1001 RADIO DAYS

For more Yours Truly Johnny Dollar catch 1001 Radio Crime Solvers Sun (12pm ET, Wed 4pm ET, Fri 4pm ET) (Same as 1001 Radio Days). The Voodoo Matter In this atmospheric Caribbean-set case, Johnny Dollar is dispatched to investigate a series of strange events surrounding an insured man who believes he's been targeted by a curse. What begins as a routine inquiry into a life‑insurance policy quickly turns into a tangle of fear, superstition, and manipulation. Johnny arrives to find a community divided between modern pragmatism and deep-rooted island beliefs. The insured man is terrified, convinced that a local practitioner of voodoo has marked him for death. But Johnny, ever the realist, suspects a far more earthly motive behind the threats. As he digs deeper, he uncovers a web of deceit involving financial desperation, personal grudges, and a clever attempt to use superstition as a weapon. The tension between genuine cultural practices and the exploitation of those beliefs gives the episode its unique texture. Ultimately, Johnny must separate myth from motive, fear from fact, and determine whether the danger is supernatural—or all too human. The Nancy Shaw Matter This case begins with a missing woman—Nancy Shaw—whose disappearance triggers an insurance investigation that is anything but straightforward. Johnny is called in when the circumstances surrounding her vanishing raise red flags: conflicting witness accounts, unusual financial activity, and a husband whose story doesn't quite add up. Johnny's search leads him through a trail of half-truths, evasions, and emotional undercurrents. Nancy Shaw is either running from something—or someone is working very hard to make it appear that way. As Johnny interviews friends, neighbors, and associates, he uncovers a pattern of tension and secrecy that suggests the disappearance may be tied to more than domestic trouble. The case escalates when evidence surfaces that Nancy may have been in danger long before she vanished. Johnny must determine whether she's alive, hiding, or the victim of a carefully staged crime. The episode blends procedural investigation with emotional stakes, showcasing Johnny's ability to read people as sharply as he reads clues.

June 17th, 1944 Muroc CA Guests Bing Crosby, Gary Cooper, Anne Miller and Sept 30, 1944 Jam Session The September 30, 1944, episode of the "Command Performance" radio show, featuring Don Wilson, Deanna Durbin, Jack Benny, Martha Tilton, Tommy Dorsey, Count Basie, Buddy Rich, Illinois Jacquet, Lionel Hampton, Artie Shaw, Ed McKinney, Ziggy Elman, Les Paul, Ginger Rogers, and James Cagney:

Broadway Is My Beat was a gritty radio crime drama that aired on CBS from 1949 to 1954. It followed the investigations of Detective Danny Clover (most notably played by Larry Thor), a world-weary NYPD homicide detective working Manhattan's "Great White Way"—the lonesomest, most violent, and gaudiest mile in the world. The show was famous for its stylized, noir-inspired dialogue and immersive sound design that recreated the bustling atmosphere of Times Square. Episode Summaries The Joe Quito Murder Case (March 3, 1950) Plot: Danny Clover is contacted by Joe Quito, an ex-convict who has just been released from prison. Immediately after their meeting, Quito is murdered. Theme: The case dives into the dark underbelly of the theater district, where the "remnants of dreams and desires" often lead to violence and decay. The Dr. Robert Stafford Murder Case (March 10, 1950) Plot: The investigation begins when an unidentified, well-dressed man is found shot dead inside an apartment building elevator. Twist: The victim is eventually identified as Dr. Robert Stafford. As Danny questions the building's residents, the case takes a deadlier turn when the elevator operator, Eddie Amboy, is also murdered to cover up the crime. The motive involves a complex web of mutual suspicion between a husband and wife, each believing the other is trying to kill them Catch ALL our 1001 episodes and shows at www.bestof1001stories.com

Join host Gizelle Erickson every Monday, Wednesday and Friday at 4pm ET at 1001 Ghost, Chiller & Lovecraft Podcast as she introduces the nuances of every episode of America's favorite vigilante radio serial 'The Shadow' as Lamont Cranston and his sexy sidekick Margot Lane bring all the lowlifes and sleazeballs who never thought they would be punished to justice. Take the Shadow challenge and listen to the first five episodes like I did to really get an understanding of the show and you'll be a fan! Apple Link: https://podcasts.apple.com/us/podcast/1001-ghost-chiller-lovecraft-stories/id1516332327 Spotify Link: https://open.spotify.com/show/5P4hV28LgpG89dRNMfSDKJ

Johnny goes to California to investigate a $65,000 claim on a racehorse who was injured and had to be destroyed. 5 PARTS Original Radio Broadcast Dates: January 23 and 24, 1956 Originated from Hollywood Stars: Bob Bailey as Johnny Dollar.Barbara Fuller, Barbara Eiler, Herb Butterfield, John Stephenson, Parley Baer, Will Wright, Bob Bruce, Forrest Lewis

Joe Parker of Surety Mutual calls Johnny to ask him to attend a party to be given by Dolly McLean. Dolly, Johnny knows, was known during the roaring twenties as the Champagne Dream Girl and the Dancing Darling. When Dolly married Barnaby Cronin he purchased a rare and valuable piece of jewelry, the "Circle of Fire" necklace, and presented it to her as a wedding gift. Now Barnaby has been dead ten years and the precious necklace has been tucked away in a bank lock box. When Dolly decides to throw a party for old times sake, and plans on wearing necklace, Joe fears the necklace will be a target of theft and wants Johnny to protect it. Excellent script by Les Crutchfield. Featuring: Bob Bailey, Virginia Gregg, Shirley Mitchell, Vivi Janiss, Barbara Fuller, Betty Rubin, John Dehner, Parley Baer

One of the best Johnny Dollar episodes, in 5 parts, Johnny Dollar investigates the theft of 100,000 in diamonds from Algiers and winds up in the middle of a deadly intrigue. Join us , won't you? at www.bestof1001stories.com 1001 RADIO DAYS

The format best remembered was instituted by writer-director Jack Johnstone. Each case usually started with a phone call from an insurance adjuster, calling on Johnny to investigate an unusual claim: a suspicious death, an attempted fraud, a missing person, or other mysterious circumstances. Each story required Johnny to travel to some distant locale, usually within the United States but sometimes abroad, where he was almost always threatened with personal danger in the course of his investigations. He would compare notes with the police officials who had first investigated each strange occurrence, and followed every clue until he figured out what actually happened. Johnny's file on each case was usually referenced as a "matter," as in "The Silver Blue Matter" or "The Forbes Matter". Later episodes were more fanciful, with titles like "The Wayward Trout Matter" and "The Price of Fame Matter" (the latter featuring a rare guest-star appearance by Vincent Price as himself; here Price and Dollar team up to retrieve a painting stolen by Price's insurance agent). Johnny usually stuck to business, but would sometimes engage in romantic dalliances with women he encountered in his travels; later episodes gave Johnny a steady girlfriend, Betty Lewis. Johnny's precious recreational time was usually spent fishing, and it was not uncommon for Johnny's clients to exploit this favorite pastime in convincing him to take on a job near good fishing locations. His past was rarely mentioned, but Dollar in "The Bennett Matter" described himself as a four-year US Marine veteran who then worked as a police officer for a decade before changing careers to insurance investigation.[5] In "The Blackburn Case" Dollar also refers to his time as a Pinkerton Detective. Each story was recounted in flashback, and every few minutes the action would be interrupted by Johnny listing a line item from his expense account, which served as an effective scene transition. Most of the expense account related to transportation, lodging, and meals, but no incidental expense was too small for Johnny to itemize, as in "Item nine, 10 cents. Aspirin. I needed them." The monetary amounts weren't always literal: the smallest line item Johnny ever recorded was "two cents: what I felt like" after a professional setback; the largest was "one million dollars" (the way he felt after finding a missing woman and her daughter in a snowbound cabin). The episodes generally finished with Johnny tallying up his expense account and traveling back to Hartford, Connecticut, where he was based. Sometimes Johnny would add a sardonic postscript under "Remarks," detailing the aftermath of the case. ("The Todd Matter," which especially disgusted Johnny, ended abruptly with "Remarks – nil!") In later seasons the character Johnny Dollar had a radio program within the fictional series, in which he recounted his adventures as true events, with other characters recognizing Dollar's voice from the radio; in the episode "The Salkoff Sequel Matter" Johnny's radio show becomes an important plot point.

The format best remembered was instituted by writer-director Jack Johnstone. Each case usually started with a phone call from an insurance adjuster, calling on Johnny to investigate an unusual claim: a suspicious death, an attempted fraud, a missing person, or other mysterious circumstances. Each story required Johnny to travel to some distant locale, usually within the United States but sometimes abroad, where he was almost always threatened with personal danger in the course of his investigations. He would compare notes with the police officials who had first investigated each strange occurrence, and followed every clue until he figured out what actually happened. Johnny's file on each case was usually referenced as a "matter," as in "The Silver Blue Matter" or "The Forbes Matter". Later episodes were more fanciful, with titles like "The Wayward Trout Matter" and "The Price of Fame Matter" (the latter featuring a rare guest-star appearance by Vincent Price as himself; here Price and Dollar team up to retrieve a painting stolen by Price's insurance agent). Johnny usually stuck to business, but would sometimes engage in romantic dalliances with women he encountered in his travels; later episodes gave Johnny a steady girlfriend, Betty Lewis. Johnny's precious recreational time was usually spent fishing, and it was not uncommon for Johnny's clients to exploit this favorite pastime in convincing him to take on a job near good fishing locations. His past was rarely mentioned, but Dollar in "The Bennett Matter" described himself as a four-year US Marine veteran who then worked as a police officer for a decade before changing careers to insurance investigation.[5] In "The Blackburn Case" Dollar also refers to his time as a Pinkerton Detective. Each story was recounted in flashback, and every few minutes the action would be interrupted by Johnny listing a line item from his expense account, which served as an effective scene transition. Most of the expense account related to transportation, lodging, and meals, but no incidental expense was too small for Johnny to itemize, as in "Item nine, 10 cents. Aspirin. I needed them." The monetary amounts weren't always literal: the smallest line item Johnny ever recorded was "two cents: what I felt like" after a professional setback; the largest was "one million dollars" (the way he felt after finding a missing woman and her daughter in a snowbound cabin). The episodes generally finished with Johnny tallying up his expense account and traveling back to Hartford, Connecticut, where he was based. Sometimes Johnny would add a sardonic postscript under "Remarks," detailing the aftermath of the case. ("The Todd Matter," which especially disgusted Johnny, ended abruptly with "Remarks – nil!") In later seasons the character Johnny Dollar had a radio program within the fictional series, in which he recounted his adventures as true events, with other characters recognizing Dollar's voice from the radio; in the episode "The Salkoff Sequel Matter" Johnny's radio show becomes an important plot point.

The format best remembered was instituted by writer-director Jack Johnstone. Each case usually started with a phone call from an insurance adjuster, calling on Johnny to investigate an unusual claim: a suspicious death, an attempted fraud, a missing person, or other mysterious circumstances. Each story required Johnny to travel to some distant locale, usually within the United States but sometimes abroad, where he was almost always threatened with personal danger in the course of his investigations. He would compare notes with the police officials who had first investigated each strange occurrence, and followed every clue until he figured out what actually happened. Johnny's file on each case was usually referenced as a "matter," as in "The Silver Blue Matter" or "The Forbes Matter". Later episodes were more fanciful, with titles like "The Wayward Trout Matter" and "The Price of Fame Matter" (the latter featuring a rare guest-star appearance by Vincent Price as himself; here Price and Dollar team up to retrieve a painting stolen by Price's insurance agent). Johnny usually stuck to business, but would sometimes engage in romantic dalliances with women he encountered in his travels; later episodes gave Johnny a steady girlfriend, Betty Lewis. Johnny's precious recreational time was usually spent fishing, and it was not uncommon for Johnny's clients to exploit this favorite pastime in convincing him to take on a job near good fishing locations. His past was rarely mentioned, but Dollar in "The Bennett Matter" described himself as a four-year US Marine veteran who then worked as a police officer for a decade before changing careers to insurance investigation.[5] In "The Blackburn Case" Dollar also refers to his time as a Pinkerton Detective. Each story was recounted in flashback, and every few minutes the action would be interrupted by Johnny listing a line item from his expense account, which served as an effective scene transition. Most of the expense account related to transportation, lodging, and meals, but no incidental expense was too small for Johnny to itemize, as in "Item nine, 10 cents. Aspirin. I needed them." The monetary amounts weren't always literal: the smallest line item Johnny ever recorded was "two cents: what I felt like" after a professional setback; the largest was "one million dollars" (the way he felt after finding a missing woman and her daughter in a snowbound cabin). The episodes generally finished with Johnny tallying up his expense account and traveling back to Hartford, Connecticut, where he was based. Sometimes Johnny would add a sardonic postscript under "Remarks," detailing the aftermath of the case. ("The Todd Matter," which especially disgusted Johnny, ended abruptly with "Remarks – nil!") In later seasons the character Johnny Dollar had a radio program within the fictional series, in which he recounted his adventures as true events, with other characters recognizing Dollar's voice from the radio; in the episode "The Salkoff Sequel Matter" Johnny's radio show becomes an important plot point. .

Dragnet, the brainchild of Jack Webb, may very well be the most well-remembered, and the best, radio police drama series. From September, 1949 through February 1957, Dragnet's 30 minute shows, broadcast on NBC, brought to radio true police stories in a low-key, documentary style. The origins of Dragnet can be traced to a semi-documentary film, "He Walked by Night" from 1948, in which Webb had a small role. Both employed the same Los Angeles Police Department technical adviser, used actual police cases and presented the case in "just the facts" manner that became a hallmark of Dragnet. It is interesting to note that Webb employed that format in other radio series, some pre-dating the film mentioned above. Dragnet was a long running radio and television police procedural drama, about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a dragnet, meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet was perhaps the most famous and influential police procedural drama in American media history. The series gave millions of Americans a feel for the boredom and drudgery, as well as the danger and heroism, of real life police work. Dragnet earned praise for improving the public opinion of police officers. Actor and producer Jack Webb's aims in Dragnet were for realism and unpretentious acting. He achieved both goals and Dragnet remains a key influence on subsequent police dramas in many media. The shows cultural impact is demonstrated by the fact that even after five decades, elements of Dragnet are known to those who have never heard nor seen the program. The ominous four note introduction to the brass and tympani theme music, titled Danger Ahead, is instantly recognizable as well as the shows opening narration: "Ladies and gentlemen, the story you are about to hear is true. Only the names have been changed to protect the innocent." The original Dragnet starring Jack Webb as Sergeant Joe Friday ran on radio from June 3rd, 1949 to February 26th, 1957; and on television from December 16th, 1951 to August 23rd, 1959, and from January 12th, 1967 to April 16th, 1970. All of these versions ran on NBC. There were two Dragnet feature films, a straight adaptation starring Jack Webb in 1954, and a comedy spoof in 1987. There were also television revivals, without Webb, in 1989 and 2003.

Dragnet, the brainchild of Jack Webb, may very well be the most well-remembered, and the best, radio police drama series. From September, 1949 through February 1957, Dragnet's 30 minute shows, broadcast on NBC, brought to radio true police stories in a low-key, documentary style. The origins of Dragnet can be traced to a semi-documentary film, "He Walked by Night" from 1948, in which Webb had a small role. Both employed the same Los Angeles Police Department technical adviser, used actual police cases and presented the case in "just the facts" manner that became a hallmark of Dragnet. It is interesting to note that Webb employed that format in other radio series, some pre-dating the film mentioned above. Dragnet was a long running radio and television police procedural drama, about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a dragnet, meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet was perhaps the most famous and influential police procedural drama in American media history. The series gave millions of Americans a feel for the boredom and drudgery, as well as the danger and heroism, of real life police work. Dragnet earned praise for improving the public opinion of police officers. Actor and producer Jack Webb's aims in Dragnet were for realism and unpretentious acting. He achieved both goals and Dragnet remains a key influence on subsequent police dramas in many media. The shows cultural impact is demonstrated by the fact that even after five decades, elements of Dragnet are known to those who have never heard nor seen the program. The ominous four note introduction to the brass and tympani theme music, titled Danger Ahead, is instantly recognizable as well as the shows opening narration: "Ladies and gentlemen, the story you are about to hear is true. Only the names have been changed to protect the innocent." The original Dragnet starring Jack Webb as Sergeant Joe Friday ran on radio from June 3rd, 1949 to February 26th, 1957; and on television from December 16th, 1951 to August 23rd, 1959, and from January 12th, 1967 to April 16th, 1970. All of these versions ran on NBC. There were two Dragnet feature films, a straight adaptation starring Jack Webb in 1954, and a comedy spoof in 1987. There were also television revivals, without Webb, in 1989 and 2003.

Dragnet, the brainchild of Jack Webb, may very well be the most well-remembered, and the best, radio police drama series. From September, 1949 through February 1957, Dragnet's 30 minute shows, broadcast on NBC, brought to radio true police stories in a low-key, documentary style. The origins of Dragnet can be traced to a semi-documentary film, "He Walked by Night" from 1948, in which Webb had a small role. Both employed the same Los Angeles Police Department technical adviser, used actual police cases and presented the case in "just the facts" manner that became a hallmark of Dragnet. It is interesting to note that Webb employed that format in other radio series, some pre-dating the film mentioned above. Dragnet was a long running radio and television police procedural drama, about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a dragnet, meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet was perhaps the most famous and influential police procedural drama in American media history. The series gave millions of Americans a feel for the boredom and drudgery, as well as the danger and heroism, of real life police work. Dragnet earned praise for improving the public opinion of police officers. Actor and producer Jack Webb's aims in Dragnet were for realism and unpretentious acting. He achieved both goals and Dragnet remains a key influence on subsequent police dramas in many media. The shows cultural impact is demonstrated by the fact that even after five decades, elements of Dragnet are known to those who have never heard nor seen the program. The ominous four note introduction to the brass and tympani theme music, titled Danger Ahead, is instantly recognizable as well as the shows opening narration: "Ladies and gentlemen, the story you are about to hear is true. Only the names have been changed to protect the innocent." The original Dragnet starring Jack Webb as Sergeant Joe Friday ran on radio from June 3rd, 1949 to February 26th, 1957; and on television from December 16th, 1951 to August 23rd, 1959, and from January 12th, 1967 to April 16th, 1970. All of these versions ran on NBC. There were two Dragnet feature films, a straight adaptation starring Jack Webb in 1954, and a comedy spoof in 1987. There were also television revivals, without Webb, in 1989 and 2003.

Yours Truly, Johnny Dollar is a radio drama that aired on CBS Radio from February 18, 1949 to September 30, 1962.[1][2] The first several seasons imagined protagonist Johnny Dollar as a private investigator drama, with Charles Russell, Edmond O'Brien and John Lund portraying Dollar in succession over the years. In 1955 after a yearlong hiatus, the series came back in its best-known incarnation with Bob Bailey starring in "the transcribed adventures of the man with the action-packed expense account – America's fabulous freelance insurance investigator." There were 809 episodes (plus two not-for-broadcast auditions) in the 13-year run, and more than 710 still exist today.[3] Jim Cox's book American Radio Networks: A History cites "886 total performances" which includes repeat performances. The format best remembered was instituted by writer-director Jack Johnstone. Each case usually started with a phone call from an insurance adjuster, calling on Johnny to investigate an unusual claim: a suspicious death, an attempted fraud, a missing person, or other mysterious circumstances. Each story required Johnny to travel to some distant locale, usually within the United States but sometimes abroad, where he was almost always threatened with personal danger in the course of his investigations. He would compare notes with the police officials who had first investigated each strange occurrence, and followed every clue until he figured out what actually happened. Johnny's file on each case was usually referenced as a "matter," as in "The Silver Blue Matter" or "The Forbes Matter". Later episodes were more fanciful, with titles like "The Wayward Trout Matter" and "The Price of Fame Matter" (the latter featuring a rare guest-star appearance by Vincent Price as himself; here Price and Dollar team up to retrieve a painting stolen by Price's insurance agent). Johnny usually stuck to business, but would sometimes engage in romantic dalliances with women he encountered in his travels; later episodes gave Johnny a steady girlfriend, Betty Lewis. Johnny's precious recreational time was usually spent fishing, and it was not uncommon for Johnny's clients to exploit this favorite pastime in convincing him to take on a job near good fishing locations. His past was rarely mentioned, but Dollar in "The Bennett Matter" described himself as a four-year US Marine veteran who then worked as a police officer for a decade before changing careers to insurance investigation.[5] In "The Blackburn Case" Dollar also refers to his time as a Pinkerton Detective.

Yours Truly, Johnny Dollar is a radio drama that aired on CBS Radio from February 18, 1949 to September 30, 1962.[1][2] The first several seasons imagined protagonist Johnny Dollar as a private investigator drama, with Charles Russell, Edmond O'Brien and John Lund portraying Dollar in succession over the years. In 1955 after a yearlong hiatus, the series came back in its best-known incarnation with Bob Bailey starring in "the transcribed adventures of the man with the action-packed expense account – America's fabulous freelance insurance investigator." There were 809 episodes (plus two not-for-broadcast auditions) in the 13-year run, and more than 710 still exist today.[3] Jim Cox's book American Radio Networks: A History cites "886 total performances" which includes repeat performances.[ The format best remembered was instituted by writer-director Jack Johnstone. Each case usually started with a phone call from an insurance adjuster, calling on Johnny to investigate an unusual claim: a suspicious death, an attempted fraud, a missing person, or other mysterious circumstances. Each story required Johnny to travel to some distant locale, usually within the United States but sometimes abroad, where he was almost always threatened with personal danger in the course of his investigations. He would compare notes with the police officials who had first investigated each strange occurrence, and followed every clue until he figured out what actually happened. Johnny's file on each case was usually referenced as a "matter," as in "The Silver Blue Matter" or "The Forbes Matter". Later episodes were more fanciful, with titles like "The Wayward Trout Matter" and "The Price of Fame Matter" (the latter featuring a rare guest-star appearance by Vincent Price as himself; here Price and Dollar team up to retrieve a painting stolen by Price's insurance agent). Johnny usually stuck to business, but would sometimes engage in romantic dalliances with women he encountered in his travels; later episodes gave Johnny a steady girlfriend, Betty Lewis. Johnny's precious recreational time was usually spent fishing, and it was not uncommon for Johnny's clients to exploit this favorite pastime in convincing him to take on a job near good fishing locations. His past was rarely mentioned, but Dollar in "The Bennett Matter" described himself as a four-year US Marine veteran who then worked as a police officer for a decade before changing careers to insurance investigation.[5] In "The Blackburn Case" Dollar also refers to his time as a Pinkerton Detective.

JEFF REGAN, INVESTIGATOR Jeff Regan, Investigator, was one of countless private detective series that proliferated in the years following WWII. The series initially featured Jack Webb in the title role, who was coming off his work in Pat Novak for Hire, followed by Johnny Madero, Pier 23. The series premiered July 10, 1948, over the CBS network. Originally promoted as Joe Canto, Private Eye, the series was never actually broadcast under that name. However, Barton Yarborough, Jack Webb’s first partner in Dragnet, would make a guest appearance in the show playing a bit part named Joe Canto. The series was sometimes incorrectly called The Lyon’s Eye by collectors because Regan frequently opened each show stating “I’m Jeff Regan. They call me The Lyon’s Eye” or something similar. The first run of Jeff Regan ran from July 10 to December 18, 1948. Webb continued to play a hard-boiled character as in previous roles, but this time with a better relationship with the police. Webb left the show after 24 episodes when CBS declined his request for a $15 per episode raise. He returned for a brief run on a revived Pat Novak for Hire before premiering on his signature program, Dragnet, in June 1949. After 10 months, Jeff Regan was brought back to the air on October 5, 1949. After auditioning some 60 top actors for the role, Frank Graham was selected to play Regan. Regan’s boss Anthony J. Lyon had been voiced by Wilms Herbert and then Herb Butterfield during the Jack Webb era. The 1949 revival cast Frank Nelson as Lyon. Nelson was best known as the sarcastic character who would pop up almost anywhere on The Jack Benny Show. Paul Dubov assumed the Jeff Regan mantle during a part of the program’s run. For eight weeks between April and June 1950 he stepped in to replace an ailing Frank Graham. Frank Graham’s return as Jeff Regan lasted just a couple months, with the last episodes being recorded on August 2, 1950 for broadcast later. However, the program ended after Graham’s tragic death at the age of 35 on September 2, 1950. The final episode of Jeff Regan, Investigator titled “The British are Coming” aired the following day, September 3, 1950. Bob Stevenson was the primary announcer for the show. Del Castillo, Dick Aurandt, and Milton Charles were responsible for the music. Although there was indication to take it to a national audience, the show never aired beyond CBS’ West Coast network. Jeff Regan, Investigator holds up as an above-average example of the mid-century detective genre. This is due to the considerable talent invested in the program which included the voice talents of Jack Webb, Herb Butterfield, and Frank Nelson as well as the writing skills of E. Jack Neuman, who created the program, Larry Roman, William Froug and William Fifield. Some of his stories were good enough that E. Jack Neuman would re-use many of the Jeff Regan scripts when he worked on other series. This synopsis was written by Patrick Andre and Ryan Ellett with information taken from John Dunning’s Encyclopedia of Old Time Radio, The Great Detectives of Old Time Radio website, Jay Hickerson’s Ultimate History of Network Radio Programming, and “The Secret Files of Jeff Regan, Investigator" by Stewart Wright, published in Radiogram, June 2019.

The guest stars and supporting casts were always first rate, attracting the best radio actors in both Los Angeles and New York. Pat McCracken was played by several actors – most frequently, by Larry Dobkin. Particularly noteworthy was the work of Virginia Gregg, who played many roles, including Johnny's girlfriend Betty Lewis. Harry Bartell was also a frequent guest, who did many of the Spanish dialect roles when Johnny went to a Latin American country. Other frequent guest performers were Parley Baer, Tony Barrett, John Dehner, Don Diamond, Sam Edwards, Herb Ellis, Frank Gerstle, Stacy Harris, Jack Kruschen, Forrest Lewis, Howard McNear, Marvin Miller, Jeanette Nolan, Vic Perrin, Barney Phillips, Jean Tatum, Russell Thomson, Ben Wright, and Will Wright. Vincent Price co-starred as himself in "The Price of Fame Matter" and went to Europe with Johnny on the case. In December 1960, the show moved to New York. Robert Readick started the New York run as Dollar, but only lasted a short while. Jack Johnstone continued to write for the show and submitted scripts from California. Johnstone wrote about 350 Johnny Dollar scripts under his own name and his pen names Sam Dawson and Jonathan Bundy. Johnstone wrote the last episodes of both Yours Truly, Johnny Dollar and Suspense. He used the Bundy pen name when writing the last Suspense episode, "Devilstone". And so, an era passed. Yours Truly, Johnny Dollar was the last continuing detective series of the Golden Age of Radio. Mandel Kramer was the last Johnny Dollar, and a close second in popularity to Bailey, when the final episode, "The Tip-Off Matter", was aired on September 30, 1962.

The guest stars and supporting casts were always first rate, attracting the best radio actors in both Los Angeles and New York. Pat McCracken was played by several actors – most frequently, by Larry Dobkin. Particularly noteworthy was the work of Virginia Gregg, who played many roles, including Johnny's girlfriend Betty Lewis. Harry Bartell was also a frequent guest, who did many of the Spanish dialect roles when Johnny went to a Latin American country. Other frequent guest performers were Parley Baer, Tony Barrett, John Dehner, Don Diamond, Sam Edwards, Herb Ellis, Frank Gerstle, Stacy Harris, Jack Kruschen, Forrest Lewis, Howard McNear, Marvin Miller, Jeanette Nolan, Vic Perrin, Barney Phillips, Jean Tatum, Russell Thomson, Ben Wright, and Will Wright. Vincent Price co-starred as himself in "The Price of Fame Matter" and went to Europe with Johnny on the case. In December 1960, the show moved to New York. Robert Readick started the New York run as Dollar, but only lasted a short while. Jack Johnstone continued to write for the show and submitted scripts from California. Johnstone wrote about 350 Johnny Dollar scripts under his own name and his pen names Sam Dawson and Jonathan Bundy. Johnstone wrote the last episodes of both Yours Truly, Johnny Dollar and Suspense. He used the Bundy pen name when writing the last Suspense episode, "Devilstone". And so, an era passed. Yours Truly, Johnny Dollar was the last continuing detective series of the Golden Age of Radio. Mandel Kramer was the last Johnny Dollar, and a close second in popularity to Bailey, when the final episode, "The Tip-Off Matter", was aired on September 30, 1962.

For over twelve years, from 1949 through 1962 (including a one year hiatus in 1954-1955), this series recounted the cases "the man with the action-packed expense account, America’s fabulous freelance insurance investigator, Johnny Dollar". Johnny was an accomplished 'padder' of his expense account. The name of the show derives from the fact that he closed each show by totaling his expense account, and signing it "End of report... Yours Truly, Johnny Dollar". Terry Salomonson in his authoritative "A Radio Broadcast Log of the Drama Program Yours Truly, Johnny Dollar", notes that the original working title was "Yours Truly, Lloyd London". Salomonson writes "Lloyd London was scratched out of the body of (the Dick Powell) audition script and Johnny Dollar was written in. Thus the show was re-titled on this script and the main character was renamed. Why this was done was unclear – possibly to prevent a legal run-in with Lloyd’s of London Insurance Company." Although based in Hartford, Connecticut, the insurance capital of the world, freelancer Johnny Dollar managed to get around quite a bit – his adventures taking him all over the world. There were some unusual devices used in the show that help set it apart from other shows. There was no partner, assistant, or secretary for Johnny. The character closest to a continuing role was that of Pat McCracken of the Universal Adjustment Bureau, who assigned Johnny many of his cases. Another atypical aspect gave the show additional credibility – frequently, characters on the show would mention that they had heard about Johnny’s cases on the radio. Johnny often used his time when filling out his expense accounts to give the audience background information or to express his thoughts about the current case. No fewer than eight actors played Johnny Dollar. Dick Powell, of Rogue’s Gallery fame, cut the original audition tape, but chose to do Richard Diamond, Private Detective instead. Gerald Mohr, of The Adventures of Philip Marlowe fame, auditioned in 1955, prior to Bob Bailey getting the title role. Through the first three actors to play Johnny Dollar (Charles Russell, Edmond O'Brien, and John Lund), there was little to distinguish the series from many other radio detective series. Dollar was just another hard-boiled detective in a medium that was overloaded with the stereotype. Charles Russell, the first to play the role, would throw silver dollars to bellboys and waiters. Luckily, this trite gimmick did not survive long. On October 3, 1955, after a hiatus of over a year, the show came back with a vengeance. A new production team, including director/writer Jack Johnstone, a new star, Bob Bailey, from the radio series Let George Do It, and a new format would set the series apart from its competitors. Johnny's cases were now a continuing serial, five days a week, for fifteen minutes each evening. With 75 minutes of airtime, minus commercials and openings and closings, there was sufficient time to develop good storylines and interesting characters. During this time, Yours Truly, Johnny Dollar attracted some of the best writers in Hollywood, including Jack Johnstone, E. Jack Neuman (using the pen name John Dawson), Robert Ryf, and Les Crutchfield. Bob Bailey also wrote a script while he was playing Johnny Dollar. He used the pen name Robert Bainter (Bainter was his middle name) as the scriptwriter for "The Carmen Kringle Matter", which was aired on Saturday, December 21, 1957 on the West Coast, and on the following day for the rest of the country.

For over twelve years, from 1949 through 1962 (including a one year hiatus in 1954-1955), this series recounted the cases "the man with the action-packed expense account, America’s fabulous freelance insurance investigator, Johnny Dollar". Johnny was an accomplished 'padder' of his expense account. The name of the show derives from the fact that he closed each show by totaling his expense account, and signing it "End of report... Yours Truly, Johnny Dollar". Terry Salomonson in his authoritative "A Radio Broadcast Log of the Drama Program Yours Truly, Johnny Dollar", notes that the original working title was "Yours Truly, Lloyd London". Salomonson writes "Lloyd London was scratched out of the body of (the Dick Powell) audition script and Johnny Dollar was written in. Thus the show was re-titled on this script and the main character was renamed. Why this was done was unclear – possibly to prevent a legal run-in with Lloyd’s of London Insurance Company." Although based in Hartford, Connecticut, the insurance capital of the world, freelancer Johnny Dollar managed to get around quite a bit – his adventures taking him all over the world. There were some unusual devices used in the show that help set it apart from other shows. There was no partner, assistant, or secretary for Johnny. The character closest to a continuing role was that of Pat McCracken of the Universal Adjustment Bureau, who assigned Johnny many of his cases. Another atypical aspect gave the show additional credibility – frequently, characters on the show would mention that they had heard about Johnny’s cases on the radio. Johnny often used his time when filling out his expense accounts to give the audience background information or to express his thoughts about the current case. No fewer than eight actors played Johnny Dollar. Dick Powell, of Rogue’s Gallery fame, cut the original audition tape, but chose to do Richard Diamond, Private Detective instead. Gerald Mohr, of The Adventures of Philip Marlowe fame, auditioned in 1955, prior to Bob Bailey getting the title role. Through the first three actors to play Johnny Dollar (Charles Russell, Edmond O'Brien, and John Lund), there was little to distinguish the series from many other radio detective series. Dollar was just another hard-boiled detective in a medium that was overloaded with the stereotype. Charles Russell, the first to play the role, would throw silver dollars to bellboys and waiters. Luckily, this trite gimmick did not survive long. On October 3, 1955, after a hiatus of over a year, the show came back with a vengeance. A new production team, including director/writer Jack Johnstone, a new star, Bob Bailey, from the radio series Let George Do It, and a new format would set the series apart from its competitors. Johnny's cases were now a continuing serial, five days a week, for fifteen minutes each evening. With 75 minutes of airtime, minus commercials and openings and closings, there was sufficient time to develop good storylines and interesting characters. During this time, Yours Truly, Johnny Dollar attracted some of the best writers in Hollywood, including Jack Johnstone, E. Jack Neuman (using the pen name John Dawson), Robert Ryf, and Les Crutchfield. Bob Bailey also wrote a script while he was playing Johnny Dollar. He used the pen name Robert Bainter (Bainter was his middle name) as the scriptwriter for "The Carmen Kringle Matter", which was aired on Saturday, December 21, 1957 on the West Coast, and on the following day for the rest of the country.