Ballet Help Desk

This is part two of our series with siblings Bryce and Noelle Lee, who bring both the male and female ballet dancer perspective to the conversation. Bryce, founder of the Male Dance Connection, and Noelle share their experiences in ballet, highlighting both the challenges and successes male dancers face. They talk about the importance of mentorship, community, and creating supportive environments for boys in dance, as well as practical ways MDC helps, like guidance for summer programs. They also discuss how tough it can be for young boys in ballet today. As working dancers, they’ve built MDC to grow their network, supplement their income, and create opportunities beyond performing. Learn more about the Male Dance Connection on their website or on Instagram @themaledanceconnection Links: Support Ballet Help DeskInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

In this two-part series, siblings Bryce and Noelle Lee bring both the male and female ballet dancer perspective to the conversation. Bryce, Founder of the Male Dance Connection, and Noelle share their experiences in ballet, highlighting the challenges and triumphs of male dancers. They discuss the importance of mentorship, community, and supportive environments for boys in dance, as well as practical ways MDC helps, like navigating summer programs. They also talk about how hard it can be for young boys in ballet today. As working dancers themselves, they’ve created MDC to expand their network, supplement their income, and build careers beyond performing. Learn more about the Male Dance Connection on their website or on Instagram @themaledanceconnection Links: Support Ballet Help DeskInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

In this conversation, Sarah Wroth discusses the current state of the ballet program at Indiana University, addressing concerns about state mandates and program restructuring. She emphasizes the strong support from the community and alumni, clarifies the differences between degree options, and reassures that current students will not be affected by changes. The conversation also highlights the importance of clear communication and the program's commitment to preparing students for successful careers in dance. Learn more about the IU Dance Program on their website Links: Support Ballet Help DeskSummer Intensive Essentials Guide Buy Summer Corrections JournalsInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

This is a rerelease of one of our popular episodes from our series on ballet summer intensives. Wondering how much the RAs see of student antics? More than you think! We're talking with Robert Fulton and Camille Kellems, both professional dancers and also RAs at ballet summer intensives. Get ready for a mix of insider info that's helpful for parents as well as hilarious anecdotes as Robert and Camille let us in on what really goes on behind the scenes. From dorm shenanigans to studio mishaps, they’ve seen it all and they're here to spill the tea. Robert and Camille are also the founders of Ballet Scout. You can learn more about what they do on their website. Links: Support Ballet Help DeskSummer Intensive Essentials Guide Buy Summer Corrections JournalsInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

What do ballet teachers really want students and parents to understand? In this episode of #NoThirds, we tackle issues in ballet training from the perspective of the teacher -- what frustrates them, what motivates them, and what they wish families better understood about the training process. From managing expectations to building trust, we dig into the unseen dynamics that shape every class and rehearsal and student/teacher relationship. Learn more about Fran and Veyette Virtual Ballet School More Links: Support Ballet Help DeskInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Miriam Landis trained at the School of American Ballet, danced with Miami City Ballet, and now teaches at Pacific Northwest Ballet, all experiences that informed her work as the author of three young adult novels set in the ballet world. In this episode, she talks about the reality of the professional ballet path, the emotional and practical sides of stepping away from performing, and how her cultural background shaped her journey. Miriam also discusses what led her to transition out of ballet, how her training continues to influence her life, and why she keeps returning to ballet as a central theme in her writing. Miriam also offers her thoughts on the current challenges in ballet training, the need for change in how dancers are taught, and the generational shift she sees happening in the field. Interested in reading her books? Find them here! Learn more about Miriam on her website More Links: Support Ballet Help DeskSummer Intensive Essentials Guide Buy Summer Corrections JournalsInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

In Part 2 of our two-part interview with physical therapist Erika Mayall, we explore how ballet schools are supporting dancer health—and where they still fall short. Erika offers practical advice for dancers and families without access to dance-specific care, busts common ballet injury myths, and shares her favorite recovery tools and daily habits for long-term wellness. She also discusses how to recognize genuine wellness support versus “checking the box” in schools and what one key change could improve injury prevention across ballet training. Erika also has a fantastic podcast called The Dance Physio Podcast that we think every dancer and their parents should tune in and listen to. Find it wherever you get your podcasts or learn more on her website. More Links: Support Ballet Help DeskSummer Intensive Essentials Guide Buy Summer Corrections JournalsInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

In Part 1 of our two-part interview with physical therapist Erika Mayall of Allegro Performance and Wellness, we dive into why ballet dancers need specialized care from providers who truly understand the unique demands ballet puts on the body. Erika shares her journey into working with dancers, how injury prevention differs for ballet artists, common misdiagnoses, and early warning signs dancers and parents should watch for. She also offers guidance on choosing the right specialist and how dancers can advocate for themselves in healthcare settings. Stay tuned for Part 2, where Erika discusses dancer wellness in schools, recovery tools, and long-term health habits. Erika also has a fantastic podcast called The Dance Physio Podcast that we think every dancer and their parents should tune in and listen to. Find it wherever you get your podcasts or learn more on her website. More Links: Support Ballet Help DeskSummer Intensive Essentials Guide Buy Summer Corrections JournalsInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Considering full-time or summer training at Louisville Ballet? Artistic Director Mikelle Bruzina and School Director Christy Corbitt Krieger explain how the school is structured, what the studio company experience involves, and how dancers transition into professional careers. They also share insights on tuition, housing, casting, and how dancers are recruited. This episode offers a clear, behind-the-scenes look for dancers and families exploring the path through Louisville Ballet. Learn more about Louisville Ballet's training options on their website More Links: Support Ballet Help DeskSummer Intensive Essentials Guide Buy Summer Corrections JournalsInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Former San Francisco Ballet soloist Madison Keesler shares the twists and turns of her ballet path—from falling in love with dance to navigating career pivots and returning to SFB more than once. She talks about leaving at the height of her career, what she’s up to now in New York, and the launch of Pointe of View, her new consulting business for dancers. Plus, she offers thoughtful advice for students hoping to go pro. You can find Madison on Instagram: @madisonkeesler or on her website Interested in working with Madison? Book a free consultation. More Links: Support Ballet Help DeskSummer Intensive Essentials Guide Buy Summer Corrections JournalsInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Ballet competitions are more common than ever—but do dancers really need them? In our latest episode of #NoThirds, Fran weighs in on the role competitions play in today’s training landscape. He tackles key questions from parents and dancers alike: Fran brings his signature clarity and candor to a topic that’s often confusing and feels high-stakes. This conversation is packed with insight regardless of whether you’re all-in on the comp circuit or don’t compete at all. Learn more about Fran and Veyette Virtual Ballet School More Links: Support Ballet Help DeskSummer Intensive Essentials Guide Buy Summer Corrections JournalsInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Victoria Mazzarelli, Artistic Director of the Nutmeg Conservatory, joins us to share what sets this independent ballet conservatory apart. Widely known for its warm and nurturing environment, Victoria covers everything from curriculum and housing to performance opportunities, as well as the school's postgraduate program. She also explains how Nutmeg supports its students both in and out of the studio, what kind of dancer thrives in their environment, and how they help students navigate big decisions about career paths. Learn more about Nutmeg Read reviews of the school More Links: Support Ballet Help DeskSummer Intensive Essentials Guide Buy Summer Corrections JournalsInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

We all know that dancers have their own unique style. Welcome to our interview with the founders of Barre Trash, Lucas Labrador and Louis DeFelice as they let us in on ballet’s not-so-glamorous side—with honesty, humor, and a sharp eye for merch. In this episode, they talk about how Barre Trash was born, what the name really means, and how their side hustle turned into a platform for both laughter and change. From surviving on dancer salaries to calling out industry nonsense, Lucas and Louis share why they believe humor is a coping mechanism—and a catalyst for reform. Plus: the Yale detour, the realities of multi-hyphenate life, and what they’d put on a T-shirt if they could sum up ballet in one phrase. You can shop Barre Trash products on the Ballet Help Desk Summer Intensive Essentials Guide or on the Barre Trash website More Links: Support Ballet Help DeskSummer Intensive Essentials Guide Buy Summer Corrections JournalsInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Why open a ballet school in San Antonio? Former Pacific Northwest Ballet principals Lindsi Dec and Karel Cruz share what inspired them to found DeCruz Ballet, how their training model stands apart, and where they see their school fitting into the evolving ballet ecosystem. They discuss everything from attracting male students and navigating competition culture, to counseling dancers through audition season and offering guidance on college ballet paths and postgrad training. With honest insight and a dancer-first mindset, Dec and Cruz are shaping the next generation their way. Learn more about DeCruz Ballet School Read reviews of the school More Links: Support Ballet Help DeskSummer Intensive Essentials Guide Buy Summer Corrections JournalsInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Silas Farley walked away from his performing career while he was arguably at the top of his game. In this thoughtful and deeply personal conversation, Silas Farley—former New York City Ballet dancer and current choreographer, educator, and leader—reflects on his journey through the ballet world. He shares how his cultural background shaped his experience, the pressures of representation, and what ultimately led him to step away from the stage at a young age. Silas opens up about the emotional challenges of transition, the role of faith and mentorship, and why he’s committed to building a more inclusive and emotionally intelligent future for ballet. We also explore how training can evolve without losing its rigor, and what he’d say to a young boy considering dance today. This is a must-listen for anyone questioning what it means to succeed in ballet—and how to define that for yourself. Learn more about Silas Farley and his curent role as Armstrong Artist in Residence, Meadows School of the Arts at Southern Methodist University. More Links: Support Ballet Help DeskSummer Intensive Essentials Guide Buy Summer Corrections JournalsInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

In Part 2 of our conversation with Fran Veyette, we dig into the realities of postgraduate training—what kind of “help” programs actually offer (and what dancers should be asking for), how long is too long to stay in a bridge program, and why some dancers move quickly into company jobs while others spin their wheels. We talk about whether dancers are truly company-ready at high school graduation, the myth (or not) of lateral moves, and the sometimes unspoken rules of getting hired. Plus: Fran’s take on college vs. company, how influence really works in hiring decisions, and the most honest advice he’d give to any dancer navigating this path. This is the real talk dancers and families need before making big decisions. Fran and Veyette Virtual Ballet School More Links: Support Ballet Help DeskSummer Intensive Essentials Guide Buy Summer Corrections JournalsInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Jackie Kopcsak, a founding faculty member and Associate Professor of Practice at USC Glorya Kaufman School of Dance, joins us to unpack what makes USC’s program unique—from its one-of-a-kind curriculum and career planning resources to how students balance ballet, choreography, and cross-disciplinary training. We discuss what the school looks for in applicants, how students launch into professional dance and arts careers, and why USC’s location in Los Angeles opens doors for both training and jobs. Plus, listener questions about applying, balancing multiple interests like musical theater, and whether Kaufman is the right fit for ballet-focused dancers. Learn more about USC's Dance Program on their website More Links: Support Ballet Help DeskSummer Intensive Essentials Guide Buy Summer Corrections JournalsInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Postgraduate ballet training is often sold as the final step before a professional contract—but how much of what dancers and parents hear is actually true? In this first episode of a two-part series, Fran Veyette joins us to break down the current state of postgraduate programs. We talk about the rise of bridge-level training, how to evaluate the value of doing a second year in a program, and whether the “big name” schools really give dancers an edge. Fran also shares his take on the gender gap in hiring, the role of summer intensives in admissions, and why some dancers sail through these programs while others get stuck in a loop. This is the real talk dancers and families need before making big decisions. Fran and Veyette Virtual Ballet School More Links: Support Ballet Help DeskSummer Intensive Essentials Guide Buy Summer Corrections JournalsInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Elizabeth Gillaspy and Jessica Zellner of Texas Christian University join us to break down what makes TCU’s dance program unique—from its dual emphasis on ballet and modern, to performance and choreographic opportunities, to how it prepares students for both performing and dance-adjacent careers. They walk us through a typical day of training, the audition and admissions process, and what TCU looks for in prospective students. We also discuss challenges in attracting male dancers, how students spend their summers, and how the faculty helps dancers navigate decisions between college and company life. Learn more about TCU's Dance Program on their website More Links: Support Ballet Help DeskSummer Intensive Essentials Guide Buy Summer Corrections JournalsInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Michael Bearden, Director of the University of Oklahoma School of Dance, joins us to talk about what makes OU’s program stand out. With three distinct tracks—ballet, modern, and pedagogy—OU offers a robust performance schedule, new choreographic opportunities, and wellness support for its students. We dig into the admission process, scholarship landscape, and what career outcomes look like for OU grads. Michael also shares advice for dancers choosing between college and company life, and gives insight into how public university dance programs are navigating ongoing funding cuts. Learn more about OU's Dance Program More Links: Support Ballet Help DeskSummer Intensive Essentials Guide Buy Summer Corrections JournalsInstagram: @BalletHelpDeskFacebook: BalletHelpDeskBallet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI