Warfare of Art & Law Podcast

Send us a text Cover photograph credit: Jessica Minor Link to PowerPoint presentation referenced in episode is available here. Show Notes: 1:20 intro and background 2:40 Slide 4 - Overview of Part I: 6 & ½ tips & tricks: 1 – perspective & point of view; 2 – Light; 2-1/2 – shadow; 3 – value / contrast; 4 – temperature; 5 – depth and illusion of 3-D; 6 – line 5:00 Slide 5: Point 7 - Brushstrokes 6:35 thickness of paint 7:00 blending with dry brush 8:00 Slide 6: Point 8 - Layering 9:40 ‘fat over lean’ rule 11:15 scumble – layer of opaque white 11:30 glaze – transparent layer over an underpainting 12:40 Slide 7: Point 9 - Paint as a Language 15:50 Slide 8: Point 10 - The Figure 19:45 Slide 9: Point 11 – The Palette 32:40 glazing 33:50 Slide 10: Point 12 – Studio Practice 42:50 figurative group show with artist from Hip Bone Art Studio 43:45 process of applying to shows 45:00 narrative/figurative and surrealist approach to still life work 46:05 artist statements 48:45 sharing WIP and final works 51:20 connection to the cranial optic nerve – thinking with our eyes when painting 1:00:00 painting from imagination with focus on ‘technique in service of art’ 1:02:10 how to deal with writers’ block and painters’ block Please share your comments and/or questions at stephanie@warfareofartandlaw.com Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2025]

Send us a text Show notes: 2:00 Museum of Southern Jewish Experience beginning 2012 MSJE moved to Jackson MS and became part of Institute of Southern Jewish Life 3:30 4th year in New Orleans 4:50 MSJE’s mission 5:45 Chapman Family Research Center 6:00 archival vault – over 375 collections and over 4,000 artifacts 7:20 geneology workshops 10:00 artifacts from southern Jewish general stores, e.g., 1890s saloon’s whiskey jug 12:30 collection digitization 13:35 Jewish orphans’ home exhibition 14:30 MSJE’s film 15:20 A Better Life for Their Children exhibition 18:00 Greetings From Main Street exhibition 22:00 French Jews from Alsace-Lorraine 23:00 Central European Jews 23:55 Galveston Plan – Rabbi Henry Cohen 26:00 New Americans exhibition at St. Charles Parish Library 26:30 love story of Joseph Sperling and Anni Frind 36:00 New American Clubs 38:00 relevance of Holocaust survivors’ stories 39:45 rapid response collecting 41:00 view of justice 42:00 lynching of Leo Frank and southern Jewish mayors 44:00 social justice 44:50 Howard Turner – rapid response collecting 45:00 Emily Gould – slave trader memorials, e.g., Colston Statue in Bristol 48:00 Confederate statues built often by the Daughters of the Confederacy 50:45 future exhibition by MSJE on current war 52:00 Turner: school visits at MSJE 53:45 MSJE hours 54:35 Shalom Y’all video, etc. on MSJE site 56:00 visit to MSJE 56:55 interactive map on St. Charles streetcar line 57:30 New Americans - upcoming MSJE exhibition Please share your comments and/or questions at stephanie@warfareofartandlaw.com Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2025]

Send us a text To learn more, please visit Dr. Hartung's site. 2:30 Jonathan Petropoulos' Faustian Bargain: The Art World in Nazi Germany 2:50 Hartung’s 2005 book, Art Theft in War and Persecution 3:25 representation in 2014 of Cornelius Gurlitt regarding the Gurlitt Trove 5:20 Gurlitt exemplifies issues with Germany’s soft law towards art restitution 6:50 twelve works from Gurlitt Trove confirmed as looted 7:15 works from Gurlitt Trove with historical gaps in provenance 8:50 Germany’s task force – 5 million Euros 10:20 degenerate art in Gurlitt Trove 11:10 works on loan from private collections seized as degenerate 11:40 Paul Klee’s “Swamp Legend” from Sophie Küppers 13:30 Kandinsky’s “The Colorful Life”–Irma Klein / Lewenstein Family 17:10 Germany’s shift from advisory commission to an arbitration tribunal 22:30 restitution of “The Colorful Life" 23:40 "Blick in Ebene" by Paul Adolf Seehaus to Koppel heirs 24:10 Gibb's "Aeneas and his Family Fleeing Burning Troy" to Hartveld heirs 24:35 Sir Justice Moses, chair of UK’s Spoliation Advisory Panel 26:00 restitution-Waldmüller’s “Young Girl with Her Family” looted from Teresa Belthower; acquired by Nazi photographer Heinrich Hoffmann 28:00 looted art scandal at Bavarian State Painting Collections 30:50 suit over Friedrich von Amerling’s “Girl with a Straw Hat” 37:05 Emily Gould–restitution by Bavaria versus other German states 39:55 no formal restitution schemes in Spain and Belgium 41:25 whistleblower from Bavarian State Painting Collections 42:50 Markus Stötzel, attorney for Flechtheim heirs 44:00 Picasso’s “Madame Soler” taken from Paul von Mendelssohn-Bartholdy; Bavaria refused to accept its body’s restitution recommendation 47:20 Hartung’s view of justice 48:00 Germany’s arbitration system-public versus private holders of work 50:40 new framework’s guidelines-presumptions and burden 53:55 new framework’s guidelines-dealers and work on commission 55:50 Hartung’s hope to contribute to higher justice and remembrance 57:20 Stolpersteine 1:01:55 Aluko, Stein & Gould Please share your comments and/or questions at stephanie@warfareofartandlaw.com Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2025]

Send us a text To learn more about Silvia Wistuba and her work, please visit here and here. Show Notes 0:00 Silvia Wistuba on equality of artists 1:15 Wistuba’s background 2:30 Gabriele Münter 4:30 ‘Malweiber’ meaning 6:00 timeframe of ‘Malweiber’ labeling – 1871-1918 8:30 research process 12:00 regional approach to research 15:00 twelve female artists focused on in research 16:30 finding that art is not gendered 18:15 Charlotte Corinth 21:30 Dora Hitz 22:40 Maria Slavona 24:25 Augusta von Zitzewitz 25:20 Erma Bossi 26:25 Elisabeth Epstein 27:23 Maria Franck-Marc 30:30 Gabriele Münter 32:25 Elisabeth Erdmann-Macke 34:25 Ida Gerhardi 36:30 Fifi Kreutzer 37:55 Olga Openheimer 40:30 range of resources 43:30 Blue Rider Group 45:30 Gabriele Münter’s donation to Lenbachhaus (Munich) 49:00 Museum Art of the Lost Generation 51:30 current relevance 53:30 need for discourse on art’s social context 55:08 social justice for artists of the past 55:20 defining justice as respect shown to all 56:25 feedback 58:10 challenging the sexist paradigm that art is gendered 59:40 plans to convert thesis into book 1:00:15 derogatory nature of term ‘Malweiber’ 1:01:45 cover image inspired by Julie Wolfthorn’s image Please share your comments and/or questions at stephanie@warfareofartandlaw.com Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2025]

Send us a text Show notes: 0:00 Dr. Fiona Greenland discussing collabarative work with Curia co-founder Dr. Michelle Fabiana 2:00 Dr. Michelle Fabiani's background 3:40 Dr. Greenland’s background 5:40 collaboration between Greenland and Fabiani 7:10 overview of Curia Lab 9:40 Informatics, the science of information 11:30 Syrian project - how robust and reliable data on scope of Syrian looting was with a review of remote sensing imagery 15:10 participants in Syrian project 17:20 Syrian project – evidence on whether there is a connection between Syrian civilian fatalities/casualties and cultural heritage looting 22:45 prelude hypothesis 27:50 war in Ukraine and its effects on Ukrainian culture 32:00 how the data is used to inform accountability 34:30 Greenland’s work with Conflict Observatory Ukraine 36:00 Ukrainians’ current restitution, reparations and accountability efforts 37:50 user guides for each area 42:30 Fabiani’s PhD project on Egyptian archeological looting 44:00 current project that builds on PhD project 46:00 impact of technology on their approach, including disinformation 50:00 complications created by AI, including generative AI 54:00 perspective of skepticism required 56:30 online risks and need for mitigation 58:15 how their work speaks to justice 58:30 Miranda Fricker’s book Epistemic Injustice: Power and the Ethics of Knowing 1:02:30 questions of justice for whom 1:05:30 Lauren Stein: question on the role of universities in Curia Lab 1:07:50 hope for their work to establish frameworks of cooperation and collaboration that cherish equal access to knowledge/information that would then lead to equal access to accountability 1:09:10 hope for their work to facilitate a shift to a multi-disciplinary approach Please share your comments and/or questions at stephanie@warfareofartandlaw.com Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2025]

Send us a text SHOW NOTES: 0:00 artist & attorney Gina McKlveen 1:05 artist & retired judge Jerry Alonzo - the impact of depression 3:00 documentary American Symphony 3:50 Suleika Jaouad - release she experienced by painting about cancer 6:00 Alonzo’s “Out of Balance” 6:40 “Civic Sacrement" 8:20 woodwork during Alonzo’s time as a judge 9:00 “The Jury Box” 10:45 “The Judgment” 11:45 “Justice is God’s Plumb Line” 12:30 Environmental works like “Monstronse” 13:15 “Justice?” 14:15 “Passage” 14:40 “Faltering” 16:00 “Arc” 16:25 asylum work inspired “Matthew 25” 20:30 importance of leaning into the pain 21:35 Emily Gould’s comments 23:30 American Symphony enabled Alonzo to realize his art helped him lean into anxiety 26:25 McKlveen’s response to Alonzo’s work 26:45 “Upturned House” by Phyllida Barlow 27:20 “Inflated Balloons” 27:50 Carnegie International 28:40 McKlveen’s work leaning into grief and loss 29:35 “Fisherman on the Roof” 37:45 “Mermaid Mama” 39:25 “Stay Wild” 40:15 “Heather’s Mama” 42:00 McKlveen’s portraits of grandparents 44:50 portraiture versus still life works 47:00 other artists who created still life paintings as portraits, e.g., Van Gogh 48:30 Alonzo’s response to McKlveen’s work 49:05 Gould’s response to McKlveen’s work 49:45 Oluwatobi Aluko’s response to McKlveen’s work 51:00 McKlveen’s planned portra Please share your comments and/or questions at stephanie@warfareofartandlaw.com Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2025]

Send us a text To learn more, please visit Father Harmon's site. Show notes: 1:15 Harmon’s background and work as priest since 2008 2:10 teaching fine arts and being a pastoral resource at Loyola University 3:00 his work in the arts 8:20 history of art in Jesuit community 12:00 Daniel Segers, Jesuit Priest and artist 12:30 Harmon’s process as a painter in light of being a ‘work of service’ 16:00 Harmon’s painting from pilgrimage through Spain 17:30 students’ responses 19:15 his attendance at New York Academy of Art 23:30 Jerry Alonzo: how to communicate through your art 26:45 Pope Benedict XVI’s Encyclical Letter Caritas in Veritate 28:20 definition of ‘sacred art’ 30:30 seeking social justice through art 32:00 his work in Brownsville, TX connected to his art 33:00 his series of Catholic objects 35:30 his balance of time 37:25 Alan Robertshaw’s comments about all art being sacred 42:10 Tolkien and Flannery O’Connor on religious imagination 44:00 incorporating Catholic objects into his work 46:50 Emily Gould - spiritual impact of artwork/architecture/nature 49:15 Jarnick Vitters - importance of the physical objects to Harmon’s faith 51:00 Alan Robertshaw - subjective importance of objects 53:30 Yelena Khajekian - art as a sacred endeavor 54:40 Nnebundo Obi - interest in hearing about priest’s pursuit of other vocations Please share your comments and/or questions at stephanie@warfareofartandlaw.com Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2025]

Send us a text Show notes: 3:00 David Newhoff - question of authorship 7:15 Peter Wasilko 9:00 Andres Guadamuz - blog post on AI copyright authorship 10:30 China’s focus on “intellectual achievement” 12:20 Section 9(3) of its Copyright, Designs and Patents Act 1988 13:00 Emily Gould - whether copyright is fit for purpose 13:30 UK joint evidence session on the future of AI and copyright law 17:15 Newhoff - use of an artist’s style 18:40 Wasilko - an artist’s training of a model with its own work 20:15 artist's post-stroke gen-AI recording from model training on his work 21:00 Salles Bruins' question on definition of intellect 25:40 - Ankit Sahni - China’s protection 28:30 Sahni - India’s position on creativity falls in the middle 29:00 Ankit Sahni - RAGHAV output “Suryast” 33:45 Ankit Sahni - protection of AI-assisted works by China’s courts 35:00 Wasilko - hypothetical of photographing sunsets on VR headsets 36:50 Ankit Sahni - USCO’s case by case basis 37:50 Newhoff - what is actually protectable against infringement 39:30 Sarony decision: looking at human choices used to create photos 41:00 Newhoff - ‘authorship by adoption’ is a “bridge too far” 42:15 Salles Bruins - question about training in Wasilko’s hypothetical 43:10 Wasilko - “bridge too far”-requiring license to “learn” from works 48:00 Stanford’s CodeX Group - talk on product JudgeAI 50:30 Andres - human creativity exists irrespective of copyright 52:00 Salles Bruins - copyright is a tool to enable artists to profit 53:30 Kritika Sahni - defining intellect dependent on AI context 54:50 Ankit Sahni - sui generis system of registration 58:45 Gould - applying a right like copyright to output "tough" to get right 1:02:00 Guadamuz - Ukraine’s sui generis right for AI works 1:03:45 Jason Jean - defining intellect 1:08:50 Newhoff - unconvinced that it’s a “sui generis question” 1:09:30 Wasilko - whether inputting human work makes model “assistive” 1:13:00 question of global copyright approach 1:17:15 what is the end game? Please share your comments and/or questions at stephanie@warfareofartandlaw.com Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2025]

Send us a text To learn more, please visit Anja Neubauer's site. Show Notes: 1:30 background in the law and tech 4:45 overview of global framework “AI and Authorship Redefined: Towards a Global Copyright Framework for Commerce and Human Originality - Exploring Ownership, Infringement, Moral Rights, and Human Originality” 12:35 question of authorship 19:35 moral rights 26:30 viability of global copyright 28:40 issues of injustice raised by AI 34:30 German study about developers’ infringement 38:00 public’s choice to lock up data 39:00 The Congress Please share your comments and/or questions at stephanie@warfareofartandlaw.com Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

Send us a text To learn more, please visit Amineddoleh & Associates LLC and view Leila Amineddoleh performing Chopin Polonaise, Op. 26, No. 1 and Liszt Liebestraum No. 3. Show Notes: 1:00 Amineddoleh’s background and work in music and law 4:00 Patty Gerstenblith 7:00 building Amineddoleh & Assoc. 8:45 Amineddoleh's work with Greece 10:00 perspective as musician aids in work as attorney to other artists 11:00 Amineddoleh's experience with plagiarism 14:20 Amineddoleh’s practice 15:45 Foreign Sovereign Immunities Act 19:50 artists’ perspectives in hiring an attorney 22:50 Jerry Alonzo: what brings artists to seek out Amineddoleh 26:00 return of golden coffin of Nedjemankh 31:45 use of AI 36:30 AI-assisted Beatles song 37:45 analogy of photography to AI outputs 38:20 Japanese photographer Hiroshi Sugimoto 39:45 suit over copyright of monkey selfie 41:45 Thaler v. USCO 44:30 Rupali Gujral: negotiating on a client’s behalf 48:30 Stefania Salles Bruins: history of art collecting 52:30 Bruins: Amineddoleh's balancing of legal and musical practices 54:00 Amineddoleh’s perspective on sharing her music and performing 56:30 Liszt’s Hungarian Rhapsody No. 2 played by Bugs Bunny 57:20 Amineddoleh’s performance of Chopin Polonaise, Op. 26, No. 1 and Liszt Liebestraum No. 3 59:00 under-appreciated composer Brahms 1:01:20 injustices in art law 1:04:30 Amineddoleh’s definition of justice - access 1:06:00 John Cage’s 4’33” Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

Send us a text To learn more, please visit Frances Liddell's site. Show Notes: 0:00 Frances Liddell on justice and technology 1:30 Liddell’s background 2:50 CryptoKitties 3:50 NFTs 5:20 ORAgen & DECaDE research centre 7:20 C2PA 8:15 tokenized rights 9:45 ORA use cases 10:30 themes from ORA interviews 12:15 YouTube as a supportive platform v. TikTok 13:00 smart contracts and licensing 15:00 perspectives on attribution 16:30 Emily Gould question on attribution 24:50 animation sector with stronger preference for attribution not open source 26:45 interviews revealed uncertainty on data scraping 29:50 lack of awareness about the environmental impact of blockchain 31:50 repatriation and blockchain and her work as associate research fellow with Art & Antiquities Blockchain Consortium 34:50 Balot NFT - Balot sculpture in Virginia Museum of Fine Arts 37:30 ORA project status 38:15 ORAgen Fables 39:00 recommendations for creatives: to review C2PA & Content Credentials 41:00 Gould: responses during interviews about copyright concerns 45:30 location of individuals interviewed 47:20 impact of tech on issues of injustice - benefits/concerns surrounding decentralization 50:40 current work with ORA 51:30 Oluwatobi Aluko Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

Send us a text Show Notes: 1:00 Anki Sanhi 1:45 Sahni’s background and work 5:00 Eric Raymond’s The Cathedral and the Bazaar - essay on open source development 6:40 association with the arts 7:45 trademark enforcement work 10:00 infringement case between client working in fashion space sued by global brand 12:30 origin of the Raghav project 16:45 process to use Raghav 18:30 Van Gogh’s Starry Night 21:00 Raghav = Robust Artificially Intelligent Graphics and Arts Visualizer 21:45 Indian copyright application for “Suryast” 25:40 Section 2(d) of Indian Copyright Act, definition of author 34:30 Canadian copyright application for “Suryast” 35:35 Notice of Application filed in Canadian Federal Court by Samuelson-Glushko Canadian Internet Policy and Public Interest Clinic (CIPPIC) against Sahni over “Suryast” 37:10 US copyright application for “Suryast” 37:35 Sahni’s US Counsel, Alex Garens, Esq. with Day Pitney 38:00 USCO decision on “Suryast” 43:30 India’s definition of ‘author’ - no qualifications 46:50 Parliamentary Standing Committee recommended creation of new right for AI works per Sahni’s recommendation 47:05 February 2024 - Union Minister of State Commerce in India’s Parliament submitted that there is no need for creation of a new right and current legislation offers sufficient protection 48:45 ambiguity in Canada law on AI 49:40 USCO’s Request for Comments 52:00 Sanhi’s position of need for amendment of US law to address AI 53:50 Optimus 54:50 Definition of justice 56:30 global harmonized principles on AI 57:30 injustice of humans unknowingly competing against AI due to historic suppression of AI use 59:00 Sahni’s intent to contribute to the change in law to address AI 1:00:00 consultation with Ryan Abbott, Esq. 1:00:50 Future projects 1:02:20 shaping issues where art and law intersect 1:03:30 cultural impact of the debate over human authorship, AI and art 1:04:30 comparison of photography to AI Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

Send us a text Cover Image: Artist's MFA Studio - Tribeca Ball. To learn more, please visit Stefania Salles Bruins' site. Show Notes: 1:15 art school’s training to visually think 2:00 Bruins’ work as attorney 2:30 overview of grad program at New York Academy of Art 5:00 medium: use of linseed oil and paint without medium 5:30 tools: importance of brushes 6:15 support: Bruins’ preference for aluminum 7:15 Vincent Desiderio’s Cockaigne 8:00 Lesson 1 Perspective 8:45 Point of View 9:30 Lesson 2 Light 10:50 Lesson 2.5 Shadow 11:30 Rembrandt’s The Nightwatch 12:00 Lesson 3 Value 12:55 Lesson 4 Temperature 13:05 Courbet’s The Madman or The Desperate Man 13:50 Steven Assael - king of temperature shifts 14:20 Lesson 5 Depth 15:00 Value is King, Temperature is Queen and Color is a Fool 15:30 Lesson 6 Lines 15:40 shapes within da Vinci’s Mona Lisa 17:00 Adam Miller - narrative large oil paintings 17:20 Carl Dobsky 17:30 NYAA Big Stories exhibit artist talk 18:00 transitions within grad school and post-grad 19:40 learning to be your own voice of reason - parallel with work as general counsel 20:55 Old Masters Rembrandt and Vermeer 21:55 Alan Robertshaw: Vermeer’s use of optics 23:00 SSB: application of illusions in cinema and inspiration from movies more than paintings 24:00 Kubrick's Barry Lyndon 24:50 use of grids and projectors 27:15 use of technical and human assistants 28:45 critiques 30:00 art historical references to read the work 31:20 Nnebundo Obi: time commitments within art grad school 32:50 Escoda brushes 33:00 use of aluminum 34:45 advice for individuals who want to begin painting 35:30 always clean your brushes! see also: JP Roy's IG post re light checkerboard illusion Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

In this introductory episode, I explain the types of war stories to be shared in the coming episodes of this podcast - from true-life stories of Nazi-looted art to violations of artists' rights.

This episode starts a segment of stories entitled The Führer's Art Theft Frenzy. The focus begins with Nazi art dealer Hildebrand Gurlitt, recent findings about the history of the art he held, and ongoing efforts to return Nazi-looted art found in his collection, which was in the possession of his son, the late Cornelius Gurlitt. Resources referencing the Gurlitt story: Amineddoleh, Leila, Monuments Men, Hidden Treasures, and the Restitution of Looted Art at 16-17 (January 1, 2014). New...

Warfare of Art & Law podcast will share the intriguing – and sometimes infuriating – collection of stories that have arisen and continue to show up in the worlds of art and law. War stories are known to involve elements of danger, hardship, adventure. Each of these episodes will focus on just that – the rejections, rewards, trials and losses of people across the globe with connections to art – be it from owning, inheriting, renting, displaying, insuring or creating art. Topics will range...