, but he’s been pretty damn good at a lot of things - and that’s what has enabled him to build a solid business. Perhaps more interestingly, his capacity to take on new skills and adapt to new ways of getting ahead as a filmmaker, has helped him better understand who he is and what he wants in life. If you’re just starting out as a filmmaker, or even if you want more insight into working with creatives, this episode is packed with valuable observations about the process of getting all kinds of film projects off the ground and distributed. Support the Show.

If you’re doing anything in film right now, over the past year or so, you’ve probably come across a plethora of posts and threads written by filmmakers bemoaning the broken model of independent filmmaking today. If you can even raise a budget to make a film, how do you even break even once you’ve completed it? Unless you’re friends with an A lister or B lister or your uncle’s a billionaire, you’re pretty much consigned to the graveyard of filmmakers who give up having bet their house on their passion project. So goes the tenor of these observations. But could there be an alternative to this picture of gloom and doom? Recently I came across a filmmaker who not only thinks there is, he’s proving there is. For his film Woodbridge, writer, producer director Stephen Meier had the inspired idea to cast influencers who could act. Why is that a smart idea? Because these influencers have a big and dedicated following. I got together with Stephen to find out more about his business strategy and of course his journey from script to screen and beyond. == Boost your mental performance in a single shot I was looking for a way to boost my energy levels, without resorting to more coffee, tea or snacks, when I came across Magic Mind. This unique energy drink comes in these handy, little bottles and works like a shot. You knock it back in a gulp or two and it boosts your energy for the next few hours without any of the usual downside of coffee or tea. Grab your Magic Mind discount and help this podcast while you're at it Go to: HTTPS:/MAGICMIND/ONEGOODTAKE put in the code GOODTAKE20 and that’ll get up to a whopping 56% off your subscription, or 20% off a one-time purchase. Support the Show.

If you’re doing anything in film right now, over the past year or so, you’ve probably come across a plethora of posts and threads written by filmmakers bemoaning the broken model of independent filmmaking today. If you can even raise a budget to make a film, how do you even break even once you’ve completed it? Unless you’re friends with an A lister or B lister or your uncle’s a billionaire, you’re pretty much consigned to the graveyard of filmmakers who give up having bet their house on their passion project. So goes the tenor of these observations. But could there be an alternative to this picture of gloom and doom? Recently I came across a filmmaker who not only thinks there is, he’s proving there is. For his film Woodbridge, writer, producer director Stephen Meier had the inspired idea to cast influencers who could act. Why is that a smart idea? Because these influencers have a big and dedicated following. I got together with Stephen to find out more about his business strategy and of course his journey from script to screen and beyond. Support the Show.

So you know about Ukraine, you know about Gaza, but did you know there’s an even bigger war raging in Africa? At least in terms of death toll. i'm referring to the war in the Congo. Even though millions have died and many thousands are still dying, it’s a conflict that's hardly reported. My guest for this episode is a man who set out to make a film about what’s been going on, and in so doing put an assassin’s mark on his back. Kim Yew, filmmaker and trader, talks to me about film and his absolutely extraordinary win rate trading with a proprietary fibonacci tool and a strategy he learnt from Alla Peters-Plocher. == Boost your performance levels in front of your charts I was looking for a way to boost my energy levels, without resorting to more coffee, tea or snacks, when I came across Magic Mind. This unique energy drink comes in these handy, little bottles and works like a shot. You knock it back in a gulp or two and it boosts your energy for the next few hours without any of the usual downside of coffee or tea. Nice taste, too. Close to passion fruit, but not at all sweet. I tend to have my usual coffee in the morning then take one of these little Magic Mind bottles around midday - to carry me through the afternoon session. Grab your Magic Mind discount and help this podcast while you're at it Go to: HTTPS:/MAGICMIND/ONEGOODTAKE put in the code GOODTAKE20 and that’ll get up to a whopping 56% off your subscription, or 20% off a one-time purchase. Give it a go! Support the Show.

Towards the end of 2023, I got together with actor, writer/director and producer, Titus Paar. He’s the kind of guy who when faced with 100 rejections in a row will simply reach out to friends and family, pitch them his mad cap adventure and go do it anyway. It’s that can-do spirit that’s taken him from shooting on a zero budget to working with Hollywood stars. And no, he’s not based in LA, he’s based in a village in Sweden. Out in the wilderness, he says. All that wide open space keeps him chilled and inspired. Support the Show.

Titus Paar made his first feature film at the age of fifteen on a cheap video camera with a bunch of mates. It was crap, he says, but the point is, he managed it. It’s that same can-do spirit that’s taken him from shooting on a zero budget to working with Hollywood stars today. If you're feeling even slightly jaded from banging your head against a brick wall funding your first or next feature film and could do with a shot of inspiration, this episode is for you. Support the Show.

Writer/director Michael DiBasio Ornelas shot his second feature film in 8 days. Impressive. It was hard, he said, but we didn’t go into overtime. Even more impressive. - Two leads with extensive theatre experience - Five days of paid rehearsals - Lightweight camera on a lightweight gimbal - We hired a great crew, that gelled easily - All locations within a 4 mile radius Michael has been directing content for some time. Sleepless, his 8-day feature, is out now on amazon prime and some other streamers. In this episode we’ll be talking about how he made the film, the themes he set out to explore with his two main characters and where we are now with indie filmmaking without bankable stars. Enjoy this take. Support the Show.

Writer/Director Michael DiBasio Ornelas talks to me about his second feature film, Sleepless, an engaging, talkie movie about a couple of insomniacs who meet by chance inside a 24/7 store and then get to hang out one sleepless night walking through the streets of New York. As well as an in-depth look at the film, we also look at how he made the film, from picking a script to fit his budget to casting and distribution. Support the Show.

Friederich Oetker, producer of the highly compelling Netflix series. Join us for the rest of the conversation, episode 57, and find out more about how the series was made. Support the Show.

Friederich Oetker, film & TV producer of the highly compelling Netflix series, Dear Child (Das Kind). We discuss the series - from inception to screen and Friederich's career as a producer in Germany. Support the Show.

Lee Whittaker talks to me about his life in movies as actor, stuntman and film director. For a man who has spent so much of his life in the action genre it was a little surprising – if not gratifying – to hear that his next movie is a character piece influenced by stories like Pan’s Labyrinth. To hear the rest of our conversation, listen to episode 56 of One Good Take. Support the Show.

Actor and stuntman, writer/director and producer, Lee Whittaker. Lee has appeared in dozens of action movies as actor and stuntman – but has a real passion for telling the kinds of stories that seldom interest Hollywood studios. Although he stuck to the action genre for his directorial debut, The Vigilante, out this year on Tubi, his next project, still in development, is a story that borrows from magical realism and seeks to invoke compassion is us for a homeless mother and child, without eve dialing up your adrenaline count for the day. Support the Show.

I first came across Sophie Robinson’s work on Netflix. She’s the writer/director of one of 4 films that make up a mini-series called The Surgeon’s Cut. Her film – Living Donor – focuses on the life and career of the hugely talented liver surgeon Nancy Ascher. Each of these four films are, in my view, equally superb. Sophie just happened to be the only director in the group who is based in London – which made it fairly straightforward for us to get together at the end of August 2023. If you want to watch the interview we did on camera, you'll find it by clicking here. Support the Show.

With DVDs a thing of the past, and streaming the norm, it seems to me making an independent film that actually makes a profit gets harder and harder. Which does rather pose the question, How in hell’s name do you persuade anyone to invest in such a venture? I thought I’d bring onto the show a filmmaker who might have an answer to that question. James Smith is a British film director who has on more than one occasion half killed himself making feature films on micro budgets at breakneck speed and then managed to sell the finished product to a streamer. So, if you’re in the indie space wondering, how can I make my first feature for peanuts and a can of Red Bull, dive right in because I think you’ll find this episode with James quite rewarding. James's latest film is Casting Kill and tells the story of a fraudster posing as a casting director who preys on actors desperate to win their big break. Support the Show.

With DVDs a thing of the past, and streaming the norm, it seems to me making an independent film that actually makes a profit gets harder and harder. Which does rather pose the question, How in hell’s name do you persuade anyone to invest in such a venture? I thought I’d bring onto the show a filmmaker who might have an answer to that question. James Smith is a British film director who has on more than one occasion half killed himself making feature films on micro budgets at breakneck speed and then managed to sell the finished product to a streamer. So, if you’re in the indie space wondering, how can I make my first feature for peanuts and a can of Red Bull, dive right in because I think you’ll find this episode with James quite rewarding. Support the Show.

In episode 54 I talk with film editor Matteo Bini. Matteo moved to London from Italy in 2011 for the MA in Editing at the prestigious National Film and Television School. He graduated in 2013 with a distinction and received the Christie Award for Most Promising Student. Among Bini's recent works as an editor are Charlotte Regan’s debut feature film Scrapper, winner of the Grand Jury Prize at Sundance 2023. Cathy Brady’s debut feature film Wildfire, winner of the BIFA best debut screenwriter 2021 and Prevenge by Alice Lowe, selected as the Opening Film of the 31. Venice International Film Critics’ Week. Amongst his documentary work, The Confession by Sam Hobkinson, Pelé by Dave Thryon and Ben Nicholas, Return to Podor by Oscar winner director Kevin Macdonald and Pistorius, a feature documentary series about the iconic athlete, and convicted murderer Oscar Pistorius. For TV he worked on the critically acclaimed series Top Boy, directed by William Stephen Smith, Riches created by Abby Ajay and directed by Sebastian Thiel and Glue, the E4 TV drama by Bafta-winning writer Jack Thorne, nominated at the Broadcast Awards for Best Multichannel Programme. His short film credits include Balcony, winner of the Crystal Bear at the 2016 Berlinale Film Festival, Change in the Weather, premiered at the Clermont-Ferrand film festival 2016 and Morning, winner of the Irish Film and Television Award 2013 and nominated for Best Short Film at the European Film Awards 2013. In 2014 Bini co-directed and co-wrote the Italian feature film Io, Arlecchino produced by Officina della Comunicazione and Rai Cinema. The film premiered at the Rome Film Festival and was released nationwide in Italy in June 2015. Support the Show.

In episode 54 I talk with film editor Matteo Bini. Matteo moved to London from Italy in 2011 for the MA in Editing at the prestigious National Film and Television School. He graduated in 2013 with a distinction and received the Christie Award for Most Promising Student. Among Bini's recent works as an editor are Charlotte Regan’s debut feature film Scrapper, winner of the Grand Jury Prize at Sundance 2023. Cathy Brady’s debut feature film Wildfire, winner of the BIFA best debut screenwriter 2021 and Prevenge by Alice Lowe, selected as the Opening Film of the 31. Venice International Film Critics’ Week. Amongst his documentary work, The Confession by Sam Hobkinson, Pelé by Dave Thryon and Ben Nicholas, Return to Podor by Oscar winner director Kevin Macdonald and Pistorius, a feature documentary series about the iconic athlete, and convicted murderer Oscar Pistorius. For TV he worked on the critically acclaimed series Top Boy, directed by William Stephen Smith, Riches created by Abby Ajay and directed by Sebastian Thiel and Glue, the E4 TV drama by Bafta-winning writer Jack Thorne, nominated at the Broadcast Awards for Best Multichannel Programme. His short film credits include Balcony, winner of the Crystal Bear at the 2016 Berlinale Film Festival, Change in the Weather, premiered at the Clermont-Ferrand film festival 2016 and Morning, winner of the Irish Film and Television Award 2013 and nominated for Best Short Film at the European Film Awards 2013. In 2014 Bini co-directed and co-wrote the Italian feature film Io, Arlecchino produced by Officina della Comunicazione and Rai Cinema. The film premiered at the Rome Film Festival and was released nationwide in Italy in June 2015. Support the Show.

Introducing filmmaker and novelist Shamim Sarif talking to me on Episode 52 of One Good Take. Our main reason for getting together was to discuss her latest film, Polarized, an indie drama that explores the friendship and, later, romantic connection between two young women who come from the same town in North America, but very different worlds: one being white, the other Palestinian. Polarized is a well observed, deeply authentic story with a truly inclusive spirit to carry it along and a beautiful rural landscape to please the eye. Listen to the full conversation with Shamim on Episode 52. == Support the Show.

Shamim Sarif is an award-winning filmmaker who started her creative career writing novels. Whereas most filmmakers go through a rash of shorts before they can take a crack at directing a feature, Shamim was able to bypass all of that and dive straight in to her first feature in 2007. Her fifth feature film, an indie drama called Polarized, was shot in Manitoba, Canada, and released earlier this year. It’s this film that we’ll be discussing for most of the episode. Enjoy this take. Support the Show.