James Elden's Playwright's Spotlight

Send us a Text Message. Catherine Filloux dropped into the Playwright's Spotlight before the New York Premiere of her new play How to Eat an Orange. We spoke about her development and involvement in Theatre Without Borders and transitioning from an actor to playwright which would later push her into becoming a librettist for operas. She explained the structure of a libretto, the purpose of arias, developing characters and writing for range. We also touched on the dramatic question, theatrical perspectives, framing and shaping your play, and whether or not there is one thing that all playwrights should be doing. Catherine brings her knowledge and experience to this episode that I think everyone listening will walk away with something. Enjoy! Catherine Filloux is an award-winning playwright who has been writing about human rights and social justice for over twenty-five years. Her plays have been produced around the U.S. and internationally. Filloux was honored with the 2019 Barry Lopez Visiting Writer in Ethics and Community Fellowship; the 2017 Otto René Castillo Award for Political Theatre and the 2015 Planet Activist Award due to her long career as an activist artist in the theater community. She received her M.F.A. at NYU’s Tisch School of the Arts’ Dramatic Writing Program and is a co-founder of Theatre Without Borders as well as an alumna of New Dramatists. She has taught playwriting at many universities and colleges including Vassar College, Wesleyan University and Bennington College. Plays include White Savior, whatdoesfreemean?, Kidnap Road, and How to Eat an Orange. To watch the video format of this episode, visit - https://youtu.be/VZZqwhmP_H8 Links to resources mentioned in this episode - Theatre Without Borders - https://theatrewithoutborders.com/ Circle in the Square Theatre - https://circlesquare.org/theatre/ HB Theatre Foundation - https://www.hbstudio.org Website and Socials for Catherine Filloux - www.catherinefilloux.com IG - @catherinefillouxwriter Facebook - https://www.facebook.com/CFillouxWriter/ X - @CFillouxWriter Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the Show.

Send us a Text Message. Olivia Sawatzki came by Playwright's Spotlight after the West Coast Premiere of her play Being Alive (& other big jokes) at the Raven Playhouse in North Hollywood. We discuss seeing your work onstage, writing strategies, evolving as a playwright, being influenced and deconstructing playwrights' works, the process of revision, writing tricks and rituals as well as breaking habits. We also talk about confidence, finding motivation, character descriptions, detailed stage directions, and living an artists life. As an emerging playwright, Olivia has some wonderful information that any playwright at whatever stage in the career can benefit from. Enjoy! Olivia Sawatzki is a Los Angeles-based playwright. Originally from Columbus, Ohio. She is an alumna of Ohio State University, where she graduated Magna Cum Laude with a BA in Theatre in 2020. She won the 2019 Gerald R. Black Prize for Recognition of Excellence in Playwriting. Her plays have been produced in Ohio and California and include Men of Might, LZRDGRL, Bleed Me Dry, and for sale, baby shoes. Most recently, her play Being Alive (& other big jokes) sold-out its West Coast Premiere run at in Los Angeles, CA, and she is a member of the Dramatists Guild. To watch the video format of this episode, visit - https://youtu.be/MEG5VRKejqQ Links to resources mentioned in this episode - Stuart Rogers & Theatre Tribe - https://stuartrogersstudios.com/la-theatre/ New Play Exchange - https://newplayexchange.org Dramatists Guild - https://www.dramatistsguild.com Playwrights' Center - https://new.pwcenter.org NYCPlaywrights - https://www.nycplaywrights.org Website and Socials for Olivia Sawatzki - IG - @olivsawa Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the Show.

Send us a Text Message. Recent Harvard-Westlake graduate Ian Kim swung by the studio to sit in the Playwright's Spotlight after the successful production of his second musical - Bakery of Love as part of HW's Playwright's Festival. We talk about making it look simple, the dangers of missing deadlines, musician collaboration and singer coordination as well as the meaning and benefits of safeties in a musical and writing for ranges. We also discuss transitioning from traditional playwriting to musicals and the process of the latter, commons songs types found in musicals, and terminology such as the bridge of a song. We wrap things up with trimming and cutting, cross-casting, changes during rehearsals, finding outside opportunities, and monetary prizes versus getting produced. Ian's a charming and talented musician with insight that will take him without doubt to a successful future. I hope you find inspiration from his interview. Enjoy! Ian Kim playwright, actor, and filmmaker as well as a recent graduate of the prestigious Harvard-Westlake in North Hollywood, California. His musicals Unauthorized Aid and Bakery of Love were both selected for the school’s annual Playwright’s Festival, and the former was produced at the California Young Playwrights Contest in San Diego, California. He begins attending Harvard next fall with an undeclared major. Click below to view the video format of this episode - https://youtu.be/20RJdGE8Nos Links to resources mentioned in this episode - MuseScore - https://musescore.org/en Stephen Sondheim: Finishing the Hat - https://www.amazon.com/Finishing-Hat-Collected-1954-1981-Principles/dp/0679439072 The Blank Theatre's Young Playwright's Festival - https://www.theblank.com/ypf California Young Playwrights Contest in San Diego - https://www.playwrightsproject.org/programs/contest/ Unauthorized Aid Production Video - https://vimeo.com/832110714 Socials for Ian Kim - IG - @ianbkim Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the Show.

Send us a Text Message. Barry M. Putt, Jr. beamed into the Playwright's Spotlight from New Jersey to discuss the medium of the audio drama, a throwback and homage to radio plays of the 30s and 40s. We breakdown the differences in elements of traditional playwriting vs the audio drama, i.e., setting up the scene, dialogue, sound effects, music, etc. We also talk about converting plays from stage to audio drama, the process of writing them as well as compensation and the opportunities in that market. We also touch on length, episodic vs feature, beats and silences in the medium, the hiring process for staff writers, popular genres, writing good suspense and character as well as establishing character flaws and adapting from other sources such as dime magazines. We wrap things up by touching on some of the traditional aspects of playwriting. Whether its audio dramas or traditional stage plays, Barry offers insight that I think you will find beneficial, and as always... Enjoy! Barry M. Putt, Jr.'s plays have been performed in Canada, France, the UAE, and throughout the U.S and his comedy, “A Different Blend of Friendship” won the New Jersey Wordsmiths Award. Other plays include – Seafood Salad, The Grumbletonians, Inside Out, and Gutter Rat. He has also scripted more than 50 audio-drama productions for companies including Colonial Radio Theatre, Radio Theater Project, and Voices in the Wind Audio Theatre. His book on the craft of audio-drama writing entitled "Stories Told through Sound" is published by Applause Books. He is a member of the Witherspoon Circle, the Dramatists Guild, and the Authors Guild and has a degree in Dramatic Writing from NYU and in English Literature from Centenary University. The video format of this episode can be viewed at - https://youtu.be/y2hIkY8sbTs Links to resources mentioned in this episode - Shoestring Radio Theatre - https://www.shoestring.org Next Stage Press - https://www.nextstagepress.com Voices in the Wind - https://www.voicesinthewind.ca Richard Wade, U.S. Marshal - https://podcasts.apple.com/us/podcast/richard-wade-u-s-marshal/id1549613880 Website and Socials for Barry M. Putt, Jr. - Website - https://www.barrymputtjr.com FB - https://www.facebook.com/barry.m.putt IG - @barrymputtjr @puttbarry X - @bmputt Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the Show.

Send us a Text Message. Playwright Boni B. Alvarez stopped by Playwright's Spotlight during the run of his historic play Mix-Mix: The Filipino Adventures of a German Jewish Boy. In such, we discuss approaching historical figures and events and flashbacks on stage. We also discuss his approach to writing "in threads," being married to material, finding momentum, and addressing and giving feedback. We also explore Julliard, his start in playwriting, lessons in playwriting and having a style. We also touch on what is craft, finding an arc, and writing and finding a good antagonist. It's a fascinating episode that explore the evolvement of writing and revision, "taking every single note," making changes and change "requests," as well as content warnings. As always, I hope you walk away with some beautiful insight into the craft of playwriting. Now, sit back and get to work. Boni B. Alvarez is a Los Angeles-based playwright-actor and faculty member at the USC School of Dramatic Arts. He has been a semifinalist for the O’Neill National Playwrights Conference and a Finalist for the PEN Center USA Literary Award, Bay Area Playwrights Festival, Aurora Theatre’s Global Age Project, and Clubbed Thumb’s Biennial Commission. He is currently in the Geffen Playhouse’s Writer’s Room and a Resident Playwright with New Dramatists. His plays include America Adjacent, Bloodletting, Fixed, Nicky, Dallas Non-Stop, Driven, The Debut of Georgia, Emmylu, and Refuge for a Purple Heart. He holds a BA from Sarah Lawrence College, an MFA (Acting) from A.R.T./MXAT Institute at Harvard University, and an MFA (Dramatic Writing) from USC. His play Mix-Mix: The Filipino Adventures of a German Jewish Boy opens May 18 and runs through June 16 at The Los Angeles Theatre Center. For tickets to Mix-Mix: The Filipino Adventures of a German Jewish Boy visit - https://dola.com/events/2024/6/6/mix-mix-tickets To watch the video format of this episode, visit - https://youtu.be/1UzeyRIgdtI Links to resources mentioned in this episode - https://americanrepertorytheater.org Website and Socials for Boni B. Alvarez - https://dramaticarts.usc.edu/boni-b-alvarez/ Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the Show.

Send us a Text Message. David Johann Kim stopped by Playwright's Spotlight to discuss his two new simultaneous running plays and the process in which they were developed, their similarities surrounding the same historical event, and the collaborative process working with two different troupes and directors and his "overnight" success. We also discuss the value of workshops, recording notes opposed to writing them, fighting with structure, the Joint-Stock Method, discoveries from table work, writing rituals, and embracing rejection letters. It's a fascinating conversation about a unique situation. I hope you enjoy the talk. David Johann Kim is an actor and playwright. His plays PANG SPA and TWO STOP were awarded the 2022 Los Angeles New Play Project Award and Grant. TWO STOP was recently workshopped at The Inkwell Theater and PANG SPA was a semifinalist for the 2018 O’Neill National Playwrights Conference, Ashland New Play Festival and Bay Area Playwrights Festival and the final round of Dennis and Victoria Ross Foundation Playwrights Program. He holds an MFA from UC San Diego and is a member of The Dramatists Guild, The Playwrights Union, EST/LA’s Playwrights Unit, Chalk Rep’s Writers group, Playwrights ThinkTank and cofounder of EST/LA’s Ignite Project. To watch the video format of this episode, visit - https://youtu.be/N4oPK8ZBt5M For tickets to both Two Stop (May 2 – June 9, 2024) and Pang Spa (May 16th - June 9th), visit - https://www.estlosangeles.org/two-stop-world-premiere Links to resources mentioned in this episode - Los Angeles New Play Project - https://lanpp.org EST/LA (Ensemble Studio Theatre) - https://www.estlosangeles.org Chalk Repertory Theatre - https://www.chalkrep.com The Magic - https://magictheatre.org/ Asian American Theatre Company - https://naatco.org New Works Now - https://downtownla.com/do/new-original-works-now-festival Lark Play Development - https://www.nyc-arts.org/organizations/lark-play-development-center/ Inkwell Workshop - https://www.inkwellretreats.org Circle X Writers - https://www.circlextheatre.org/new-page-2 Evolving Playwrights - https://www.circlextheatre.org/evolving2023 Ignite Project - https://www.estlosangeles.org/ignite-project New Play Exchange - https://newplayexchange.org/ Website and Socials for David Johann Kim - IG - @d.yo_hankim Facebook - https://www.facebook.com/david.j.kim.982 Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the Show.

Send us a Text Message. Michelle Kholos Brooks sat in the Playwright's Spotlight for a wonderful conversation about her approach to the craft. We talked about the rehearsal process with the return of her play Hitler's Tasters in which we touch on writing transitions, the effects of Covid on this particular piece and the different renditions prior to publication as well as working with different casts. We also discuss inspiration to write historical events, playing in different markets, her trajectory into playwriting from journalism, overcoming struggles, writing exposition well, using and implementing prompts, editing, motivation, and detailing or suggesting stage directions. As always, it was a very insightful interview that I hope you will enjoy. Cheers! Hitler's Tasters runs May 4th through June 3rd at Rogue Machine Theater. Tickets can be purchased at - https://roguemachine.ludus.com/index.php?show_id=200451592 Michelle Kholos Brooks is an award-winning playwright with productions staged internationally. Awards and distinctions include the Susan Glaspell Award for H*TLER’S TASTERS and the Riva Shiner Comedy Award for KALAMAZOO, co-written with Kelly Younger. ROOM 1214 was a finalist for The Ashland New Plays Festival, and her play HOSTAGE was a finalist for the Woodward/Newman Drama Award, The Fratti-Newman Political Play Contest, and a Showcase finalist for the National New Play Network. Other plays include War Words, Chair, and Project Fear (and All the Feels). She earned her BA from Emerson College and an MFA is Fiction from Otis College of Art and Design and she is Playwright-in-Residence at New York Rep. For the video format of this episode, click - https://youtu.be/InlPEuB2b-0 Links mentioned in this episode - Rogue Machine Theatre - https://www.roguemachinetheatre.org New Light Theater Project - https://www.newlighttheaterproject.com Pacific Resident Theater - https://pacificresidenttheatre.org Dramatists Bill of Rights - https://www.dramatistsguild.com/rights New Play Exchange - https://newplayexchange.org Websites and socials for Michelle Kholos Brooks - https://www.michellekholosbrooks.com IG - @michellekholosbrooks X/Twiiter - @MKholosBrooks FB - https://www.facebook.com/michelle.k.brooks.7 Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the Show.

Send us a Text Message. Playwright Oliver Mayer joined us before the premiere of his new play Ghost Waltz. Oliver shares his experience writing operas, the medium's influence on his playwriting and the musicality of English as well as the intimacy of theatre and creative control, the after affects of "crashing into the wall. We also explore writing rituals, interruptions, reframing your story, breaking bad habits and the dangers of wit, where to start a scene and "when the mask falls," and wrap things up with dialogue and stage directions, the rules of twos and threes, the use of music, translating works, and saving (L.A.) theatre and nontraditional venues. It was certainly another page in the lesson books for me. I hope you walk away with something insightful. Enjoy. Oliver Mayer is a playwright, poet, essayist and librettist, whose newest opera 3 Paderewskis, composed by Jenni Brandon, received its world premiere at Washington D.C.’s Kennedy Center in 2019. He is the author of more than 30 plays, from his ground-breaking Blade to the Heat to its long-awaited sequel - Members Only; he is currently at work on Ultimate Mix Tape, the third play in the Blade trilogy. Other produced plays include Blood Match and Yerma in the Desert (inspired by the plays of Federico Garcia Lorca), Fortune is a Woman, The Wallowa Project, Dias y Flores, Dark Matters, Young Valiant, Joy of the Desolate, The Sinner from Toledo, Laws of Sympathy and Ragged Time. He is developing new plays with The Wallis Annenberg Center for the Performing Arts and the Getty Villa. He is a tenured professor and Associate Dean of Faculty at USC’s School of Dramatic Arts. The world premiere of his play Ghost Waltz opens at the Los Angeles Theater Center on May 4th and runs through June 6th. For tickets to Ghost Waltz, visit - https://www.latinotheaterco.org/ghostwaltz To view the video format of this episode, visit - https://youtu.be/hDj406wgr6g Links mentioned in this episode - Latino Theater Company - https://www.latinotheaterco.org Live at the Met - https://www.metopera.org/season/radio/saturday-matinee-broadcasts/ Website and Socials for Oliver Mayer - Website - www.olivermayer.com USC - School of Dramatic Arts - https://dramaticarts.usc.edu/faculty-qa-oliver-mayer/ Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the Show.

Send us a Text Message. Playwright Tira Palmquist sat in the Playwright's Spotlight while rehearsing her latest play The Body's Midnight. We had a wonderful conversation discussing the benefits of table work, entering the flow state and making discoveries later in the process, the role of the playwright in rehearsals, cutting characters, time between drafts, and the tool of "saving as." We also touch on the different development processes, rookie mistakes, teaching subtext and fixing your flaws, finding your voice, poetry in playwriting as well as her take on "pay to play" and finding opportunities. It was another interview full of insight that I hope can help take your playwriting to the next level. Enjoy! TIRA PALMQUIST is a dramaturg, director and playwright known for plays that merge the personal, the political and the poetic. Her play, The Way North was developed at the 2018 Seven Devils Playwrights Conference and was a finalist for the 2018 O’Neill National Playwrights Conference. Other plays include: Two Degrees, Ten Mile Lake, Age of Bees, and This Floating World. She teaches creative writing at the Orange County School of the Arts, and has also taught at Wesleyan University and the University of California-Irvine. She’s back in town for a short spell for rehearsals of her play The Body’s Midnight which opens April 27th at the Boston Court Theater in Pasadena, CA. For tickets to The Body's Midnight through May 26th - https://bostoncourtpasadena.org/events/thebodysmidnight/ To view the video format of this episode, visit - https://youtu.be/i4JBkve6CtA Links mentioned in this episode - Seven Devils New Play Foundry - https://www.sevendevils.org Boston Court Pasadena - https://bostoncourtpasadena.org Playwrights' Center - https://pwcenter.org New Play Exchange - https://newplayexchange.org Original Works Publishing - https://www.originalworksonline.com TRW Plays - https://trwplays.com/ Websites and socials for Tira Palmquist - www.tirapalmquist.com IG - @tira.p Facebook - https://www.facebook.com/tira.palmquist Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the Show.

Send us a Text Message. Joan of Arcadia's Becky Wahlstrom stopped by Playwright's Spotlight while in town from Nashville to help wrap up the rehearsal process for the premiere of her new play A Froggy Becomes. Becky discusses how she started out writing plays after a successful stint in Hollywood. We touch a bit on censorship from theaters, the pros and cons of writing for small budgets, and having a network circle and how it can help, the experience of coming into rehearsals late in the process, feedback in Nashville vs Chicago as well as the Nashville market and the benefits of second and third tier markets. Finally, we talk about writing layers and character transformation, prejudging the audience, evolving through experience and taking chances, and taking the time to write through each character's eyes. It's an energetic episode at its finest and Becky delivers. Enjoy. Becky Wahlstrom attended the London Academy of Music and Dramatic Art in England and has appeared on shows such as Star Trek: Enterprise, Grey’s Anatomy, Mad Men, NCIS, Judging Amy, and is best known for the supporting role of Grace Polk on the series Joan of Arcadia. She recently dipped her toe back into playwriting with the premiere of her play A Froggy Becomes at Open Fist Theatre in Los Angeles. For tickets to A Froggy Becomes through April 13th, visit - https://openfisttheatre.my.salesforce-sites.com/ticket#/ To view the video format of this episode, visit - https://youtu.be/ZGo5JVYll1M Links mentioned in this episode - Open Fist Theatre Company - https://openfist.org Nashville Repertory Theatre - https://nashvillerep.org/ Moving Arts Theatre Company - https://movingarts.org Dramatists Guild - https://www.dramatistsguild.com Websites and Socials for Becky Wahlstrom - http://www.beckywahlstrom.com Facebook - https://www.facebook.com/becky.wahlstrom IG - @beckywahlstrom New Play Exchange - https://newplayexchange.org Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the Show.

Send us a Text Message. This week playwright Steve Fife sat in-studio in the Playwright's Spotlight. It was a reflective conversation of his experience in New York and on Broadway in the seventies, his dislike of eighties, and the joyous return in the nineties. We discuss rewriting and updating past works, getting back to theatre's roots, directing your own work (of course) and The Greats, the current acceptance of dark subject matter, and audience feedback at staged readings. We also touch on theatre in L.A., cast conflicts and obligations, Playwrights vs Directors interpretation, lessons from workshop participation vs running workshops as well as lessons as a literary manager which led into stories of David Ives and fame in the bubble of theatre and being a big fish in a small pond. Our conversation ends in writing natural dialogue. It's a fascinating conversation through a window of where theatre was and where it is now and Steve's connection with personas we've all come to know throughout our time in this wondrous arena. I'm sure you'll find something to connect with. Enjoy! Steve Fife is an author, poet, and playwright and former reporter and literary manager. His plays SAVAGE WORLD, BREAK OF DAY and THIS IS NOT WHAT I ORDERED have been published by Samuel French/Concord Theatricals. Other plays include In The Mood, Sizzle Sizzle, Blue Kiss, The Kitchen Girl, Fun With Freud, Scattered Blossoms, Vincent in the Asylum, Van Gogh’s Zombie Movie, The Transformation Center, Bring Your Own and The Blessing. His adaptation of Sholem Asch’s God of Vengeance was produced Off-Broadway and The American Wife had its World Premiere at the Park Theatre in London. He was 2019-20 writer-in-residence at the Ark Theatre in North Hollywood. He has also penned book & lyrics for four musicals. He is a graduate the National Theatre Institute, Sarah Lawrence College and received his MFA from Columbia University’s School of the Arts. To view the video format of this episode, visit - https://youtu.be/RZmBvAMPM3E Links mentioned in this episode - Interact Theatre Company - https://www.interactla.org/ "Hurricane" Carter - https://en.wikipedia.org/wiki/Rubin_Carter Matrix Theatre - http://www.matrixtheatre.com New Dramatists - https://newdramatists.org Concord Theatricals - https://www.concordtheatricals.com Websites and socials for Steve Fife - Facebook - https://www.facebook.com/steve.fife.94 X - @twistedhipster8 IG - @steve.fife.94 Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the Show.

Send us a Text Message. Catya McMullen stopped by Playwright's Spotlight during the run of her new play Arrowhead which runs through March 4, 2024. In this episode, we talk about surviving lockdowns as an artist, what makes a good writer, reflecting life on stage, stage plays as love letters. We also discuss what comes after the initial idea, writing from a personal place and putting away the constraints, laughing your way into a deeper conversation and, a new term from me, the New York City Hustle and the benefits of becoming more generous in your theatre community. In addition, Catya shares her editing technique of Scene Tetris, deciphering notes from prescriptive fixes, accountability and keeping motivated, and whether or not you can find any of her rapping/hip hop performances online. Another fun episode I hope you'll enjoy. Catya McMullen is a playwright and comedian. Her short play, MISSED CONNECTION won the 37th Samuel French Off Off Broadway Short Play Festival. She is the author of the comedic hip hop musical LOCKED UP BITCHES and the plays GEORGIA MERTCHING IS DEAD, AGNES, EVERYTHING IS PROBABLY GOING TO BE OKAY, WE PRAY TO ELEPHANTS, ASSHOLES IN GAS STATIONS, RUBBER DUCKS AND SUNSETS, and THE COLLECTIVE. She is a proud alum of the Obie award winning EST/Youngblood and a company member of The Middle Voice Theater Company and was a finalist for the City Theater National Award for Short Playwriting and the Creator of the quarterly variety show WE ARE ANIMALS where she raps under her feminist hip hop alias “Chihuahua Fancy” and has received multiple commissions from the Sloan Foundation. She teaches sketch comedy and playwriting at The People’s Improv Theater. Her latest play Arrowhead opened February 9th and runs through March 4th, 2024 at Atwater Village Theater in Los Angeles. To view the video format of this episode, visit - https://youtu.be/qIrJvOJn_Z4 Links mentioned in this episode - Tickets to Arrowhead (Closing March 4, 2024) and IAMA Theatre Company - https://www.iamatheatre.com/plays-events/arrowhead Sloan Foundation - https://sloan.org The Flea Theatre - https://theflea.org Dramatists Play Service (DPS) - https://www.dramatists.com Websites and socials for Catya McCullen - IG - @mccatya Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - X - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - X - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - X - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the Show.

Send us a Text Message. Had the pleasure of chatting with playwright and son of actress Eileen Heckart (Bus Stop), Luke Yankee, about growing up in the world of Hollywood and his journey to be coming a playwright. It's a wonderful interview that touches on his relationships with not only the Hollywood greats but also the pioneers of the theatre (including Steven Schwartz, Beth Henley, David Lindsay-Abaire, and David Henry Hwang) and how they affected his growth as an artist and craft of playwriting. We touch on his delving into playwriting, winning The Stanley Award, his inspirations and writing style, receiving notes and getting bad feedback, knowing and breaking the rules of playwriting as well as the importance of script analysis and criticism. We also talk the benefits of making your work more personal, making characters sound different, learning from the Greeks and other classics, and what he views as the most important element of playwriting. Also, if you're a long time listener to the podcast, Luke may very well have ended the debate on whether or not it's worth studying playwriting in academia. Overall, Luke was is absolutely charming and delivers a plethora of knowledge about the craft. Enjoy! Luke Yankee is a writer, director, producer, actor, and teacher. His play, "The Last Lifeboat" (published by Dramatists Play Service) has had more than 50 productions in North America and has won over 60 regional awards. His play, "Marilyn, Mom & Me" was the recipient of the Southwest Theatre Productions Sponsor's Award, the Moondance Stageplay Award, and the Writer's Digest Award for Best Play. His play, “Confessions of a Star Maker” was recently a finalist for the Screencraft stageplay competition and was chosen for the Last Frontier Theatre Conference. Other plays include "A Place at Forest Lawn", "The Man Who Killed The Cure" and "The Jesus Hickey". To view the video format of this episode, visit - https://youtu.be/TCjWtRO1k9I Links mentioned in this episode - The Stanley Award - https://wagner.edu/performing-arts/stanley-drama/ International City Theatre - https://ictlongbeach.org The Art of Writing for the Theatre - https://www.amazon.com/Art-Writing-Theatre-Introduction-Introductions/dp/1350155578 Play Submissions Helper - https://playsubmissionshelper.com William Inge Theatre Festival - https://ingecenter.org/festival/ The O'Neills - https://www.theoneill.org UC Riverside MFA Program - https://palmdesertmfa.ucr.edu Socials and Website for Luke Yankee - www.lukeyankee.com FB - www.facebook.com/luke.yankee IG - @lukebyankee X/Twitter - @lukebyankee Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the Show.

Send us a Text Message. Donna Hoke sat in the Playwright's Spotlight to discuss her journey into playwriting. In this interview we touch on her involvement in the Official Playwrights of Facebook, her start as playwright from a journalism background and learning on the fly, working in a smaller market and "owning your home town" as well as building relationships and putting in the time. We also talk about being commissioned, finding that "flow," finding opportunities, playwriting struggles, the use of character backstories, using exercises as standalone pieces, the structure and trends of ten-minute plays, and what constitutes success. Again, Donna offers such great insight and resources, I think you'll find yourself with a plethora of information. Cheers. Donna Hoke’s work has been seen in 48 states and on five continents. She has been nominated for the Primus, Blackburn, and Laura Pels prizes, and is a three-time winner of the Emanuel Fried Award for Outstanding New Play for SEEDS, SONS & LOVERS, and ONCE IN MY LIFETIME. She has also twice received Individual Artist Awards from the New York State Council on the Arts to develop HEARTS OF STONE and CANALSIDE. She has been serving the Dramatists Guild in various capacities since 2012, is an ensemble playwright at Road Less Traveled Productions, and is former moderator of the 13,500+-member Official Playwrights of Facebook Other plays include - BRILLIANT WORKS OF ART, ELEVATOR GIRL, SAFE, and TEACH. To view the video format of this episode, visit - https://youtu.be/fnbkyVL4Sec Links mentioned in this episode - The Official Playwrights of Facebook - https://www.facebook.com/groups/2351514659 New Play Exchange - https://newplayexchange.org/ World Less Traveled Productions - https://www.roadlesstraveledproductions.org Playwrights' Center - https://pwcenter.org Play Submission Helper - https://playsubmissionshelper.com National New Play Network - https://nnpn.org The Dramatic Writer's Companion - https://www.amazon.com/Dramatic-Writers-Companion-Characters-Publishing/dp/0226172546 Dramatists Guild - https://www.dramatistsguild.com Seven Devils - https://www.sevendevils.org Trade-A-Play Tuesday - https://blog.donnahoke.com/trade-a-play-tuesday/ Playwright's Binge - https://groups.io/g/playwrightbinge YouthPLAYS - https://www.youthplays.com/ Broadway Licensing - https://broadwaylicensing.com Playwright's Spotlight with Steven Dietz - https://youtu.be/CnS8-gegiUc Websites and socials for Donna Hoke - Website - www.donnahoke.com IG - @dhokeplays Twitter/X - @donnahoke Snap - @hokeplays Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through LACPF - Support the Show.

Send us a Text Message. In this episode of Playwright's Spotlight, long time friend and standup Henry Phillips stopped by to discuss another aspect of writing for the stage - Standup Comedy. Henry shares his origins into the craft and business of standup, his approach to comedy and knowing when you've got the right joke, the use of Twitter as a testing ground, and how to segue into the next joke. We also talk about voice vs character, the ideal length of a joke, having jokes stolen, testing material and drawing from life, dry spells and branding as well as confidence and commitment in performance. In addition, we touch on building up to being a headliner, relationships and invitations, comedic potential and when's too soon to joke about a topic. It was a lot of fun to learn to hear Henry's pathway to his success. I hope you enjoy it. Henry Phillips is an actor, writer, musician and standup comic. He has played hundreds of cities across the country and around the world. He has recorded five comedy albums including On the Shoulders of Freaks, Number 2, Why Haven’t I Heard From You, L.A. Dreams, and Neither Here Nor There. He’s appeared in multiple episodes of Silicon Valley as well as Season Two, Episode 4 of Drunk History. He is the co-writer of both Punching the Clown and Punching Henry and stars in the hit web-series Henry’s Kitchen. To view the video format of this episode, visit - https://youtu.be/7UI9zTfzt2U Links mentioned in this episode - Gengis Cohen - https://www.genghiscohen.com The Improv - https://improv.com/hollywood/ Dr. Demento - https://www.drdemento.com The Second Degree - https://www.imdb.com/video/vi2560076569 Websites and socials for Henry Phillips - https://henryphillips.com henrys.kitchen Twitter/X - @henlips IG - @henlips Twitch - @henlips1 YouTube - @henryphillips Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the Show.

Send us a Text Message. This was an absolute treat and a dream come true. Paul Greenberg from the sketch comedy troop The Vacant Lot honored me with ninety minutes of his time to come and talk shop. We discuss his pathway to success while performing onstage and then being cancelled in Canada as well as auditioning for SNL. We touch on what makes a good idea, how something always has to go wrong, and how a sketch must have a good ending. We also talk about the structure of sketch, the Canadien Dream, the history of Second City, doing your time and learning from the greats and how L.A. gets it wrong in the world of improv and sketch. Paul is chock full of knowledge and insight and shares his wisdom on how to be successful in the world of sketch comedy. I hope you have as much fun listening as I did recording this episode. Enjoy! To view the video format of this episode, visit - https://youtu.be/XSAXIIUHYs4 Links mentioned in this episode - The Brill Building - https://en.wikipedia.org/wiki/Brill_Building Rita MacNeil - https://en.wikipedia.org/wiki/Rita_MacNeil Ryerson Polytechnic University - https://www.torontomu.ca The Groundlings - https://groundlings.com Second City - https://www.secondcity.com Nichols and May - https://www.youtube.com/watch?v=lKL1tNv__kU The Vacant Lot - https://www.youtube.com/@thevacantlot137 Websites and socials for Paul Greenberg - Hanging with Doctor Z - www.hangingwithdoctorz.com IG - @paulgreenberg1 @thesensationalrustysteele Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the Show.

Send us a Text Message. We're back after a brief hiatus due to a guest cancelling, the holidays, and me feeling a bit under the weather, but our third season is still off with a bang. If there was a fascinating episode to drop after being away, this is IT. International playwright Ren Powell visited remotely with an aspect of playwriting and theatre I couldn't have been prepared for. We discuss going international, cultural differences, and the task of tackling translating from a cultural perspective as well as playwriting and also as an approach to learning a language. We touch upon Norwegian playwriting on the page and stage and their appeal to deconstructing theatrical works. Ren also speaks of her use of "erasure" in her adaptation of Shakespeare's King Lear and her advocacy of free speech against literary prosecution in the realm of human rights and human obligation. We also talk about new or obscure forms of theatre including pub theatre, pantos, and Norwegian variety/vaudeville style theatre (revits (sp?)) and Norwegian improv. I also chime in a bit (a lot) with my frustration of authority in academia. It truly is a fascinating conversation I hope you will enjoy. My guest today is a poet, playwright and teaching artist born in Anaheim, California and currently based in Oslo, Norway. She has a Ph.D. in Creative Writing from Lancaster University in England, a BA in Theater Arts from Texas A&M University, and teaches at Vågen Upper Secondary School for the Visual and Performing Arts. Her work often juxtaposes mindsets with landscapes, culture with nature and often reflects on the themes of identity, place/displacement, mental disorders, human rights and obligations. Her plays include - Ripeness is All (An erasure/adaptation of King Lear), Light as Her Bones, and The Ant Farm. To view the video format of this episode, visit - https://youtu.be/Tr_EPp7V7K8 Links mentioned in this episode - dv8 theatre - https://dv8.co.uk Forced Entertainment - https://www.forcedentertainment.com PEN International and America - https://www.pen-international.org https://pen.org The Muse - https://muse.jhu.edu Websites and socials for Ren Powell - www.renpowell.com New Play Exchange - https://newplayexchange.org/users/80012/ren-powell Email - renpowell.writer@gmail.com IG - madorphanwriter Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the Show.

Send us a Text Message. Season 3, Episode 1. - If someone told me how powerful of a conversation I'd have been in store for prior to sitting down with Stan Mayer, I'm not sure I would've believed them, nor could I have prepared myself for the conversation we would have, and certainly not from a playwriting perspective. What proceeds is an in-depth and personal insight into war and how it translates to the stage where most would place it in a cinematic medium. However, Stan breaks it down beautifully and makes a strong case why war stories belong on the stage, and how not only the playwright, but the community can heal from wounds that can still be decades old. We speak about honoring truth and how trust is an important commodity when it comes to collaboration, and how letting go can lead to getting out of your own way when it comes to ego. We also touch on the flourishing of discovery when sussing out the story over a long period of time through workshop, rehearsal, and play as well as at the importance of not diluting your co-author's voice and trusting your work in someone else's hands. It's a truly lovely conversation, and I can't thank Stan enough for sharing such a personal story and process with the Playwright's Spotlight community. I hope you enjoy this first episode of the new season. Stan Mayer is an actor, playwright, and director. In a past life, he was a US Marine infantryman and Intelligence Officer in special operations, serving five tours of duty in Iraq and Afghanistan. Plays include Odysseus at Temecula and the upcoming premiere Mama, Mama, Can’t You See with co-writer Cecelia Fairchild produced by Coin & Ghost Theatre Company at Studio/Stage in Los Angeles. To view the video format of this episode, visit - https://youtu.be/ECmQGdWRpl0 For tickets to Mama, Mama, Can't You See if you're in the Los Angeles area, visit - https://www.showclix.com/event/mama-mama-2023 Links to sites mentioned in this episode - Arts in the Armed Forces - https://bobwoodrufffoundation.org/bwfgrants/arts-in-the-armed-forces/ Coin & Ghost Theatre Company - https://coinandghost.org studio/stage - https://www.thestagecrafts.com/studio-stage/ Contact info and socials for Stan Mayer - IG - @stoshactually Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the Show.

Send us a Text Message. FINAL EPISODE OF SEASON 2! We made it another year. In this season ending episode, we spend time speaking with Richard Vetere. Richard reached out to me on Instagram and voiced interest in being on an episode of Playwright's Spotlight. After looking over his credentials, Richard certainly had insight to offer, and as always, I learned something new. In this episode, we discuss the evolution of grants, the current state and the fate of theatre, what makes a good director, what's necessary in stage directions, obtaining flow in playwriting, his personal process when it comes to the craft, structure, and finding inspiration and generating ideas. We also reflect upon the brilliance of Rod Serling's The Twilight Zone, whether Shakespeare was a real person, innovation as a young playwright, whether rewriting published work is possible, Equity as a union, maturing as a playwright, producing in smaller markets, and having creative control in playwriting. It was an absolute treat to talk with Richard, and I was enthralled to have him wrap up our second season of Playwright's Spotlight. See you in Season 3. Richard Vetere is a playwright, novelist, poet and film and TV writer, actor, director and producer. He has over twenty plays published by Dramatic Publishing, Smith & Kraus and Applause Book and include Caravaggio, Gangster Apparel, Machiavelli, One Shot, One Kill and Bird Brain with production of the plays Off-Broadway in NYC, Chicago, Melbourne, Cyprus, Rome, Paris and London. He has received numerous grants for writing including a Mary Roberts Rinehart Grant for Playwriting and a Cultural Council Foundation for poetry and playwriting. He was a guest of the Chicago Humanities Theater Festival for his play Caravaggio. He has a Masters in Comparative English Literature from Columbia University and lectured at NYU in the master's program in playwriting and film writing and continues to lecture at Queens College. To view the video format of this episode, visit - https://youtu.be/r5gxnIpnuuA Links to sites mentioned in this episode - Mary Robert Rinehart Grant - https://english.gmu.edu/awards/127 Cultural Council Foundation - https://www.americansforthearts.org Dramatists Guild - https://www.dramatistsguild.com Simon and Schuster - https://www.simonandschuster.com PDW - https://www.actingstudio.com/acting-classes/playwrights/beginning-playwriting/ Actors Equity - https://www.actorsequity.org Websites and socials for Richard Vetere - Website - https://www.richardvetereauthor.com FB - https://www.facebook.com/richard.vetere IG - @vetererichard Twitter - @RichardVetere Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losan Support the Show.

Send us a Text Message. We've dug into the vaults of Playwright's Spotlight for this episode. Originally recorded on February 8th, 2023, I interviewed playwright Brynn Thayer a few weeks before the world premiere of Let Me In. Unfortunately due to a software update, the audio was unusable and the pod-recorder used for backup was not started on time. Brynn and I tried to find a time to rerecord but were unable to due to schedule conflicts, so I've decided to release the episode without the first six minutes, which I'm glad I decided to do. I think Brynn has encouraging advice and experience that she shares in this episode. We discuss her beginnings as a soap actress and its development toward her playwriting, how she was able to learn character from soaps, her pathway from a one-woman show, to a two-person short film series, and later a full length three-person play. We also touch upon the need of validation, writing from grief, hearing the truth, conflict in questions, wearing all the hats in a production as well as the flaws of a character and writing behavior. We had a lot of fun recording it and wish I would have released it sooner. I would still love to have Brynn in to discuss Let Me In after having experienced it. I hope it makes the rounds, because it's a wonderful piece. Brynn Thayer has been working in the industry since the 1970s. She's been nominated for a Daytime Emmy and wrote and performed her one-woman show, The Eulogy, which the Los Angeles Times called "Sardonic, Funny and Accessible.” She directed, wrote and produced the Worst Day series of short films with her partner Shahaub Roudbari, which toured the festival circuit and won many awards. Her most recent play, Let Me In, played to sold out crowds at Theatre 68 in North Hollywood. To view the video format of this episode, visit - https://youtu.be/W4hG9Rc-kZE Links to sites mentioned in this episode - Beverly Hills Playhouse - https://www.bhplayhouse.com/ Lenaea High School Theatre Festival - lenaea.org Howie Deutsch - https://workspacehollywood.com Theatre 68 - https://www.theatre68.com New Play Exchange - https://newplayexchange.org Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the Show.