The Next Reel Presents: Movies We Like

“Life moves pretty fast. If you don't stop and look around once in a while, you could miss it." Talking About Ferris Bueller’s Day Off with our guest, dialect coach William Conacher In this episode of Movies We Like, Andy Nelson and Pete Wright are joined by renowned dialect coach William Conacher to discuss his fascinating career and the beloved classic Ferris Bueller's Day Off. Conacher shares his journey from actor to dialect coach, working on projects like The Crown, Spencer, and No Time to Die, and the intricate process of teaching actors to master various accents and dialects. Conacher delves into the art of breaking down accents into teachable components, the importance of finding authentic speech samples, and the challenges well-known actors face when taking on accents, noting that they often receive more scrutiny and criticism compared to lesser-known actors, even when their accents are executed perfectly. He also shares insights on his role as a dialogue supervisor and the nuances of coaching actors in different languages and time periods. The discussion touches on Conacher's experience working with actors like Kristen Stewart, Rami Malek, and members of the cast of The Crown, as well as his approach to coaching made-up dialects in films like The Chronicles of Narnia: Prince Caspian. Conacher also explores the diversity of London accents and the influence of ethnicity and culture on speech patterns. Ferris Bueller's Day Off remains a timeless classic that continues to captivate audiences with its wit, charm, and unforgettable performances. William Conacher's expertise and insights into the world of dialect coaching add a fascinating layer to the appreciation of this beloved film. Join Andy, Pete, and William as they celebrate the enduring appeal of Ferris Bueller's Day Off and explore the art of bringing authentic voices to the screen. Film Sundries InstagramThreadsWilliam on IMDbAppleAmazonJustWatchScript OptionsTheatrical trailerLetterboxd Build your own website (or one for your granny!) with SQUARESPACE. Try it today! Check out The Next Reel’s MERCH STORE! Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel’s DISCORD channel! Here’s where you can find us around the internet: The WebLetterboxdCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteAndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for? Become a Member here: $5 monthly or $55 annually What are some other ways you can support us and show your love? Glad you asked! WATCH PAGELETTERBOXD MEMBERSHIP DISCOUNTAUDIBLE

In this inaugural episode of Cinema Scope, host Andy Nelson is joined by professors Leon Hunt and Chris Hamm to explore the captivating world of wuxia, a Chinese film genre that blends philosophy, action, and legend. They discuss the key elements that define wuxia, such as the chivalrous heroes, period settings, and fantastical elements, as well as the concept of jianghu, a unique world within wuxia stories. Leon and Chris trace the evolution of wuxia from its roots in early Chinese literature to its influence on other genres, including Hollywood blockbusters. They also highlight notable works like A Touch of Zen, The Bride with White Hair, and Crouching Tiger, Hidden Dragon, analyzing their contributions to the development and popularity of wuxia cinema. This engaging and informative episode will deepen your appreciation for the richness and complexity of the wuxia genre, inspiring you to explore more of these captivating films. Film Sundries Come Drink With MeAppleAmazonJustWatchGolden SwallowAppleAmazonJustWatchThe New One-Armed SwordsmanAppleAmazonJustWatchA Touch of ZenAppleAmazonJustWatchThe Magic BladeAppleAmazonJustWatchLast Hurrah for ChivalryAppleAmazonJustWatchThe Butterfly MurdersAppleAmazonJustWatchSwordsman IIAppleAmazonJustWatchThe Bride with White HairAppleAmazonJustWatchCrouching Tiger, Hidden DragonAppleAmazonJustWatchOur Letterboxd ListKung Fu Cult MastersMario Bava: The Artisan as Italian Horror AuteurThe Unworthy Scholar from Pingjiang: Republican-Era Martial Arts FictionPaper Swordsmen: Jin Yong and the Modern Chinese Martial Arts Novel Build your own website (or one for your granny!) with SQUARESPACE. Try it today! Check out The Next Reel’s MERCH STORE! Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel’s DISCORD channel! Here’s where you can find us around the internet: The WebLetterboxdCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteAndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for? Become a Member here: $5 monthly or

“You call it luck. I call it destiny.” Talking About John Huston’s The Man Who Would Be King with our guest, actor Patrick Fabian In this engaging episode of Movies We Like, hosts Andy Nelson and Pete Wright are joined by special guest Patrick Fabian to discuss John Huston's epic adventure film, The Man Who Would Be King. Fabian, known for his roles in numerous TV shows and films, including his standout performance as Howard Hamlin in Better Call Saul, shares his passion for this classic movie and how it inspired him to pursue a career in acting. Throughout the episode, Fabian delves into his early days as an aspiring actor, from his time as a band president in high school to his decision to pursue a master's degree in theater at Cal State Long Beach. He also shares anecdotes about his experiences working on various television shows and the valuable lessons he learned along the way, such as the importance of persistence and adaptability in the face of rejection. As the conversation turns to The Man Who Would Be King, Fabian expresses his admiration for the film's sense of adventure, the strong bond between the lead characters, and the captivating performances by Sean Connery and Michael Caine. The hosts and guest explore the movie's themes, its representation of colonialism, and the enduring appeal of its grand storytelling. The Man Who Would Be King is a timeless adventure that continues to enthrall audiences with its sweeping narrative, unforgettable performances, and exotic locales. Andy Nelson, Pete Wright, and Patrick Fabian's engaging discussion about the film and Fabian's fascinating career journey make this episode of Movies We Like a must-listen for fans of classic cinema and those interested in the world of acting. Join them as they celebrate the enduring power of storytelling and the indelible impact that a single film can have on one's life and career. Film Sundries InstagramThreadsX/TwitterAppleAmazonJustWatchScript OptionsTheatrical trailerOriginal MaterialThe Next Reel’s Family of Film Podcasts Cinema ScopeThe Film BoardMovies We LikeThe Next ReelThe Next Reel Shorts (retired)The Saturday Matinée (retired)Silver Linings (retired)Sitting in the DarkThree of a Kind (retired)Trailer Rewind (retired) Build your own website (or one for your granny!) with SQUARESPACE. Try it today! Check out The Next Reel’s MERCH STORE! Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel’s DISCORD channel! Here’s where you can find us around the internet: The WebLetterboxdCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteAndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for? Become a Member here: $5 monthly or $55 annually What are some other ways you can support us and show your love? Glad you asked! WATCH PAGELETTERBOXD MEMBERSHIP DISCOUNTAUDIBLE

Talking About Jean-Pierre Jeunet’s Amélie with our guest, Costume Designer Antoinette Messam On this episode of Movies We Like, we speak with costume designer Antoinette Messam about her incredible career in film and one of her favorite movies, Jean-Pierre Jeunet's magical 2001 film Amélie. We have a fascinating conversation with Antoinette about her journey into costume design, including rebelling against family expectations, finding her way from fashion to film, and learning on the job. She shares amazing stories about her experience collaborating with directors like Ryan Coogler (Creed), F. Gary Gray (Lift), and Jeymes Samuel (The Harder They Fall, The Book of Clarence), and dressing icons like Sylvester Stallone and Michael B. Jordan. When it comes to Amélie, we dive deep into the stunning use of color and how it brings the whimsical world to life. Antoinette explains how the color palette was meticulously constructed through collaboration between the director, production design, costume, and more - truly effortless worldbuilding. We also discuss the joyful spirit of the film, Audrey Tautou’s masterful performance, and how the music perfectly complements the visuals. Our chat with Antoinette gives rare insight into the art of costume design and the magic of movies. Amélie is a vibrant, feel-good film with incredible attention to detail that we highly recommend. We have an amazing time learning from Antoinette's experiences and perspectives on this delightful movie. Film Sundries on the webInstagramAppleAmazonJustWatchScript OptionsTheatrical trailerLetterboxd Build your own website (or one for your granny!) with SQUARESPACE. Try it today! Check out The Next Reel’s MERCH STORE! Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel’s DISCORD channel! Here’s where you can find us around the internet: The WebLetterboxdCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteAndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for? Become a Member here: $5 monthly or $55 annually What are some other ways you can support us and show your love? Glad you asked! WATCH PAGELETTERBOXD MEMBERSHIP DISCOUNTAUDIBLE

“Life isn't like in the movies. Life... is much harder.” Talking About Cinema Paradiso with our guest, Special Effects Supervisor Chris Reynolds In this magical episode, we chat with veteran special effects artist and supervisor Chris Reynolds about his storied career bringing movies to life through innovative engineering and technology. Our focus is the classic Cinema Paradiso, a nostalgic ode to the glory days of cinema that inspired Chris from an early age. Chris has built an impressive 40-year career in special effects, rising from technician to supervisor. He regales us with tales of his early days at the BBC, where he cut his teeth on classics like Blackadder. From blowing up haggis to sculpting giant lips, Chris learned to create imaginative practical effects on the fly across every genre. His passion for storytelling shines through as he discusses favorite projects, including some he worked on like Philip K. Dick’s Electric Dreams, and others he didn't, like Battle of Britain. Turning to Cinema Paradiso, we unpack the magic of this film that celebrates the power of cinema to transport us. We all agree the performances are fantastic, especially Salvatore Cascio as the young Toto. And Ennio Morricone’s iconic score ties it all together. The ending montage of kisses cut by the priest is pure movie magic. Chris gives the inside scoop on the fire sequence, rating its mixed effectiveness from a special effects supervisor's perspective. He also shares which version he prefers between the Director’s Cut and the international release. Overall, Cinema Paradiso captures a sense of childlike wonder and nostalgia for the romanticism of old Hollywood. Chris gives us an insider’s view into the art and craft of moviemaking. For any cinema lover, this is a must-listen episode. Film Sundries Visit Chris’ WebsiteAppleAmazonJustWatchScript OptionsTheatrical trailerLetterboxd Build your own website (or one for your granny!) with SQUARESPACE. Try it today! Check out The Next Reel’s MERCH STORE! Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel’s DISCORD channel! Here’s where you can find us around the internet: The WebLetterboxdCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteAndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for? Become a Member here: $5 monthly or $55 annually What are some other ways you can support us and show your love? Glad you asked! WATCH PAGELETTERBOXD MEMBERSHIP DISCOUNTAUDIBLE

“You may think you know what you’re dealing with, but you don’t. Believe me.” Talking About Chinatown with our guest, Cinematographer Erik Messerschmidt Roman Polanski's 1974 neo-noir Chinatown is regarded as one of the greatest films of all time. In this episode, we're joined by Academy Award-winning cinematographer Erik Messerschmidt to discuss this masterpiece of cinema. We start by talking to Erik about his passion for filmmaking and what led him to a career in cinematography. He shares how he was drawn to the camaraderie and creative collaboration of working on set. Over time he realized the cinematographer role allowed him to blend his interests in art, science, and technology. When it comes to Chinatown, Erik praises the elegant camerawork and seamless visual storytelling. Polanski uses the camera deliberately, guiding the audience through clues and reveals without excessive dialogue. The mystery unfolds through precise editing and minimalist framing. We also discuss the phenomenal performances and how Polanski pulls back at key moments to ground the major plot turns. Chatting with Erik gave us a new appreciation for the nuance and artistry of Chinatown. It's a masterclass in subtle visual storytelling that inspired generations of filmmakers. Roman Polanski's direction and Robert Towne's script form a potent combination. We highly recommend revisiting this neo-noir gem. Film Sundries Erik on InstagramAppleAmazonJustWatchScript OptionsTheatrical trailerLetterboxd Build your own website (or one for your granny!) with SQUARESPACE. Try it today! Check out The Next Reel’s MERCH STORE! Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel’s DISCORD channel! Here’s where you can find us around the internet: The WebLetterboxdCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteAndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for? Become a Member here: $5 monthly or $55 annually What are some other ways you can support us and show your love? Glad you asked! WATCH PAGELETTERBOXD MEMBERSHIP DISCOUNTAUDIBLE

“This is something that happens.” Talking About Paul Thomas Anderson’s 1999 film Magnolia with our guest, cinematographer Lyn Moncrief On this episode of Movies We Like, hosts Andy Nelson and Pete Wright invite cinematographer Lyn Moncrief to discuss his career and one of his favorite films, Paul Thomas Anderson’s sprawling 1999 drama Magnolia. We talk with Lyn about how he first got interested in cinematography and making the move to Los Angeles to pursue his passion. He discusses some of his early work in independent films and horror movies, explaining that the genre can allow for creative freedom visually. Lyn also touches on his collaborations with director Emma Tammi, including the recent Five Nights at Freddy's adaptation. When we dive into Magnolia, we analyze the film's unique visual style, editing, and how the different storylines weave together. We highlight standout emotional performances, especially from Tom Cruise and Julianne Moore. We also praise the film's musical interludes featuring songs written for the movie by Aimee Mann. Lyn explains how Magnolia inspired him as a young cinematographer and made him want to be part of ambitious filmmaking. With its sprawling stories, raw performances, and stunning cinematography, Magnolia is truly a modern classic. This was a fascinating discussion about both Lyn's career and one of his favorite films. We clearly had an excellent time geeking out over this towering achievement. Be sure to check out Magnolia if you haven't seen it and listen to Lyn's insights from working in the industry. Film Sundries His WebsiteInstagramAppleAmazonJustWatchScript OptionsTheatrical trailerLetterboxd Build your own website (or one for your granny!) with SQUARESPACE. Try it today! Check out The Next Reel’s MERCH STORE! Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel’s DISCORD channel! Here’s where you can find us around the internet: The WebLetterboxdCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteAndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for? Become a Member here: $5 monthly or $55 annually What are some other ways you can support us and show your love? Glad you asked! WATCH PAGELETTERBOXD MEMBERSHIP DISCOUNTAUDIBLE

“I think I could turn into you if I really tried.” Talking About Persona with our guest, writer/director Sophie Barthes On this episode of Movies We Like, we speak with writer/director Sophie Barthes about one of her favorite films, Ingmar Bergman’s 1966 psychological drama Persona. We also discussed Barthes' own directing career and thoughts on filmmaking. We have an in-depth discussion about Bergman's avant-garde masterpiece Persona, analyzing its dreamlike atmosphere, innovative editing and cinematography, complex characters and themes of identity and psychology. We talk about how the film's shocking opening montage and sparse narrative puts the viewer in an unsettled state of mind. Overall, we find Persona to be an endlessly discussable classic that still feels fresh and boundary-pushing today. We also speak with Barthes about her three feature films - Cold Souls, Madame Bovary, and The Pod Generation. Barthes explains how she often explores themes of consumerism, psychology and identity through different genres and time periods. She shared insights into her creative process, from conceptualizing stories based on her dreams to her highly-stylized production design. Barthes also discussed the challenges of portraying human truths and darkness as a director today versus Bergman's time. Barthes gives thoughtful perspective as both a director and film lover. Her pick certainly leads to a rich discussion about cinematic art today as Persona proves to be a multilayered classic ripe for analysis. Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel! Film Sundries Learn more about supporting The Next Reel’s Movies We Like through your own membership with The Next Reel. Cold SoulsMadame BovaryThe Pod Generation AmazonAppleAppleAmazonJustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxd Build your own website (or one for your granny!) with SQUARESPACE. Try it today! Check out The Next Reel’s MERCH STORE! Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel’s DISCORD channel! Here’s where you can find us around the internet: The WebLetterboxdCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteAndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for? Become a Member here: $5 monthly or $55 annually What are some other ways you can support us and show your love? Glad you asked! WATCH PAGELETTERBOXD MEMBERSHIP DISCOUNTAUDIBLE

“If might is right, then love has no place in the world.” Talking About The Mission with our guest, Academy Award-winning costume designer Deborah L. Scott Andy and legendary costume designer Deborah L. Scott dive deep into Roland Joffé’s 1986 masterpiece The Mission, an intense and emotional story of faith, colonialism, and redemption. Set in 18th century South America, this Best Picture Oscar nominee boasts an incredible cast and a stunning visual style. Jeremy Irons delivers an incredible performance as Father Gabriel, a Jesuit priest trying to build a mission in the jungle and protect the indigenous Guarani people. Robert De Niro is unforgettable as Rodrigo Mendoza, a mercenary and slaver who murdered his own brother and seeks forgiveness and redemption by becoming a Jesuit priest. The complex story deftly explores the intersection of religion, politics, and colonialism during this volatile historical period. From the lush South American jungles to the thundering Iguaçu Falls, the movie is a visual feast, thanks in large part to Chris Menges' Oscar-winning cinematography. Ennio Morricone’s haunting, Golden Globe-winning score adds an emotional weight that permeates each scene. Though Deborah did not work on this film, she provides an insider's appreciation for Enrico Sabbatini’s period costumes which also help transport viewers to 18th century South America. Deborah’s Legendary Career in Costume Design Deborah also discusses highlights from her amazing career in costume design, including unforgettable films like Titanic, Back to the Future, Avatar, Heat, and yes, even Armed and Dangerous. She shares fascinating stories about how iconic costumes were created and working with visionary directors like James Cameron, Robert Zemeckis, and Michael Mann. The Mission is a powerful and unforgettable film that stays with you long after the credits roll. Deborah and Andy's insightful conversation highlights why the movie remains so impactful decades later. Plus, hearing Deborah's stories provides a fascinating look behind-the-scenes at her legendary costume design career. Join the conversation with movie lovers from around the world in our Discord community! Film Sundries Learn more about supporting Movies We Like through your own membership with The Next Reel family of podcasts. Follow Deborah on InstagramAppleAmazonJustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxd Build your own website (or one for your granny!) with SQUARESPACE. Try it today! Check out The Next Reel’s MERCH STORE! Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel’s DISCORD channel! Here’s where you can find us around the internet: The WebLetterboxdCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteAndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for? Become a Member here: $5 monthly or $55 annually What are some other ways you can support us and show your love? Glad you asked! WATCH PAGELETTERBOXD MEMBERSHIP DISCOUNTAUDIBLE

“Any vampires around these parts, Pa?” Talking About The Reflecting Skin with our guest, storyboard and concept artist Anson Jew There’s a lot going on in this story of childhood. It’s a story about vampirism and nuclear devastation. It’s about a town’s secrets and the perspective of children. Homosexuality in a time when it was far from being accepted. Dealing with loss. Growing old. Finding love. Writer/director Philip Ridley not only crafted a gorgeous film that’s alive from start to finish, but he crafted a story about childhood that captures all the strangeness and complexity we should expect and want in a story about a kid making his way in the world. Storyboard and concept artist Anson Jew joins us to talk about this film, which has stuck with him since he first saw it. It’s a fantastic film and one certainly worth discussing. We have a great time talking with Anson about it, so check it out then tune in. Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel! Film Sundries Learn more about supporting The Next Reel’s Movies We Like through your own membership with The Next Reel. FacebookInstagramTwitterIMDbhis websiteAppleAmazonJustWatchTranscriptTheatrical trailerPoster artworkFlickchartLetterboxd Build your own website (or one for your granny!) with SQUARESPACE. Try it today! Check out The Next Reel’s MERCH STORE! Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel’s DISCORD channel! Here’s where you can find us around the internet: The WebLetterboxdCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteAndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for? Become a Member here: $5 monthly or $55 annually What are some other ways you can support us and show your love? Glad you asked! WATCH PAGELETTERBOXD MEMBERSHIP DISCOUNTAUDIBLE

“You don’t get anywhere in this world by waiting for what you want to come to you. You make it happen.” Talking About Working Girl with our guest, writer/producer Rachel Lewis Mike Nichols’ film has been in all of our lives for decades now, and there are reasons it stands out as a classic. It’s a Cinderella story dealing with the sexism in the 80s workplace, and how one woman proves she has the stuff to break out of the secretary role in which she’d been stuck. It’s full of laughs, but also full of heart. And lest we forget the magnificent big 80s hair. It’s a sight to behold. Sure, the movie has some dated elements that don’t work quite as well, but that’s looking through today’s eyes. For its place in the late 80s, it works perfectly and delivers a solid film. Writer/producer Rachel Lewis is a big fan, and we have a great conversation with her about the movie. We chat through the cast and the themes. And then there’s Carly Simon’s fantastic and anthemic song that’s as inspiring as the movie is itself. Rachel tells us about her career and how she got started in the world of improv comedy before moving to LA and working her way into pitch meetings. As a writer, WGA team captain, and lot coordinator for the current strike, she also breaks down some of the reasons for it and what the writers are collectively working toward. It’s a fantastic conversation about a great movie and the importance of this current strike. Check it out! Film Sundries Learn more about how you can support the WGA during their strikeyour own membershipThe Next Reel’s Discord channelon the webInstagramTwitterIMDbAppleAmazonJustWatchScript OptionsTheatrical trailer“Let the River Run” by Carly Simon music videoPoster artworkFlickchartLetterboxd Build your own website (or one for your granny!) with SQUARESPACE. Try it today! Check out The Next Reel’s MERCH STORE! Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel’s DISCORD channel! Here’s where you can find us around the internet: The WebLetterboxdCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteAndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for? Become a Member here: $5 monthly or $55 annually What are some other ways you can support us and show your love? Glad you asked! WATCH PAGELETTERBOXD MEMBERSHIP DISCOUNTAUDIBLE

“I have a competition in me. I want no one else to succeed. I hate most people.” Talking About Paul Thomas Anderson’s 2007 film There Will Be Blood with our guest, filmmaker Uwe Boll There are many films filmmaker Uwe Boll could’ve picked to discuss with us on the show, but the most recent film that’s affected him as much as some of his all-time favorites is Paul Thomas Anderson’s 2007 film There Will Be Blood. Before we dig into the film, we talk a bit about Boll’s career. Sure, he’s made some cinematic video game adaptations that weren’t received well by critics, but he’s also made some films that satirize modern society, whether in a comedic vein like Postal or a more serious tone like his Rampage films. There’s a change in society as to how people react to their buttons being pushed. That’s certainly reflected in films of the time. Who knows – some of that may come from the rise of the streaming services. Regardless, it all makes for a fascinating discussion. From there, we jump into Anderson’s film. Boll has had some fairly unlikeable protagonists in his films, so we use that as a starting point with Daniel Plainview, the greedy, hateful protagonist of this film. Why is he still likable in some capacity? The film explores greed, capitalism, religion, family, and more. Everything stands out with the film as exemplary, from the performances (Daniel Day-Lewis and Paul Dano are in top form) to Johnny Greenwood’s score to Robert Elswit’s cinematography. We look at the complex story and ponder that the film got made in the first place. A film that doesn’t have dialogue until nearly 15 minutes have passed? How did Anderson sneak it past the studio heads? It’s a wonderful conversation with an insightful filmmaker. Tune in! Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel! Film Sundries Learn more about supporting The Next Reel’s Movies We Like through your own membership with The Next Reel. Uwe Boll RAW podcastVariety: ‘Uwe Boll Returns With New York City Crime Drama ‘First Shift’ (EXCLUSIVE)’AppleAmazonJustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxd Build your own website (or one for your granny!) with SQUARESPACE. Try it today! Check out The Next Reel’s MERCH STORE! Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel’s DISCORD channel! Here’s where you can find us around the internet: The WebLetterboxdCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteAndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for? Become a Member here: $5 monthly or $55 annually What are some other ways you can support us and show your love? Glad you asked! WATCH PAGELETTERBOXD MEMBERSHIP DISCOUNTAUDIBLE

“Your mother can’t be with you anymore.” Talking About Bambi with our Guest Todd Alcott, Screenwriter When released in 1942 during WWII, Walt Disney’s Bambi struggled to find its audience. It still did well enough for itself, but it wasn’t until its subsequent releases over the decades when Disney would bring its classics back to theatres where it really found its audience. Since that time, it’s often cited as one of the best animated films out there. Why does this simple film about a young deer learning about life in the forest work so well? Screenwriter and graphic artist Todd Alcott joins us to talk about Bambi, one of his favorites. But as he says, even that didn’t happen over night. It took decades and multiple viewings to realize what the story was really about and why it clicked so suddenly. And for a film from 1942, there are elements within that make it feel somewhat subversive. It’s a story with little plot about a passive protagonist that doesn’t have any clearly established goal, after all. What screenwriting handbook said that was okay? The film is about life, the mistakes we make, and how we try learning from them. It’s also a reminder that there’s no clear path for life. Just when things make sense, life changes the rules. It’s quite a lot to absorb from what seems like a simple little film. But that’s why we like it, and are thrilled that Todd brought it for us to talk about on Movies We Like. Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel! Film Sundries Learn more about supporting The Next Reel’s Movies We Like through your own membership with The Next Reel. Todd’s siteFacebookInstagramTwitterIMDbProIMDbBambiAppleAmazonJustWatchOriginal 1942 Theatrical trailerPoster artworkLetterboxd Build your own website (or one for your granny!) with SQUARESPACE. Try it today! Check out The Next Reel’s MERCH STORE! Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel’s DISCORD channel! Here’s where you can find us around the internet: The WebLetterboxdCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteAndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for? Become a Member here: $5 monthly or $55 annually What are some other ways you can support us and show your love? Glad you asked! WATCH PAGELETTERBOXD MEMBERSHIP DISCOUNTAUDIBLE

When we started our movie podcast, the original name was Movies We Like. Eventually, as we began talking about some movies we didn't like, we figured we should rebrand. Hence, The Next Reel Film Podcast was born. But we never could let go of the name Movies We Like. We just didn't have a place for it at the time. Then, as we were looking at rebranding this podcast as we worked to bring more guests from the industry to join us in talking about a movie they liked, we realized that this would be the perfect show to use the name Movies We Like! So here we are – a new era of the Speakeasy, now rebranded as Movies We Like. We're looking forward to the future conversations!

Talking About John Cassavetes’ 1974 film ‘A Woman Under the Influence with our guest Tami Reiker In this episode of Movies We Like, we’re joined by award-winning cinematographer Tami Reiker to talk about one of her favorite movies, John Cassavetes’ 1974 film A Woman Under the Influence. This is a film Tami has often shown to directors she’s worked with as they discuss the projects that influence them and what they want to pull from it to bring in as influences on the project. It’s a powerful film that’s full of incredible moments brought by both leads – Gena Rowlands and Peter Falk – not to mention fascinating direction by Cassavetes himself. How has it influenced Tami over her career and what does she pull from it? Tami’s Current Project Surface on Apple TV+ We also talk about the new series she’s worked on with director Sam Miller and star Gugu Mbatha-Raw, Surface. For the episodes she worked on, Tami and Miller wanted to use swing shift lenses to amplify the disconnection Mbatha-Raw’s character has from the world due to post-accident amnesia. It’s a powerful tool and connects directly with their authorial voice. There’s a lot to talk about with Tami about both A Woman Under the Influence and Surface on The Speakeasy. Tune in! Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel! About Tami Award-winning cinematographer Tami Reiker, ASC, made history by becoming the first woman to win an American Society of Cinematographers award. She took home the ASC Outstanding Achievement in Cinematography Award for her work on the HBO pilot, Carnivalé. Reiker recently worked on the highly anticipated new Apple TV+ series Surface starring Gugu Mbatha-Raw and created by Veronica West, bringing together innovative technology and breathtaking visuals for the first two episodes of the psychological thriller, each with director Sam Miller. She also lensed Regina King’s directorial debut One Night In Miami, chronicling a fictional account of a real night when the lives of Cassius Clay, Sam Cooke, Jim Brown and Malcolm X are forever changed. The drama already made history at the 2020 Venice Film Festival as the first film directed by a Black woman to be selected and is also an official selection at the 2020 Toronto International Film Festival. Previously, Reiker photographed the action epic The Old Guard for Netflix and frequent collaborator director Gina Prince-Bythewood. Based on the graphic novel series of the same name, the film follows a group of immortal soldiers who must defeat a corrupt man trying to expose their secret. The feature shattered records after its release, becoming one of the top ten most streamed films in Netflix’s history, with Prince-Bythewood becoming the first Black female director to land a spot on the list. Reiker’s additional feature credits include: Beyond the Lights for Gina Prince-Bythewood, starring Minnie Driver, Danny Glover and Gugu Mbatha-Raw; the critically praised Pieces of April for director Peter Hedges; and High Art, a visual collaboration with director Lisa Cholodenko, which earned Reiker a Best Cinematography nomination at the Independent Spirit Awards. For television, Reiker lensed: episode one of Woman of The Movement, directed by Gina Prince-Bythewood; HBO Max’s Delilah pilot for director James Griffiths; Marvel’s Cloak and Dagger pilot; CBS’s Charmed pilot, with director Brad Silberling; the pilot for Fox’s Shots Fired, the critically praised ten-part series chronicling the investigation of a police shooting; and HBO’s Getting On pilot for director Miguel Arteta. After beginning her career and making a name for herself in the New York film community, Reiker moved to Los Angeles where she still lives now, with her son. She is represented worldwide by DDA. Film Sundries Learn more about supporting Movies We Like and TruStory FM’s other entertainment podcasts through your own membership. A Woman Under the...

"You brought music back into the house. I’d… forgotten." The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, producer Catherine Hand joins us to talk about one of her favorite films, Robert Wise’s 1965 film The Sound of Music. We talk about how the story made it from Maria Von Trapp’s memoirs about her family to the big screen, with several detours along the way. We chat about the movie’s longevity and why it’s had such a long life. We discuss the performances of Julie Andrews and Christopher Plummer, not to mention Plummer’s disdain for the project until recently. And we spend some time looking at Catherine’s career, notably her decades-long pursuit to bring A Wrinkle in Time to the big screen. It’s a wonderful conversation with Catherine that ranges all over, so check out A Wrinkle in Time, revisit The Sound of Music, then tune in to the show! Film Sundries Find Catherine Hand on TwitterA Wrinkle in TimeiTunesAmazonYouTubeThe Sound of MusiciTunesAmazonYouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkThe Story of the Trapp Family Singers by Maria A TrappFlickchartLetterboxd Build your own website (or one for your granny!) with SQUARESPACE. Try it today! Check out The Next Reel’s MERCH STORE! Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel’s DISCORD channel! Here’s where you can find us around the internet: The WebLetterboxdCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteAndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for? Become a Member here: $5 monthly or $55 annually What are some other ways you can support us and show your love? Glad you asked! WATCH PAGELETTERBOXD MEMBERSHIP DISCOUNTAUDIBLE

"I think we just lost the family audience." The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, cinematographer and inventor Nic Sadler joins us to talk about one of his favorite films, Bob Fosse’s 1979 film All That Jazz. We talk about the incredible honesty with which Fosse made this semi-autobiographical film and why it resonates so well with us. We discuss how challenging the film is and why that might be a good thing. We talk about the incredible editing by Alan Heim which the Motion Picture Editors Guild lists as the 4th best edited film, and why it sets a high bar. We of course chat about one of our favorites – Roy Scheider – and how he truly ruled the 70s. We dig into why cinematographer Giuseppe Rotunno shot scenes the way he did, notably the readthrough where Joe has his heart attack. And we talk to Sadler about his own cinematography, notably the recent film Coherence, and how the filmmakers accomplished so much with so little. It’s a brilliant (but challenging) film that celebrates filmmaking as much as it shows the negative side of success. We have a blast talking about it with Sadler so check it out then tune in! The Next Reel – when the movie ends, our conversation begins. Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! — https://patreon.com/thenextreel AmazonScreenplayOriginal theatrical trailerFlickchartLetterboxd Build your own website (or one for your granny!) with SQUARESPACE. Try it today! Check out The Next Reel’s MERCH STORE! Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel’s DISCORD channel! Here’s where you can find us around the internet: The WebLetterboxdCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteAndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for? Become a Member here: $5 monthly or $55 annually What are some other ways you can support us and show your love? Glad you asked! WATCH PAGELETTERBOXD MEMBERSHIP DISCOUNTAUDIBLE

"I’m watching the sky, sir, and it’s doing some amazing things!" The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, one of the many Andy Nelsons in the film world — specifically Andy Nelson the re-recording mixer — joins us to talk about one of his favorite films, Bill Forsyth’s 1983 film Local Hero. We talk about why the film resonates to this day and why the film is such a wonderful celebration of the little things, the details that make life so memorable. We chat about the cast and what they bring to the table, notably Peter Riegert and Burt Lancaster. We ponder the webbed feet of Jenny Seagrove and are presented with a new thought – what if it’s only how the character of Oldsen sees them? We look at the final moments of the film and why it breaks our hearts so much. We talk about Mark Knopfler’s wonderful score and why it hits so well for us. We debate the title and ponder who specifically is the eponymous character. And, of course, we chat with Nelson about his career and what specifically a re-recording mixer does. It’s a magical little film that warms our hearts and provides for a wonderful conversation. Check it out then tune in! The Next Reel. When the movie ends, our conversation begins. Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! — https://patreon.com/thenextreel Andy Nelson on IMDBiTunesAmazonScreenplayOriginal theatrical trailerFlickchartLetterboxd Build your own website (or one for your granny!) with SQUARESPACE. Try it today! Check out The Next Reel’s MERCH STORE! Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel’s DISCORD channel! Here’s where you can find us around the internet: The WebLetterboxdCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteAndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for? Become a Member here: $5 monthly or $55 annually What are some other ways you can support us and show your love? Glad you asked! WATCH PAGELETTERBOXD MEMBERSHIP DISCOUNTAUDIBLE

"We let you all down, didn’t we?" The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, cinematographer Toby Oliver joins us to talk about one of his favorite films, Christopher Nolan’s 2017 film Dunkirk. We talk about Nolan’s decision to shoot on IMAX 65mm largely and how this affected the overall tone of the film and informed some of their decisions as to how it was shot. We chat about the nature of the story told across three separate time windows and how the structure gave us a fascinating perspective on how to look at this war story. We discuss the use of mostly new faces for the cast, barring a few key roles, and how that works effectively in a story with no real protagonist. We touch on Hans Zimmer and his tonal score and why it, paired with the incessant use of a ticking sound, is such a key part of the film. And we talk about Nolan’s insistence on using practical effects and why it likely helped inform the performances throughout the film by having real elements to which to react. It’s a fascinating and powerful war film that feels very different and will be one to stand the test of time. We have a great time talking about it with Toby Oliver, as well as touching on his career. Check it out then tune in! The Next Reel – when the movie ends, our conversation begins. Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! — https://patreon.com/thenextreel iTunesAmazonYouTubeGoogle PlayScreenplayOriginal theatrical trailerOriginal poster artworkFlickchartLetterboxdDunkirk — interview with overall visual effects supervisor Andrew Jackson — artofvfx.comTobyOliver.comInstagramFacebook Build your own website (or one for your granny!) with SQUARESPACE. Try it today! Check out The Next Reel’s MERCH STORE! Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel’s DISCORD channel! Here’s where you can find us around the internet: The WebLetterboxdCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteAndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for? Become a Member here: $5 monthly or $55 annually What are some other ways you can support us and show your love? Glad you asked! WATCH PAGELETTERBOXD MEMBERSHIP DISCOUNTAUDIBLE

“I can’t apologize. I’m not going to apologize for this. You know what I will do? I will apologize on behalf of Ernest Hemingway because that’s who’s to blame here." The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this episode, film composer Harry Gregson-Williams joins us to talk about one of his favorite films, David O. Russell’s 2012 film Silver Linings Playbook. We talk about why the film works so well and how Russell really infuses some serious energy into the film, almost as if the film is expressing the mental state of the two lead characters. We touch on how Russell’s experience with his son – who’s dealing with similar issues to our lead character – drew him to this story to help make mental health more accessible, which he does brilliantly. We discuss the brilliant cast and how perfect they all are in their roles, notably the four leads: Bradley Cooper, Jennifer Lawrence, Robert De Niro and Jackie Weaver. We look at what Russell does musically, bringing in an eclectic mix of songs and Danny Elfman’s score to help drive the story along. And we chat about how the movie blew up at the box office, making more than 11 times its budget. It’s an incredible film that seems to get better with age and Gregson-Williams brings a lot of insight to the conversation. Plus, we have a great chat with him about his career and how he got to where he is. So check out the movie then join us on the show! Film Sundries iTunesAmazonScreenplayOriginal theatrical trailerOriginal poster artworkSilver Linings Playbook by Matthew QuickFlickchartLetterboxd Build your own website (or one for your granny!) with SQUARESPACE. Try it today! Check out The Next Reel’s MERCH STORE! Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel’s DISCORD channel! Here’s where you can find us around the internet: The WebLetterboxdCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteAndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for? Become a Member here: $5 monthly or $55 annually What are some other ways you can support us and show your love? Glad you asked! WATCH PAGELETTERBOXD MEMBERSHIP DISCOUNTAUDIBLE