In The Past: Garage Rock Podcast

Did The Tymes come up with their 1963 hit "So Much In Love" by repurposing the official song of the United States Army? That's Erik's theory, and we talk about it as well as the tune as doo-wop's "swan song" -its gentle and elegaic quality serves also as a goodbye to a more innocent era. Later in the 60s, Cleveland's The Munx did a bombing raid on the song, which belongs firmly in the "music for squares" camp. Luckily, in 1971, The Persuasions performed a pretty, and very masculine acappella version which set things right. In 1982, Was/Not Was's Sweet Pea Atkinson went for a wavey walk with the song before he walked the dinosaur later in the decade. Finally, in the 90s, All-4-One did the horniest version of the song, but kept the doo a woppin'! Wee-ooh-wee-ooh!

At In The Past, we always take things to the next level - some people are still satisfied with "Name That Tune," but we've invented "Name That Vid!" In this episode, your hosts read the Wikipedia descriptos of notable music videos, and try to guess which tune it belongs to. If you grew up in the MTV/Much Music Generation, then you better think quick! As always, the boys use the premise to astutely analyze the past as we ponder the future...

We've weathered several recessions and a pandemic, but there's an ever-present threat of ... Green Fuz. It all started back in 1968, when The Green Fuz had everything go wrong at the Crossroads Cafe in Bridgeport, Texas, and there's been several sightings of the escaped mold spores ever since. The original is primo primitive, a legendary tune amongst the garage gang - just ask your local weirdo with a Prince Valiant haircut. But why is there a Max Roach solo in there? We of course discuss the version by The Cramps, and we throw in a spaghetti western adaptation by The Lemonheads, plus there's a Farsi-language version by Habibi! You better run!!

The latter phrase comes early on in our discussion about band names - the good, the bad, and the shitty shitty! This is Part 2 of "Shitty Shitty Band Names!" - a popular new series that we're assured has created a lot of discussion around the family dinner table, and caused overturned tables at the local boozer. In this edition we talk about short names, long names, but we're going to save fat ones and skinny ones for a later episode!

If you have a dog, you have to understand your responsibilty - "Walking the Dog" isn't as simple as you might think. Therefore, we start with Rufus Thomasand his instructional record of the same name from 1963. Is it a goofy great? It's definitely great, because a million bands have covered it. The Rolling Stones took the dog out in 1964 and Brian Jones sounds appropriately woofy. The amazing Jackie Shane walked the dog her way when back in Nashville, which also gives us a chance to talk about Noble Blackwell and the amazing Night Train variety show, where she performed the song live. The Sonics went out with Rover in '65 and they seem to have strutted off to sniff some chip bags or sumthin'. You know it's good - uh huh huh. In '66, Duluth's finest musical product ... The Yes It Is made a surfy/rockabilly/Mexican version of the tune. It's off leash!!! Finally, in the 70s, Aerosmith created a weird hybrid version which make us go "Ruh Roh!" like Scooby! What's your 12?

This week we pick a Canuck classic that's two songs in one - "No Sugar Tonight/New Mother Nature" by The Guess Who. The lyrics are faux-profound, but Burton Cummings' pipes and scattin' will spike your blood sugar. We scoured the record bins for our second version - a dirtbag bubblegum version by Steel Wool. They bring the song back to perfect popsong length by axing "New Mother Nature", but the guitar stings might be too long. The third in the pack definitely isn't sugar-free - The Shirelles and their 1971 version is "so sweet" and superfunky. For dessert, an Italian confection by the amazing Mia Martini. She gives BC a run for his money, sounding like a vampire fronting Led Zeppelin - a real Saskatoon-to-Sicily transformation! She's gettin' us all!!!

It's time to revisit The Kinks Kanon and do "All Day & All of the Night." Have you ever noticed how weird the title is? Probably not, because of the Riff! It's dirty and has that "Louie Louie" fairy dust which produces misty brain fog where you can't remember how many duh duhs are in it. And Ray Davies savors syllables - apeman poet! The song travelled across the puddle and New York's Knickerbockers were one of the first to kover it. Their version adds sax and has a great sproing-y solo, but it's no slam dunk. The third kulprits are Kenny & the Kasuals from Dallas - they add a kool organ, a RAW vocal performance, & a loosy goosy guitar solo. The final Kountdown goes to The Remains, who leave us with a very rockin', snotty version. Oh kome on! (and send Weldon to Bulgaria!!)

The first in a series celebrating Goofy Greats!: the 1975 K-Tel compilation that turned a generation of kids onto novelty songs, old rock n roll and R & B, and some very questionable tunes, too (we're looking at you, Ray Stevens) ... we go back to our old friends The Royal Guardsmen and their enduring hit, "Snoopy vs. The Red Baron." A lighhearted song about combat during the escalation of the Vietnam War? Sign me up! There's a LOT of Canadian connections with this tune, including the fact that, for copyright purposes, the band recorded a version for the Canuck market called "Squeaky vs, The Black Knight", featuring a bucktoothed beaver with a gleam in his eye! We also play a 1970s cover by UK band Hotshots - and it's ... reggae? Doof großartig!!

We're a bit weary of garage rock tropes, so it's time to head to the country. First this week is "The Woods" by The Nickel Bag. This 66er advocates leaving the city, but should you follow this pied piper? I might - the swirling organ has me hyp - mo - tized!! That same year, the "Old Macdonald" nursery rhyme got rewritten by some LA weirdos - The Seeds called it "Mr. Farmer." Lots of seedy sibilance, and when has Sky Saxon ever ssssteered you wrong? Let's cross the pond to celebrate the changing seasons with "Falling Leaves"by Scotland's Studio Six. A mod pagan ritual! The final idyll comes courtesy of England's The Factory and their 68 psych out, "Path Through The Forest." These guys take us way out - maybe too far!! Won't you come along??? [with apologies the Carbondale, IL City Council]

This one's a doozy - 4 versions of "Be My Baby" and a close relative! The first-born by The Ronettes is so good it's disqualified from the Bo Diddley Awards. We discuss Ronnie's "vibrato in a phone booth," Hal Blaine's boom-crash, the smiley backing vocals and so much more! The second child comes from the same year of 1963, it's by The Georgettes. Girl group workhorse Rickie Page makes you almost forget the absence of the Wall of Sound! A visit from a kissin' cousin comes third, "Don't Worry Baby" by The Beach Boys. Is Brian Wilson's homage to Ronnie and Spector about a love triangle between a boy, his car, and his girl? The difficult middle child is by Antipodean adorables The Pleazers. Jangle & fuzz, what else do you need? Well, this one has more than even that! The baby of the bunch is by Reperata and the Delrons, who rebel against the dirtbag sound of 1970 by evoking the Golden Age of Girl Groups. This one will make you happy, just wait & see!!

We're back with a great garage tune that is the inverse? obverse? reverse? of 1965's "Satisfaction" - the tune is "(Don't Give Me No) Friction" by The Green Beans, released the same year as the Rolling Stones gem. The lyrics were written by a couple of middle-aged people, so it appears to be masquerading as hip, but of course our analysis finds deeeeeper meanings. It has a great chorus, a cavernous scream midway thru, and lotsa FUZZ! Australia's Misslng Links discovered the song like a group of cavemen discovering fire, and there's a lot goin' on in their version - a faster R&B feel, trebly, metallic guitar, boom crash drums, and a total primitive proto-psych freakout! Eat yr beans!!

It's early February, and time for love & conversation ... so this week's song is the 1965 classic "She's About A Mover" by the Sir Douglas Quintet (2:57). A simple groove, great manly singing from SIr Doug himself, and a cavernous, carnivalesque organ sound will keep this in the canon for years to come. The song migrated to Germany later in the year and The Boots gave it a good home (42:29). The organ is comparatively chintzy & warbly, but this is a remarkable raucous racket with strangled, snotty vocals and sloppy, sporadic shakers! The pride of Ste. Hycanithe, Quebec are up next, Les Hou-Lops (58:27). They don't worry about what Doug Sahm said and create a sharp French language version with an acoustic axe subbing for the organ riff. Sounds better than it sounds!! The filthy fourth is a WILD version by The Alarm Clocks (1:18:16). This is the most garage version here, so lissen up! Lastly but not leastly is a totally unique version by Dottie Cambridge (1:40:06). The most kinetic version - soulful vocals, guitar stings, horns, a funky drum breakdown, all under 2 minutes!! And we did it all under two hours!!!

In this episode, we throw the book at The Equals and their 1967 non-hit, "Police on my Back." Written by the indestructible Eddy Grant, the debate centers around the song's rude boy narrative (Stratton 2013) and the question of the narrator's guilt or innocence. The next in the line up is The Stacattos (from South Africa). These guys mess the song up in interesting ways, but is it a social statement? Was the original? Well, on "Sandinista," The Clash made the song famous and it's taken on new dimensions since then, so after those perps, we end with Asian Dub Foundation and Zebda's 2003 version, which'll drive you wild with its hybrid instrumentation and high energy. It's an open and shut case!!

We recorded this a few days before the very sad passing of Mary Weiss on Friday, January 19, 2024. We hope that this episode honours her memory, and the other departed Shangri-La's, Marge & Mary Ann Ganser. Love forever <3. Versions by The Shangri-Las, The Compacts, Die Crazy Girls, The Detergents, Twisted Sister.

Single File is back and we're talking about a real rager: Shelby, Ohio's Shepherd's Heard and their only record "I Know" b/w "But That's Life." The first sounds like a demented version of The Rascals' "Good Lovin'." The drums and vocals are CRAZY and they're both performed by the same guy, Kim Shepherd, who rightfully named the band after himself since he does most of the work! Kim takes a breather on the flip, "But That's Life", an organ-driven sorta ballad. Man, Jonathan Richman should cover this, since it's his style a few years before he even appears!! A great guitar solo and that familiar 1966 wild mercury sound of the organ. Now BURN IT!!

Our podcast's New Year's Resolution? To be quicker! Hence, we present you with "We're Pretty Quick," a wild 1967 side by New Mexico's finest, The Chob (4:32). There are covers by The Fuzztones and The Cannibals that fly by, too. But then we introduce The Lucky Seven Lightning Round Countdown, SEVEN other versions that we have progressively less time to listen to (for the first time) and react to! Take that challenge, Tik Tokers!!!

We end 2023 and start 2024 with some final thoughts and we pick our favourite songs out of all the Bo Diddley Awards nominees. Is the discussion insightful? Maybe. Incisive? Probably not. Insane? Always!!

The categories are: Bo Diddliest Girl Group Song: Dedicated to the One I Love - Shirelles He’s Gone - Chantels Then He Kissed Me - Crystals Uncle Willie - Juliettes Mr. Scrooge - Orchids Bo Diddliest Video: Liar Liar - The Castaways Now and Then - The Beatles Must Be Santa - Bob Dylan You Really Got Me - Van Halen Jack The Ripper - Screaming Lord Sutch Bo Diddliest Song From A Theme Episode: Open Up Your Door - Richard & The Young Lions (Table Toppers) Oh Mom, Teach Me How to Uncle Willie - Daylighters (Uncle Willie) Uncle Willie - Plookie McCline (Uncle Willie) Where You Gonna Go? - Unrelated Segments (Garage Rock Protest Songs) Monkey Man - Baby Huey & The Babysitters (Monkey Business) Most Insane Song: Rat’s Revenge (Parts 1 & 2) - The Rats The World Ain’t Round, It's Square - The Savages Like A Rolling Stone - The Soup Greens My Flash On You- The Menerals Sweet Pea - Friar Tuck & His Psychedelic Guitar I Had Too Much To Dream Last Night -Deviled Ham Land Of 1000 Dances - Chants R & B Makin’ Love - The Sloths Jack the Ripper - The One Way Street The Ostrich - The Primitives

We kept the tape rolling after the recent episode we did with John & Bobby from The Gruesomes and we said more stuff about John's favourite song ever - "Say It" by the Five Royales. Along the way, we solve the problems of modern music.

We know Pastronauts love it when John & Bobby of The Gruesomes visit our podcast, but this one's extra exciting because it's two episodes in one! John has picked two of his favourite songs by the unsung Five Royales ("Think" and "Dedicated to the One I Love"), and then the four of us talk about 2 cover versions. This means versions by James Brown (who did "Think" twice!), The Shirelles, and The Mamas and Papas. Top notch analysis from two esteemed scholars of Garage Studies, plus those no-goodniks Erik & Weldon!