Deep Color

Jesse Wine makes ceramic sculptures that combine body parts like arms, legs, hands, and feet, along with abstract shapes that are deflated, pulled, and stacked. Jesse talks about making sculptures that are self-aware, the expressiveness in our hands, empathy as a gesture, being illusionistic with his surfaces, knowing when to destroy a sculpture, peacefulness as an important ingredient in his studio, a great football match as the ultimate narrative, becoming more optimistic through experience, and the long game of being an artist. View Jesse’s work HERE Purchase “Jesse Wine / Sculpture” HERE Support Deep Color HERE This episode is presented by R&F Handmade Paints

Celia Pym makes textile-based artwork by repairing items like tattered sweaters, worn out socks, or torn paper pastry bags. Celia talks about the exchanges between making functional and non-functional art objects, finding pleasure in the tactility of her materials, different types of art transactions and preferring to return work to their original owners, damage and repair as driving concepts, how portraiture and body can be seen in garments, interacting with stories about grief, being intentional about contrast and “not matching”, repair work as a political act, being suspicious of virtue, how mending can unstick a stuck feeling, and navigating her emotional life through practicalities and making things. This episode is presented by R&F Handmade Paints View Celia’s work HERE Purchase Celia’s book “On Mending” HERE Support Deep Color HERE

Alvaro Barrington makes mixed-media paintings that underscore a reverence for art history and hip-hop culture, craft and handwork, and how and where his own lived experience weaves into the work he is making. Alvaro talks about self-evaluation and how one can be a great painter but a bad artist, innovation and social impact as barometers for successful art, stealing from other artists, paintings as monologues, partnering with multiple competing galleries, debt as a kind of violence, searching for freedom through his paintings, and complete awe and gratitude for being able to live his life as an artist. This episode is presented by R&F Handmade Paints View Alvaro’s work HERE Support Deep Color HERE

Matt Rich makes paintings, drawings, sculpture, and installations that center themselves around form and shape, color relationships, and different systems for mark making. Matt talks about time as a resource and the safety of a studio space, the importance of procedure in his practice, colliding intentional and accidental gestures, wanting his work to be unpretentious and light, the influences of writing graffiti as a teenager, color as a mess of ever-changing experiences, ampersand symbols as an aesthetic and conceptual muse, and artistic discontent as a way to drive his work into new places. This episode is presented by R&F Handmade Paints View Matt’s work HERE Support Deep Color HERE

Andrew Schoultz makes drawings, paintings, prints, installations, and large-scale murals that reference how history and turmoil follow patterns, and how power dynamics, spirituality, and environment can shape our experience of the world. Andrew talks about comic books and graffiti as early influences, obsessive compulsiveness as a creative asset, handwork and the beauty of imperfection, the connections between skateboarding and art making, style and what can dictate it, how the art market interferes with sincerity, fitness as a powerful force in his studio practice, autonomy as a form of success, and finding a sense of purpose and pride through being an artist. This episode is presented by R&F Handmade Paints View Andrew’s work HERE Support Deep Color HERE

Ashley Bickerton makes sculpture, assemblages and painting-like objects that reference the grotesqueness of commodification and consumerism. Ashley talks about how a work of art can hold contrasting meanings, avoiding typecasting and being fluid with his artistic language, pacing an art career and gallery relationships as business arrangements—not friendships, operating on the edge of the contemporary art world, how a harmonious homelife allows him to flourish in the studio, being diagnosed with ALS and researching new ways to make art, mortality and the beauty in each day, and preferring ideas and dreams to the crud and muck of our physical word. View Ashley’s work HERE Support Deep Color HERE

Spencer Lewis makes abstract paintings that are an explosion of mark-making, smears, caked up textures, and tangles of color. Spencer talks about using raw and low-pressure materials, being spastic and aggressive with his first set of gestures, the exchanges between art and sports, working intuitively and “no move” painting, artists as opportunists, pictorial organization and disorganization, studio visit strategies, and the emotional resonance and chase of making a satisfying painting. View Spencer’s work HERE Support Deep Color™

Leslie Diuguid is a printmaker and the founder, owner and operator of DuGood Press—the first and only Black Female owned fine-art screen printing business in New York City. Leslie talks about how her family’s history is embedded into her work and outlook, pivoting from printing business cards and apparel to fine-art editions, amplifying an artist’s voice and ideas through printmaking, the process of dissecting images into layers and individual colors, “winging it” and learning on the fly, slow mornings as form of self-care, and the excitement and satisfaction born out of solving complicated printing projects. Check out DuGood Press HERE Support Deep Color™

Jim Drain is a multi-disciplinary artist that makes other-worldly sculpture, furniture, and installation-based works. He is also one of the original founders of Fort Thunder--the influential live/work/performance space in Providence, Rhode Island during the 90’s, and a member of Forcefield—the celebrated noise band and artist collective. Jim talks about the stories that can surround a work of art, the presence of family imbedded in his work, knitting as method for unification and the generosity of the craft community, hearing with his eyeballs, collaboration and the third mind, being a present parent and grumpy Dads, teaching undergraduate and high school students, and the irrationality and joys of being an artist. View Jim’s work HERE. Support Deep Color™

Rodrigo Valenzuela makes photographs, video and installation-based works that consider the value of labor, the language of modernist architecture, and the inefficiency of bureaucracy. Rodrigo talks about how ideas are born out of his process and making, poetic formalism as a layer in his work, getting out of his own way and second guessing as a healthy thought exercise, reading as a key part of his practice, and how friendships and support systems can strengthen an artist’s work. This episode was organized, facilitated, and recorded by artist Matt Rich. View Rodrigo’s work HERE. Support Deep Color™

Phil Sanders is a master printer, educator, author and artist, and is the founder and director of PS Marlow—a fine art publisher and creative services consultancy based in Asheville, North Carolina. Phil has worked with celebrated artists like Elizabeth Murray, Jasper Johns, Helen Frankenthaler and Chakaia Booker among many others. Phil talks about his new book Prints and Their Makers, learning about the emotional impact of color while collaborating with painter Wayne Thiebaud, the difference between reproductions and prints, prioritizing other artist’s work over his own artwork, the enduring legacy of artist and master printer Robert Blackburn, art history and antiracism, fatherhood and the work/life balance, and how art, artists and our imaginations are vital components of a healthy democracy. Purchase Prints and Their Makers Join the PATM Book Club Support Deep Color

Nikita Gale makes sculpture and installation-based work that explores the exchanges and barriers between audience and performer. Nikita talks about how artwork can influence group behavior, protest and dissent as performance, research as a way to pull out ideas, noise and silence as social and political positions, the similarities between studio visits and dating, maintenance and mind-body awareness, and art as an open invitation. See Nikita’s work HERE Nikita’s culture recommendation: Stories of Your Life and Others, by Ted Chiang Nikita Gale/Private Dancer at California African American Museum through May 9, 2021 Support Deep Color

Curtis Talwst Santiago is a multi-disciplinary artist that makes sculpture, drawings and paintings, performance and video. Curtis talks about pivoting from music to visual art, navigating the COVID-19 pandemic, his recent show Can’t I Alter at The Drawing Center in New York, genetic trauma and ancestry as concepts, intuition as an important tool, the complexities of Kanye West, honesty during studio visits and learning to be patient with the process of making art.

Susan Bee makes energetic oil paintings that feature a mix of female figures in fantastical landscapes, art historical references, geometric abstraction and pictorial invention—all serving as iconic flashpoints for current social and personal struggles. Susan talks about symbolism and being inspired by romance and poetry, inserting herself into someone else’s narrative, how images can represent sound, surrendering meaning and embracing ambiguity, vulnerability during studio visits, the self as primary audience, and feeling completely absorbed by the process of making a painting.

Libby Rothfeld makes conceptually driven sculpture that combines found objects, photography and drawing, and built wood structures that are often covered with banal hardware store tiles and kitchen counter laminate. Libby talks about the varied ingredients in her studio practice, subdued and faded color palettes as suggestions of time, an interest in the peripheral of our world, formality as feeling, figure skating and the collisions between taste, choice and identity.

Graham Collins makes sculpture and paintings that often combine complex structures, minimalism and material exploration. Graham talks about his approach to making and how different bodies of work connect and disconnect, thriving off of deadlines, being skeptical of art as a healthy exercise, allowing for fun in studio, small versus big galleries, green smoothies as placebo, how feelings aren’t facts, a desire for meaning to be visible and artist’s as the drivers of culture.

Joshua Abelow makes abstract paintings that feature a mix of geometric patterns, angular bursts, and stick figures that awkwardly vibrate up and through the picture plane. Josh talks about balancing broadness and specificity in his work, his writing and the futility of artist statements, his curatorial project and exhibition space “Freddy”, the value of maintaining a routine, and the similarities between making a mixtape and making a painting.

Erin M. Riley is a fiber-based artist that makes large scale, hand woven tapestries that depict still lives of forlorn objects, scenes of intimacy and self-portraiture. Erin talks about women expressing masculinity through art, selfies as a form of existence, her source material, ritual and the physicality of process, code words as privacy, slowing down and looking, and art as a fundamental survival mechanism. 2019 Fall Fundraiser: show and wear your support for Deep Color™ with an artist shirt by episode 38 contributor Maia Ruth Lee. All proceeds go towards off setting the cost of producing Deep Color™ episodes and ensuring excellent future programming. Only a limited number of these shirts will be produced. To view and pre-order, click HERE.

Jennie Jieun Lee makes ceramic sculpture covered with luscious layers of glaze, and wall works that combine assemblage, drawing and painting. Jennie talks about graduate school as a way to check ego and stretch the brain, otherness and an immigrant’s ear, emotions as appraisals of intelligence, collapsing boundaries between craft and fine art, her glazing strategies, and personal fulfillment through service and art making. 2019 Fall Fundraiser: show and wear your support for Deep Color™ with an artist shirt by episode 38 contributor Maia Ruth Lee. All proceeds go towards off setting the cost of producing Deep Color™ episodes and ensuring excellent future programming. Only a limited number of these shirts will be produced. To view and pre-order, click HERE.

Eric White makes representational oil paintings that often depict cinematic scenes and unsettling but graceful interactions between people and objects. Eric talks about film as an influence and using reference material, finding ideas in dream states, sleep and painting as obsession, the perverse satisfaction of using tiny brushes, and enjoying all the variables and challenges of making a good painting. 2019 Fall Fundraiser: show and wear your support for Deep Color™ with an artist shirt by episode 38 contributor Maia Ruth Lee. All proceeds go towards off setting the cost of producing Deep Color™ episodes and ensuring excellent future programming. Only a limited number of these shirts will be produced. To view and pre-order, click HERE.