Beneath the Screen of the Ultra-Critics

The gang's all here. Back from a hiatus and ready to talk about all the ways not to watch movies. Because, believe it or not, some people are doing it wrong.

This month we hand the reigns over to Kara as we look at two of her picks: Nightbreed (Director's Cut) and Return to Oz.

Kara, Thad, and Jeremiah take a look at two Nick Hornby adaptations: "High Fidelity" and "Juliet, Naked", and look at how they portray fandom and toxic masculinity.

The trio discusses two films by creature designer and director Keita Amemiya: Zeiram (1991) and Mechanical Violator Hakaider (1995).

Y'all really thought January 1 was going to be your clean slate to hear no more about "Christmas movies". HAH. Jeremiah, Thad, and Kara kick off 2023 by arguing about Batman Returns and The Long Kiss Goodnight.

Thad, Kara, and Jeremiah sit down and look at two similar movies with drastically different tones. This week we look at Shane Black's 2016 THE NICE GUYS and Steven Soderbergh's 2021 NO SUDDEN MOVE.

Thad, Kara, and Jeremiah take a look at THE HOLLYWOOD KNIGHTS, and FAST TIMES AT RIDGEMONT HIGH.

Thad, Kara, and Jeremiah look at the strange phenomenon of Godzilla and its American counterpart Godzilla, King of the Monsters!

Thad and Kara are out this episode, so it's Jeremiah and Molly as they explore the ride-or-die sub-genre of bootlegging car chase movies with Smokey and the Bandit and White Lightning.

This month, the gang kicks off summer with baseball movies. Join Thad, Kara, and Jeremiah as they take a swing at The Bingo Long Traveling All-Stars & Motor Kings and A League of Their Own!

Thad, Kara, and Jeremiah compare and contrast the 1974 Sidney Lumet Murder on the Orient Express with the 2017 Kenneth Branagh version.

One day, four people made a fateful decision to watch The Country Bears. They were never the same again. Join Jeremiah, Thad, Kara, and special guest, Molly, as they deal with the fallout.

Thad, Kara, and Jeremiah discuss how going to the movies, and watching movies, has changed during these wild and turbulent times.

Thad, Kara, and Jeremiah look to celebrate Halloween by looking at Clive Barker's Hellraiser and Wes Craven's People Under the Stairs. Beneath the Screen of the Ultra-Critics is a proud member of the Fandomentals Network.

We discuss the striking similarities between the mockumentary "Incident at Loch Ness" and the real documentary "Creature From Big Muddy: An Illinois Bigfoot Legend". Joined by guest Dustin Blakeman, who also composed a special intro for this episode. "Human Clicktrack" - Dustin Blakeman: I think it's only fitting for an episode about monsters and ecstatic truth to peel back the layers of artifice that permeate our era of digital perfection and overproduction. Here is a both "natural" yet, still specifically produced opening... fitting with this episode's subject matter.

Thad, Kara, and Jeremiah explore alarmist propaganda in film. First, they look at the 1984 red scare WWIII fantasy RED DAWN followed by a deft exploration of the effects of cold war paranoia in WARGAMES.

Thad, Kara, and Jeremiah look at three fantasy films and discuss how they seem particularly structured and geared towards children. Beneath the Screen of the Ultra-Critics is a proud member of the Fandomentals Network.

Thad, Kara, and Jeremiah look at how movies about the civil rights movement have been framed via Mississippi Burning (1988) & Selma (2014).

Thad, Kara, and Jeremiah take a breather and assess their series on Propaganda and Antifa themes. The trio tries to figure out how they've succeeded and how they can do better moving forward.

The trio looks at David Simon's HBO 6 part miniseries, "Show Me a Hero" (2015). Starring Oscar Issac, Alfred Molina, Catherine Keener, and Ilfenesh Hadera, and directed by Paul Haggis, the series looks at a Yonkers Public Housing project and the ups and downs of getting it built.