GLEAN

GLEAN Editor-in-Chief Kathleen Weyts speaks with artist and musician Nick Cave about his exhibition at Xavier Hufkens in Brussels. The Devil - A Life (2020-24) consists of a series of seventeen glazed ceramic figurines that tell the story of the Devil from cradle to grave and are on view at the gallery until the 11th of May. www.glean.art

Writer and curator Jurriaan Benschop speaks with artist Helmut Middendorf on the occasion of his new show at Keteleer Gallery in Antwerp, ‘That Was Then – This Is Now’. www.glean.art

“Every day, I think: Should I be an artist today?” Liam Gillick in conversation with GLEAN director Kathleen Weyts about the artist’s new show, Fact Structures, at KIN Gallery in Brussels.

Els Roelandt speaks with artist Kapwani Kiwanga on the ocasion of a new work she presented at Bozar, in Brussels, titled Rootwork: a rug with an ornamental floral pattern.

GLEAN-director Kathleen Weyts speaks with artist Francis Alÿs about the exhibition, The Nature of the Game, at Wiels in Brussels until January 7. Alÿs is joined by his long-time collaborators, Julien Delvaux and Rafael Ortega.

Thessa Krüger in conversation with Irish filmmaker and photographer Richard Mosse about his new film Broken Spectre, as part of the exhibition Our Impact on Ecosystems in Bozar, Brussels. Still on view until January 21, 2024.

Bas Blaasse speaks with Emmanuel Van der Auwera about his show at Harlan Levey Projects in Brussels, titled A Thousand Pictures of Nothing.

This episode is a special feature from another podcast series, hosted by IKOB, the Museum of Contemporary Art in Eupen, and Studio Néau, a local radio broadcast. In this episode, Brenda Guesnet, curator of IKOB, speaks with artist Marcin Dudek about his latest exhibition at the museum on a bus ride from Brussels to Eupen. Dudek’s show, AKUMULATORY, is still on view until the 26th of this month.

Bas Blaasse speaks with Charles Stankievech about his show The Desert Turned to Glass at KIN, a commercial gallery space in Brussels. The exhibition is still on view until October 21.

Bas Blaasse speaks with Emmanuelle Quertain about her new show My Address in Beige, a gallery space in Brussels.

On the eve of the Brussels Gallery Weekend, Els Roelandt and Bas Blaasse, editors at GLEAN, speak with artist Heide Hinrichs about her new show at Galeria Jaqueline Martins. The exhibition, 'Last Season. I had all these small earthquakes,' is located in the former boiler room of the gallery’s building. Hinrichs has installed two low papier-maché cabinets that contain leparello books filled with drawings. Additionally, four newspapers are hung on the wall. Upstairs, in the main room of the gallery, there are two more interventions with rope, leaves, and feathers. GLEAN is a Brussels-based contemporary art magazine. Curious? Go to our website www.glean.art

HART director Kathleen Weyts in conversation with collector Frédéric de Goldschmidt, Chantal Pattyn, and Benedicte Goesaert at the 39th edition of Art Brussels, on the occasion of the exhibition Rooms of Resonance, curated by Chantal Pattyn and Benedicte Goesaert and featuring works from de Goldschmidt's collection.

HART editor Tamara Beheydt talks with artists with Stephanie Temma Hier and Sharon Van Overmeiren at the 39th edition of Art Brussels.

Our editor Ezra Babski talks to artist Ed Atkins about his new show at dépendance, which opened on the eve of the 39th edition of Art Brussels.

HART editor Jessica Gysel talks to artist Marina Pinsky at the 39th edition of Art Brussels.

HART director Kathleen Weyts talks to artist Kasper Bosmans at the 39th edition of Art Brussels.

HART editor Tamara Beheydt talks with artist Hadassah Emmerich at the 39th edition of Art Brussels.

HART editor Barbara De Coninck talks with artist Angel Vergara at the 39th edition of Art Brussels.

HART director Kathleen Weyts talks to artist Zhang Yunyao at the 39th edition of Art Brussels.

HART editor Ezra Babski talks to artist Gavin Turk at the 39th edition of Art Brussels.