Talking Flutes

In the latest episode of Talking Flutes, hosts Jean-Paul and Clare Southworth take us on an enlightening journey through the realms of intrinsic and extrinsic motivation, particularly in the context of musicianship. Whether you're a novice flute player or a seasoned professional, understanding what drives you is crucial to your growth and success. The duo wastes no time diving into the topic at hand: intrinsic versus extrinsic motivation. Clare explains that intrinsic motivation is the drive to complete a task because it is inherently interesting or enjoyable, while extrinsic motivation is driven by external rewards. Jean-Paul and Claire share personal anecdotes that highlight their early experiences with motivation. Jean-Paul recalls how his initial motivation to play the flute was to keep his mother happy and avoid her moaning at him. On the other hand, Clare's journey began with a genuine love for the instrument, spurred by her curiosity and the joy it brought her. These stories underline the complex interplay between intrinsic and extrinsic factors in a musician's life. The discussion then shifts to the role of parents and teachers in nurturing motivation. Claire emphasises the importance of introducing children to various activities and allowing them to discover what they love. She argues that forcing a child to practice can create barriers, whereas encouraging their natural curiosity can lead to intrinsic motivation. Jean-Paul adds that a good teacher should create a balanced learning environment that fosters both intrinsic love for the instrument and extrinsic rewards for progress. As the conversation progresses, they touch upon the challenges professional musicians face in maintaining intrinsic motivation. Jean-Paul shares his experience of realising that playing fast and impressing others was not the essence of music. Clare agrees, noting that true satisfaction comes from within and that musicians must constantly remind themselves of their initial love for the craft. The episode also delves into the impact of social media on musicians' motivation. Clare points out that while social media can offer extrinsic validation, it often detracts from the unique experience of live performances. She warns against the pitfalls of constant comparison and encourages musicians to focus on their personal growth and intrinsic joy. Towards the end of the episode, Jean-Paul announces a temporary pause in the podcast series, explaining that they plan to make their extensive library of episodes more accessible. This pause is an opportunity to rejuvenate and return with even more valuable content. In summary, this episode of Talking Flutes is a treasure trove of insights into the motivations that drive musicians. Jean-Paul and Clare's candid discussion offers valuable lessons for anyone looking to understand the delicate balance between intrinsic and extrinsic motivation. So, whether you're a music student, teacher, or professional, tune in and get inspired to find your own musical motivation. 'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

Unlocking the Magic of Your Flute’s HeadJoint The head joint of a flute is often overlooked, but it plays a crucial role in defining the instrument's sound quality. In the latest episode of Talking Flutes Extra, Jean Paul Wright takes us on a fascinating journey through the world of flute head joints, revealing how this small component can make or break your performance. Jean Paul begins by explaining that the head joint is essentially the flute’s voice box. It’s where your breath transforms into sound, and its design directly impacts your tone quality, articulation, and projection. While many flute players focus on embouchure, posture, and technique, the design and cut of the head joint are equally important. The episode delves into the specifics of head joint design, particularly the embouchure hole and lip plate. Jean Paul explains that tiny adjustments in the embouchure hole's design can make an enormous difference in sound production. For instance, a sharper edge on the embouchure hole can create a more focused and penetrating sound, ideal for large ensembles. In contrast, a softer or rounded cut offers a warmer, more flexible tone, making it desirable for soloists. The podcast also explores the evolution of head joint design from the Baroque era to modern times. Jean Paul takes us through historical milestones, highlighting the contributions of renowned flute makers like Louis Lot and Albert Cooper. Lot’s innovations in the 19th century, such as larger, more rectangular embouchure holes, allowed for greater projection and tonal brilliance. Cooper, on the other hand, revolutionised the head joint by experimenting with new shapes, balancing brightness with warmth. 'Talking Flutes' are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

Finding the Perfect Flute: A Personal Journey The quest for the perfect flute is a journey every flute player embarks on at some point. In our latest episode of Talking Flutes, we delve into why this journey is so deeply personal and why there's no such thing as a universally perfect flute. The idea of a perfect flute is a myth. Each flute player has unique needs influenced by their embouchure, airstream, hand movements, and personal taste in music. These individual factors mean that what works brilliantly for one player might feel completely wrong for another. For instance, a headjoint that offers little resistance might be ideal for someone with a strong airstream but challenging for someone else. Materials and design play a crucial role in how a flute performs. Silver, gold, platinum, and wood each offer unique sound qualities. But it's not just about the material; the grade of silver, the gold content, and even the design of the headjoint can drastically change how a flute sounds and feels. A solid silver flute might produce a bright, clear tone, while a gold flute might add warmth and resonance. Wooden flutes, with their natural resonance, are perfect for certain musical settings but require careful maintenance. Choosing the right flute is not just a technical decision; it's an emotional one. This instrument will be your companion for years, an extension of your musical voice. It's essential to find one that resonates with you on a personal level. When trying out flutes, pay attention to how you feel when you play each one. Does it inspire you? Does it make you want to explore new musical ideas? These are critical indicators of whether a flute is right for you. Tune into our latest episode of Talking Flutes to dive deeper into this topic and gain valuable insights into choosing the right flute for you. Happy playing! Talking Flutes, Extra, Bitesize and Revisited pods are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

Is this really that important?! To some apparently it is! Hello, flute enthusiasts! This week on Talking Flutes, we dive into a topic that has sparked much debate within the flute-playing community: should we call ourselves flautists or flutists? Jean-Paul takes us on an engaging journey through the history, cultural context, and personal preferences that shape this ongoing discussion. The origins of the terms flautist and flutist are as varied as the music we play. The word "flute" itself comes from the Latin "flatus," meaning blowing or breath, which is central to the instrument's identity. The term "flautist" first appeared in English literature in the early 19th century, derived from the Italian "flautista." This Italian influence was significant during a period when many English-speaking musicians looked to Italy for musical inspiration. But why did we borrow an Italian term when "flutist" already existed? Some suggest that "flautist" added a sense of sophistication and prestige, reflective of the European classical tradition. Others believe it was simply a matter of style and preference. Today's use of these terms varies by region. In the United States and Canada, "flutist" is overwhelmingly preferred, likely due to the American emphasis on linguistic efficiency. Major musical institutions like the National Flute Association have standardised this term. Across the pond in the United Kingdom, "flautist" is the term of choice, aligning with the British love for tradition and European musical terms. In Australia and New Zealand, the British influence means "flautist" is more common, though American influences bring some variation. In South Africa, British English has historically dominated, making "flautist" more prevalent. Interestingly, in non-English speaking countries, the term used is often a straightforward derivation of the word "flute," with less controversy. For instance, French speakers use "flûtiste," and Germans use "Flötist," both aligning more closely with "flautist." So, why does this matter so much to people? For many musicians, the term they use is closely tied to their identity. In the classical music world, where tradition is paramount, calling oneself a "flautist" connects to the rich history of European classical music. Conversely, "flutist" feels more modern and accessible, appealing to those who find "flautist" elitist or pretentious. The debate also has professional implications. In the US, using "flautist" might be seen as unusual, while in the UK, "flutist" might come across as overly Americanised. This choice can reflect broader questions of professionalism and authority within the flute community. Ultimately, whether you call yourself a flautist, flutist, or simply a flute player, what truly matters is the music you create and the connection you make with your audience. Language evolves, and so do we as musicians. So, let's celebrate the diversity in our community and focus on what unites us: our love for the flute. 'Talking Flutes', Talking Flutes Extra', 'Bitesize' & Revisited' are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

How to Build Confidence and Learn from Failure: Insights from Clare Southworth In the latest episode of Talking Flutes, Clare delves into the intricate process of learning, improving, and maintaining confidence even when things go wrong. Whether you're a musician, an athlete, or anyone striving for excellence, the principles discussed in this episode are universally applicable. Clare opens the episode by highlighting the importance of a positive mindset in the face of challenges. She emphasises that failure should not be seen as a setback but as a learning opportunity. "You're not failing, you're learning," she says, a mantra that resonates throughout the episode. Drawing parallels between musicians and Olympians, Clare discusses how both groups undergo rigorous training, practice, and performance to achieve their goals. She notes that, like athletes, musicians must prepare meticulously, perform with focus, and debrief honestly to improve continually. The key stages of preparation, performance, and debrief are crucial for success in any field. One of the most compelling parts of the episode is Clare's recounting of her experience at the America's National Flute Association's Young Artists competition. Despite facing discouraging remarks from a fellow competitor, she used the negativity as fuel to strengthen her resolve and ultimately win the competition. This story serves as a powerful reminder that mental strength and resilience are just as important as physical ability. Clare also touches on the significance of mentorship and offers her services to any flute player needing guidance. She believes that sharing knowledge and experience is vital for personal and professional growth. Whether it's preparing for an audition, planning a career, or seeking specific practice techniques, having a mentor can make a significant difference. As the episode concludes, Clare reiterates the importance of staying positive and using every experience as a stepping stone toward success. She encourages listeners to reach out for mentorship and support, emphasising that no one has to navigate their journey alone. If you're looking to build confidence, learn from your mistakes, and achieve your best, this episode of Talking Flutes is a must-listen. Clare Southworth's insights and experiences offer invaluable lessons for anyone committed to personal and professional growth. 'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' & 'Revisited' are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

In the latest episode of our 'Revisited' podcast series, we had the pleasure of diving deep into the world of flute study books with the esteemed Elizabeth Walker. Alongside our host Clare Southworth, Elizabeth shared invaluable insights into how these books can transform your flute playing by honing your tone, finger technique, and articulation. Why Study Books? Study books are more than just pages of notes and exercises. They are essential tools that provide structured guidance and targeted practice to develop specific aspects of your flute playing. As Elizabeth aptly puts it, "Studies are so important because they help you develop your tone, your finger technique and articulation amongst many other things." By incorporating these books into your routine, you can systematically address and improve various technical challenges. The Categories of Study Books Elizabeth and Clare highlighted the importance of differentiating between various types of study books. Some are daily exercises focusing on technique and scale patterns, while others are more instructional, offering insights and wisdom from experienced players. There are also study books that double as pieces, providing musical extensions to your repertoire. Among the daily exercise books, Moyes' "De la Sonorite" stands out as a timeless classic. Elizabeth shared her personal experience of attending a masterclass with Sir James Galway, who spent two hours on this book, leaving a lasting impact on her approach to tone development. Clare also praised the book for its simplicity and effectiveness, noting that it can be memorised and integrated into daily practice. For those looking to explore new material, Philippe Bernard's "Le Sonorité, the Wind, the Sound" offers a fresh perspective. This book focuses on connecting notes through breathing and breath control, drawing parallels to legato singing. Elizabeth finds it resonates deeply with her, helping her students achieve flexibility and control in their playing. The Role of Lockdown in Study Book Creation Interestingly, the lockdown period has spurred a surge in the creation of new study books. With more time on their hands, teachers and musicians have been able to document their techniques and insights, resulting in a wealth of new resources. Claire and Elizabeth discussed how this period of reflection and creativity has led to the publication of valuable new study materials. Choosing the Right Study Books Selecting the right study books depends on your level and specific needs. Clare emphasised the importance of choosing books that are challenging yet not demoralising. It's crucial to find studies that stimulate progression without overwhelming you. For example, Moyes' "24 Little Melodious Studies" are excellent for beginners and advanced players alike, offering musical grammar, phrasing, and articulation practice. Advanced players can benefit from more challenging books like Robert Dick's "Tone Development through Extended Techniques" or the "Paganini Caprices." These books push the boundaries of traditional flute playing, incorporating modern techniques and complex articulations. The Importance of Integrating Studies Ultimately, integrating study books into your practice routine can significantly enhance your overall playing. By addressing specific techniques and challenges before diving into repertoire pieces, you can improve your performance and musicality. Clare and Elizabeth's discussion underscores the value of disciplined, focused practice and the transformative power of study books. Whether you're a beginner or an advanced player, there's a study book out there that can help you reach your full potential. Tune in to this week's episode to discover which books Clare and Elizabeth recommend and how you can incorporate them into your practice routine. Happy playing! 'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more...

In the world of music, where precision meets passion, the shadow of burnout looms large. It's a condition that doesn't discriminate, affecting professionals from all walks of life, including musicians who turn their passion into their livelihood. I"Talking Flutes Revisited," host Clare Southworth and her guest, Dr. Joe, a psychiatrist, orchestrate a discussion on the all-too-familiar concept of burnout. The podcast opens with a soothing invitation to join the conversation over a cup of tea—a metaphorical break for anyone who's felt the weight of their emotional reserves depleting. Dr. Joe delves into the intricacies of burnout, distinguishing it from its more immediate counterpart, stress. Burnout, he explains, is the long-term consequence of enduring stress without adequate recovery, whether stemming from work, personal relationships, or financial burdens. Listeners are taken on a journey through the symptoms of burnout, categorised into four areas: high activation symptoms like irritability and restlessness, low activation symptoms such as fatigue and low mood, bad coping mechanisms including increased substance use, and physical manifestations like headaches and aches. For musicians, these signs might translate into a lack of motivation to practice, a decrease in performance quality, or a disinterest in previously enjoyed activities. The episode strikes a chord with its discussion on the pressures of social media and the unrealistic expectations it can impose on artists. Claire reflects on her own experiences, highlighting the importance of mental health discussions in today's society, especially within the rigorous and often isolating field of music. Dr. Joe doesn't just leave listeners with a diagnosis; he offers a treatment plan. He emphasises the importance of recognising burnout and engaging in open conversations about mental health. Identifying activities that deplete or replenish emotional reserves is crucial, as is finding joy in the craft again. Whether it's revisiting a beloved piece or focusing on a single bar that brings happiness, the key is to take small, manageable steps. In a world that often prioritises success over well-being, this episode serves as a gentle reminder to care for oneself. Dr. Joe encourages finding balance through simple yet effective measures like sleeping well, eating healthily, and exercising. For those who need more support, he provides resources like Mood Juice and the Campaign Against Living Miserably. By the end of the podcast, listeners are left with a sense of hope and a toolkit to navigate the complexities of burnout. The message is clear: you don't have to reach a breaking point to seek help or make positive changes. Whether you're a musician or not, this episode resonates with anyone who's felt the crescendo of stress in their lives. So, take a moment, pour yourself a cup of tea, and listen to "Talking Flutes Revisited." It might just be the interlude you need to find your rhythm again. 'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more information https://tjflutes.com

In the world of music, innovation is the key to keeping the art form alive and evolving. This week, we revisit a transformative episode from 2020 featuring the incredibly talented electric flutist and author, Melissa Keeling. Join us on a journey that will forever change the way you perceive flute performance. Melissa Keeling, a New York-based flutist, has been making waves with her unique approach to the flute, incorporating a specialised glissando head joint and various effect pedals to create sounds that are nothing short of revolutionary. In our conversation, Melissa introduces us to the glissando head joint, an invention by Robert Dick that has opened up new realms of possibilities for flutists. Imagine hearing a flute that mimics the expressiveness of an electric guitar, complete with slides and bends. That's exactly what the glissando head joint allows. Melissa describes it as doing for the flute what the whammy bar does for the electric guitar, and the analogy couldn't be more accurate. This head joint consists of two tubes that slide in and out of each other, enabling the flutist to lower the pitch and create a variety of expressive sounds. But Melissa's innovation doesn't stop there. She pairs the glissando head joint with looping and effect pedals, adding layers of complexity and depth to her performances. These tools allow her to create a rich tapestry of sound, transforming the flute from a monophonic instrument into a multi-dimensional powerhouse. In the episode, we get to hear some of Melissa's chosen works performed with this setup, showcasing her incredible versatility and creativity. One of the highlights of our conversation is Melissa's discussion about her new book, "The Glissando Flute Handbook for Composers and Performers." This comprehensive guide is a must-have for any flutist looking to explore the capabilities of the glissando head joint. It covers everything from basic techniques to advanced applications, making it an invaluable resource for both beginners and seasoned professionals. Melissa's journey with the glissando head joint began in a moment of serendipity. Inspired by a performance from Robert Dick, she knew she had found her musical voice. This head joint has not only expanded her musical expression but also inspired her to create original compositions that push the boundaries of what the flute can do. In this episode, we also delve into the impact of social media and YouTube in spreading the word about such innovations. Melissa acknowledges that these platforms have been instrumental in allowing musicians to share their work with a global audience, thus accelerating the adoption of new tools and techniques. So, whether you're a flutist, a music educator, or simply a lover of innovative music, this episode is a treasure trove of inspiration and knowledge. Tune in to hear Melissa Keeling's mesmerising performances and insightful discussions, and prepare to see the flute in a whole new light. Listen to this full episode now and let the magic of the glissando head joint and effect pedals inspire you to explore new horizons in your musical journey. Talking Flutes, Talking Flutes Extra, Bitesize & Revisited are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

Are you passionate about your flute study and want to know more about what we can learn from sport to develop our skill? Then you won't want to miss the latest episode of 'Talking Flutes Revisited,' where host Clare interviews PGA golf professional Ryan Fenwick. In this episode, Ryan shares his journey from a touring professional PGA golfer to successful coach. He delves into the essence of teaching, emphasising the parallels between coaching in sports and music. With anecdotes from his experiences with legends like David Ledbetter, and his insights on building relationships, communication, and honesty, Ryan's wisdom transcends the golf course and resonates with musicians and educators alike. Listeners will be captivated by the discussion of the holistic approach to coaching, which includes not only the technical aspects of playing but also the importance of diet, sleep, general fitness, and mental state. Both Clare and Ryan explore the significance of flexibility, mentorship, and the willingness to embrace failure as part of the learning process. As a former England coach and owner of the Ryan Fenwick Golf Academy, Ryan's teaching style is deeply influenced by his time spent with world-class coaches and his own competitive experiences. He believes in creating an environment that fosters good habits and routines, crucial for both golfers and musicians. Clare, with her background in music, provides a fascinating perspective on the differences and similarities in teaching and coaching methodologies in both fields. The conversation touches on why professional musicians might benefit from continuous coaching, just as top athletes do, and the potential for cross-disciplinary learning. This episode is not just for golf enthusiasts or musicians; it's for anyone interested in the art of teaching and the journey of becoming a good student. Ryan's story of resilience, transitioning from player to coach, and his approach to life coaching, is sure to inspire. So, whether you're a seasoned pro, a dedicated amateur, or simply curious about the world of coaching, 'Talking Flutes Revisited' offers invaluable lessons that apply to all walks of life. Tune in to this episode to discover how to enhance your learning experience, cope with challenges, and ultimately, how to succeed in mastering your craft. Don't forget to visit the links mentioned in the podcast to learn more about Ryan Fenwick, his academy, and the influential figures in the world of golf. Ready to be inspired? Listen to the episode now and take the first step towards refining your skills and enriching your learning journey. 'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

In the world of music, innovation is key to keeping the art form alive and engaging. One such innovator is Greg Pattillo, a name synonymous with the unique blend of beatboxing and flute playing. In a special 'Revisited' episode of "Talking Flutes," hosted by Jean Paul Wright, listeners are treated to an insightful conversation with Greg, who has over the years taken the world by storm, starting with his viral Super Mario video and over 150 million YouTube views. The episode takes us back to 2020, a year that, despite its challenges, was filled with remarkable guests and extraordinary music. Greg Pattillo, described by the New York Times as "the best in the world at what he does," shares his journey from being an acting principal flute player in an orchestra to becoming a global sensation with his beatbox flute techniques. Greg's story is one of perseverance and creativity. After moving to California and struggling to find work, he reinvented his flute playing by incorporating beatboxing, a skill he honed by being around other beatboxers and practicing relentlessly. This innovative approach not only provided him with a unique sound but also a platform to inspire others. One of the highlights of the episode is Greg's discussion about his tutor book, "Beatbox Flute, Volume 1." This book is a comprehensive guide for flute players of all levels, introducing them to the art and sounds of beatboxing. It includes detailed instructions on how to produce five basic sounds, how to incorporate them into flute playing, and even how to improvise with these sounds. The book is a testament to Greg's dedication to making beatboxing accessible to everyone, from beginners to seasoned professionals. The conversation also delves into the technical aspects of beatboxing on the flute. Greg explains how he uses different parts of his mouth to create various sounds and how these techniques have evolved over the years. He emphasises the importance of practice and experimentation, encouraging listeners to try beatboxing while walking or even at parties. Jean Paul Wright and Greg Pattillo's camaraderie is evident throughout the episode, making it not only informative but also entertaining. Their shared history and mutual respect add depth to the conversation, providing listeners with a behind-the-scenes look at the world of flute beatboxing. For those who missed the original episode or are new to the concept of flute beatboxing, this revisited episode is a must-listen. It offers a fascinating glimpse into the mind of an innovator who is pushing the boundaries of what is possible with a flute. So, sit back, relax, and let Greg Pattillo take you on a journey into the exciting world of beatboxing on the flute. 'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

Have you ever been mesmerised by the lilting sound of a flute in an orchestra? On this week's Talking Flutes 'Revisited' podcast episode, Clare had the pleasure over a dodgy Zoom line with Gareth Davis, the principal flautist of the London Symphony Orchestra. His candid conversation takes us on a journey through the high notes and low notes of a professional musician's life. Gareth Davis is not just a master of his craft; he's also a storyteller whose early days were filled with music and family singalongs, setting the stage for a remarkable career. His story is a testament to the power of passion and perseverance in the face of adversity. From his initial rejection by major music colleges to becoming a leading figure in the classical music world, Gareth's narrative is as inspiring as it is instructive. In this episode, you'll learn about the nuances of flute playing, the importance of musical phrasing, and the rigours of auditioning for a World Class orchestra like the LSO. Gareth doesn't shy away from discussing the challenges he faced, including feeling like an imposter and navigating the competitive world of classical music. But it's not all about the struggles. Gareth's love for music shines through as he talks about his influential teachers, like the remarkable Evelyn Frank, who taught him about the beauty of tone and the importance of colour in music. He also delves into the technical aspects of playing the flute, emphasising the importance of intonation, rhythm, and context in a performance. Perhaps most compelling is Gareth's perspective on life beyond music. He shares his hobbies, his approach to physical and mental well-being, and the balancing act between a demanding career and a fulfilling personal life. So, grab your favourite pair of headphones and settle in for an episode that's sure to enlighten and entertain. Whether you're an aspiring musician, a seasoned pro, or simply a lover of beautiful music, Gareth Davis's insights will resonate with you. His story is a reminder that while the path to success is rarely a straight line, it is often the twists and turns that make the journey worthwhile. Don't miss out on this intimate look into the life of a musician who has mastered the art of making the flute sing. Tune in now and let the melody of Gareth's story inspire your own musical adventures. 'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more information visit www.tjflutes.com

In the realm of music, the flute holds a special place, weaving melodies that can be both hauntingly beautiful and strikingly powerful. In the latest episode of Talking Flutes, we revisit a gem from our archives featuring none other than the renowned flute player Paul Edmund-Davies. His insights into the world of flute playing are as refreshing as they are provocative, challenging the norms and urging us to look forward rather than backward for inspiration. The conversation plunges into the depths of musical education and its evolution. Paul, with his rich experience and candid demeanour, discusses the revered French school of flute playing, paying homage to its greats like Taffanel, Gobert, Moyse, and Rampal. Yet, he insists that while the past is to be respected, it is the present that should be seized. He argues that fixation on historical methods may hinder our own creative expression and growth as musicians. Listeners are treated to a sneak peek into Edmund-Davies' own struggles and triumphs with the instrument. He shares the origin story of his '28 Day Warm Up Book', born out of a personal quest to overcome technical hurdles on the flute. His approach to finger independence is as enlightening as it is practical, emphasising the need for exercises that strengthen the fingers in both directions. The episode is sprinkled with humour and wisdom, as Edmund-Davies draws parallels between musical performance and storytelling, insisting that each note should be treated as a word in an unfolding narrative. He also touches on the controversial topic of metronomes and tuning machines, which he humorously suggests should be banished to outer space. His rationale? These tools, while useful, can become crutches that prevent musicians from developing their innate sense of timing and pitch. Paul Edmund-Davies' philosophy extends beyond technique to the very essence of music-making. He advocates for a practice that is musically driven rather than mechanically repetitive, one that takes the audience on a journey. His views on performance anxiety and the quest for constant innovation in interpreting familiar pieces are particularly resonant. The episode concludes with a call to action for all musicians to bring life to every piece of music they touch, making the familiar unfamiliar and the mundane magical. It's a powerful message that resonates with anyone who has ever picked up an instrument or been moved by a melody. For those who wish to dive deeper into the conversation, the full podcast is available, promising to be as musically fulfilling as the excerpt suggests. So, whether you're a seasoned flutist or simply someone who appreciates the beauty of music, this episode of Talking Flutes is not to be missed. Tune in to episode 117, "Metronomes and Tuning Forks Should Be Banished to Outer Space," and let your musical horizons expand. Remember, as the host bids us farewell, may your week be filled with harmonious discoveries, and may your own third octave f sharp find its perfect resonance. 'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more information visit www.tjflutes.com

Are you a musician looking to carve out your unique space in the industry? Do you ever wonder how you can stand out in a sea of talented performers, teachers, and writers? If you're nodding your head, then the latest episode of Talking Flutes is a must-listen for you! In this insightful 'Revisited' conversation, Clare Southworth and Jean-Paul Wright revisit an archived episode 63 from a few years back, where they delve deep into the nuances of brand building for musicians. They discuss what it means to have a brand, how to maintain integrity while promoting yourself, and the importance of understanding your target audience. Jean-Paul kicks off the discussion with an interesting anecdote about Mrs. Hinch, an Instagram influencer who skyrocketed to fame simply by sharing her passion for cleaning. This story beautifully illustrates the power of authenticity and communication in building a brand that resonates with people. Clare, with her extensive experience in performing, teaching, and writing, shares her perspective on how to connect with different audiences. She emphasises the importance of knowing your unique selling points and how to leverage them to create a memorable brand. Whether it's through engaging concert narrations or innovative program planning, Clare believes in the power of creating an emotional link with your audience. The conversation also touches on the practical aspects of branding, such as the use of social media, the role of visual imagery, and the significance of credibility and consistency. Jean-Paul, with his background in flute playing, branding and marketing, offers valuable insights into the business side of music and how to keep up with the ever-changing tastes and styles of the audience. Building a brand isn't just about showcasing talent; it's about crafting a story that people want to be a part of. It's about being genuine, approachable, and, most importantly, true to oneself. As Clare puts it, "Your brand develops with you as you develop." So, whether you're a budding musician or an established artist looking to refresh your brand, this episode of Talking Flutes is filled with actionable advice and thought-provoking discussions that can help guide your journey. Ready to make your mark in the music world? Tune in to the full episode and start building a brand that's as unique as your music! 'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

Are you ready to discover the 'F word' in music? No, it's not what you think. It's something much more exhilarating – it's FUN! In a delightful episode of Talking Flutes revisited, hosts Jean Paul Wright takes us on a musical journey with the exceptional talents of Jose Valentino (flute) and Gualo (guitar). The podcast revisits a gem from March 2019, which deserves a second listen (or perhaps your very first). Recorded in a hotel room in Los Angeles, this episode is brimming with laughter, wisdom, and spontaneous music that transcends the traditional boundaries of flute and guitar. Jose Valentino, a multi-award-winning musician, and Gualo, a master of guitar, have a chemistry that's palpable. Their conversation veers from the serious to the silly, from discussing the nuances of love in music to the sheer joy of playing for the sake of playing. They remind us that music is not just about precision and technique; it's about expression, service, and connecting with the audience. The duo discusses the importance of having fun while playing music, a sentiment that resonates deeply in an industry often bogged down by perfectionism. They emphasise that music should be a playful adventure, akin to children in a sandbox, exploring and expressing without fear of judgment. Their performances within the podcast are a testament to their philosophy. With Valentino's flute beatboxing and Gualo's rhythmic guitar grooves, they create a soundscape that's both innovative and infectious. Their original composition "Love Has to Do with It" is a response to Tina Turner's classic hit, delving into the profound aspects of love and how it influences their music. Listeners will find themselves nodding along when Valentino and Gualo discuss the pitfalls of taking music too seriously. They encourage everyone, whether a seasoned musician or a beginner, to embrace improvisation and the creative freedom it brings. Their advice is simple yet profound – look in the mirror, smile, and remind yourself to have fun before you play. The podcast wraps up with a soulful performance of "It's My Promise," leaving us with the lingering question: Do we need more of the 'F word' in our lives? If you're looking to reignite your passion for music or simply need a reminder to enjoy the simple pleasures of playing an instrument, this episode is a must-listen. So, grab your headphones, settle in, and let the sounds of Talking Flutes revisited fill your room. Who knows, you might just find yourself tapping your feet, or better yet, picking up an instrument to join in the fun. Listen to the episode now and unlock the joy of music that's been waiting for you all along. 'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more information visit www.tjflutes.com

If the sound of a flute has ever captivated you, our latest podcast episode is one you cannot afford to miss. in October 2020 we had the immense pleasure of welcoming Sir James and Lady Jeanne Galway, a couple who have not only mastered the art of flute playing but have also dedicated their lives to the education and continuation of this enchanting instrument's legacy. Sir James & Lady Jeanne are more than just accomplished musicians; they are trailblazers in the flute community. In this insightful conversation, they delve into the origins of their passion, the importance of always maintaining excellence, and the joy of sharing their knowledge through the Galway Flute Academy. Sir James, often referred to as 'The Man With the Golden Flute,' reveals the discipline behind his seemingly effortless performances. From his early days to his rise as an international world leading soloist, he emphasises the importance of a solid technical foundation, sharing anecdotes of his rigorous training and practice routines that shaped his illustrious career. Lady Jeanne Galway, equally esteemed for her contributions, speaks passionately about the Galway Flute Academy and its mission to nurture the next generation of flutists. The couple's commitment to giving back to the music community shines through as they discuss their innovative approaches to teaching, including the integration of technology in their new 'Live Learn' series. This episode is not just for flutists; it's a treasure trove of wisdom for anyone interested in music, discipline, and the pursuit of excellence. Sir James's stories from the opera to the recording studio, combined with Lady Jeanne's insights into the business of music, offer a rare glimpse into the life of world-renowned musicians. As we revisit this conversation, we're reminded that there are no shortcuts to mastery. The Galways' dedication to their craft and their students is a testament to their belief in the transformative power of music. Whether you're a seasoned musician or a curious listener, their words will inspire you to seek out your own excellence. So, take a moment to immerse yourself in the world of Sir James & Lady Galway and let the golden tones of the flute, the laughter, and the shared love for music transport you to a world where artistry and education meet. Listen now, and be prepared to be moved by the magic of the flute. 'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and the new 'Revisited' are podcast productions by the TJ flute company. For more information visit www.tjflutes.com

In this week’s enlightening episode of Talking Flutes Extra, host Jean Paul welcomes back Dr. Beth Wright, forensic psychologist and his daughter, to tackle a question that hits home for many musicians – dealing with impostor syndrome and self-doubt. With her expert insight, Dr. Beth Wright demystifies the concept of impostor syndrome, describing it as the nagging feeling of not belonging or undeserved success, despite evidence to the contrary. Dr. Beth guides us through the psychological roots of impostor syndrome, explaining how it's intertwined with our self-worth and past experiences. She reassures us that it can strike anyone, regardless of their confidence level, and often feeds on our deepest insecurities. But there's hope, as she shares practical strategies for challenging and reframing negative thoughts, highlighting the importance of seeking evidence against our self-doubts and recognising that our thoughts are not always facts. The conversation takes a deep dive into the power of thought challenging, especially for musicians who grapple with performance anxiety and the pressure of perfection. Dr. Beth encourages listeners to embrace the idea of growth and learning from every experience, rather than succumbing to the fear of failure. Jean Paul and Beth also explore the concept of flow state and how it can help performers stay present and focused, free from the intrusion of doubt. They discuss the delicate balance between adopting an alter ego on stage and staying true to one's unique essence as a musician. This episode is a must-listen for anyone who has ever felt like an impostor in their musical journey. Tune in to find out how to acknowledge and overcome the internal critic, and step into a space of confidence and authenticity in your artistry. 'Talking Flutes', 'Talking Flutes Extra' and 'Bitesize' are podcast productions by the TJ Flute Company. For more information, visit www.tjflutes.com.

Stress vs Anxiety in our musical performance! As musicians, the stage is not only a platform for showcasing our art but also a battleground for our inner demons of stress and anxiety. In the latest episode of our podcast, we delve deep into this subject with forensic psychologist Dr. Beth Wright, who offers a compelling analysis of the psychological challenges that musicians face. Dr. Wright distinguishes between stress and anxiety, two terms that are often mistakenly used interchangeably. Stress, she explains, is an acute, fight-or-flight response to a triggering situation, while anxiety is a more prolonged state of overthinking and excessive worrying. Understanding the difference is crucial for musicians who are constantly under the pressure of performance and perfection. The conversation then shifts to the concept of stressors, which, according to Dr. Wright, are not self-induced but rather natural responses to situations that signal danger to our primitive instincts. However, when stress morphs into anxiety, it becomes a complex web of deep-rooted issues that affect our fundamental needs, such as Maslow's hierarchy of needs. What's particularly enlightening is Dr. Wright's discussion on the nuances of anxiety disorders and how they can manifest in high-functioning individuals, debunking the myth that anxiety always leads to dysfunction. She also touches on the benefits of cognitive behavioural therapy (CBT) for those struggling with anxiety, emphasising the importance of identifying maladaptive thinking patterns that fuel our fears. The episode doesn't just stop at identifying problems; it offers solutions. Dr. Wright advocates for therapy and the importance of having a support system, especially in cultures where seeking help is stigmatised. She also provides practical advice for approaching friends or colleagues who are struggling, stressing the power of listening and offering support without necessarily providing solutions. For anyone who has ever felt the grip of anxiety before stepping onto the stage, this podcast is a must-listen. Dr. Wright's insights are not just for musicians but for anyone looking to understand the intricate dance between stress and anxiety. So, tune in, learn about the psychological intricacies of performance, and discover strategies to keep your mental health in tune with your music. Don't let stress and anxiety mute your melody. Listen to this episode and start harmonising your mental and musical notes today. 'Talking Flutes', Talking Flutes Extra' and 'Bitesize' are podcast productions by the TJ flute company. For more information visit www.tjflutes.com

The Complex Dance of Judgment and Opinion in Musical Performance In this captivating episode of Talking Flutes Extra, host Jean Paul Wright is once again joined by his daughter, forensic psychologist Dr. Beth Wright to delve into the intricate relationship between judgment and the mental and performance outcomes for musicians. The discussion kicks off with two thought-provoking listener questions about the effects of internal and external judgment and strategies to alleviate the burdens they impose. Dr. Beth Wright takes us on a journey from our primal roots to the modern-day, explaining how our evolutionary fight or flight response has shaped our perception of judgment and its significance in our lives. She eloquently differentiates between judgment and opinion, illuminating how the latter can be a source of growth despite its potential discomfort. Throughout the conversation, the pair tackle the elusive concept of perfection, the role of self-worth in musicianship, and the importance of embracing imperfection as a source of beauty and creativity. They also address the impact of social media on our perception of success, reminding us that what we often see is a curated version of reality, not a live, unedited performance. Dr. Beth introduces the concept of radical acceptance, encouraging musicians to embrace their vulnerabilities and accept that mistakes are a natural part of life and performance. She emphasises that growth often comes from discomfort, urging listeners to view these challenges as opportunities for personal and professional development. Tune in to this profound episode as Jean Paul and Dr. Beth Wright explore the psychological undercurrents that influence our musical journeys, offering insights on how to navigate the complex emotions tied to judgment and opinion. Whether you're a seasoned performer or an aspiring musician, this discussion promises to shed light on the path to a more fulfilling and liberated artistic expression. 'Talking Flutes' and 'Talking Flutes Extra' are podcast productions by the TJ Flute Company. For more information, visit www.tjflutes.com.

Navigating Procrastination with Dr. Beth Wright In this enlightening episode of Talking Flutes, host Jean Paul Wright is joined by Dr. Beth Wright, a flute player and forensic psychologist, to unravel the complexities of procrastination, especially as it relates to musicians. As the first in a short series focused on musician mental health and awareness, this discussion delves into the voluntary inaction that plagues many of us, exploring its triggers and consequences, and offering strategies to overcome it. Dr. Beth Wright, who happens to be Jean Paul's daughter, brings her personal and professional insights into why we delay essential tasks and how this behaviour impacts our performances, practice sessions, and ultimately, our self-worth. The conversation touches on perfectionism, intrinsic motivation, and the weight of expectations, providing listeners with a deep understanding of the psychological underpinnings of procrastination. Listeners will discover practical tips for becoming self-aware, tackling the most challenging tasks first, and focusing on the process rather than the outcome. Beth emphasises the importance of self-compassion and honesty in breaking the cycle of procrastination, encouraging musicians to be kind to themselves and to embrace each step of their musical journey. Join us for a thought-provoking session that promises to help you redefine your relationship with procrastination, enhance your practice, and find joy in the music-making process. Stay tuned for the next episode, where we'll dive into the topic of judgment and its effects on mental health. 'Talking Flutes', 'Talking Flutes Extra', and 'Bitesize' are podcast productions by the TJ Flute Company. For more information, visit www.tjflutes.com.

The Flute Pad Revolution: A Symphony of Sustainability Are you a flute enthusiast always on the lookout for the next big thing in instrument care and maintenance? Well, prepare to be blown away by a recent innovation that's been the talk of the flute world, albeit in hushed tones until now. Welcome to the world of Poriflola, a groundbreaking padding system that's set to transform flutes globally. In this week's episode of Talking Flutes, we delve deep into this hush-hush topic that's been quietly making waves among the flute community. For too long, flutists have faced the perennial problem of sticky pads and the annual ritual of servicing. But the Poriflola padding system promises to put an end to these woes. Crafted from a unique composite material made from recycled fruit skins and olive oil, these pads are not just waterproof, but they also offer the perfect combination of resilience and flexibility. Imagine playing your flute with pads that guarantee a perfect hermetic seal every time. That's what Poriflola promises – a nirvana for flutists. And the best part? These eco-friendly pads are quicker for technicians to replace and contribute to a more sustainable future. Our host, Jean Paul Wright, takes us on a journey, revealing how a team of environmentally conscious flute repairers embarked on a quest to address the global shortage of flute pads. Their exploration into eco-baselines led them to this serendipitous discovery that's been tested in secret over the past 18 months. The result? A silent ode to the harmonious coexistence of music and sustainability. But there's a twist! These revolutionary pads have already been installed in flutes during routine maintenance, without the players' knowledge. The rationale? To avoid bias and truly test their effectiveness. Flutists have been playing, unaware of the sustainable symphony beneath their fingertips, only to be delighted upon discovering the truth about their instrument's brilliant response. This episode isn't just about a new product; it's a testament to the ingenuity and dedication of flute technicians – the unsung heroes of the music world. With Poriflola, the annual flute service has become a breeze. These pads can be cleaned in a washing machine, extending their life and reducing the need for frequent replacements. This podcast lifts the lid on this revolutionary new pad made from recycled fruit skins (Apricot, Pear, Red current, Ice apple, Lemon, Fig, Orange, Olive and Lychee) which will revolutionise padding, our annual flute servicing and COA. 'Talking Flutes', 'Talking Flutes Extra' and 'Bitesize' are podcast productions by the TJ flute company. For more information visit www.tjflutes.com