The Theatre Podcast with Alan Seales

For Brody Grant, his bug for performing all started with his love for Star Wars. He shares insights into his journey from being a shy kid and relating to the original "The Outsiders" book to receiving a Tony nomination for his role as Ponyboy (it’s just destiny!). He reflects on the significance of the book and how it resonated with both him and his mom, one of the most important people in his life. Brody discusses his initial audition experience, feeling uncertain about pursuing acting amidst his focus on music and songwriting. His passion for acting and love for "The Outsiders" persisted, eventually leading to his casting as Soda Pop and later as Ponyboy. Brody highlights the supportive and collaborative environment fostered by their director, Danya Taymor, emphasizing the importance of chosen family and genuine connections among the cast members. He shares moments of vulnerability and bonding during rehearsals, where checking in with one another became a norm, fostering a sense of trust and camaraderie. Nominated for the Tony Award for Best Performance by an Actor in a Leading Role in a Musical, he recalls how he found out about it through his mom, and the overwhelming support he got from his family and friends–proving that “if you continue to water the seed of the garden that you're in, you're going to end up with a forest and it's going to be beautiful.” Brody Grant is a New York-based, multi-hyphenate independent recording artist who has appeared in productions like “Parade” at the New York City Center and “The Outsiders” at La Jolla Playhouse. He just made his Broadway debut in “The Outsiders” as Ponyboy Michael Curtis, which has already nabbed him a Tony Award nomination for Best Performance by an Actor in a Leading Role in a Musical. Connect with Brody: Instagram: @brody_grant TikTok: @brody_grant Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Emma Pittman’s been “live, laugh, love-ing” dance ever since she was two years old–at least until she discovered in high school that it’s best partnered with acting. She looks back on her “The Search for Roxie” experience, winning and not being able to tell it to anyone right away, and the show getting postponed because of the pandemic. She shares her journey with the production of “The Outsiders”, including her early connection with the show, having read the book and performed in a play adaptation in high school. Emma describes the unique ensemble-based approach of the play and how it resonated with her. One standout moment she discusses is her audition process for the play, highlighting the personal connection established by director Danya Tamor, who prioritized genuine conversations with the actors during the audition process. Emma opens up about her personal experiences, including her life in high school and the challenge of breaking free from preconceived notions. She also talks about the impact of "The Outsiders" on younger audiences, and the profound effect of the show's raw and visceral scenes, particularly the rumble. In an industry where it’s easy to get boxed into a particular type, Emma imparts advice on embracing one's uniqueness and staying true to oneself wherever you go. Emma Pittman is a Mississippi native who graduated from New York City's Wagner College. In late 2019, she won “The Search for Roxie”, an online contest to find the next Roxie for “Chicago” on Broadway. After she won, she made her Broadway debut in 2022, replacing Pamela Anderson. Her regional credits include Janet in the drowsy chaperone and Lola in damn Yankees. She's also a teaching artist, a director, and a choreographer. Her choreography credits include “On the 20th Century,” “In the Woods,” and “The Cradle Will Rock”. She was part of the original cast of Broadway’s “Back to the Future,” and is now making audiences cry eight times a week as Cherry Valance in “The Outsiders”, which just received 12 Tony nominations. Connect with Emma: Instagram: @emmapittmanofficial TikTok: @emmapittmanofficial Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Rick and Jeff Kuperman talk about their roles as choreographers for the Broadway production of "The Outsiders," diving deep into various aspects of the show's creation, from choreography and staging to its technical elements like sound and lighting. The two share how their collaboration with Danya Taymor began, their non-traditional theatre practices, and the story behind “The Outsiders” choreography, particularly the rumble scene. Apart from theatre and directing, Rick and Jeff share their other interests, such as Jeff's appreciation for Russian literature and Rick's fascination with philosophical introspection. With their success, the two reflect on the role of luck and how things aligned for them, the pride they take in their work, and the collaborative aspect of their job, highlighting the importance of teamwork, creativity, and dedication to storytelling. Rick and Jeff Kuperman is a directing and choreographing team with many projects that you've seen on stage and screen. Their recent highlights include co-directing and choreographing the immersive show from the producers of “Sleep No More”, choreographing a new musical adaptation of “The Outsiders”, which just opened, and choreographing “Alice by Heart” which won the Lucille Lortel Award, the Chita Rivera Award, and the Callaway Award for Outstanding Choreography. They've also worked on “Cyrano” with Peter Dinklage, Phish at Madison Square Garden, and choreographed the feature film, “Dicks: The Musical”, which you can find streaming online. Other camera work includes “Living With Yourself” with Paul Rudd, and “Silent Retreat”. Connect with Rick and Jeff: Website: kupermanbrothers.com Instagram: @kupermanbrothers Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the first of many episodes for 'The Outsiders' takeover here on the podcast! Tony Award Nominee(!) Danya Taymor didn’t know that she was going to stick with theater until she was towards the end of her college career. She’s enjoyed being a director (or the captain of the ship, as they say) since then. She recalls doing plays in Duke and why it was a gift that allowed her to try and fail, and hone her directing style. Currently manning the ship for Broadway’s Tony Award Nominated “The Outsiders”, she discusses her experiences leading up to the opening night of the show, her creative process, and the challenges of bringing a beloved story to the stage. As a director, she emphasizes the importance of taking ownership of the collective health of a project and knowing when to stop working on it. She talks about how the show resonates with the younger audiences, her approach to make the show appealing and relatable to the youth, and the warmup they do every day to cultivate a safe space for the actors and crew. Dayna also looks back on her experience directing "Pass Over," the first Broadway show to reopen after the shutdown due to the pandemic. She describes it as an honor and a divine experience, and how it has been a blessing throughout her career. She shares the collaborative nature of directing, the importance of caring for actors' well-being and feeling their energies, and her belief in the healing power of theater. Danya Taymor is a New York-based director who reopened Broadway with the play, “Pass Over”. Her other works include the out-of-town production of “The Outsiders”, Samuel Beckett's “Endgame”, Will Arbery's Pulitzer Prize finalist, “Heroes of the Fourth Turning”, “Evanston Salt Costs Climbing”, and Jeremy O'Harris’ “Daddy”. She's the recipient of the Joan Cullman Award for Extraordinary Creativity from Lincoln Center. Her latest credit is the Broadway production of “The Outsiders”, which just opened at the Jacobs Theater. Connect with Danya: Website: about.me/danyataymor Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Full list of 2024 nominees here: https://www.nytimes.com/2024/04/30/theater/tony-awards-nominations.html Find more of The Theatre Podcast at http://bpn.fm/ttp Best Musical - Hell's Kitchen - Illinoise - The Outsiders - Suffs - Water for Elephants Best Play - Jaja's African Hair Braiding, Author: Jocelyn Bioh - Mary Jane, Author: Amy Herzog - Mother Play, Author: Paula Vogel - Prayer for the French Republic, Author: Joshua Harmon - Stereophonic, Author: David Adjmi Best Performance by an Actor in a Leading Role in a Play - William Jackson Harper, Uncle Vanya - Leslie Odom, Jr., Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch - Liev Schreiber, Doubt: A Parable - Jeremy Strong, An Enemy of the People - Michael Stuhlbarg, Patriots Best Performance by an Actress in a Leading Role in a Play - Betsy Aidem, Prayer for the French Republic - Jessica Lange, Mother Play - Rachel McAdams, Mary Jane - Sarah Paulson, Appropriate - Amy Ryan, Doubt: A Parable Best Performance by an Actor in a Leading Role in a Musical - Brody Grant, The Outsiders - Jonathan Groff, Merrily We Roll Along - Dorian Harewood, The Notebook - Brian d'Arcy James, Days of Wine and Roses - Eddie Redmayne, Cabaret at the Kit Kat Club Best Performance by an Actress in a Leading Role in a Musical - Eden Espinosa, Lempicka - Maleah Joi Moon, Hell's Kitchen - Kelli O'Hara, Days of Wine and Roses - Maryann Plunkett, The Notebook - Gayle Rankin, Cabaret at the Kit Kat Club Best Performance by an Actor in a Featured Role in a Play - Will Brill, Stereophonic - Eli Gelb, Stereophonic - Jim Parsons, Mother Play - Tom Pecinka, Stereophonic - Corey Stoll, Appropriate Best Performance by an Actress in a Featured Role in a Play - Quincy Tyler Bernstine, Doubt: A Parable - Juliana Canfield, Stereophonic - Celia Keenan-Bolger, Mother Play - Sarah Pidgeon, Stereophonic - Kara Young, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch Best Performance by an Actor in a Featured Role in a Musical - Roger Bart, Back To The Future: The Musical - Joshua Boone, The Outsiders - Brandon Victor Dixon, Hell's Kitchen - Sky Lakota-Lynch, The Outsiders - Daniel Radcliffe, Merrily We Roll Along - Steven Skybell, Cabaret at the Kit Kat Club Best Performance by an Actress in a Featured Role in a Musical - Shoshana Bean, Hell's Kitchen - Amber Iman, Lempicka - Nikki M. James, Suffs - Leslie Rodriguez Kritzer, Monty Python's Spamalot - Kecia Lewis, Hell's Kitchen - Lindsay Mendez, Merrily We Roll Along - Bebe Neuwirth, Cabaret at the Kit Kat Club Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Jayne Atkinson believes she has this kind of magic superpower of getting what she wants if she puts her attention to it, and she’s got a long list of credits to prove just that. She looks back on her childhood and having an English sensibility (and sense of humor) even though she grew up in America. She credits her high school drama teacher as the one who gave her the foundation of her work, and thinks fellow classmate Michael Greif is her “theatre angel”. Jayne talks about her latest play, "Still," which she stars in alongside her old friend Tim Daly. She shares the story of what made her say yes to the play after receiving the script from Will Rucker, and the show’s themes of love, connection, and the importance of listening to each other. Jayne gets real as she reflects on the impact of technology on human connection, why she thinks “the SAG strike didn’t hit some of the issues it needed to hit”, and the significance of live theater, especially today. With a successful acting career and so many credits under her name, she shares her personal motivations, advising aspirants to prioritize self-care and enjoyment in auditions. Jayne Atkinson is a British American actress who's graced everything from Broadway's grand stages to popular television shows. You might recognize her from her Emmy-nominated role as Karen Hayes on “24” or her powerful performances in “House of Cards” and “Criminal Minds”. Her accolades extend far beyond the screen, including Tony Award nominations for her captivating theater work in the 2000 production of “The Rainmaker” and the 2003 production of “Enchanted April”. Her other TV and film credits include “Parenthood”, “A Year in the Life”, “Gossip Girl”, “Madam Secretary”, and “Death and Other Details”. Jayne is also a three-time Drama Desk Award nominee. She was last seen on stage starring alongside Angela Lansbury in “Blithe Spirit”, and can now be seen in the off-Broadway production of “Still” at the DR2 Theater. Connect with Jayne: Instagram: @jayneatkinsonofficial Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

A lot has changed since Izzy McCalla first appeared in episode 38 back in 2019 and she’s more than happy to share the latest news in her journey – from her early roles to now playing Marlena in "Water for Elephants." She reflects on how each role built her confidence and prepared her for new challenges, her tendency to gravitate towards ensemble pieces, and her ability to go back and forth between the comedic and dramatic genres. Izzy opens up about the challenges of replacing actors in established shows, the pressure of delivering in front of audiences, and the process of finding inner peace and self-acceptance. She shares an important lesson on being funny on stage, and that nothing kills comedy faster than hesitation and anxiety. Currently playing as Marlena in “Water for Elephants,” she talks about the character’s complexities, and her evolving perspective on love, relationships, and self-worth. She also discusses her Haitian heritage and its personal connection to her role, sharing her family's history and how they immigrated to Haiti with the Danish circus. Izzy gets real as she opens up about vulnerability, self-discovery, her tendency to fix others, and the importance of setting boundaries while maintaining empathy as she navigates emotional growth. Izzy McCalla first appeared in episode 38 back in 2019 and our special 150th Pride episode in June of 2021. Since then, she has added more credits, including the Paper Mill Playhouse production of “Clue” and “Hercules”, and “Footloose” at the Kennedy Center, and was part of the closing cast of "Shucked" earlier this year. She’s currently part of the recently opened production of “Water for Elephants” as Marlena. Connect with Izzy: Instagram: @izzymccalla Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Andrew Samonsky believes that Jerry Garcia’s death (yes that Jerry Garcia) may have instigated his performance career in some way. From being a “deadhead” to becoming a Broadway actor, Andrew opens up about his years of following the Grateful Dead and dealing with drug problems that led him to go to rehab. Lost and feeling helpless, he decided to pray to help find his path. He soon received a letter from his old voice teacher encouraging him to pursue a career in singing, and the rest is history. He looks back on his childhood, his love for singing despite being a shy kid, and how, ultimately, theatre and its community are what saved him during his troubled years. Currently playing as Tadeusz Lempicki in “Lempicka”, Andrew shares the story behind his cosmic connection to the show, which goes all the way back to 22 years ago and a random interaction with the Peace Corps. He discusses the challenges and joys of originating a role, the importance of trust and collaboration between actors and creative teams, and the feeling of gratitude for the opportunity to bring characters to life and how it can impact audiences. Andrew Samonsky made his Broadway debut in the 2008 production of “South Pacific” and has additional Broadway credits, including “The Mystery of Edwin Drood”, and “Scandalous: The Life and Trials of Aimee Semple McPherson”. His TV credits include “Madam Secretary”, “It Could Be Worse”, and “Elementary”. He can now be seen as Tadeusz Lempicki in the Broadway production of “Lempicka”. Connect with Andrew: Instagram: @asamonsky Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Ryan Vasquez looks back on his career journey, including living with French acrobats in a seven-bedroom house while doing a show, and eventually booking Hamilton. Playing as many characters as he has in Hamilton was to him just “paid therapy”. Having passed up competing offers to star in Water for Elephants and The Outsiders, he is now starring as Middle Noah in "The Notebook", Ryan opens up about why he chose to be part of the show–believing in its impact and just how it personally hits him hard. He reflects on the various aspects of the show, from having diverse couples portray the different stages of Noah and Allie's relationship to witnessing the audience cry and experience deep emotions during performances. He also discusses the misconception that the show is purely about sadness, noting that it touches on a range of emotions like joy and self-actualization. Ryan also talks about her chemistry with his co-star Joy Woods and how much real life fun they have performing together. Aware that he's stepping into an iconic role, he reveals that he doesn't feel pressured but instead focuses more on the importance of bringing his own authenticity to the character. After all, it’s what motivates him: bringing his “authentic-isms” and self to the world. Ryan Vasquez can probably reenact all of Hamilton on his own having played multiple roles in the ensemble, including Philip Schuyler, Reynolds, Hercules Mulligan, James Madison, George Washington, Marquis de Lafayette, Thomas Jefferson, Aaron Burr, and ultimately, the title role of Hamilton himself. He has been in “Wicked” as Fiyero and other roles, and in Broadway's production of “Waitress”. He can be seen on both the big and little screens in “The Good Fight”, “Curb Your Enthusiasm”, “Tick, Tick... Boom!”, and “In the Heights”. He can now be seen as Middle Noah in the Broadway cast of “The Notebook”. Connect with Ryan: Website: www.ryanvasqueznyc.com Instagram: @itsryanvasquez Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us for an extraordinary deep dive inside the most transformative decade on Broadway through gripping behind-the-scenes accounts of shows such as Sunset Boulevard, Rent, Angels in America, Chicago, The Lion King, and The Producers - shows that changed the history of the American theater. Host Michael Riedel, author of the best-selling book Singular Sensation: The Triumph of Broadway, has created a companion podcast featuring his never-before-heard, taped audio interviews with legendary artists from Andrew Lloyd Webber, Stephen Sondheim, Patti LuPone, and so many more. Michael presents the drama behind the decade’s mega-hits and shocking flops, bringing readers into high-stakes premieres, fraught rehearsals, tough contract negotiations, intense Tony Award battles, and more. From the bitter feuds to the surprising collaborations, all the intrigue of a revolutionary era in the Theater District is packed into Singular Sensation. Broadway has triumphs and disasters, but the show always goes on. Enjoy Singular Sensation: The Podcast everywhere you get your podcasts or use http://bpn.fm/singularsensation to listen and learn more, and be sure to get the book here: https://amzn.to/4cNdfO3. Learn more about your ad choices. Visit megaphone.fm/adchoices

You don't have as much time as you think you do, so you better be prepared. At least that’s how Joy Woods lives her life. She shares how she caught the acting bug, starting as a dancer but eventually fell in love with theatre and acting. She looks back on her time in “Little Shop of Horrors”, her audition process in “SIX The Musical” and the sisterhood among cast members. She moved around during the pandemic, “broke, alone and free”, realizing that part of her needed that freedom to grow. Now starring as Middle Allie in Broadway’s “The Notebook”, Joy talks about the different aspects of the show, including the depth of its characters, and the unique experience of performing in a production that resonates deeply with audiences while also invoking intense feelings of nostalgia. She reflects on her personal connection to her character, and the things she’s learned about herself in the process. Joy Woods made her Broadway debut in 2022, taking over the role of Catherine Parr in “Six The Musical”. She was part of the ongoing hit production of the off-broadway production of “Little Shop of Horrors,” returning to play the role of Audrey in 2023 after originating the role of Chiffon in the original 2019 revival cast. Her additional credits include the 2020 production of “Mac & Mabel” at City Center on Chorus!, the viral “Ratatouille: The TikTok Musical”, and a 2023 production of “I Can Get It For You Wholesale” off-Broadway, and a 2023 production of “Dreamgirls,” which took place at Raleigh Memorial Auditorium. She has just opened “The Notebook” on Broadway as Middle Allie. Connect with Joy: Instagram: @joynwoods TikTok: @joynwoods Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Cayleigh Capaldi may have the perfect pitch, but she’s not letting perfectionism get in the way of finding who she is as an individual and as a performer. She delves into her background, growing up surrounded by artists, and how it helped her embrace her talents. She also reflects on her role in “Titanique”, the challenges and joys of portraying Celine Dion, including incorporating her own style while honoring the character's legacy, and how the show helped her grow as a performer. Now part of “Figaro: An Original Musical”, she shares her involvement in the musical and the collaborative process behind recording the album. Cayleigh candidly shares her unique vocal abilities, and what actually happens to her throat muscles when she does a whistle tone. Having millions of views and thousands of followers on her social media, she talks about how it all started during the pandemic, and how she eventually found and established her niche–giving her a new and different avenue to be creative and express herself. Cayleigh Capaldi is an actress and singer whose performance career started at the age of three and was recording professional vocals by the age of seven. She had her undergraduate studies in music and East Asian studies at Columbia University and trained in acting and performance at New York University Tisch School of the Arts, AMDA, and AADA. She hosted the “Discovery Channel Europe and China's Hangzhou Global Tour”, and has a massive following on social media where she's known for her incredible riff challenges, harmonies, whistle-tone videos, and perfect pitch videos. Her stage credits include “Tatanique”, “Frozen”, “Macbeth”, “Into the Woods”, and “Little Women” among others. Cayleigh can now be heard leading a brand new world premiere cast recording called “Figaro: An Original Musical”. In addition to her film, TV, and theater credits, Cayleigh has amassed an impressive social media following of over 275K followers. Her fanbase has grown primarily on TikTok, where she has gained over 7 million total likes, 80 million views, and countless viral videos. She is best known for her riff challenges, harmonies, covers, and her musical theater & lifestyle content. Connect with Cayleigh: Website: www.cayleighcapaldi.com Instagram: @cayleigh.capaldi TikTok: @cayleigh.capaldi Learn more about Figaro: An Original Musical: https://www.figaromusical.com/ Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

John Tartaglia believes everything happens for a reason, and his career trajectory is a testament to this. He lets us into the world of puppetry and theatre as he shares his experiences, and how he got started in pursuing his “dual dream” of becoming a successful puppeteer and performing on Broadway. He talks about the influence of Jim Henson in his career, how devastated he was when Jim died, and how one earnest letter he sent Jim when he was eight years old led to working for “Sesame Street” as a puppeteer at the age of 16. He reflects on the profound impact of puppetry on audiences, recalling heartwarming moments from doing shows. He also talks about the process of creating characters for shows like “Fraggle Rock: Back to the Rock”, and finding the balance between practical puppetry and CGI. John offers advice to young puppeteers and performers, encouraging them to trust their passion, ignore naysayers, and being as certain in your dreams as possible. John Tartaglia is an Emmy and Tony award nominated actor who began his professional career at age 16 as a puppeteer for “Sesame Street”. His Broadway debut in “Avenue Q” earned him a Tony nomination for originating the dual roles of Princeton and Rod. His other Broadway credits include Lumière in “Beauty and the Beast” and originating Pinocchio and the Magic Mirror in “Shrek The Musical” on Broadway. He has received eight Emmy Award nominations for “Johnny and the Sprites” on Disney Junior, a show that he created, executive produced, and starred in. John is also an executive producer, director, writer, and radio personality. He most recently wrapped filming season two of “Fraggle Rock: Back to the Rock”, and this time he is also the creative supervisor for the whole series. Connect with John: Website: www.johntartagliaproductions.com Instagram: @johnnytartags Facebook: @John-Tartaglia Cameo: www.cameo.com/johnnytartags/book Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Powerhouse actors Cecily Strong and Andrea Syglowski provide insights into their acting careers, and how they navigated life’s complexities throughout their journey. The two talk about the show they currently co-star in,“Brooklyn Laundry”, their admiration for playwright John Patrick Shanley, and the play’s portrayal of women. Cecily opens up about how she relates to the play’s themes, reflecting on her own experiences of loss and self-discovery, particularly the loss of her cousin to brain cancer and the impact it had on her outlook on life and love. This loss inspired her to write her memoir, "This Will All Be Over Soon". She recalls her time on SNL, and what made her shift from comedy to “serious acting”. Andrea shares her love for teaching acting, how she deals with uncertainties. Both recall their motivations for pursuing careers in the theater, highlighting the joy of storytelling and the opportunity to connect with audiences, and perseverance. Andrea Syglowski is an actress who was last seen in “DIG” at Primary Stages. Her additional stage credits include Broadway's “Passover”, off-Broadway’s “Halfway Bitches Go Straight to Heaven” and “queens”. Her TV credits include “Evil”, “New Amsterdam”, “Blue Bloods”, “Elementary”, “The Good Wife”, and “How to Get Away with Murder”. Cecily Strong is best known for her work as a cast member on Saturday Night Live from 2012 to 2022, which garnered her multiple Emmy Award nominations. She was most recently seen on Apple TV's hit musical series, “Schmigadoon!”, in addition to film credits that include “The Female Brain”, the recent “Ghostbusters” reboot, as well as Melissa McCarthy's “The Boss”, “The Bronze”, and “The Meddler”. She made her New York stage debut in 2021 and hasn't looked back since. Together, Andrea and Cecily are 50% of the four-member cast of “Brooklyn Laundry”, a world premiere play written by Tony and Pulitzer Prize-winning author, John Patrick Shanley. Connect with Cecily and Andrea: Instagram: @justcaseylikes Twitter: @justcaseylikes TikTok: @justcaseylikes Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Schele Williams has never been afraid to immerse herself in the thing that she loves in order to achieve what she wants. She reflects on her journey, the motivations and support from her family, and the significance of storytelling in her life, which has led her to where she is today. She shares how she chooses which projects to work on, given her busy schedule, her creative process, and making sure to foster a sense of involvement and connection with her children in whatever she does. She also emphasizes the importance of building relationships throughout her career and creating a supportive network. While she’s accomplished so many things already, Schele opens up about dealing with imposter syndrome, particularly when transitioning to new roles, and how she overcame it. Currently co-directing “The Notebook”, Schele explains the conscious choice to diversify the casting in the show, which aims to make the story more inclusive and relatable to a broader audience. We also dive into her excitement about directing “The Wiz”, its impactful storytelling, how it celebrates blackness, friendship, and courage, and the joy of seeing children in the audience. Schele Williams is a Broadway director who was originally pursuing her dreams of playing with the London Philharmonic Orchestra as a teenager. She eventually became an actor with credits, including both “RENT” and “Aida” on Broadway, leading her to become dance captain for “RENT” on Broadway and an associate choreographer for the tour. She uncovered her true calling to being a director. She associate-directed “Motown the Musical” on Broadway, and is currently working on a stage adaptation of “Hidden Figures”. She is also co-directing “The Notebook” alongside Michael Greif, which just opened on Broadway, and is also solo directing the incoming extremely highly-anticipated production of “The Wiz”, scheduled to open on April 17th at the Marquis Theater–the first black woman to direct a Broadway musical in over 50 years. Connect with Schele: Website: schelewilliams.com Instagram: @schelewilliams Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Ali became enamored by the idea of performing since he was a kid as a way to study the human condition. He looks back on his multicultural upbringing that blends American and Moroccan influences, and his journey into acting and performing, revealing his passion for storytelling. Despite growing up surrounded by artists, he opens up feeling alone at one point when his dad wasn’t fully on board with his dream of pursuing an acting career yet. Playing the lead role in the production of “The Who’s Tommy”, Ali shares his involvement in the show, highlighting his deep dive into the music and ethos of The Who for his role. He also talks about the cathartic nature of performing and the immersive experience of being on stage, as well as its unique format, which eliminates applause during the show to maintain uninterrupted storytelling and for the audience to fully immerse themselves into the story. Ali Louis Bourzgui is one of the industry's newest rising stars who truly embraces what makes him unique. He recently just finished the first national tour of “Company 1st”. He was previously in the national tour of “The Band’s Visit” and originated the role of young amazing Yosef in The Goodman’s World Premiere play, “Layalina”. Apart from that, he’s also an accomplished voiceover artist. You can hear him in the popular podcast, “Quiet Part Loud”, produced by Jordan Peele. He is also a jazz artist, a guitar player, and a songwriter, and you can soon catch him making his Broadway debut in the lead role of Tommy in the upcoming production of “The Who's Tommy”. Connect with Ali: Website: www.alilouisbourzgui.com Instagram: @ali.louis Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Exclusive interviews from inside the 'The Outsiders' rehearsal room on a special, invite-only press junket. Watch the behind the scenes video here: https://www.instagram.com/theatre_podcast/reel/C4mRRe6uoYG/ Hear from: Brody Grant (Ponyboy Curtis) Sky Lakota-Lynch (Johnny Cade) Joshua Boone (Dallas Winston) Brent Comer (Darrel Curtis) Jason Schmidt (Sodapop Curtis) Emma Pittman (Cherry Vallance) Daryl Tofa (Two-Bit Matthews) Kevin William Paul (Bob Sheldon) Dan Berry (Paul Holden) Tilly Evans-Krueger (Ace, Associate Choreographer) Danya Taymor (Director) Adam Rapp (Book) Justin Levine (Book, Score) Zach Chance (Score) Jonathan Clay (Score) Jeff & Rick Kuperman (Choreography) Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Marc Summers believes that if he didn’t have Obsessive Compulsive Disorder (OCD), he wouldn’t be where he is today. He looks back into the humble beginnings of his diverse career, his struggles with severe OCD, battles with cancer, and his resilience that ultimately defined his career journey. Marc highlights the unique aspects of “Double Dare”, how he landed the job, and his creative input in the physical challenges and the show's distinctive nose that’s supposedly modeled after his own. His off-Broadway show, “The Life and Slimes of Marc Summers” written by Alex Brightman and featuring music by Drew Gasparini, showcases his life, including the various challenges he faced throughout, from a car crash where he broke every bone in his face to the stigma of having obsessive-compulsive disorder on his career. It also touched on his early career as a magician and comedian, his experiences at the Comedy Store alongside legends like Dave Letterman and Robin Williams, and the supportive role his wife played in his life and career for over 50 years. He discusses the show's exploration of overcoming obstacles and the theme of perseverance–traits that Marc takes pride in. Director Chad Rabinovitz and composer Drew Gasparini talk about their collaboration on "The Life and Slimes of Marc Summers", including the creative process and thematic elements behind bringing the show to fruition. Chad reminisces about his childhood admiration for Marc, his dream of participating in "Double Dare", and the journey from being a fan to collaborating with Marc, Drew, and Alex Brightman in creating and directing the show. Drew shares how a summer stock production of "Grease" brought him and Marc together, the immersive nature of the production, intertwining the nostalgic elements of "Double Dare" with heartfelt storytelling about Marc's life, and his unique perspective as the composer of the show. Marc Summers is a TV personality, comedian, game show host, producer, and talk show host known from the original “Double Dare” game show on Nickelodeon, and as the host of “Unwrapped” on the Food Network. He was the executive producer for Food Network's “Dinner: Impossible” and “Restaurant: Impossible’, and now he has an off-Broadway, almost one-man show called “The Life and Slimes of Marc Summers” written by Alex Brightman, and with music by Drew Gasparini. Connect with Marc Summers: Instagram: @realmarcsummers Instagram: @drewgasparini Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

A globally renowned actor known for his iconic roles in shows like "Quantum Leap", “Star Trek: Enterprise” and "NCIS: New Orleans," Scott Bakula looks back on his fruitful and diverse career, including his time as Dr. Sam Beckett (Becket?), and some interesting behind-the-scenes details including whether or not that final end screen of the series actually has a typo! With so many changes that occurred post-pandemic, he shares his thoughts on doing self-tapes for auditions, why he thinks it’s become an empty experience, and why it can be limiting and isolating. He talks about his current role in the new Jason Robert Brown musical “The Connector”, his view on journalism after doing the show, and the reason behind their incredibly designed double-raked stage. With his family and the joy of connecting with people as his driving forces, Scott advocates theater as a foundational learning ground for aspiring actors. Scott Bakula is an actor who commanded the leading role of Dr. Sam Beckett in “Quantum Leap” from 1989 to 1993 and has earned him a Golden Globe Award and multiple Emmy Nominations. His other TV and film credits include “Star Trek: Enterprise” where played Captain Jonathan Archer, “American Beauty”, “Necessary Roughness”, “Murphy Brown”, and Ray Romano's “Men of a Certain Age”. Aside from lending his voice to animated series such as “American Dad”, “The Simpsons”, and “Archer”, he also has a Tony Award nomination for his performance in the 1988 Broadway production of “Romance/Romance”. His additional stage credits include “Is There Life After High School” in 1982, “Marilyn” in 1983, and “Three Guys Naked from the Waste Down” in 1985 for which he received a Drama Desk Award nomination. Apart from acting, he’s now showing off his dancing and singing skills eight times a week as Conrad O'Brien in “The Connector”, extended through March 17th at MCC Theater in New York. Connect with Scott: Instagram: @scottbakula Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

A renowned choreographer, director, and educator, Camille A. Brown gives us a rundown of her artistic journey and the challenges and triumphs she faced in the world of dance and theatre. She looks back on her early experiences and influences, particularly her introduction to dance through her mother. From concert dance to musical theatre, she reveals how she got the courage to pursue her passion despite facing skepticism and stereotypes as a black female choreographer in a field dominated by males, including reaching out to mentors like Diane McIntyre and Marlee Ciorri for guidance. Camille’s Broadway directorial debut with “for colored girls who have considered suicide / when the rainbow Is enuf” was a success, earning her Tony nominations for Best Direction and Best Choreography. She shares her emotional journey working on a beloved work and the value of staying true to your artistic vision. Her latest project, "Hell's Kitchen: The Musical" opens up new challenges and opportunities for Camille, such as her approach to the choreography and working with Alicia Keys' music. With her continuous success, she imparts simple but valuable advice to aspiring artists: to believe in the possibility of all things. Camille A. Brown is a widely acclaimed choreographer, director, educator, and storyteller. She has a total of 62 award honors to her credit so far, including three Tony Award nominations. Her 2016 TED-Ed talk, “Camille A. Brown: A Visual History of Social Dance in 25 Moves” was chosen as one of the most notable talks of the year by TED curator Chris Anderson. Her Broadway credits include “A Streetcar Named Desire”, “Once On This Island”, “Choir Boy”, “for colored girls who have considered suicide / when the rainbow is enuf”, and now, the upcoming production of “Hell's Kitchen: The Musical”. Connect with Camille: Website: www.camilleabrown.org Instagram: @camilleabrown Facebook: @camilleabrownanddancers Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices