Sound Perspective

The Big Dog is playing at a cinema near you! Tickets available here https://www.2cpictures.com/films/thebigdog Dane McCusker is a director in Sydney, whose debut feature The Big Dog is about to start its theatrical release after sold-out sessions at Sydney Film Festival. The Big Dog is a dramedy about a married stockbroker with a penchant for the esoteric fetish "findom" - financial domination. When his secret dominatrix cleans out all of his bank accounts, he has one day to save his life from ruin. It's a hilarious, heart-wrenching and nuanced interrogation of class, gender and toxic masculinity. I couldn't recommend it highly enough. Check out Dane's other shorts here Follow me on Insta and Letterboxd @alfiefaber Follow Dane's production company 2c Pictures here

Garth Davis is a director from Melbourne whose credits include the 6-time Oscar nominated Lion (2016), Mary Magdalene (2018), episodes of Jane Campion's show Top Of The Lake, and most recently Foe (2023). This episode we chatted about his beginnings in directing commercials, his first documentary feature in 2000 (one of Greig Fraser's first projects as DOP), his long-standing collaboration with previous Sound Perspective guest Robert Mackenzie, and his newest film, Foe: a heady blend of sci-fi and drama starring Paul Mescal and Saoirse Ronan in a dystopian future Earth. Foe is currently in cinemas in Australia, and will soon be streaming on Amazon Prime. Follow me on Instagram and Letterboxd @alfiefaber Follow the Sound Perspective Podcast on Facebook https://www.facebook.com/soundperspectivepodcast

Thomas M. Wright is an Australian director in Melbourne. He started as an actor and has since directed 2 features, the most recent being The Stranger, a Netflix original crime thriller starring Joel Edgerton and Sean Harris which premiered at Cannes 2022. He's incredibly intelligent and articulate. In this interview we chatted about everything from dreams, to his bizarre writing style, and how he likes to develop the tone of his films. Follow me on Instagram and Letterboxd @alfiefaber Follow the Sound Perspective Podcast on Facebook https://www.facebook.com/soundperspectivepodcast

Hlynur Pálmason is an Icelandic filmmaker and artist. films include Godland, A White White Day, and Winter Brothers. He's won awards at Cannes, Toronto, Locarno and more. I saw Godland at Sydney Film Festival last year and had an absurd out of body experience, he's very quickly become one of my favourite directors.

Happy awards season! Todays episode is with Frank Kruse and Lars Ginzel, sound supervisor and re-recording mixer of the new Netflix war film All Quiet on the Western Front, which recently won the BAFTA for Best Sound and is nominated for an Academy Award. Frank and Lars chat about their history in the German film industry, the extensive crowd recording done with hundreds of extras on set, and how they communicate with director Edward Berger. All Quiet on the Western Front is now available on Netflix and is still in consideration for the Academy Award for Best Sound. Follow Sound Perspective on Facebook here Follow me on Letterboxd at @alfiefaber To get in touch with comments about the podcast email me at contact@soundperspectivepodcast.com

Maya Newell is a documentary filmmaker in Sydney whose body of work is a beautiful testament to the power of documentary to engender empathy. Her first feature documentary, Gayby Baby, followed the experiences of children of same-sex parents, and her second, In My Blood It Runs, is a cinematic portrait of a young Indigenous boy in central Australia - it was selected for the Sundance Music and Sound Design Lab. Often working with her participants as credited collaborators, Maya's documentaries are emotionally stunning and politically vital. Her most recent film, The Dreamlife of Georgie Stone, is a half-hour Netflix Original following teenage trans activist Georgie Stone. In this interview, we chatted about her beginnings in video art, the experience of recording an orchestral score for In My Blood It Runs at Skywalker Sound, and how she and Georgie Stone discovered a format and tone that would suit Georgie's story. More about The Dreamlife of Georgie Stone here Follow us on Facebook Follow me on Instagram @alfiefaber and on Letterboxd @alfiefaber

WARNING: In this episode, I repeatedly mispronounce Leo Grande. Sophie was really nice so she never corrected me and I didn’t realise till I uploaded. It’s not easy being this dumb but somehow I stumble through life. Sophie Hyde is a super talented Australian director from Adelaide whose first fiction feature, 52 Tuesdays, won directing awards at both Berlin and Sundance. Since then she’s been making a bunch of phenomenal work in features, doco and TV, most recently the film Good Luck To You, Leo Grande, starring Emma Thompson. We chatted about everything from her background in documentary, shooting 52 Tuesdays over 52 weeks, her collaboration with Irish sound editor Steve Fanagan, rehearsing over Zoom and the challenges of shooting a film in one location. Good Luck To You is currently screening in theatres across Australia (maybe still in the US and UK?) Either way watch it it’s so good! Follow me on Letterboxed @alfiefaber Instagram @alfiefaber Contact me on contact@soundperspectivepodcast.com

In this episode I chat to sound supervisor Wayne Pashley and composer/music producer Elliott Wheeler about their work on the new Elvis biopic directed by Baz Luhrmann. I joined Wayne at his studio Big Bang Sound Design, and Elliott Skyped in from the US. We chatted about their history working with Baz Luhrmann, the intense collaboration between sound design and music necessary for a soundtrack this dense, the contextual news recordings that Wayne used as “sonic glue” and the joy of bringing Elvis’s music to a contemporary audience. Check Wayne’s IMDB at https://www.imdb.com/name/nm0664563/ Elliott Wheeler at https://www.imdb.com/name/nm1395268/?ref_=nv_sr_srsg_0 Got feedback? Email me at contact@soundperspectivepodcast.com Follow Sound Perspective on Facebook at https://www.facebook.com/soundperspectivepodcast/ Follow me on Instagram and Letterboxed at @alfiefaber

Lauren Hadaway is a director based in Los Angeles and Paris whose debut feature, The Novice, premiered this year at Tribecca to great reviews and several awards; it's since been released theatrically and has been nominated for 5 Independent Spirit Awards. However even before this phenomenal film, she was achieving remarkable success in post-production sound, having worked in ADR and sound editing for directors such as Quentin Tarantino, Zach Snyder and Damien Chazelle. In this interview we chatted about how she wrote this feature whilst recording ADR on Zach Snyder's Justice League, what she learned from other directors through working in sound, the challenges of indie filmmaking and the appeal in a niche story such as The Novice. Read more about The Novice here - https://www.imdb.com/title/tt11131464/ Follow me on Instagram at @alfiefaber Or follow the podcast on Facebook at https://www.facebook.com/soundperspectivepodcast

In this episode I had a great interview with supervising sound editor Robert Mackenzie and sound designer Dave Whitehead about their work on Jane Campions psychological thriller Western, Power of the Dog. We chatted about their collaboration with Jane, finding the right sound of spurs, working with Johnny Greenwood's score, how Jane personally directed and oversaw the loop-group, and their thoughts on mixing for Netflix. Catch Power of the Dog now on Netflix! Follow me on Instagram or Letterboxed at @alfiefaber Or Facebook at Sound Perspective Podcast

Ben Lawrence is an Australian director whose credits include Hearts and Bones, Ghosthunter, and most recently Ithaka, a feature documentary following John Shipton, Jullian Assanges father, in his fight for Julian’s freedom. It’s premiering at Sydney Film Festival this Sunday 7th November, with music by Brian Eno. In my first face-to-face podcast interview in over 18 months, me and Ben chatted about how he pitted Hugo Weaving against first-time actors in Hearts and Bones, how he unwillingly became a character in his documentary Ghosthunter and how he collaborated with Brian Eno to find the right music for Ithaka. Get tickets for Ithaka at Sydney Film Festival here: https://www.sff.org.au/program/browse/ithaka Follow me on Letterboxd: Alfie Faber And Instagram at @alfiefaber Got any feedback or questions? Contact me at contact@soundperspectivepodcast.com

Eddie Martin is an Australian documentary director who shot to cult fame with his visceral 2005 documentary, Jisoe, about a Melbourne graffiti artist; some of his films since have included All This Mayhem, Have You Seen The Listers? and The Kids. The Kids revisits the cast of Larry Clarks cult 1995 film Kids, and is playing at Sydney Film Festival this year. In this Zoom chat me and Eddie discussed his background in the Melbourne skate scene and how he wanted to explore the alternative narrative behind Kids. Get tickets for The Kids at Sydney Film Festival here: https://www.sff.org.au/program/browse/the-kids Watch Jisoe here https://www.youtube.com/watch?v=gp8ZNqaG-dE&t=2490s&ab_channel=EddieMartin Follow me on Letterboxd: Alfie Faber And Instagram at @alfiefaber Got any feedback or questions? Contact me at contact@soundperspectivepodcast.com

David France is a documentary filmmaker, writer and journalist in New York, whose directing credits include Oscar-Nominated How To Survive a Plague, The Death and Life of Marsha P Johnson, and last year's Welcome to Chechnya, the horrific story of the genocide of queer people in the Russian state of Chechnya. In this Skype interview we discussed his transition from journalism to film, how he ensured the anonymity of his subjects through ground-breaking VFX and ADR, and his working relationship with legendary mixer Lora Hirschberg, who has also worked on films such as The Dark Knight and Inception. Find out where you can watch Welcome To Chechnya here https://www.welcometochechnya.com/seefilm Follow the podcast socials on Facebook - https://www.facebook.com/soundperspectivepodcast Instagram - @alfiefaber Email at contact@soundperspectivepodcast.com

Kate Simko is a composer in London who's worked across a wide variety of docos and fiction films as well as having had a long career as an EDM DJ. Her most recent work is on the documentary Underplayed, which explores the issue of the lack of female-identifying DJs and the history of women in electronic music. We chatted about the influence of her upbringing in the Chicago music scene, her career as a DJ, finding a sound palette that sat between the music styles of Underplayed's participants, and why there are so few women composers. Check her music at https://open.spotify.com/artist/2KXLSIzI7CY7AJg5ARUOSb?si=68tiq752Qb27zqtpJmt_XA Follow the podcast socials on Facebook - https://www.facebook.com/soundperspectivepodcast Instagram - @alfiefaber Email at contact@soundperspectivepodcast.com

Aunty Donna are a 6-piece comedy group from Melbourne, Australia, who have worked across video, stage performance, and music. They are very, very, very funny people. In this episode I chatted to two of the members; filmmaker Max Miller and composer/sound designer Tom Armstrong, about their new Netflix original series, Aunty Donna's Big Ol' House of Fun. We talked about how Tom likes to get involved from the sketch writing phase, how Max converts live sketches to something cinematic, their work outside of Aunty Donna, and the alternate universe in which they might have made a Quibi series. Watch Aunty Donna's Big Ol' House of Fun now on Netflix, or follow their socials: Instagram: @theauntydonnagallery Twitter: @auntydonnaboys Facebook and Youtube: Aunty Donna Follow me on Facebook at Sound Perspective Twitter @soundperspect Instagram @alfiefaber Got feedback? Email me contact@soundperspectivepodcast.com

Glendyn Ivin is an Australian director of features such as Last Ride and Penguin Bloom, which just premiered at TIFF, as well as amazing TV shows such as The Cry, The Beautiful Lie, and Puberty Blues. I managed to have a Skype interview with him while he was stuck in a two week quarantine in a hotel in Sydney, and we had a really amazing chat about a massive range of topics; his background in documentary, passion for music, love of shooting with small crews and editing of bird sounds in Penguin Bloom. Watch his Palme D'or winning short here https://vimeo.com/8833777 Follow me on Facebook at Sound Perspective Twitter @soundperspect Instagram @alfiefabersound Got feedback? Email me contact@soundperspectivepodcast.com

In this episode I chat with Natalie Erika James and Robert Mackenzie, the director and sound designer of the hit Australian horror film Relic. In this Skype interview, we talked about the collaborative process of having a sound team working in 3 different cities, creating an extensive sample library before the edit, and how they created a sense of organic decay through the soundtrack. Relic is currently available in Australia on Stan and overseas on rental platforms. Follow me on Facebook at Sound Perspective Twitter @soundperspect Instagram @alfiefabersound Got feedback? Email me contact@soundperspectivepodcast.com

Ron Bartlett is a re-recording mixer working at the Formosa Group in LA, with over 170 credits to his name, including Bladerunner 2049, Reservoir Dogs, The Assassination of Jesse James by the Coward Robert Ford, Us, and the upcoming Dune film by Denis Villeneuve. In this Skype interview we chatted about his intro to sound through drumming, the experience of working on both Bladerunner films, and his memories of Quentin Tarantino as a young up-and-comer in the indie LA scene. Follow me on Facebook at Sound Perspective Twitter @soundperspect Instagram @alfiefabersound Got feedback? Email me contact@soundperspectivepodcast.com

Jed Kurzel is an Australian composer living in England. He is the brother of Australian director Justin Kurzel, and in addition to having scored all of his films (Snowtown, Assassins Creed and The True History of the Kelly Gang) he's composed for films such as Alien: Covenant, The Babadook and The Nightingale. In this Skype interview me and Jed talked about his upbringing with Justin, the difference between film composition and song-writing and what composers can do to add to a film. Follow me on Facebook at Sound Perspective Twitter @soundperspect Instagram @alfiefabersound Got feedback? Email me contact@soundperspectivepodcast.com

Karen Baker Landers is a two-time Oscar-winning sound editor in LA, working for the Formosa Group. Her credits include The Bourne franchise, Skyfall, Spectre and Black Hawk Down. In this Skype interview we talked about her fascination with sound in storytelling since a young age, working with an audiences expectations of "movie" sound, and keeping the sound authentic in her most recent Netflix film Sergio. Follow me on Facebook at Sound Perspective Twitter @soundperspect Instagram @alfiefabersound Got feedback? Email me contact@soundperspectivepodcast.com