Attendance Bias

Send us a Text Message. Hi everybody and welcome to today’s episode of Attendance Bias. I am your host, Brian Weinstein. Today’s special guest is Jamie Boldt, and boy, did he pick a winner to review today: 10/31/95 at the Rosemont Horizon in Chicago, Illinois. Regular listeners of Attendance Bias will note that The Who was THE band for me as I made the transition from classic rock and alternative radio in my early teens to exploring the world beyond the corporate record stores and Top 40 radio. To say it another way: before Phish, there was The Who. As you’ll hear Jamie and I discuss in just a little while: it was a major turning point for me when I found out about this Halloween show. In the bigger picture, this was Phish’s 2nd Halloween musical costume. After the unmitigated success of The White Album Halloween show in 1994, the band chose to go a different route, playing a huge venue in the midwest, and choosing a relatively obscure album that required additional musicians. But there’s more to this show than the musical costume; the first and third set are masterpieces that stand on their own. Jamie chose to discuss this show for a number of reasons, and one of them is that he wanted to get my take on the convergence of Phish and The Who. While I am the host of this podcast, and I get my thoughts in there, Jamie is the guest and we get to hear what it was like to witness this epic show that continues to live on the top shelf of Phish history. So let’s join Jamie to talk about Greenwich Village, mod culture, and Jon Fishman’s relatives as we discuss October 31, 1995 in Chicago.

Send us a Text Message. Episode Playlist The Improbable, Unstoppable Rise of Goose, by Charlie Werzel for The Atlantic Welcome back, everyone! Today, Megan Glionna and Brian Brinkman of The Helping Friendly Podcast join Attendance Bias as we morph back into "Flocking Outside: A Miniseries About Goose From 3 Phish Lifers." About a year ago, the three of us released a 3-episode miniseries to get a handle on the sharp rise of Goose, and the tension that was building between the fanbases of Goose and Phish. Those episodes are still available if you scroll back to Attendance Bias episodes from June, 2023. In those three episodes, Brian and Megan gave me information about Goose's history as a band, and we discussed the context in which their profile was rising in the jamband scene. A year has passed since then, and Goose's story, as well as each of our own stories, has changed and expanded. In today's episode, which I think is a coda to the previous three, Megan, Brian, and I discuss the band's development of the past calendar year, how they've changed musically, how they've separated themselves from the jam scene, and how we've changed as fans. We hope you enjoy episode 4 (coda) of "Flocking Outside!"

Send us a Text Message. Hi everybody and welcome to this week’s episode of Attendance Bias. I am your host, Brian Weinstein. Today’s guest, Brian Blatt, takes us back 30 years to April 6, 1994 at the Concert Hall in Toronto, Ontario. Phish had just started their spring tour promoting Hoist, but also showcasing their increasing ability to play anything and everything–from straight rock and roll, to bluegrass, to latin jazz, to a capella tunes, and more. Plus, a recurring theme of today’s show was the band’s improvisational exercises paying off. Whereas in 1993, they could segue in and out of any song in their repertoire, now they were jumping off the ledge into the unknown, not knowing where they’d end up, or whether they’d come back to the song at all. On top of all that is Brian’s experience. He drove from Rochester, NY to Toronto for this show; a drive of about 3 hours. This was not his first time seeing Phish, but this was his first time seeing Phish sober. That new experience of clarity allowed him to remember, even 30 years later, the exact moment where he GOT IT. The exact moment when he was hooked. I don’t want to spoil it, so keep listening as we join Brian Blatt to talk about vocal jams, garbage plates, Weird Al, and more as we discuss Phish’s show from April 6, 1994 at The Concert Hall in Toronto. Audio of 7/28/92

Send us a Text Message. Hi everybody and welcome to today's episode of Attendance Bias. I am your host, Brian Weinstein. When I began this podcast, I didn’t know too much about the key shows of the end of 1.0. The years 1999 and 2000 weren’t exactly lost to me, but it was harder then than it is now to get the most recent recordings. And even if you were lucky enough to get a recording of a recent show at the end of the century–or the beginning of the new one–chances are that the recording didn’t quite capture the intricacies and details that you would need to hear in order to appreciate what the band was playing at the time. That’s a long way to say that today’s guest–Will Little-shines a ton of light on the technical aspect of what Phish was up to, musically speaking, during the summer, 2000 tour. Will chose to discuss his memories from July 4, 2000 when Phish played the 2nd of two nights at Camden. While many guests on Attendance Bias, and I’m guilty of this as well, focus on the fan perspective of their chosen show, Will focuses mostly on what made the soundscapes and atmospheric playing of 2000 so interesting and compelling. For years, I’ve known that soundboard recordings of this tour were high-level, dense stuff but never had the vocabulary to explain why. I still don’t have the vocabulary, but luckily we have Will here to help out. And boy, did he pick the right show. July 4, 2000 encapsulates the “2000” sound as well as any other show that year. In fact, the second set is a legendary 5-song second set that opens with a 30-minute Gotta Jibboo. If you’re the type of fan who likes to press play, lay back, listen, and then wonder “how are they doing this?!”, then this is your show and your episode. If you haven’t figured it out by now, Will is a multi-instrumentalist from the south-east who is typically involved in a number of projects, including longtime Asheville-based band East Coast Dirt, and by the time this episode airs, he’ll be playing with Phish tribute band, “Nectar: A Picture of Phish.” He’ll give more details about his projects once the conversation starts. So let’s join Will to chat about the the nuance of specialized guitar effects, what the funk siren really is, and whether or not Backwards Down the Number Line is a great Phish song as we break down July, 2000 in Camden.

Send us a Text Message. Hi everybody and welcome to today’s episode of Attendance Bias. I am your host, Brian Weinstein. Today’s guest, Matt Hoffman, takes us back to an instant classic: December 2, 1997 at The Philadelphia Spectrum, the first night of a 2-night run that has since been released officially by Live Phish. The fall 1997 tour has been reviewed on this show before on Attendance Bias…and basically any other conversation about Phish, but today’s discussion focuses more on the micro–this specific show, and Matt’s experience seeing the band for the first time at a career peak. By this point of the tour, Phish was a well-oiled machine, and Philadelphia was as close to a hometown stop for Trey as the band would get at the time. Donning a Flyers jersey for the show, Trey and the band would offer up a setlist full of fan favorites, including a 7-song 2nd set, 5 of which appear on the Phish.net jamcharts. Meanwhile, there is a particular Philadelphia flavor to this conversation, as Matt grew up and still lives in the Philly area, so keep listening as we join Matt to talk about the Mann Music Center, cover bands, taking naps, and more as we discuss Phish’s show from December 2, 1997 at The Spectrum.

Send us a Text Message. Hi everybody and welcome to this week’s episode of Attendance Bias. I am your host, Brian Weinstein. Today’s episode is about a Phish show, to be sure, but in the larger picture, it’s about an entire tour. Today’s guest, Jordan Kahn, chose to tell his story from June sixteenth, 2000, when Phish played Zepp Suminoe-ku, in Osaka, Japan. Four years into this podcast, it’s not often that a guest chooses a show from a tour that has not yet been covered, but Jordan saw nearly every show from the Japan, 2000 tour and man, I was excited to hear all about it. In retrospect, we all know that, just a few months after Phish played Japan in 2000, they would go on a year-and-a-half long hiatus. When listening to this show, and others from the tour, they don’t sound tired, or as if they need to stop the Phish touring machine. Maybe it was being in small clubs with quiet, respectful audiences that provided the band with the relaxing feel to experiment toward the beatless, futuristic, ambient sound that would dominate 2000. But that’s all speculation. Let’s stick to what we know. Jordan provides us with a personal, yet universal, experience of what it was like to travel from the United States to the Land of the Rising Sun, and parts of this conversation veers away from the Phish experience and becomes something of a travelogue with a jamband flavor. So let’s join Jordan to talk about bullet trains, superior sushi, and why a day off during a tour is okay as we discuss June 16, 2000 from at Zepp, Osaka.

Send us a Text Message. Hi everybody and welcome to this week’s episode of Attendance Bias. I am your host, Brian Weinstein. Today’s guest is Steven Gripp, the creator of the Phish Mapping Project. Steven is here today to tell about one of his favorite segments of Live Phish he’s ever witnessed: “46 Days>The Dogs>46 Days” from the Austin 360 Amphitheater on July 28, 2015, in Austin Texas. Steven and I also talk quite a bit about his project: If you’re a nerdy fan like me who could spend hours down a wormhole on Phish.net or used to read and re-read the Pharmer’s Almanac, the Phish Mapping Project is right up your alley. Basically, Steven took years of research and meticulous mapping of every Phish show on record and created an interactive worldwide digital map of their history, using Google Tours and Google Maps. If you have a favorite show but always wanted to know what the venue looked like, or where it actually is, the Phish Mapping Project has you covered. There are more dimensions to it than I could explain here, but that’s why we have Steven here to tell us about all the angles of this magnificent contribution to the Phish fan experience. In addition, we cannot forget the 46 Days/The Dogs musical sandwich that Steven brought to the episode. The summer 2015 tour peak Phish, and even an “average great” show would have highlights that would stand out when all was said and done. This power rock combination certainly meets that criteria and after all, who doesn’t love a flawless segue? So let’s join Steven to talk about 1993 Phish, the best versions of Crosseyed and Painless, and Phish in the Lone Star State as we discuss “46 Days>The Dogs>46 Days” from July 28, 2015 at the Austin 360 Amphitheater. Phish Mapping Project

Send us a Text Message. Hi everybody and welcome to this week’s episode of Attendance Bias. I am your host, Brian Weinstein. Today’s guest is Anton Milioti, bass player from the acoustic-ish Grateful Dead cover band, Crickets and Cicadas. Today, Anton and I spend a good deal of time talking about the Grateful Dead and live performance, but the majority of our conversation centers around a show that was Anton’s first, and still holds up in Phish history–December 30, 2013 at Madison Square Garden. When a guest chooses a show to discuss, I tend to get excited over shows from the mid-1.0 era; 1992, 1995, 1998...but over the course of today’s conversation, Anton mentioned a few times that it’s been 10 years since the 2013 NYE run. And when we break down some of the jams and remember the Phish zeitgeist around the end of 2013, an argument can be made that they were as different 10 years ago as they were 10 years before that! On top of that, there is the recurring theme of the band celebrating its 30 year anniversary in 2013, which takes on extra resonance now, considering that we recently had the privilege of celebrating the band’s 40th anniversary! When taken in that context, this show takes on an entire different dimension. So let’s join Anton to talk about Phil Lesh, A Live One, and dream setlists as we discuss Phish’s show from December 30, 2013 at Madison Square Garden.

Send us a Text Message. Hi everybody and welcome to today’s episode of Attendance Bias. I am your host, Brian Weinstein. When I first began collecting tapes, I would always keep my eyes out for Phish shows at Jones Beach. Having grown up on Long Island, going to concerts at Jones Beach was a summer tradition. It didn’t even matter who was playing–the venue was a 10 minute drive for me, and on a nice night, it’s one of the best outdoor venues in New York. So you can imagine my reaction when I found out that my new favorite band had played there a number of times. It’s with that genuine delight and natural curiosity that I approached today’s guest, Jonathan Frederic, about his chosen show: July 23, 1993, Phish’s first time headlining their own show at Jones Beach. 1993 was an amazing time to learn about Phish, as they were just dipping their toes in the water to jump from small theaters to larger amphitheaters, a transition that would continue for approximately the next two years. During that time, the band was introducing new music from Rift, beginning their craziest musical exploration and experimentation, and creating new ways to connect to the audience, as they couldn’t maintain un-mic’d a capella performances and the Big Ball Jam in these sprawling arenas and amphitheaters. It was a pleasure to hear a first-person experience from someone who experienced all of these changes in ONE SHOW, especially at my one-time hometown venue. So let’s join Jonathan to talk about when to eat carbohydrates, ending up front-row center at the venue, and The Pixies as we go over July 23, 1993 at the Jones Beach Amphitheater.

Send us a Text Message. Hi everybody and welcome to today’s episode of Attendance Bias. I am your host, Brian Weinstein. I am ecstatic to introduce today’s episode, as it features both a knowledgeable guest who is well known within certain circles of the Phish community, and a thorough, wide-ranging discussion about three of the greatest improvisational rock concerts ever played: Phil and Friends at the Warfield Theater in San Francisco on April 15, 16, and 17, 1999. While not a Phish show, or even a Grateful Dead show, this run of concerts was a milestone for both bands. Not only was it the first time that members of the two major jambands shared a stage, it’s notable that songs from both Phish and the Grateful Dead were played over the three nights. I’ve been listening to these shows since soon after they were played and they haven’t aged a day. When Charlie Dirksen of Phish.net and The Mockingbird Foundation volunteered to discuss them and tell about what it was like to actually be there, I couldn’t wait to hear about it. These shows have lived in my head for over 20 years, so to hear a first-person account of what they were like made for one of my favorite conversations I’ve ever had for this podcast. This episode easily could have been three hours long–every time a song was mentioned, it took a lot of willpower on my end not to insert yet another music clip. But there was so much to discuss before we even get to the music. Let’s join Charlie to chat about his responsibilities at Phish.net, Steve Kimock’s guitar wizardy, and where John Molo fits into everything, as we break down Phil and Friends from April 15, 16, and 17 at the Warfield Theater, in San Francisco, CA.

Send us a Text Message. Hi everybody and welcome to today’s episode of Attendance Bias. I am your host, Brian Weinstein. Today, we’re taking on one of the big ones: one of the most pivotal shows in the band’s 40 year career. Guest Jeff Paradise was at the first modern Phish Halloween show, October 31, 1994 at the Glens Falls Civic Center, where the band played a 3-set show that included the band’s first musical costume; a full cover of The Beatles’ White Album in the second set. The full show lasted about 5 hours, concluding at around 3:30am in a remote upstate New York minor league hockey arena. Jeff was in college in Ithaca, NY at the time, bouncing around college towns to see Phish, frequently at the behest of his friends, since Jeff was the guy with the car. At this point of the band’s career, being a college student in upstate NY or New England was a golden age of being a Phish fan. Chances are that, if they weren’t playing withing a few hours drive this week, they would be next week. It’s easy to look back now and see how monumental this show was–a band covering a double album of the most famous band in rock and rock history, and Jeff points out that, even compared to other big Phish shows of the era, the historicity of the show was apparent even in real time. Anyone in the audience in Glens Falls that night knew that they were witnessing history. Even with that, we have a lot more to cover about this five-hour, three-set show. So join Jeff and I as we discuss Dark Side of the Moon fakeouts, mailing in postcards, and making it back in time for class with October 31, 1994 at the Glens Falls Civic Center.

Send us a Text Message. Hi everybody and welcome to today’s episode of Attendance Bias. I am your host, Brian Weinstein. We’ve covered plenty of shows from the summer of 1999 on Attendance Bias but, lest we forget, there was a lot more to that year than a raucous summer tour. There was also a fall tour and a lesser-explored December tour, which took place entirely within the last month of the millennium. Today’s guest, Brent Summerville, chose one of the last Phish shows of 1999–December 16 at the Reynolds Coliseum in Raleigh, NC–to review today. Although portions of the show are available on YouTube, there are certain nuances that we can only hear from someone who was in attendance. Luckily, we have Brent here to tell us all about it. At the time, Brent was moving back to North Carolina from Michigan, and had been seeing Phish for five years. He brought a friend to this show, which he rarely did at the time, and was on his old college campus where he had lots of ties to this small basketball court-turned-concert venue. Phish broke out a monster second set for this show, and it joined the fabled 5-song second set club, with a version of Sand full of soundscapes, as well as a soul-cleansing Tweezer. But there’s more to it than that. Let’s join Brent to chat about college basketball, Trey’s keyboard setup, and cold Michigan winters as we revisit December 16, 1999 at the Reynolds Coliseum in Raleigh, NC.

Send us a Text Message. Hi everybody and welcome to today’s episode of Attendance Bias, or more really, the third and final episode of “This Time Will be Different: 15 Years Since Hampton.” I am your host, Brian Weinstein. Today’s episode ends our look back at what led to Phish’s comeback at Hampton, 15 years ago on March 6, 2009. If you haven’t listened yet, previous episodes have covered The pressures that led to the hiatus in 2000, the multi-faceted hot mess that was 2004, and the rebirth of the Phish experience in the early spring of 2009. When I first had the idea for this miniseries, I figured that today’s episode, the one about Hampton 2009, would be an enormous undertaking. A full weekend of shows, easily making up the most important run of the band’s career, marking the turning point from the past to the present that would introduce the 3.0 era. Yet, as my co-hosts and I were speaking–Charlie Dirksen and Scott Marks from Phish.net and The Mockingbird Foundation–it became more about our experiences and our personal feelings during that all-important March weekend. In the end, that’s what Attendance Bias is about–each guest’s own experience at any given show. There is a lot more of this story to be told but, for now, this love-fest about Phish coming back to life will settle things for now.To wrap things up, please welcome Scott Marks and Charlie Dirsken of Phish.net and The Mockingbird Foundation as we continue This Time Will be Different, Episode 3.

Send us a Text Message. Hi everybody and welcome to today’s episode of Attendance Bias, or more accurately, episode two of “This Time Will be Different: 15 Years Since Hampton.” I am your host, Brian Weinstein. Today, I join my two co-hosts: Scott Marks and Charlie Dirksen of Phish.net and the Mockingbird Foundation, to take a look at the 2.0 era, as well as Phish’s breakup in 2004. For those of you who listened to episode 1, it was clear but not obvious, that Phish needed a break after Big Cypress, and it was never really in doubt that they would get back together. But in the second half of 2.0, mostly in the 2004 calendar year, it was glaringly obvious that Trey’s physical health was in jeopardy, and the scene as a whole was rotting from the inside. In a little while, you’ll hear Scott compare these three episodes to the original Star Wars trilogy–today’s episode is The Empire Strikes Back. Our heroes are at their lowest point, and you have to be knocked down before you can rise up and win the day. It’s telling that on Attendance Bias, 2.0 has, by far, the least number of shows represented by guests. It was, and continues to be, a divisive time in the band’s history. I originally planned this episode to be about the time of Phish’s breakup-2004 to 2008, and what the scene was like without the biggest band on tour. However, this conversation took a different route and we just went with it. It wasn’t always a pretty ride, but it has heart and makes the comeback in the next episode all the more meaningful. But we have to have the darkness before the dawn. Today, please welcome Scott Marks and Charlie Dirsken of Phish.net and The Mockingbird Foundation as we continue This Time Will be Different, Episode 2.

Send us a Text Message. Hi everybody and welcome to today’s episode of Attendance Bias. I am your host, Brian Weinstein. The first week of March is always a conspicuous part of the year for me. No religious or secular holidays, no birthdays or wedding anniversaries in my social circle, but there is one series of dates that will always deserve some deep thoughts, if not any flowers, chocolate, or greeting cards: March 6-8 , 2009, when Phish returned to the live stage at the Hampton Coliseum. As of 2024, it will be 15 years since that beautiful weekend. Being a Phish stats nerd, round numbers hold significance for me, and looking back, it sometimes feels like the reunion happened to a completely different person. This is the topic for a three-episode miniseries, called: “This Time Will Be Different: 15 Years Since Hampton.” For the next three episodes, I will be joined by two co-hosts, Scott Marks and Charlie Dirksen of Phish.net and the Mockingbird Foundation. The three of us will take a look back, not only at the 2009 Hampton Reunion, but at the major Phish events that led to it, including the band’s hiatus from 2000-2002, the breakup from 2004-2008, and then episode 3 will focus on that glorious weekend in March 2009. But let’s not skip too far ahead. Today, please welcome Scott Marks and Charlie Dirsken of Phish.net and The Mockingbird Foundation as we open This Time Will be Different, Episode 1.

Send us a Text Message. Hi everybody and welcome to today’s episode of Attendance Bias. I am your host, Brian Weinstein. If you’ll indulge my Grandpa-Simpson waxing poetic about the past for a second: when I was first getting into Phish, there were some shows (mostly from the early-90s) that lived in legend. There were stories about them, but it wasn’t so easy to find internet posts or first-person narratives about them. One of those shows was June 21, 1994 at the Cincinnati Music Hall. Phish began the show as usual when, about a half hour in, the venue’s fire alarm went off, forcing everyone to clear out. The show resumed with a “2nd set” that lasted an hour and 40 minutes! Luckily, social media has advanced to the point where we can instantaneously get in touch with other fans and hear about their experience at shows like that one. That’s basically the premise of this podcast, and so I was absolutely thrilled that today’s guest, Kev Hollo of Charleston, South Carolina got in touch and wanted to tell about his experience at that exact show. Kev is a long time Phish fan, a musician, and happy to discuss all things Phish, which we do over the course of the episode. While the 1994 Cincinnati show is the basis of today’s episode, by no means do we stop there. The conversation ranges from music theory, to ghost stories, to the past, present, and future of the band. Let’s join Kev to chat about it all as we revisit June 21, 1994 at the Cincinnati Music Hall, in Cincinnati, OH.

Send us a Text Message. Do you remember where you were when you heard that Phish was returning to Hampton in 2009? To celebrate 15 years since Hampton, I’d love to hear about where you were and what you thought when you found out about Hampton ‘09. I think it would be fun to put together an audio collage of fans’ memories of where they were, what they thought, and how they felt. If you are down to contribute, I have a set of directions and a sample script. It’s quite easy, and I think it will be a lot of fun for all listeners. Swipe over and keep reading if you’re interested: 1 ) Record a voice memo on your phone or any convenient recording device. Introduce yourself, and tell your memory. Whether it was from the official announcement, a friend calling/texting you, whatever! How did you feel and what are your memories of hearing that PHISH IS COMING BACK?! 2 ) The recording should be a minimum of 30 seconds and a maximum of 2 minutes. 3 ) Email the recording to attendancebias@gmail.com as an audio file (m4a, mp3, etc.) Sample script: “Hi, this is (your name) from (hometown, if you’d like).” And then tell a little bit about your experience of hearing that Phish would be playing 3 shows at Hampton in March ‘09. Thanks so much for participating and for listening!

Send us a Text Message. Hi everybody and welcome to today’s episode of Attendance Bias. I am your host, Brian Weinstein. Halloween is, without question, one of the highest profile nights of the Phish calendar. All Phish Halloween shows are judged, compared and, for better or worse, claim their spot in the band’s mythology. But, as part of a pattern that’s been discussed on this podcast before, it’s not always the high profile night that gets the best show. It’s usually the night before the night. December 30 for New Years Eve, and in this case, October 30 for Halloween. Today’s guest, Eric Doyle, chose to tell us about his experience at October 30, 1998–the night before Phish covered all of The Velvet Underground’s classic album, Loaded. While that Halloween show has its supporters and detractors, the night before should be celebrated for its combination of factors that make it one of the best representations of 1998 that Phish had to offer. With The Story of the Ghost having been released just days prior, the band making high profile appearances on David Letterman, Sessions at West 54th, and other promotional outlets for the new album, Phish was at a crossroads as to how involved they would become with the record industry at large. History has explained that part of the Phish story, but with mixed mainstream success at the time, no one was sure what would happen. All of those aspects were apparent during this two-night Las Vegas run in 1998, but it didn’t stop the band from delivering a killer show on the night before Halloween. Let’s join Eric to talk about Phish’s history in Atlanta, Fishman leading the way, and more as we discuss October 30, 1998 at the Thomas and Mack Center in Las Vegas.

Send us a Text Message. Hi everybody and welcome to today’s episode of Attendance Bias. I am your host, Brian Weinstein. I would guess that most of us have had the experience at a Phish show where the band is communicating to us, directly. Not communicating with the crowd; I mean, the members of the band are playing a show that speaks to our exact life experience. Whether or not you’ve ever made eye contact with Trey right before they leave the stage after the first set, there’s no denying that the best kind of art is the kind that speaks to you; the kind that you can understand and appreciate through your own personal lens. Today’s guest, Nate Schwerin, had a life-changing experience at the Phish show at Dick’s on September 5, 2015. As you’ll hear Nate describe, it was right out of a cheesy movie but happened to him in real life. It’s no surprise that Nate’s game-changing show happened at Dick’s Sporting Goods Park; including 2023, Phish has played 38 shows at the venue. It’s no surprise that some fans have had some of their most meaningful experiences there. But that’s enough from me, it’s Nate’s story to tell. Let’s join Nate to chat about Big Sky Montana, The Catcher in the Rye, and being 13 years old at your first show as we break down September 5, 2015 at Dick’s Sporting Goods Park, in Commerce City, CO.

Send us a Text Message. Hi everybody and welcome to today’s episode of Attendance Bias. I am your host, Brian Weinstein. I’ve mentioned a number of times on this podcast that, when I’m not spouting gibberish with strangers about Phish, I am a middle school teacher. I try not to offer too much personal information on the podcast for obvious reasons, but I am overly thrilled to say that, today, my personal life on the podcast and my professional life at school intersect in the most glorious way. That way is through today’s guest: Jared Cowen. Jared is the lead singer and guitarist of up-and-coming jamband Baked Shrimp. If you frequent any of your local music venues or attend pretty much any summer jamband festivals, you’ve seen Baked Shrimp’s name on the lineup. The trio frequently combines progressive arrangements and dexterity with extended, fist-pumping jams. They rule. Oh, and did I mention that Jared was my student in 7th and 8th grade? Teachers often say that the best part of the job is when we see the legacy and success of our students as they grow older and into their adult selves. Jared and I were lucky enough to spot each other as Phish fans as teacher and student, and since then, we’ve gotten to know each other as people–not just in school–and I’ve gotten to know Jared’s family well, often seeing them at MSG or various other shows in the tri-state area. So as Baked Shrimp prepares to release a new album, it only made sense for Jared to make an appearance on Attendance Bias. For today’s episode, Jared chose to discuss set two of December 31, 2010–one of the best NYE shows of Phish’s career, and one could argue a turning point in the jamming style of the 3.0 era. We break it all down. Let’s join Jared to talk about middle school memories, high ceilings, low floors, and the Meatstick heard round the world, as we revisit set two of New Year’s Eve 2010 at Madison Square Garden.