Occult Confessions

The Morrigan is a perplexing figure to make clear sense of for the reasons that all Celtic mythology is similarly perplexing: it was part of an oral tradition that was only recorded in the medieval period after the believers in the Morrigan had long since disappeared. Unlike the fairly extensive record of the Greco-Roman deities, the references to the Morrigan and her fellow Celtic gods are far more scant. The fact that Celtic deities were often triple-natured and that their aspects could take on or subsume different names further complicates the project of pinning down exactly who the Morrigan was to the members of her cult. But we're going to see how far we can go in identifying the lore association with the Morrigan and what we can properly say about the goddess.

The legends of Rhiannon come primarily from the Mabinogion, a cycle of fourth Welsh myths that tell, in part, the story of Pwyll Pen Annwn who married Rhiannon. The stories date to the twelfth century although their origins likely go much further back in Celtic history. Rhiannon is a Welsh witch or druid who uses her power to escape an unwanted courtship and marry the man she chooses. But a lie finds her subject to a terrible penance that has linked her with Epona, goddess of horses, ever since. We tell the story of Rhiannon and Pwyll and also her marriage to Manawydan, brother of Branwen, after Pwyll’s disappearance.

In the second part of our discussion, we turn from myth to historical documents and consider what the druids may have been like as a caste. What jobs did they perform in Celtic culture? How did their role inform what it meant to be a Celt? We also discuss modern neo-Druids and how their practices relate to the history.

In an episode recovered from the dustbin of our archive, we invite you to explore with us the strange lore of the Infertile Order and the Myth of the Cheese. Did Hiram Miraalaarn encounter planetary nymphs on his way to Venus? Are the birds to blame for our inability to pair music and lyrics in the Song of Lurm? Find out in today's very special episode.

Druids were a part of ancient celtic culture—a series of kingdoms or empires that stretched through Ireland, Wales, Scotland, Britain, and Gaul—the region of modern France as well as parts of Belgium and Italy. The Celts were distinct in each region but also shared important cultural structures and practices as well as language. Part of the challenge of recovering the druids from the fog of history is that much of their knowledge was kept strictly within an oral tradition. The Celts were by no means illiterate and had a longstanding relationship with written language but they believed, and the druids in particular believed, in memorization. Eventually Celtic tales, history, and practices were recorded by Celts but this was largely after Christianization. Historians then have to rely on the word of outsiders—mostly Romans—to make sense of who the Celts and Druids were in ancient times. But these writers often had a highly skewed view of the Celts since they were their enemies and they sought to conquer and subdue the Celts just as the Celt sought to conquer and subdue them. The Celts, after all, pillaged Rome in 387 BCE and directly threatened the Senate. All that having been said, we can get a pretty interesting if not detailed picture of the Druids by looking at these outsider accounts and the later accounts of Celtic writers. Julius Caesar has been one such source, having written on the Celtic people he encountered during his military exploits. Those accounts reveal a class of people responsible for the intellectual life of one of the most interesting cultures in the history of the Western world. They were poets, historians, judges, and magicians.

We sit down with Ed Crimi, owner of the Vampa Vampire Museum in Doylestown, Pennsylvania and talk about his collection of vampire kits collected from around the world. Crimi also tells us about the room in museum devoted to the Archangel Michael. For more about the museum, visit: https://www.vampamuseum.com.

The Aghoris are a sect who worships Shiva by way of Shakti or the goddess, often in the form of Kali or Tara. They spend their time at the crematorium in the sacred city of Banares or bathing in the cold waters of the Ganges in winter. They strive to overcome aversion by confronting what humans are most averse to beginning with death itself.

How has ancient Gnosticism resurfaced as a new religion in the modern and postmodern world? Rob introduces the path of gnosticism into modern occultism and Rob and Luke interview Paul Joseph Rovelli, founding director of the Gnostic Church of L. V. X., and the church's social media director Joseph DeOliveira.

In modern occultism, Isis is often regarded as a bearer of mysteries and a symbol of feminine power. When Helena Blavatsky invoked her name in the title of her first major work, Isis Unveiled, she sought to reveal the hidden spirituality of the East through an Egyptian lens; a religion that she claimed sat at the heart of all worship and was more true than the bastardized Judeo-Christian practices passed down in the West. Isis has played the role of purveying the secrets of a culture apart to Westerners going all the way back to the Roman empire. The Greeks and Romans were quick to adopt her cult and celebrate her at public festivals and secret initiations. But what was hidden behind the veil of Isis? How much do we know about her cult today?

The Gnostics believed they had access to the truth; the real truth, not the truth that everyone else thinks is the truth. Everyone who's not a Gnostic that is. While there are certain themes that tend to unite Gnostic groups, they were actually quite distinct and widespread across the Christian world in the time of the Church Fathers. Christian Gnostics—who will be our focus although Hermeticists are also sometimes classified as Pagan Gnostics—tended to believe that the Old Testament God or Yahweh was actually a demigod and that the true God was unknowable, existing in an unimaginable realm somewhere in the cosmological beyond. They tended to believe that humans possessed some grain or seed of the godhead within them and they often underwent elaborate astrologically-themed initiations to join their orders. While their particular theology was ultimately defeated and buried by the Catholic Christians, their beliefs informed Christian doctrine. Arguably, the canonical gospel of John was, in fact, a Gnostic text and a Gnostic bishop very nearly became the Pope in Rome. But Gnostics were considered heretics and the men who defined early Christian doctrine wrote bitter attacks against them. Ironically, these attacks became a significant source for contemporary scholars' knowledge of the ancient Gnostics beliefs and practices. Be careful how detailed you are in arguing against your enemies. You may just be preserving their ideas across the ages.

In 2015, a jury found John Jonchuck guilty of murdering his own daughter by throwing her off of a bridge over Tampa Bay. In this special episode, Bri considers the religious ideation and delusions of Jonchuck, including his obsession with a Swedish Bible, and why they did not justify an insanity plea.

Eleusis is a town outside of Athens where the Greeks conducted a secret rite of initiation in honor of the goddess of the earth, Demeter, and her daughter and queen of the underworld, Persephone. The rite may have dated before the Greek Dark Ages, more than a thousand years BCE, and could have had its roots in a still more ancient agrarian cult. Eleusis was known for its special relationship with the spirits of the dead who aided in the prosperity of the grains that grew in the fields outside of the town. Anyone could become an initiate who could speak and understand Greek and pay roughly a month's wages for the cost of a sacrificial pig and the services of priests and guides. In February, the time of the flowers, initiates experienced the lesser mystery in Agrai based on the events surrounding Persephone's death. In September, the time of the sowing of winter crops, masses of pilgrims paraded over a narrow bridge into the sacred town where they experienced the secret vision of the Greater Mystery, an encounter these initiates could never describe to anyone under any circumstances for the rest of their lives.

If you've heard of Dioynsus, you're likely aware of his associations with grapes, wine, and theatre. The famous Theatre Dionysia was the site where some of the ancient world's greatest scripted performances were staged in honor of the god. But what is the connection between wine and theatre? The power of wine to remove inhibitions parallels the power of art to strip away the socialized self to reveal—through the donning of the theatrical mask—the true inner self. Wine and art are a path to unfiltered truth. This, in its purest and most idealistic form is the ideology of the Dionysian mysteries; a cult of drunk, naked, conspiratorial revelers tearing a fully grown bull limb from limb deep in the forests outside the Greek city state.

In this special listener panel, we discuss representations of occultism in television and film and on the internet.

We're going back to the archive for an episode that first posted to patreon in our first year podcasting. This is the first part of three on how rock came to be regarded as the devil's music (to listen to the other two, you'll need to sign up as a patron).

Lilith was the first woman created alongside Adam as his equal before she quarreled with him and flew away, leaving Adam to ask God for a second wife, Eve. Belief in Lilith is based, in part, on midrash or commentary on the gaps and seeming contradictions in the Bible. Genesis says that the first man and woman are created together as equals and then in the story of Eden, it says that God created Eve after Adam by forming her from his rib. Midrash resolves this contradiction by arguing that these are two different women and the first was Lilith. Her legend also stems from stories of ancient demons, shaping contradictions in and around Lilith herself. In our episode on the djinn, we discussed the possibility that Lilith was the mother of that race of non-corporeal beings and in our episode on sex demons, we wondered whether Lilith might be the original succubus. Jewish tradition has long held that Lilith was responsible for childhood illnesses like diptheria but the Zohar also associated her with nocturnal emissions and nightmares. In the twentieth century, she has come to be regarded as a feminist icon and even a goddess in neo-pagan circles.

It is not enough for the 80s child to reflect wistfully on a simpler time. Rather, we often want to revive the mass cultural products of our youth in a way that maintains their appeal despite or perhaps because of the cognitive and hormonal shifts that come with adulthood. 80s children have done a decent job of keeping our favorite popular cultural icons alive through the last forty years—whether as creators or as hungry audience members rewarding corporations for gazing backward. In movies like Barbie, the adult is invited back to childhood in a way that allows them to maintain all the rights, privileges, and preferences of adulthood. This trick was first invented for the 80s kid, for whom popular culture self-consciously eroded the boundary between content for children and adults.

This is part two of our discussion of the ancient serpent seed theory, the idea that Eve had sex with the serpent in the Garden of Eden and conceived one or several children. In this episode we consider more modern ways of reading the serpent seed idea that steer clear of racism. We revisit some old friends including P. B. Randolph and the creators of the Urantia Book and discover new ideas about how the serpent seed might connect with the theory of evolution and extraterrestrials.

What if the serpent didn’t offer Eve an apple when they met in the Garden of Eden? What if, instead, Eve had sex with the serpent, betraying her partner and engendering a race of half-serpent, half-human people? The suggestion may seem bizarre but as a theological theory it’s had a long life and continues to surface in a variety of interpretations of Genesis up to the modern age. It’s difficult for many readers to just let the serpent be. He’s an unusual character in his own right as the only animal who starts a recorded conversation with the humans in the garden and he’s made even stranger for his rebellious nature. The animals in the garden, after all, had not been endowed with the capabilities nor the responsibilities of Adam and yet here comes a reptile acting almost human and inserting himself into the uniquely human problem of the Tree of Knowledge. When the student of mythology adds the many uses of the serpent in the caduceus, the ouroboros, and legends stretching across civilizations and times, it’s difficult not to wonder if Genesis is trying to say more than what’s on the surface with its snake. The fact that the serpent is the most phallic of animals raises the distinct possibility that maybe this secret is somehow sexual.

Perhaps more than any other text, the apocryphal Life of Adam and Eve, also known as The Conflict of Adam and Eve with Satan or the First and Second Books of Adam and Eve sought to put Christ in the pre-Christian Garden. But its story was too imaginative or perhaps too surreal to qualify for the Christian canon. Satan plagues the first couple following their expulsion from the Garden and God must send his angels over and over again to revive Adam and Eve who have an odd habit of dying from sorrow, water, and darkness.