Sound Escape Theatre

A bonus episode where the author, Jill Korn, talks about how she came to write and produce her audio drama about Julian of Norwich.

Julian of Norwich is an old woman who has lived walled up in her stone cell for more than forty years. When she was thirty, she received sixteen visions or 'shewings' which she believed came from God, and she spent the rest of her life contemplating and writing about them. Julian's book, Revelations of Divine Love, is the first book we have in English that was written by a woman. The play is set in 1413 and imagines the daily life of Julian at 70. She has already completed her book but her life is by no means empty. Her cell is very near the river and its busy docks, whose comings and goings pass by her exterior window. Another window gives onto the church itself, where services and other business are conducted daily and a third window communicates with her kindly servant, Sarah. Julian’s meditations are sometimes interrupted by visitors, to whom she is always gracious, but about whom she can only share her thoughts with God. The play was written to celebrate the 650th anniversary of Julian's visions and was featured in the exhibition 'Love is the Meaning'. It was recorded in Norwhich, England by local actors, and was produced in Scotland by John Boyd.

“Cousin John. Dead more than twenty years. I can’t see you, but I know you’re here. Why? You abandoned this place years ago; you neglected it and left it to strangers. Why have you come back?” Craufurdland Castle in Fenwick, Ayrshire, keeps its secrets close. It has been held in the same family for almost two thousand years. It is the early 1800s. Janet Craufurd, Lady of the house, writes in her diary, charting the progress of renovations to the estate which has suffered years of neglect. But Janet’s mind is not easy. She suspects that the house has its own story to tell – a story lost in a secret passage, in hidden rooms, in dusty books and neglected papers. And someone is watching her as she searches for answers; someone she cannot see but whose presence she senses as she works. There Goes Craufurdland is the final play in An Ayrshire Trilogy, three audio dramas which celebrate Ayrshire and its people. The Trilogy is supported by Creative Scotland.

Supported by Creative Scotland

© Jill Korn / John Boyd

Alex has her own life. And not all of it is for sharing with her parents. But, as it turns out, everyone has their own secrets and when Alex's mum needs a favour, she finds she can't refuse - no matter where that takes her.

Early in 2020, two of my friends remarked that my audio plays were very dark – they didn’t think I had quite such a black imagination. They asked for a love story - "with a happy ending.” So I wrote 'Sea Change', a fantasy based on the beautiful Isle of Arran, whose shores hide many mysteries and strange legends. A happy ending? Judge for yourself…

How many years does it take to feel you really belong? For Francine, living on the Isle of Donan, nothing will ever be the same now that her reason for being here is gone. But Francine is a survivor. Outwardly conventional she may be, but like a true Frenchwoman, she's up for a little rebellion when the opportunity arises.

In 1429 Joan of Arc was burned at the stake for witchcraft. Gilles de Rais, her captain and a medieval super-hero, was convicted of child-murder and sorcery. He followed her to the stake and burned a decade later. 'Confessional' explores the link between the two events, and examines how powerful men can seem to be untouchable and unstoppable. The play contains strong language and explicit content; listener discretion is advised. SFX sourced under the BBC Rem Arc Licence: bbc.co.uk - © Copyright 2019 BBC

In 1945 the Parisian-born singer, Edith Piaf, was investigated for charges of collaborating with the Nazi regime. Piaf was a performer, a survivor and a pragmatist, but was she a collaborator? For her, music stood beyond politics; she said: 'Ne pas chanter, c'est mourir' ('Not to sing is to die'). Both poignant and funny, the play includes explicit language and content. It also raises serious questions about truth and lies, collaboration and resistance: by failing to resist governments, how far can we be said to be colluding with their values and actions?