The Cineskinny

This time on The Cineskinny, we go running in the fields of streaming cinema. Anahit reviews Hit Man (good!), Jamie joins her for The Idea of You (bad! and weird!), then the whole gang discusses the good, bad and ugly of the streaming revolution. How many of Netflix's top ten films are actually elaborate pranks on this podcast? More than you'd think! We also discuss the inventive, intriguing and v freaky British debut Hoard ahead of its release in cinemas. It's a fun one this week – come for the serious film chat, stay for Jamie's list of 'older women he likes'. TIMESTAMPS: What We've Been Watching: Lost, Baby Reindeer, Blue Sky, Triangle of Sadness (1:45) Hoard review (12:35) Hit Man review (22:30) The Idea of You review (28:05) The Great Streaming Glut, aka Where Have All The Good Rom Coms gone? (35:15) Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter, Instagram, Letterboxd and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk; recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

On the latest episode of The CineSkinny we go raking around in Etruscan tombs with a very sexy Josh O'Connor and his band of rapscallion grave robbers in La Chimera. We then head to 90s Edinburgh to revisit Danny Boyle's Shallow Grave. Does it still feel fresh 30 years later? Was renting in Edinburgh a nightmare back in 1994 too? Can Ewan McGregor actually act? Tune in to find out. We end the show by celebrating Film Twitter man of the moment Josh O'Connor. Not only is he brilliant as a melancholy Indiana Jones in La Chimera, he's also riding high at the box office playing a cocky tennis pro in Challengers. We look back at his short but impressive career, from God's Own Country to The Crown. TIMESTAMPS: What We've Been Watching: Buffy, Mary & George, Back to Black and John Tucker Must Die (1:12) La Chimera review (7:12) Shallow Grave review (20:35) In praise of Josh O'Connor (36:48) Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter, Instagram, Letterboxd and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk; recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

It's been sunny in Edinburgh for the first time in weeks. We recorded two hours later than usual. Challengers is a very hot film. One or more of these may explain the slightly feral nature of this week's podcast, in which we review freewheeling US 'satire' The Sweet East and Luca Guadagnino's latest, as well as playing the film nerd equivalent of Fantasy Football in honour of the Glasgow Film Festival's 50th anniversary (fans of Kurosawa, Panahi and Rex the Dinosaur, we will programme your cinema, speak soon xx). TIMESTAMPS: What We've Been Watching: Next Goal Wins, Civil War, Men In Black (2:00) The Sweet East review (16:20) Challengers review (29:10) GFT at 50, Filmhouse, and our perfect day at the cinema (38:40) Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter, Instagram, Letterboxd and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk; recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

This week we dive into the hallucinogenic world of Disco Boy, which stars European arthouse cinema's current It boy Franz Rogowski as an undocumented Belarusian immigrant who joins the French Foreign Legion. We also take a look at Evil Does Not Exist, the latest from Ryusuke Hamaguchi. This Japanese filmmaker has amassed a cult following but he's still to convince some of our hosts on the pod. Will Evil Does Not Exist change their minds? And with Lynne Ramsay's Ratcatcher getting a 25th-anniversary rerelease this month, we look back at the four feature films to date from this visionary Scottish filmmaker. TIMESTAMPS: Monster, Mr and Mrs Smith (2024), Sex, Lies & Videotapes and Irish Wish (1:50) Disco Boy review (10:55) Evil Does Not Exist review (23:54) The films of Lynne Ramsay (37:30) CINESKINNY FILM CLUB TICKETS: https://www.theskinny.co.uk/tickets Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter, Instagram, Letterboxd and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk; recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

In honour of Hayao Miyazaki bagging his second Oscar, Peter, Ellie and Jamie take a speedrun through the Ghibli back catalogue. Come with us and we'll meet some magical woodland creatures, smash the fash, do a whole load of flying and catch up with some hot boys along the way. We also look ahead to Glasgow Short Film Festival and HippFest which begin... oh crikey... now. Go to them! Listen to this episode on the way! TIMESTAMPS: Jamie's GSFF and Hippfest previews (1:15) Studio Ghibli pt 1: The Wonder Years (Castle In The Sky, My Neighbour Totoro etc) (6:40) Studio Ghibli pt 2: Let's Get Weird (Porco Rosso, PomPoko and more) (28:30) Studio Ghibli pt 3: More Wonder Years (Spirited Away, Howl's Moving Castle) (45:45) Studio Ghibli pt 4: Late Stage Ghiblism and The Boy and The Heron (1:00:15) CINESKINNY FILM CLUB TICKETS: https://www.theskinny.co.uk/tickets Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter, Instagram, Letterboxd and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk; recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

With the 20th edition of Glasgow Film Festival nearing its close, we sat down with two of our favourite critics, Carmen Paddock and Rory Doherty, to discuss this year's proceedings We also review GFF's blistering opener Love Lies Bleeding, share our Viggo Mortensen stories and review the mind-bending new film from Bertrand Bonello, The Beast. Plus Rory and Carmen pick out some of their GFF highlights. Glasgow Film Festival runs 28 Feb-10 March, get full details at glasgowfilm.org TIMESTAMPS: Self-care, After Hours and retrospectives (1:15) Love Lies Bleeding review (9:37) Viggo Mortensen loves Glasgow and The Dead Don't Hurt review (18:55) The Beast review (29:34) Rory and Carmen's favourite films of GFF 2024 (39:21) If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials! Follow Rory and Carmen on Twitter @CarmenChloie and @roryhasopinions, get us on TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded at Upload Studios, uploadstudios.co.uk Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

Another missive from the Glasgow Film Festival. On this one, we chat with the mighty Viggo Mortensen. Yes, Aragorn himself! The Lord of the Rings and A History of Violence star was in town for the UK premiere of The Dead Don't Hurt, a sinewy western that Mortensen wrote, directed, composed the music for and starred in. Set in the 1860s in a small Nevada outpost, The Dead Don't Hurt is both a beautiful homage to the great westerns of the past and a subversion of this most macho of film genres. It centres on the romance between Mortensen’s character Olsen, a Danish carpenter, and Vivienne, a fiercely independent French-Canadian woman who grew up dreaming of being Joan of Arc, played by Vicky Krieps. Mortensen and Krieps are an acting match made in heaven. They’re ably supported by a cast that includes Danny Huston, Garret Dillahunt, and the young Scottish actor Solly McLeod, who plays a brutish psychopath who will change Vivianne and Olsen’s lives forever. The day after The Dead Don’t Hurt’s UK Premiere, we sat down with Viggo Mortensen and his young co-star Solly McLeod to discuss the film. TIMESTAMPS: Jamie introduces The Dead Don't Hurt (0:05) Viggo and Solly's first impressions of Glasgow (1:40) Viggo's love of classic westerns (3:00) How Solly got cast (4:30) The film's non-linear structure (7:30) Working with Vicky Krieps (12:10) What Viggo learned from observing other directors (16:10) Sparks of inspiration on set (18:20) What Viggo and Solly are doing next (20:30) If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials! Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded on location at Glasgow Film Festival Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

We're back at Glasgow Film Festival for some special episodes made on the ground at the festival. First up, we have a chat with Saint Maud director Rose Glass, whose blistering second feature, Love Lies Bleeding, opened the festival. Love Lies Bleeding is a wonderfully lurid neo-noir thriller starring Kristen Stewart as Lou, the owner of a grimy gym in Nowheresville New Mexico, who begins a passionate romance with Jackie, an itinerant wannabe bodybuilder who walks into Lou's gym one day, played by Katy O’Brian. Lou and Jackie’s whirlwind romance is short-lived though, as Lou's dysfunctional family, murky past and some roid rage combine to send the couple's life into a tailspin. Before Love Lies Bleeding's UK Premiere, we sat down with Glass to discuss this hugely entertaining 80s noir throwback. Take a listen. TIMESTAMP The initial idea for Love Lies Bleeding (2:07) Films that influenced on Love Lies Bleeding (5:24) Glass's obsession with the body and body horror (8:45) The writing process with co-writer Weronika Tofilska (10:42) Why Kristen Stewart was perfect for the role of Lou (12:05) Finding an actress who could play an 80s bodybuilder (13:26) Making a film that's unabashedly queer (17:25) How Glass likes to surprise her audience (20:12) If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials! Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded on location at Glasgow Film Festival. Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

The gang's all back, and this week we're talking all things Glasgow Film Festival. We've got vampires! Gunfights! Drag queens! Orthodox monks doing kung-fu! Other stuff! Ellie, Jamie, Anahit and Peter also have a chat about upstart film competition 'The Oscars', aka 'The Academy Awards'. See, they haven't even settled on a title yet, amateurs. Peter has a coughing fit, Anahit is jet-lagged and buzzed on Red Bull so won't stop playing with the sound effects, Ellie talks us through the finer points of animation studio politics, and Jamie tells us all about why Bradley Cooper shouldn't win an Oscar. It's The Cineskinny. TIMESTAMPS: The Oscars, aka 'How I Learned to Stop Worrying and Just Slag Off Maestro' (2:50) Glasgow Film Festival overview (12:35) The Vourdalak review (15:15) Jericho Ridge review (24:15) Solo review (30:50) The Invisible Fight review (43:00) Additional GFF picks (49:35) CINESKINNY FILM CLUB TICKETS: https://www.theskinny.co.uk/tickets Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter, Instagram, Letterboxd and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk; recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

This week, we take a long hard look at Jonathan Glazer's excellent new film The Zone of Interest, then have a chat about some of the more unsettling films we've watched. In the middle, we talk through literary/race/politics satire American Fiction, and up top there's a bit of The News to shout out Glasgow Film Festival and Manipulate Festival. TIMESTAMPS: Manipulate, GFF and the Cineskinny Film Club (1:45) The Zone of Interest review (10:25) American Fiction review (25:45) Unsettling Cinema: Henry Portrait of a Serial Killer, Mad God, Titane (41:20) CINESKINNY FILM CLUB TICKETS: https://www.theskinny.co.uk/tickets Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter, Instagram, Letterboxd and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk; recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

Greek director Yorgos Lanthimos (The Lobster, Dogtooth etc) returns with the hugely anticipated Poor Things, adapted from Alasdair Gray's brilliant riff on Frankenstein. Are we angry he didn't set it in Glasgow? Did its sexual politics shock us? Do we rate Willem Dafoe's Scottish accent? Listen to find out. Also on the show, we review Andrew Haigh's devastating All of Us Strangers, and given that Lanthimos and Haigh have made bold adaptations that differ significantly from the books, we pick our favourite adaptations that bring something new to their source material. TIMESTAMPS: What Have We Been Watching (The Boy and the Heron, The 36th Chamber of Shaolin, Back to the Future etc) (3:18) Poor Things review (12:20) All of Us Strangers review (30:17) Bold Adaptations that Bring Something New – Under the Skin, Eyes Wide Shut, Ghost World, A Cock and Bull Story (44:02) Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter, Instagram and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk; recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

It's our now-annual end of term wrap-up, as The Cineskinny gang discuss some of our favourite bits from the past twelve months. We're talking Music! Crochet! Kids! Chaos! Sexiness! All the classics... Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter, Instagram and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk; recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

It's the end of the year, sort of, so we're running through ten of 2023's best films. Peter, Jamie, Anahit and Ellie race through a list of challenging, exciting, engaging hits from the past year – with a pleasing number of narcissistic wrong 'uns for us to judge and mock. The Skinny's Top Ten films, upon which this whole pod is based: https://www.theskinny.co.uk/film/opinion/the-skinnys-films-of-2023 The Cineskinny Film Club tickets: https://theskinny.co.uk/tickets Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

On this week's episode, we take a trip back to the halcyon days of 2006 for Emerald Fennell’s Saltburn where Barry Keoghan brings chaos to a family of aristocrats. We also take a look at Tish from Edinburgh-based filmmaker Paul Sng, which acts as a tender portrait of unsung Tyneside photographer Tish Murtha. And inspired by Barry Keoghan's very horny and freaky performance in Saltburn, the team chose their favourite little horny freaks in cinema. TIMESTAMPS: Saltburn review (3:45) Tish review (18:58) Our favourite little horny freaks in cinema – featuring the characters from Bottoms, Tom Hollander in Pride and Prejudice and Barbera Streisand in What’s Up Doc? (33:20) The Cineskinny Film Club tickets: https://theskinny.co.uk/tickets Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

On this week's episode, we discuss two great new films – Molly Manning Walker's energetic and unsettling How To Have Sex, and Justine Triet's topsy-turvy courtroom drama Anatomy of a Fall. In honour of How To Have Sex's unflinching portrayal of a neon-soaked jaunt to Malia, Anahit, Peter and Jamie discuss some of their favourite on-screen holidays – a lot of Italy, a lot of poor decision-making, all the classics. TIMESTAMPS: How To Have Sex review (2:45) Anatomy of a Fall review (18:00) Holidays on screen – Only You, The Talented Mr Ripley, The Heartbreak Kid (31:10) The Cineskinny Film Club tickets: https://theskinny.co.uk/tickets Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

This week we dive into one of the most anticipated films of the year with our review of Killers of the Flower Moon, Martin Scorsese's epic crime drama depicting the serial murder of members of the oil-wealthy Osage Nation in 1920s Oklahoma. And with the BFI launching their humongous Powell & Pressburger retrospective this week, we review their brilliant 40s romantic comedy I Know Where I'm Going! and recommend other Powell & Pressburger films to look out for in the season. TIMESTAMPS What we've been watching: London Film Festival, Super Mario Bros. (1993) and Rob Roy (1:50) Killers of the Flower Moon review (12:12) I Know Where I'm Going! review (33:55) Other Powell & Pressburger recommendations (43:25) Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

Jamie, Peter and Ellie revisit the bleeps and bloops of Blackberry, Matt Johnson's top-notch retelling of Research In Motion's rise and fall. Also this week, the gang enter the steam of the sauna for Estonian doc Smoke Sauna Sisterhood, then take an icy dunk in the waters of what Peter has dubbed 'big-brain business boys'. Your Patrick Batemans, your Ray Krocs, your fella from Aliens, etc etc. TIMESTAMPS BlackBerry review (1:30) Smoke Sauna Sisterhood review (17:20) Business on Screen, ft Aliens, The Founder, Dumb Money (26:55) Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

Things get a bit meta on this week's Cineskinny. Ellie and Peter discuss Will Anderson and Ainslie Henderson's inventive and exciting documentary A Cat Called Dom, then we chat about Sebastián Silva's bacchanalian meta drama Rotting In The Sun. We share our favourite gigs on film, Peter loses it about halfway through but gets it back again, [add a third here explaining the chat section thanks x]. It's The Cineskinny, a good film podcast. TIMESTAMPS: A Cat Called Dom review (3:45) Rotting In The Sun review (12:15) What makes a good concert film? Stop Making Sense, Inside, Awesome; I F***in' Shot That! (26:45) Get tickets for our MUBI screenings at theskinny.co.uk/tickets Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

On this week's podcast, Jamie, Ellie and Peter escape the heatwave with two films of varying quality – Celine Song's much-hyped Past Lives, and outsider artist doc A Life on the Farm. We then get into a chat about films about films, cos we're cool like that, and Anahit saves the day by dialling in from Venice Film Festival. Molto bene, and so on and so forth. TIMESTAMPS: Past Lives review (01:55) We hear from Carmen Thompson of We Are Parable about new filmmaker programme Momentum (14:45) A Life on the Farm review (19:45) Anahit's Venice Diary (30:40) Films About Films (Day and Night, 8 1/2, The Sweatbox, The Blair Witch Project) (37:50) Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

EIFF kicks off this week and we've two more films from the programme to preview: Passages and Scrapper. And in honour of the blistering love triangle at the heart of Passages, we discuss our favourite love triangles on screen, which means we get talking about two hilarious and very sexy screwball comedies from 1940 starring Cary Grant: My Favourite Wife and The Philadelphia Story. TIMESTAMPS: Scrapper review (5:05) Passages review (17:25) Our favourite love triangles on screen: My Favourite Wife and The Philadelphia Stroy (32:26) Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license