Love is the Message: Dance, Music and Counterculture

This is an excerpt from a patrons-only episode. To hear the whole thing and much more besides, visit Patreon.com/LoveMessagePod Earlier this month UNESCO added Berlin techno to its List of Intangible Cultural Heritage, a register to recoginize and safeguard important traditions, practices and expressions. This news was met with consternation from music fans over how this honour completely overlooked the birthplace of techno, Detroit. For this patrons-only episode, Jeremy and Tim react to the news by pulling out a dozen or so of their favourite Detroit techno cuts to discuss. We hear about the ‘Belville Three’, post-Fordism, Alvin Tofler and the relationship between Chicago and Motor City. The guys dwell on the aesthetic of coldness and futurity that characterised much of the Detroit sound, folding in the Panthers, jazz and unidentified flying objects into records from Underground Resistance, Carl Craig, Drexciya and Theo Parish. Plus, we hear one of the first records Jeremy ever bought, memories of squat parties past, and a de rigour David Mancuso cameo. Tracklist: Model 500 - No UFOs Rhythim Is Rhythim - It Is What It Is R-Tyme - R-Theme Underground Resistance - The Theory The Martian - Star Dancer K-Hand - Starz Innerzone Orchestra - Eruption Innerzone Orchestra - Bug in the Bass Bin The Aztec Mystic - Jaguar Drexciya - Birth Of New Life Carl Craig & Pepe Braddock - Angola (Carl Craig Mix) Theo Parish - Falling Up Innerzone Orchestra - People Make the World Go 'Round

In this episode we continue our trio of episodes on Punk by examining some crucial mid-70s proto-Punk antecedents. Via the lean funkiness of Dr Feelgood Jeremy and Tim explore the interesting British formation of pub rock, with its R’n’B roots and distinct danceability. This leads to a discussion on the slipperiness of Rock’n’Roll as a term and its tensions with ‘rock’ proper. We also hear an early influence on Post-Punk and meet the influential Stiff Records at its foundation. In the second half of the show we make a second encounter on the show with the Ramones, and ask: what were they really up to? Authenticity, performance, historiography and hagiography all come under the microscope as we lead to the first definitively British Punk record: New Rose by The Damned. Join us next time for Blondie and the Sex Pistols. Produced and edited by Matt Huxley. Tracklist: Dr Feelgood - She Does it Right Dr Feelgood - Keep it Outta Sight Nick Lowe - So It Goes The Ramones - Blitzkrieg Bop The Saints - (I’m) Stranded The Damned - New Rose

This is an excerpt from a patrons-only episode. To hear the whole thing and a huge number of other conversations, head to Patreon.com/LoveMessagePod. In this patrons episode Jem and Tim once again share what’s been on their turntables recently. We hear two tracks - one contemporary and one not - from the UK Asian Underground, along with a consideration of the cosmopolitan aesthetic of artists like Bally Sagoo and Nitin Sawhney. Tim reflects on trips to the WOMAD festival and digs into trip hop while Jem shares a powerful Qawwali cut. Elsewhere we hear Swedish afrobeat, extremely psychedelic roots reggae, free love, a compilation for Gaza, Messages from the Stars and more… Tracklist: Nitin Sawhney - Charu Keshi Rain Nora Dean - Angie La La Bally Sagoo - Noorie Morelo - Promise (from ‘For Gaza’ comp by Planet Turbo Records) The RAH Band - Messages from the Stars Orgōne - Strike Nusrat Fateh Ali Khan - Shamas-Ud-Doha, Badar-Ud-Doja Olumo Soundz - Sunday Jump June Jazzin - Shine Your Brightest Light Books: Sanjay Sharma, John Hutnyk, Ashwani Sharma (Eds) - Dis-Orienting Rhythms: The Politics of the New Asian Dance Music

Welcome to Series 6 of Love is the Message! We hope you enjoyed the series of conversations with writers and academics that comprised Series 5, but now we are returning to our usual format to examine a watershed year: 1977. In this first episode we are unpacking Punk. What is it? A musical style, a subgenre of rock, a fashion sensibility, an attitude, a structure of feeling? In the first of three shows on Punk, Jeremy and Tim unfurl a general genealogy of the term as we build towards the release of Anarchy in the UK in two episodes’ time. They discuss where the term came from and how it was codified; the importance punk placed on realness and spontaneity; and contrast Punk’s nostalgic and avant garde modes. Tim and Jeremy make reference to three bands not immediately thought of as Punk - The Seeds, The MC5 and The Stooges - to uncover what musical work was taking place in the late 60s and early 70s that could be viewed as proto-punk, and use these bands to show the problems of rock historiography in recounting the history of Punk. And, this being LITM, we of course spend some time untangling the Punk vs Disco dichotomy. We hope you’ll join us as we continue our long march through the 1970s and beyond! Become a patron at patreon.com/LoveMessagePod. Produced and edited by Matt Huxley. Tracklist: The Seeds - Pushin’ Too Hard The MC5 - Kick Out the Jams The Stooges - Funhouse

This is an excerpt from a patrons-only episode. To hear the whole thing and a lot more besides, head to Patreon.com/LoveMessagePod. In this patrons’ episode we conclude our trio of episodes on Glam Rock. Tim and Jeremy pick up where they left off with a walk on the wild side. This leads to a discussion of the relationship between Lou Reed, Bowie and Iggy Pop in the early 70s. They discuss the undisputed glam anthem Cum on Feel the Noize from Birmingham’s finest Slade, replete with its football terrace chant and fist-pumping energy. And on the mellower side, explore the idea of glam as torch song, with entries from international treasure Elton John and a return to the show for Roxy Music. Jeremy and Tim conclude the episode with an acceptance of the might of Queen and a brief scintilla of postmodernism - much more of that to follow. Produced and edited by Matt Huxley. Tracklist: Lou Reed - Walk on the Wild Side David Bowie - Moonage Daydream Slade - Cum On Feel The Noize Suzi Quatro - Glycerine Queen Elton John - Goodbye Yellow Brick Road Roxy Music - In Every Dream Home a Heartache Queen - Killer Queen

This is an excerpt from a patrons-only episode. To hear the whole show, and a whole lot more besides, head to Patreon.com/LoveMessagePod to sign up. In this patrons’ episode we move into the second of three episodes on Glam. The third part of this trilogy will be dropping in your feed sooner than our normal schedule so hold tight for that. Tim and Jeremy discuss that big beast of British rock, Roxy Music. They consider Brian Ferry’s cultivation of a White British vocal style, the effects of art college on this and so many other contemporaneous UK bands, Ferry’s eventual styling as ‘Frank Sinatra in quotation marks’, and the emergence from within Roxy of one of the most influential producers of the Twentieth Century - Brian Eno. Also in the episode the guys go deep on Ziggy Stardust and unpack the desire of so many 70s musicians to just be taken seriously. Plus, the shadow of Dylan, Cornelius Cardew, and more Marc Bolan. Produced and edited by Matt Huxley. Tracklist: Roxy Music - Re-Make/Re-Model Roxy Music - Virginia Plain David Bowie - Ziggy Stardust T.Rex - Children Of The Revolution

In this episode Jeremy and Tim are joined by writer, historian, and friend of the show Simon Reynolds to discuss British musical trends of the 1970s and his life as a music journalist. Simon is arguably the most important music critic writing today, having penned seminal books on post-punk, electronic dance music, feminist rock and much more. In this interview he mostly talks about his most recent book, ‘Shock and Awe: Glam Rock and Its Legacy, from the Seventies to the Twenty-First Century’, sharing stories from his childhood interest in the decadent world of Glam. The three discuss how so many artists came to aestheticise a rejection of suburbia, the purply gauze of Top of the Pops, and thinking the Situationists were a band. They unpick how Punk is imagined and historicised versus how it was experienced, how Simon came to reappraise the 60s against a hostile critical culture, and consider the role of the music press historically and today. For patrons, our extended edition also includes a discussion around Simon’s 2011 book ‘Retromania: Pop Culture’s Addiction to its Own Past’. Tim, Jeremy and Simon recount the particular conjuncture from which the book arose, tease out its key theses, and apply those to contemporary music culture. Simon Reynolds is the author of ‘Blissed Out: The Raptures of Rock’, ‘The Sex Revolts: Gender, Rebellion and Rock 'N' Roll’ with Joy Press, ‘Energy Flash: A Journey Through Rave Music and Dance Culture’, ‘Rip It Up and Start Again: Postpunk 1978–1984’, ‘Bring The Noise: 20 Years of Writing About Hip Rock and Hip-Hop’, ‘Retromania: Pop Culture's Addiction to Its Own Past’ and ‘Shock and Awe: Glam Rock and Its Legacy, from the Seventies to the Twenty-First Century’. His next book, ‘Futuromania: Electronic Dreams from Moroder to Migos’ is forthcoming. Tracklist: Scott Joplin - The Entertainer Ian Dury & the Blockheads - Plaistow Patricia The Rezillos - Top Of The Pops The Specials - Ghost Town Led Zeppelin - Whole Lotta Love

UNLOCKED - We've made public this previously patrons-only episode following the death of Can singer Damo Suzuki. If you'd like to become a patron, visit Patreon.com/LoveMessagePod. W do you call it? Krautrock, space rock, the Great Komische Music? It’s all German to me. In a little under two hours the guys cover the history of post-WW2 Germany (East and West), anti-Communist geopolitics, what you want to hear when you’re tripping, Pop Art, post-rock and playfulness, all in reference to the music of Can, NEU!, Ash Ra Tempel and more. We hear about the characteristics of the German counterculture from which many of these players came, the various tendencies of revolutionary European socialism, the Green Party, and the problems of De-Nazification. We consider the avant-garde compositions of Karlheinz Stockhausen, the impact of American acid rock, Ancient Egypt, and the many ways James Brown’s funk filtered into the motor rhythms of Dusseldorf 1971. More than anything, we survey a formidable body of work that is at once mesmeric and danceable - both things we like here at Love is the Message! Produced by Matt Huxley. Books: Julian Cope - Krautrock Sampler: One Head’s Guide to the Great Kosmische Musik David Stubbs - Future Days: Krautrock and the Building of Modern Germany Tracklist: Ash Ra Tempel & Timothy Leary - Timeship Karlheinz Stockhausen - Spiral (Realization A) Amon Duul ii - Yeti (Improvisation) Ash Ra Tempel - Amboss Kraftwerk - Stratovarius Tangerine Dream - Genesis Tangerine Dream - Flute Organ Piece Can - Halleluwah NEU! - Hallogallo Can - Moonshake Kraftwerk - Autobahn Harmonia & Eno '76 - Atmosphere Kraftwerk - Trans Europe Express

This is an excerpt from a patrons-only episode. To hear the whole thing, plus dozens of hours more discussion and conversation, head to patreon.com/LoveMessagePod. In this patrons’ episode we continue our look at musical currents of the 1970s by pulling on our platform boots, pasting on some eyeliner and getting ready for Glam Rock. In the first of two episodes, Tim and Jeremy excavate the pre-history of this strange trans-Atlantic phenomenon, which expresses both fascinating cultural insights and some pretty bad music (to our ears). Tim and Jeremy discuss the concept of glamour itself, the glamorous side of Hippy culture, and clothing and makeup as forms of self-expression. They also get stuck into 60s Garage Rock, focusing on The Stooges and The Velvet Underground, to consider ideas of decadence, masculinity, mass culture, Warhol and more, before - via a detour through the singular artistry of David Bowie - teeing up two recognisable faces of early Glam: Marc Bolan and Alice Cooper. Next episode we’ll be continuing on to Roxy Music, the New York Dolls, later Bowie, Slade, and the legacy of this strange musical force. Produced and edited by Matt Huxley. Tracklist: The Pleasure Seekers - What a Way to Die The Velvet Underground - Venus in Furs The Stooges - TV Eye Alice Cooper - I’m Eighteen David Bowie - The Man Who Sold The World Alice Cooper - School’s Out T. Rex - Hot Love Books: Philip Auslander - Performing Glam Rock: Gender and Theatricality in Popular Music Simon Reynolds Book - Shock and Awe: Glam Rock and Its Legacy, from the Seventies to the Twenty-First Century Colin Campbell - The Romantic Ethic and the Spirit of Modern Consumerism

To hear an extended version of this conversation, become a patron at Patreon.com/LoveMessagePod. In this episode Jeremy and Tim are joined by historian and New Yorker Kim Phillips-Fein to discuss a crucial event in the Love is the Message story: the 1975 New York City fiscal crisis. Kim’s book ‘Fear City: New York’s Fiscal Crisis and the Rise of Austerity Politics’ is widely regarded as the definitive text on the matter, so she was the perfect person to talk to, and she brought some great music recommendations to boot. The three discuss both the long- and short-term backdrop to the crisis, charting how the city’s unique social democratic municipal system of rent controls, hospitals and education changed across the twentieth century, before examining how the centre of international capital came extremely close to bankruptcy. Kim explains the financial mechanisms which animated the crisis and the political choices that precipitated it. She elucidates President Ford’s predicament during the crisis, the effects of ‘white flight’, and reminds us that New York was itself an industrial city rapidly de-industrialising. This being Love is the Message, naturally we also hear about the extraordinary cultural creativity of the time and examine its material causes, including changing democraphics and the transformation of Soho. Finally, Tim Jeremy and Kim consider what happened next, and how the fiscal crisis has been historicised to serve a particular ideology. Kim Phillips-Fein is the Gardiner-Kenneth T. Jackson Professor of History at Columbia University. Her book ‘Fear City: New York’s Fiscal Crisis and the Rise of Austerity Politics' was named a finalist for the 2018 Pulitzer Prize for History. She is also the author of ‘Invisible Hands: The Making of the Conservative Movement from the New Deal to Reagan’. Tracklist: Television - Venus The Dils - Class War The Rolling Stones - Shattered Grandmaster Flash & The Furious Five - The Message

This is an excerpt from a patrons-only episode. To hear the whole show, plus much more, head to Patreon.com/LoveMessagePod. On this festive edition of What We’re Listening To, Jeremy and Tim share selections from their turntables alongside thoughts on religion, atheism, death - and Blondie. We hear psychedelic jazz from north India and northern England, a brace of uplifting Gospel anthems from Pastor T.L Barrett, and some free-wheeling spiritual jazz from the Bronx via Puerto Rico. A smattering of seasonal song is dispersed throughout the selections, and with an eye on the horrors of the last two months in the Middle East, an uplifting call for peace to sign off on. We will be taking a short break for Christmas and New Year but will be back in mid-January with more LITM. Tune in, turn on, get down… Produced by Matt Huxley. Tracklist: Manish Pingle - Raga Puriya Kalyan Erobique (ft. Florence Adooni) - Mam Tola Matthew Halsall - An Ever Changing View Pastor T.L. Barrett And The Youth For Christ Choir - I Shall Wear a Crown Pastor T.L. Barrett And The Youth For Christ Choir - Jingle Bells Blondie - Yuletide Throwdown Antonio Ocasio ft. Nina Hadzi Antich - That Something Alfredo Linares - La Musica Por Dentro (Remixed by Jose Parla & Phenomenal Handclap Band) Joseph Macwan - Climb That Mountain (3AM Mix) Mike Anthony - Why Can't We Live Together

This is an excerpt from a patrons-only episode. To hear the full show, and much more, head to Patreon.com/LoveMessagePod. In this episode Tim and Jeremy begin a series of shows for patrons that flesh out some of the other musical currents of the UK and Europe in the late 60s and early 70s, beginning with… well, what do you call it? Krautrock, space rock, the Great Komische Music? It’s all German to me. In a little under two hours the guys cover the history of post-WW2 Germany (East and West), anti-Communist geopolitics, what you want to hear when you’re tripping, Pop Art, post-rock and playfulness, all in reference to the music of Can, NEU!, Ash Ra Tempel and more. We hear about the characteristics of the German counterculture from which many of these players came, the various tendencies of revolutionary European socialism, the Green Party, and the problems of De-Nazification. We consider the avant-garde compositions of Karlheinz Stockhausen, the impact of American acid rock, Ancient Egypt, and the many ways James Brown’s funk filtered into the motor rhythms of Dusseldorf 1971. More than anything, we survey a formidable body of work that is at once mesmeric and danceable - both things we like here at Love is the Message! Produced by Matt Huxley. Become a patron at Patreon.com/LoveMessagePod For rights reasons, we can only play excerpts of the tracks we discuss. However, if you'd like to listen along in full, with updates every episode, follow our Spotify playlist at: https://open.spotify.com/playlist/1ZylmJYk5SxyyTI2OQp0iy Books: Julian Cope - Krautrock Sampler: One Head’s Guide to the Great Kosmische Musik David Stubbs - Future Days: Krautrock and the Building of Modern Germany Tracklist: Ash Ra Tempel & Timothy Leary - Timeship Karlheinz Stockhausen - Spiral (Realization A) Amon Duul ii - Yeti (Improvisation) Ash Ra Tempel - Amboss Kraftwerk - Stratovarius Tangerine Dream - Genesis Tangerine Dream - Flute Organ Piece Can - Halleluwah NEU! - Hallogallo Can - Moonshake Kraftwerk - Autobahn Harmonia & Eno '76 - Atmosphere Kraftwerk - Trans Europe Express

This is an excerpt from a patrons-only episode. To hear the full show, plus much more, sign up at Patreon.com/LoveMessagePod. In this patrons episode, Tim and Jeremy continue their investigation into the musical cultures of Europe and the UK of the 1970s. For this show, pull on your wide-leg jeans, pop a dexy and talc the floor, because we’re talking Northern Soul. We hear about Mod culture, subcultural theory, Quadraphenia, and clubs like the Twisted Wheel, the Wigan Casino and the Blackpool Mecca. Tim and Jeremy excavate a particular wistful, romantic and nostalgic affect to the mid-60s Soul music that fuelled these all-night dances in the north of England, and consider to what extent the dancers were seeking escapism. We also hear about Rave, Jackie Chan and Paul Mason, so get out on the floor and keep the faith! Tracklist: Don Gardner - My Baby Likes To Boogaloo Small Faces - All Or Nothing Christine Cooper - Heartaches Away My Boy Dobie Grey - Out on the Floor The Flirtations - Nothing But A Heartache Kariya - Let Me Love You For Tonight Gloria Jones - Tainted Love Geno Washington & the Ram Jam Band - Bring It To Me Baby Tobi Legend - Time Will Pass You By Books: Stephen Catterall and Keith Gildart - Keeping The Faith: A History of Northern Soul Stan Cohen - Folk Devils and Moral Panics Watch Fiorucci Made Me Hardcore by Mark Leckey here: https://www.youtube.com/watch?v=-dS2McPYzEE Watch Paul Mason’s Keeping The Faith doc here: https://www.youtube.com/watch?v=xJsgkXdlkgs

This is an excerpt from a patrons-only episode. To hear the full show, plus much more, sign up at Patreon.com/LoveMessagePod. In this patrons episode, Tim and Jeremy continue their investigation into the musical cultures of Europe and the UK of the 1970s. For this show, pull on your wide-leg jeans, pop a dexy and talc the floor, because we’re talking Northern Soul. We hear about Mod culture, subcultural theory, Quadraphenia, and clubs like the Twisted Wheel, the Wigan Casino and the Blackpool Mecca. Tim and Jeremy excavate a particular wistful, romantic and nostalgic affect to the mid-60s Soul music that fuelled these all-night dances in the north of England, and consider to what extent the dancers were seeking escapism. We also hear about Rave, Jackie Chan and Paul Mason, so get out on the floor and keep the faith! Tracklist: Don Gardner - My Baby Likes To Boogaloo Small Faces - All Or Nothing Christine Cooper - Heartaches Away My Boy Dobie Grey - Out on the Floor The Flirtations - Nothing But A Heartache Kariya - Let Me Love You For Tonight Gloria Jones - Tainted Love Geno Washington & the Ram Jam Band - Bring It To Me Baby Tobi Legend - Time Will Pass You By Books: Stephen Catterall and Keith Gildart - Keeping The Faith: A History of Northern Soul Stan Cohen - Folk Devils and Moral Panics Watch Fiorucci Made Me Hardcore by Mark Leckey here: https://www.youtube.com/watch?v=-dS2McPYzEE Watch Paul Mason’s Keeping The Faith doc here: https://www.youtube.com/watch?v=xJsgkXdlkgs

In this week’s episode, Tim and Jeremy are joined by writer, critic and academic Emily J. Lordi to discuss her 2020 book The Meaning of Soul (and much more besides). Emily talks about how she got into writing about Black music and the particular status Soul held in academia at the start of her career. The three consider changing historiographies of Black culture, talk over some key canonical texts, and contrast Soul with scholarship on Blues and Jazz. Emily explains how her analysis looks beyond lyrics in its appraisal of the political content of Soul, and how through an evaluation of a shift between sacred and secularised notions of the genre, we can see an articulation of a collective subjectivity representative of the congregational traditions from which the music draws on. Elsewhere, Tim, Jeremy and Emily consider ‘the crew’ in Soul and Hip Hop, Disco’s relationship to Soul, Gladys Knight and the Pips and Minnie Ripperton. For patrons, the three dig into Emily’s concept of ‘Afro-Presentism’, Beyonce, Janelle Monáe, contemporary R’n’B, and the affect of resilience. Emily J. Lordi is a writer, professor, and cultural critic whose focus is African American literature and Black popular music. She is professor of English at Vanderbilt University and the author of three books: Black Resonance (2013), Donny Hathaway Live (2016), and The Meaning of Soul (2020). Produced by Matt Huxley. Check out the back catalog, reading lists, playlists and more at our website: https://www.loveisthemessagepod.co.uk/

In this week’s episode, Tim and Jeremy are joined by writer and scholar Mark Anthony Neal. Mark’s 1999 book ‘What the Music Said: Black Popular Music and Black Public Culture’ is a crucial text for us here at Love is the Message, so it was fantastic to have him join the show to discuss his life and work in music. We discuss how the Black popular music of the past 60 years provides an insight into black socio-political life, via Gospel, Soul, Hip Hop and more. Mark explores how his upbringing in the South Bronx, from spending Sunday mornings with his parents to heading to the Apollo to see the Jackson 5 and Aretha, shaped his view of the Black public sphere. The interview provides Jem and Tim with the opportunity to trace their interest in the progressive potential of the 1970s back to the slave experience, the development of spirituals that became a channel for acts of resistance, the African American church’s reversioning of Christianity as a space of Black communion and expression, the importance of the jook and the rent party for expressions of Black pleasure. These spaces contributed to the shaping of an increasingly radical Black politics, from the burgeoning civil rights movement to Black Power, with rhythm and blues, soul and funk. We discuss the late-80s turn toward commodity culture within Hip Hop and consider what happened politically to black musicians into the 90s. For patrons, Mark, Tim and Jeremy also discuss early disco, Black dance music and Saturday Night Fever; consider the aspirational, entrepreneurial mindset of many of the 70s pioneers; and the role of sampling as an act of Black archival work undertaken by caretakers of Black musical lineage, bringing us right up to the listening practices of today. Mark Anthony Neal is the Professor of Black Popular Culture in the Department of African and African-American Studies at Duke University host of the weekly webcast ‘Left of Black’ in collaboration with the John Hope Franklin Center at Duke University. He is the author of ‘What the Music Said: Black Popular Music and Black Public Culture’, ‘Soul Babies: Black Popular Culture and the Post-Soul Aesthetic’, ‘Songs in the Keys of Black Life: A Rhythm and Blues Nation’, ‘New Black Man: Rethinking Black Masculinity’ and ‘Looking for Leroy: (Il)Legible Black Masculinities’. Produced by Matt Huxley. Become a patron to hear an extended version of this conversation by visiting patreon.com/LoveMessagePod. Check out the back catalog, reading lists, playlists and more at our website: https://www.loveisthemessagepod.co.uk/ And listen along our Spotify playlist featuring music from the series at: https://open.spotify.com/playlist/1ZylmJYk5SxyyTI2OQp0iy Tracklist: The Sugarhill Gang - Rapper's Delight The Jackson 5 - Dancing Machine Eugene McDaniels - Headless Heroes Eric B. And Rakim - Paid in Full Ray Charles - (Night time Is) The Right Time The Isley Brothers - Fight the Power Marvin Gaye - What’s Going On Sly & The Family Stone - Stand! Bessie Smith- Back Water Blues LL Cool J - The Boomin' System

This is an excerpt from a patrons-only episode. To hear the full show, plus many more hours of conversation, become a patron at Patreon.com/LoveMessagePod. In this patrons episode Tim and Jeremy offer music on the theme of war and peace. They reflect on the ongoing conflict in Palestine, discussing the current unfolding crisis and taking a longer view on Israeli history. We hear about the ecstatic peace of John Coltrane, a lesser-known companion to Edwin Starr’s ‘War’, why Tim loves the Human League but New Order not so much, and consider the Promised Land. Tim and Jeremy also share music by Palestinian musicians Sama’ Abdulhadi and Kamilya Jubran, talk about Jem’s experiences DJing the country, Boiler Room as an unexpected anti-imperialist organisation, and the pitfalls of cultural appropriation. Produced by Matt Huxley. Tracklist: John Coltrane - Peace on Earth (Live At Shinjuku Kosei Nenkin Hall, Tokyo, Japan / July 22, 1966) Edwin Starr - Stop The War Now The Human League - The Lebanon Sama' Abdulhadi - Reverie Mutado Pintado presents Sworn Virgins - Michelle (Acid Arab Mix) Bashar Murad - Maskhara Joe Smooth - Promised Land (Club Mix) Willie Hutch - Brother s Gonna Work it Out Kamilya Jubran & Werner Halser - Wa (pt.1) Maurice Ravel - Kaddish

In this week’s episode, Tim and Jeremy welcome writer and academic Gayle Wald to the show to tell us about the life and times of Sister Rosetta Tharpe. Christened on social media ‘the queer black woman who invented rock’n’roll’, yet derided in 1970 as ‘a blacked up Elvis in drag’, Sister Rosetta’s story disrupts the received narrative of rock history. We hear about her religious upbringing, hitting the road with her evangelist mother; playing in the Cotton Club, the Decca Records studios, and from the centre field of a football stadium (in her wedding dress!); and being feted by Johnny Cash at the Rock’n’Roll Hall of Fame. Sister Rosetta’s story concerns misogyny, Pentecostalism, the evolution of the electric guitar, gossip, Little Richard and more, and Gayle is the perfect person to share it with us. This is an edited version of the full interview. To hear more about Sister Rosetta as well as about Gayle’s book on the television programme ‘Soul!’ - a groundbreaking piece of public broadcasting that brought black thinkers, activists and musicians to the TV screen - and her forthcoming work on the eminent children’s musician Ella Jenkins, become a patron. Gayle Wald is a professor of English and American Studies at George Washington University and a Guggenheim Fellow. She is the author of 'Crossing the Line: Racial Passing in U.S. Literature and Culture’, ‘Shout, Sister, Shout!: The Untold Story of Rock-and-Roll Trailblazer Sister Rosetta Tharpe’ and ‘It's Been Beautiful: Soul! and Black Power Television’. Produced by Matt Huxley. Become a patron at Patreon.com/LoveMessagePod Check out the back catalog, reading lists, playlists and more at our website: https://www.loveisthemessagepod.co.uk/ Produced by Matt Huxley. Tracklist: Sister Rosetta Tharpe - Rock Me Sister Rosetta Tharpe - Up Above My Head Sister Rosetta Tharpe and Marie Knight - Didn’t It Rain Sister Rosetta Tharpe - Strange Things Happening Every Day Mahalia Jackson - Move On Up a Little Higher Sister Rosetta Tharpe - Move On Up a Little Higher

Love is the Message is back for Series 5! After a few weeks off for the summer holidays, Tim and Jeremy return to the show for more music, dancing, sound systems and counterculture. This time round, we’re changing things up. As you’ll hear, we’re taking a break from our chronological narrative to bring in scholars and writers for a series of guest interviews, allowing us to both deepen our understanding of the late 60s and early 70s, and move around a bit more to histories we haven’t got to yet. For patrons, we’ll also be recording a number of episodes on the European and British musical phenomena that were taking place at the same time as the Loft and its ecosystem, so hold tight for that. But for this introductory episode, we’re sharing a ‘What We’re Listening To’ show, featuring ten tracks that Jem and Tim have had on the turntables this year. We’ll hear a rare Northern Soul cut from Tim, driving Brazilian funk, Carol King at her grooviest, plus spiritual jazz, ambient DnB, a conversation about Burning Man, and a pledge from Jem to keep playing Max Romeo until the rents go down. Become a patron at Patreon.com/LoveMessagePod And check out the back catalog, reading lists, playlists and more at our website: https://www.loveisthemessagepod.co.uk/ Produced by Matt Huxley. Tracklist: The Flirtations - Nothing But a Heartache Antonio Carlos & Jocafi - Simbarere Carol King - Believe in Humanity Miriam Makeba - We Gotta Make It Max Romeo - Rent Crisis Universal Togetherness Band - Ain't Gonna Cry Pharaoh Sanders - Oh Lord, Let Me Do No Wrong Underworld - Dark & Long (Spoon Deep Mix) Omni Trio - Higher Ground Brawther - Sundials Ft Nathan Haines

This is it - the final episode of series 4, New York City 1975-76. For this show Jeremy and Tim are staying in the Bronx for more discussion around the links between Downtown party culture and the port hip-hop scene. We hear about the very first B Boys, what their moves looked like, and what sort of music they were breaking to. We explore how important performing or being watched was to these dancers, and the similarities and differences with losing yourself on a disco dance floor. Tim and Jeremy unpack the class dimension of the early breaking scene, set against a backdrop of poverty and rising gang membership. They profile Africa Bambaataa, both as a DJ and an agent for social cohesion, and also introduce a young Grandmaster Flash - more on him to follow. Plus - Jeremy shares his own breaking experiences… We will take a short break (no pun intended) for summer, and will be back in the autumn for Series 5. Thanks to everyone for your continued support as we reach our 60th main episode of the podcast, closing in on 100 hours of music, dance floors, sound systems and counterculture. Love is the message… Become a patron at Patreon.com/LoveMessagePod And check out our new website: https://www.loveisthemessagepod.co.uk/ Books: Jeff Chang - Can’t Stop Won’t Stop Jonathan Mahler - Ladies and Gentlemen, the Bronx Is Burning: 1977, Baseball, Politics, and the Battle for the Soul of a City Philippe Bourgois - In Search of Respect Tracklist: The Jimmy Castor Bunch - It's Just Begun Abaco Dream - Life & death in G & A Shirley Ellis - The Clapping Song Herman, Kelly & Life - Dance to the Drummer’s Beat The Rolling Stones - Honky Tonk Women Sly & The Family Stone - Family Affair Grandmaster Flash - The Adventures Of Grandmaster Flash On The Wheels Of Steel