What the Riff?!?

Stone Temple Pilots, often abbreviated as STP, burst onto the rock scene in the early 1990's, becoming one of the most commercially successful bands of that era. Their debut album, Core, was released in late September 1992, and we're highlighting it in January 1993 when many of their hits were on the charts. The DeLeo brothers form the heart of the band: Dean DeLeo's guitar work provides the sonic foundation, and Robert DeLeo's bass playing adds a groove to the band's sound. Eric Kretz anchors the rhythm section on percussion. And front man Scott Weiland completes the lineup with his charismatic presence and distinctive vocal style. Weiland's emotion and raw energy helped make "Core" a pivotal release in the grunge movement. "Core" hit he airwaves with a sonic explosion, with an energy that captured the angst and spirit of the early 90's grunge movement. Several tracks from this album would become anthems of the 90's generation, led by tracks like "Plush" and "Sex Type Thing." Despite its commercial success (reaching number 3 on the Billboard 200), "Core" was initially met with poor critical reviews, with many critics considering it too derivative of other grunge artists like Nirvana and Pearl Jam. Over time, however, "Core" would receive more positive reviews as it took its place as a seminal release of the grunge movement. Lynch takes us on this journey back to 1993, when the Stone Temple Pilots were introducing themselves to the world. Creep This song is a slower, more introspective track that highlights the band's grunge influences. The lyrics deal with feelings of isolation and alienation, with Weiland delivering a haunting vocal performance. The acoustic arrangement is a nice contrast to the heavier tracks of the album. Sex Type Thing The opening track to the album features an aggressive guitar riff and a powerful vocal performance from Weiland. It was controversial due to its lyrical content, which is written from the perspective of a rapist. Despite the controversy (or perhaps because of it) “Sex Type Thing” became one of STP's most recognized songs. Plush This track is arguably the most famous song from the album. “Plush” showcases STP's softer side with its acoustic guitar intro and catchy chorus. Weiland's lyrics were inspired by a news story about a woman who was found dead in San Diego, adding a layer of mystery and intrigue to the song. The video for "Plush" won the band an MTV Video Music Award for Best New Artist and features the band playing in various desert scenes. Wicked Garden A hard-hitting rock track known for its gritty guitar riff and energetic chorus, this may be considered a deeper cut. The song deals with the loss of innocence and the darker side of human nature, themes that recur throughout the album. Over time “Wicked Garden” has become a fan favorite and a staple of STP's live shows. ENTERTAINMENT TRACK: Main theme to Star Trek: Deep Space Nine The third entry into the Star Trek franchise takes place on a fixed space station near the border of the Federation. It had its debut in January of 1993. STAFF PICKS: Love Is On the Way by Saigon Kick Bruce leads off the staff picks with a one hit wonder. Miami-based Saigon Kick released this single from their second album, "The Lizard," and it went to number 12 on the Billboard Hot 100. Jason Bieler provides guitar, keyboards, and backing vocals for the band, and wrote this song. Lead vocals are provided by Matt Kramer. Additional band members were Tom DeFile on bass and Phil Varone on percussion. Regret by New Order Rob brings us the lead song from New Order's sixth studio album, "Republic." The single went to number 28 on the Billboard Hot 100. New Order formed from the remnants of the band Joy Division. The album was made in order to save the Hacienda - a Manchester club part owned by the band. Teen Angst (What the World Needs Now) by Cracker Wayne's staff pick is from Cracker's debut album, and features catchy, clever,...

It will come as no surprise to regular listeners of this podcast that we are all big fans of Steve Perry, the chief vocalist of Journey. So it should also not come as a surprise that we would want to feature his debut solo studio album called Street Talk. Perry embarked on this solo project shortly after the release of Journey's "Frontiers" album, at a time when the group was packing arenas around the world. The name of the album comes from his pre-Journey days when he was leading a band called Alien Project - but he had at one time considered naming it, "Street Talk." Perry also used Craig Krampf as drummer, who was also a previous member of Alien Project. The album obviously has similarities to Journey due to Perry's vocals, but it is significantly softer than the more pop rock/hard rock approach typical of Journey. The songs are written or co-written by Perry, and showcase Perry's voice in a more ballad-heavy manner. The lead single, “Oh Sherrie,” was written about his relationship with Perry's then-girlfriend Sherrie Swafford, and hit number 3 on the Billboard Hot 100. We covered “Oh Sherrie” on episode #148, but there are three other singles that broke into the top 40, powering the album to number 12 on the Billboard 200 album charts and to 2x Platinum in sales. Perry had worked outside of Journey during his tenure with the band, including vocal work with both Sammy Hagar and Kenny Loggins. Other members of the band were also working on side projects, so it was expected that all would return to the group after their separate projects. Perry followed suit, this, but troubles began to surface with personnel changes and Perry's mother's failing health causing the "Raised on Radio" Journey album to be delayed. Street Talk gives us a good look at Steve Perry outside of the rest of the Journey band members, during a time when Perry was at the top of his vocal game. Rob brings us this excellent album for today's podcast. She's Mine The track that starts side two is a slow rocker that demonstrates Perry's versatility in musical styles. The lyrics describe a struggle between a guy and his rival over a girl. It made it to number 21 on the US charts - and you can't go wrong with a sax. Captured By the Moment This song is deeper lyrically, with Perry looking at significant times in history and music as snapshots in a frame. He pays tribute to some key figures from the 60s and 70s including Martin Luther King Jr, Jackie Kennedy, the Beatles, Janis Joplin, Jimi Hendrix, and others. It has a distinctive 80's keyboard sound. Foolish Heart A subdued piece, this track is the second-biggest hit from the album after "Oh, Sherrie." The lyrics depict a guy longing for love, but who does not trust his heart to make good choices. It was co-written with Randy Goodrum, who wrote "You Needed Me" for Anne Murray. It was the last single released from the album. Strung Out This faster paced track closes out the album, and discusses love from the perspective of a guy longing for a woman in a relationship with another. "I feel like Bogart in a crazy movie. Bogie and me, we never beg - but this time maybe I've got voices in my head." ENTERTAINMENT TRACK: Main theme from the television series “Who's the Boss?” Tony Danza plays a former baseball athlete trying to raise his daughter while working as a live-in housekeeper for a single advertising executive. Alyssa Milano played Danza's daughter. STAFF PICKS: I Wanna Rock by Twisted Sister Wayne kicks off the staff picks with glam rock sensation Twisted Sister in their follow-up to "We're Not Gonna Take It." Many listeners may be more familiar with a cover of this song performed by SpongeBob SquarePants in "The SpongeBob SquarePants Movie" entitled "Goofy Goober Rock." For Whom the Bell Tolls by Metallica Lynch brings us a signature song from Metallica's 1984 album, "Ride the Lightning." The heavy riffs typical of Metallica are accented by the toll of chimes, and the lyrics are...

The Outlaws had a long history as a band prior to the release of this debut album. Formed originally in 1967 in Tampa, Florida, the original name for the group was "The Four Letter Words." They toured off and on through the early 70's, and made an aborted attempt at an album the late 60's. Finally, they were signed by Clive Davis and Arista Records while opening for Lynyrd Skynyrd. Ronnie Van Zant told Davis and future Outlaws manager Charlie Brusco, "If you don't sign Outlaws, you're the dumbest music person I've ever met - and I know you're not." The debut and eponymously named album Outlaws would blend Southern rock with Country and hard rock, and would create a great concert draw for the band. Their use of three guitars would come to be known as "the Florida Guitar Army." Hughie Thomasson and Billy Jones both provided lead guitar and vocals, and Henry Paul would provide further electric and acoustic guitar as well as vocals. Monte Yoho on drums and Frank O'Keefe on bass would round out the group. While there's definitely a Southern Rock feel to the Outlaws, there is also a lot of Country and even bluegrass mixed in. The technical chops are impressive, and there is a lot of harmony employed in the group as well. The album would peak at number 13 on the Billboard Top LP's & Tape chart. Wayne takes us through this guitar-driven Southern Rock album for this week's podcast. Waterhole This instrumental song leads off side two of the album, and has a bluegrass feel. It is the opening track to side two of the album. There Goes Another Love Song The hit single on the album also is the leading track. It peaked at number 34 on the Billboard Hot 100, and features Hughie Thomasson on lead vocals. The lyrics depict a guy on the road who is missing his faraway love, and seems to encounter love songs one after another. Song for You This may appear to be an instrumental at first because of the long intro before the vocals come in. The lyrics reflect a guy who is breaking a girl's heart, but can't seem to avoid doing so. There are some great harmonies in this track. Green Grass and High Tides The last song on the album is a true epic. The album version is almost 10 minutes long, but has been stretched to 30-minute versions in concert jams. Hughie Thomasson conceived the album while at a beach cookout and imagining all the rock greats who had passed on rising from the grave to play a show. The name comes from a Rolling Stones' "Best of" album title. ENTERTAINMENT TRACK: Main theme from the motion picture “The Apple Dumpling Gang” Walt Disney Productions put out this comedy western about a gambler tricked into taking care of a group of orphans. Bill Bixby, Don Knotts, and Tim Conway star in this movie. STAFF PICKS: One of These Nights by the Eagles Lynch starts off the staff picks with a song penned by the duo of Glenn Frey and Don Henley. It became the second number 1 single for the group in the US, behind "Best of My Love." This track takes inspiration from soul music like Al Green and B.B. King, and has been described as an anthem for procrastinators and dreamers. Blue Sky by Joan Baez Rob profiles a cover song originally performed by the Allman Brothers on their 1972 album, "Eat a Peach." Originally written by Dickey Betts about his girlfriend Sandy "Bluesky" Wabegijig, Baez covers this on her 1975 album "Diamonds & Rust." If it sounds familiar to you, Baez is actually backed up by the Allman Brothers Band for this single. Landslide by Fleetwood Mac Bruce features a song written by Stevie Nicks at a time when she was considering whether to continue to pursue life as a musician or give up her dream and go back to school. Despite its popularity today, the song was not originally released as a single until the live version from "The Dance" in 1997. Motorhead by Hawkwind Wayne closes out the staff picks with a B-side from the prog rock group Hawkwind written by bassist Ian "Lemmy" Kilmister while he was with the...

Eric Clapton is a living legend in the rock world. He was a member of the Yardbirds from 1963 to 1965, a founding member of the supergroup Cream, founding member of Blind Faith, founder of Derek and the Dominos, and a multi-album soloist. He has received 18 Grammy awards, sold more than 280 million records world-wide, and is the only three-time inductee into the Rock and Roll Hall of Fame. Unplugged was recorded in front of an audience at Bray Studios in England for the "MTV Unplugged" series. This series was started in 1989, and several artists would release albums from this show, including Mariah Carey, Nirvana, and Page and Plant. Clapton's Unplugged album was a monster hit, winning three Grammy awards in 1993. It was Clapton's bestselling album, and the bestselling live album of all time, selling 26 million copies. Clapton recorded this in January 1992, and it contains a mix of his solo material, songs from previous groups, and blues standards from long ago. Eric Clapton continues to play and tour today. He recently released a song called "Voice of a Child" in late 2023 and organized a charity concert to raise funds for children in the Gaza Strip. He also collaborated with Van Morrison in November 2020 on an anti-lockdown single called "Stand and Deliver," and said regarding vaccine mandates that he would not perform on any stage where there is a discriminated audience present. Bruce presents this laid back live blues album in this week's podcast. Running On Faith This track was originally on the Journeyman album from 1989, Clapton's eleventh studio album. Jerry Lynn Williams wrote this song, as he did several other Clapton songs including "Pretending" and "Forever Man." They lyrics tell of taking each day as it comes in confidence that love will come to the singer in due time. Tears in Heaven This song originally appeared on the soundtrack for the 1991 film "Rush." In March of that year Clapton's 4-year old son Connor died in a fall from a New York City apartment, causing Clapton to isolate himself for a while. Scoring the music for the film gave him a way to cope with the loss. He wrote the first verse and asked Will Jennings to write the rest. It is deliberately ambiguous, as it is about his son, but also meant to be part of the film. It is his best-selling single in the United States. Rollin' and Tumblin' The recording of this song picks up mid-verse because it was recorded in a break when the cameras and recording equipment were off. Clapton began performing this Muddy Waters blues song impromptu, and the musicians around him joined in. It was last performed by Clapton when he was with Cream, and the audience clearly loves it. Layla The signature song from Derek and the Dominos was significantly altered by Clapton and acoustic guitar player Andy Fairweather. They changed it to a shuffle beat, removed many of the familiar riffs and piano exit, and jazzed it up. Clapton is also singing an octave lower than the original, which was at the top of his vocal range back in the day. ENTERTAINMENT TRACK: Theme from the television series “Martin” Martin Lawrence had a comedy series popular in the US at this time, with Martin playing many characters, both male and female. STAFF PICKS: Sister Shade by Mary's Danish Wayne brings us an unfortunately underrated song from the 90's as his staff pick. This grunge group actually featured two female lead singers: Gretchen Seager and Julie Ritter. Mary's Danish formed in the late 1980's and released four albums. Unfortunately, they became a victim of mismanagement, incompetent promotion, and a difficult contract that left them without money from the royalties. Even Flow by Pearl Jam Lynch's staff pick is a signature song from Pearl Jam. The music was written as an instrumental demo before Eddie Vedder's arrival as front man for the band. Vedder wrote the lyrics focusing on the life of a homeless person overlooked by society. Originally performed live in October...

While we may think of the German band the Scorpions as an 80's metal band, they started much earlier - way back in 1965. Things didn't really come together for the group until the 1978-1992 personnel lineup of Klaus Meine on lead vocals, Rudolph Schenker on rhythm guitar, Mattias Jabs on lead guitar, Francis Buchholz on bass, and Herman Rarebell on percussion. By the time that the live album entitled World Wide Live came out in 1985, the group had established itself as an international commercial success. Recorded during their 1984 world tour, "World Wide Live" showcases the band at their best, and is a testament to their skill as live performers. The album was produced by Dieter Dierks, and was initially released as a 2-LP vinyl set, a cassette, and a VHS of tour footage showing off the band's stage presence. Folks, you got your money's worth when you originally purchased this album! From the high intensity of rockers like "Big City Nights" and "Rock You Like a Hurricane," to the raw emotion of ballads like "Still Loving You," the Scorpions deliver a performance that connects with their audience. Hearing the live versions gives you a sense of the band in a way that is hard to capture from the studio arrangements. Lynch leads this journey back to 1985, when the Scorpions were rocking the world like a...well...they were rocking the world. Big City Nights This song from "Love at First Sting" leads off side two of the first LP. Schenker and Meine composed this one, as they did with many Scorpions songs. This homage to night life in the city was released as the third single from their studio album, but failed to chart. No One Like You Originally appearing on their 1982 album, "Blackout," this track deals with infatuation and desire. Despite its only reaching number 65 on the Billboard Hot 100, it is one of the songs that established the Scorpions as premiere hard rockers of the 80's. Still Loving You Long before the hair metal ballad became a trope, the Scorpions demonstrated their ability to handle a slower song while still maintaining intensity and raw emotion. The lyrics are of a guy struggling to convince the girl he has lost to give their love a second chance. Rock You Like a Hurricane The Scorpions' signature song first appeared on "Love at First Sting" the year before this live album was released. It reached number 25 on the Billboard Hot 100, a rare Scorpions song to break the top 40. The track leads off side three of the album. The risqué video would be a prime exhibit of the PMRC in their quest for more parental control over child access to music videos. ENTERTAINMENT TRACK: Crazy by Patsy Cline A film called "Sweet Dreams" chronicles the life of country music star Patsy Cline, and was in American theaters in this month. STAFF PICKS: Whole of the Moon by The Waterboys Wayne gets the staff picks started this week with the best-selling song from an overlooked British-Irish rock-folk band. Cerebral and artsy, with lyrics like "I saw the crescent, you saw the whole of the moon," the song is about individuals with rare depth. The Waterboys reformed in 2000, and can still be seen touring, primarily in Europe. Lay Your Hands On Me by The Thompson Twins Rob brings us a song from the British group that has neither members named Thompson nor twins. It went to number 6 on the Billboard Hot 100. Thompson Twins member Tom Bailey has said that the song takes religious ritual as a metaphor for the connection between artist, performer, and artist. It's Only Love by Bryan Adams and Tina Turner Bruce's staff pick is the sixth and final single from Adam's amazingly popular album "Reckless," and also appears on Turner's "Tina Live in Europe" released in 1988. Loaded with melancholy and anger from a breakup, the song encourages the jilted lover to remember - it's only love. This song went to number 15 on the Billboard Hot 100. Money for Nothing by Dire Straits Lynch features a signature song from Mark Knopfler...

There are two distinct eras of music by The Doobie Brothers. From their formation in 1970 until 1975, Tom Johnston was the lead vocalist, and the group had a mainstream rock sound, with some folk and “California Country” influences. Starting in 1975, Michael McDonald joined the group as a keyboardist, as well as providing lead vocal work to help Johnston, who was having health problems at the time. Over the following years, Johnston would have less influence as he neared retirement from the group in 1977. Michael McDonald would influence the group into a more soulful sound, often called “blue eyed soul.” Today we would call this “yacht rock.” Minute By Minute, the eighth studio album from the group, comes from the height of the McDonald era. It is a high water mark for the Doobie Brothers both commercially and critically. The album would spend 87 weeks on the Billboard 200 album charts in the U.S., topping the charts in five of those weeks. It would also produce multiple nominations and wins at the Grammy awards in 1980 including Record and Song of the Year wins for “What a Fool Believes.” The Doobie Brothers would break up in 1982, then reform with Johnston back as front man in 1987. Michael McDonald would rejoin the band full time in 2019 in time for their 50th anniversary tour. You can still find them on tour today. Rob brings us this soulful album for today's podcast. What A Fool Believes The lyrics of this hit narrate the story of a man who meets an old crush and tries to rekindle their relationship, only to find out that there never really was a relationship in the first place. Michael McDonald and Kenny Loggins wrote this single, which became a number 1 hit in the US and Canada. Dependin' On You Michael McDonald and Patrick Simmons wrote this song, and Simmons takes over lead singer duties. It went to number 25 on the Billboard Hot 100. The Latin-infused call-and-response song celebrates a rock solid love that is always there. Don't Stop to Watch the Wheels This shuffle beat deeper cut is sung by Patrick Simmons, and was the B-side from the single release of “What a Fool Believes.” “Look out, hold on, don't stop to watch the wheels go 'round. Look out, hold on, I got to cover ground.” Minute By Minute The title track finds Michael McDonald handling lead vocals, and was written by McDonald and Lester Abrams. The single was released in April of 1979, and it went to number 14 on the US charts. The smooth keyboard-driven sound reflects the Motown inspiration, and is a hallmark song of the “yacht rock” genre. ENTERTAINMENT TRACK: Every Which Way But Loose by Eddie Rabbitt (from the motion picture “Every Which Way But Loose”) Clint Eastwood would take a break from his action and western movies for this comedy with an orangutan co-star named Clyde. STAFF PICKS: Don't Stop Me Now by Queen Bruce leads off this week's staff picks with a single from Queen's "Jazz" album. While this tribute to hedonism did well in the UK, it only hit number 86 on the US charts. It would grow in popularity over time, and would be featured in multiple commercials including Toyota, L'Oréal, and American Idol. Double Vision by Foreigner Lynch features a song from Foreigner's second album of the same name. It reached number 2 on the Billboard Hot 100. Surprisingly, the inspiration for the song title was an event at a hockey game when a goalie had to be removed after a collision on the ice because he was experiencing double vision. Homicide by 999 Wayne brings us a band from London that is named for the number used in the UK to reach emergency services. This punk-infused song takes a tongue-in-cheek look at serial killers. While a top 40 hit in the UK, it didn't chart in the States. You might recognize this song from the soundtrack to the John Wick series, “The Continental.” Follow You Follow Me by Genesis Rob closes out the staff picks with a softer song from the progressive group Genesis, the closer from their album “...And...

Because all of us presenters live in Georgia it is hard for us to believe that Cosmic Thing, the fifth studio album from The B-52's was the international breakthrough album. We had been listening to “Rock Lobster” and “Private Idaho” for about a decade before this album came out. But much of the B-52's discography was confined to college radio stations outside of their home state. Cosmic Thing would really put the group on the map nationally and internationally. This album was also a comeback for the group. The original group consisted of Fred Schneider on vocals, Kate Pierson on vocals and keyboard, Cindy Wilson on vocals and tambourine, Ricky Wilson on guitars, and Keith Strickland on percussion. Ricky Wilson died of AIDS in October 1985, and hadn't told the band other than Keith Strickland that he had the then-terminal disease because he didn't want anyone worrying or fussing over him. His death devastated the group, particularly his sister, Cindy Wilson. The band did not tour to promote their 1985 album release “Bouncing off the Satellites,” nor did they put out any new music until 1989. When they got back together they decided to remain a foursome. Keith Strickland moved to guitar and they brought in session drummers to fill in. It took about a year to compose the songs from this album, with the group spending a lot of time working through their grief in the loss of Ricky Wilson. The resulting album, however, was a tremendous success, with two songs breaking into the top 10 on the US Billboard Hot 100, the first songs of the group to do so. Bruce brings us this comeback album in this week's podcast. Love Shack This has become the B-52's signature song. It went to number 3 on the Billboard Hot 100 - the group's first top 40 hit. The inspiration for this song was partly an African American club outside Athens, Georgia, called the “Hawaiian Ha-Le.” It was a place that looked like a shack from the outside, but hosted a great selection of bands. Cosmic Thing The title track and lead-off song to the album preceded the album by a few months. It was released on the soundtrack to the film “Earth Girls Are Easy.” It is also known as “(Shake That) Cosmic Thing.” Channel Z A deeper cut , this track has a little more political feel. It discusses the changes happening in the world, along with pollution, radiation, and other concerns. “Space junk, laser bombs, ozone holes, better put up my umbrella!” The band never lost their dance connection, with songs leaning more towards party and less towards politics. Roam The second big hit leads off side 2, and also went to number 3 on the Billboard Hot 100. Kate Pierson and Cindy Wilson duet on this song, making it the only vocal track on the album in which Fred Schneider doesn't have a vocal. It was the second and final US top-10 hit for the group. ENTERTAINMENT TRACK: It Had to Be You by Harry Connick, Jr. (from the motion picture “When Harry Met Sally”) Billy Crystal and Meg Ryan star in this romantic comedy, with Harry Connick, Jr. providing most of the soundtrack. STAFF PICKS: I'll Be You by the Replacements Wayne features a Minnesota band which got their start in the punk genre before moving to alternative rock. This song plays in the bachelor party in the 1996 comedy “Jerry Maguire.” The replacements formed in 1979, and it would be 10 years before this song would be their sole entry into the top 100, peaking at number 51. Free Fallin' by Tom Petty Lynch's staff pick is a big hit off Petty's solo album “Full Moon Fever.” This song documents the feelings that a guy has after breaking up with his girl. Petty has ELO founder and fellow Traveling Wilburys member Jeff Lynne joining him on this single, providing synthesizer, bass, acoustic guitar, and backing vocals. Lay Your Hands On Me by Bon Jovi Rob brings us an epic rock song from Jon Bon Jovi off the album “New Jersey.” This one hit number 7 on the Billboard Hot 100, the fourth single from the album to break...

Johnny Cash was a prolific hitmaker in the mid 50's to early 60's. In the late 60's he released a couple of live albums which had crossover appeal: "Johnny Cash at Folsom Prison," and "Johnny Cash at San Quentin." By 1969, Johnny Cash had become an international musical success, selling more records than the Beatles at the time. Cash had left his original label, Sun Records, back in 1958. However, he had left an extensive catalogue of songs with Sam Phillips at Sun. Given his success and the upcoming Johnny Cash TV show, Sun Records decided it would be a good time to release a compilation of his earlier hits from 1954 through 1958. This compilation was released on two albums, "Original Golden Hits, Volume I" and "Original Golden Hits, Volume II," which reached numbers 4 and 3 on the US Country charts respectively. Cash would go on to fame in TV and film in the 70's, and would continue recording up until his death in 2003. While not strictly rock music, the Man in Black was an icon of American music and an inspiration for many in country, rock, and pop genres. It is also a special memory for Wayne, as he listened to this 8-track as he traveled with his father out of California to Alabama. Wayne takes us through this greatest hits album for today's podcast. Home of the Blues The inspiration for this song was the "Home of the Blues" record shop on Beale Street in Memphis, Tennessee. The store which was open from the late 40's until the mid 70's was a place he used to hang out, buy records, and meet other musicians. Hey Porter This is Cash's first recorded song. The setting is just after World War II, and the song focuses on a man returning home from overseas who feels elated to be returning to his native South, the last leg of which is by train. Note that there is no percussion in this song, but Cash played his guitar with dampened strings to acquire a percussive effect. I Walk the Line Johnny Cash's first number 1 hit on the Billboard country charts eventually crossed over to the US pop charts, reaching number 17 and selling over 2 million copies in the United States. The lyrics reflect temptations and the need to be accountable for your actions. The frequent key changes make this song distinctive. Get Rhythm This was the B-side to "I Walk the Line." It was re-released in 1969 as an A-side, and went to number 60 on the Billboard pop chart. ENTERTAINMENT TRACK: Main theme from the television series “Fat Albert” The origin of Bill Cosby's animated series was an animated primetime television special that first aired on NBC on November 12, 1969. STAFF PICKS: Birthday by Underground Sunshine Rob starts off the staff picks with a cover of the Beatles song by a group from Wisconsin. The band had been around for a few years, but this cover helped them attain greater success. Their cover made it to number 26 on the Billboard Hot 100. Down on the Corner by Credence Clearwater Revival Lynch's staff pick is one of the best known songs by CCR. The song talks about a band called "Willy and the Poor Boys" playing in the street for spare change. It went to number 3 on the Billboard Hot 100 by the end of 1969. I Can't Get Next to You by The Temptations Bruce gets us all moving with the number 1 single from David Ruffin, Melvin Franklin, Otis Williams, Eddie Kendricks, and Paul Williams - better known as The Temptations. This was the second of four number 1 hits from the group, and was written by Norman Whitfield and Barrett Strong for the Motown label. I'm Tired by Savoy Brown Wayne's staff pick charted at number 74 on the top 100, and has a very heavy electric blues feel. Three members of this group out of London would go on to form Foghat. The group's name came from American Blues label Savoy Records - a name that had an elegant sound. "Brown" was added as an extremely plain word that contrasted nicely with the elegance of "Savoy." INSTRUMENTAL TRACK: Treat by Santana Santana would produce a number of...

We've already covered a couple of Journey albums. Episode 250 profiled "Infinity," the introduction of Steve Perry to the group. And episode 26 delved into arguably the high water mark for Journey, the album "Escape." Here we take a look at the band as they are in their transition into one of the world's biggest rock bands. The appropriately-titled album Evolution is Journey's fifth studio album. Here we find Steve Perry settling in as front man while still sharing lead vocal duties with keybaordist Gregg Rolie. They have also replaced drummer Aynsley Dunbar with Steve Smith, previously with Ronnie Montrose's band. The band is continuing to explore a more radio-friendly sound. The lineup for this band includes Perry, Rolie, and Dunbar, along with Neil Schon on guitar, and Ross Valory on bass. At the time, "Evolution" was the band's most successful album, and it reached number 20 on the Billboard 200 chart. It also featured their first single to enter the top 20. The album was actually released in March of 1979, but was recorded in the fall of 1978. We're featuring it in January of 1979 because - well - that's where we were able to fit it in. Brian rejoins us in todays podcast to sub for an absent Wayne, and to profile this album. Too Late A deeper cut written by Perry and Schon, this song was written about a friend from Steve Perry's hometown who was wrestling with addiction to drugs. It was a plea to get out of town and the surroundings that fed his addiction before it was too late to break the chains of addiction. Lovin', Touchin', Squeezin' The biggest hit from the album is a slow rocker with a shuffle beat. It hit number 16 on the Billboard Hot 100 in November of 1979, the group's first foray into the top 20. The song is based on a true story about a cheating woman who finds out that turnabout is fair play - and that cheating on a songwriter can result in your being memorialized in a song. City of the Angels While they were known as a San Francisco band, this album track pays homage to Los Angeles. It was written by Perry, Schon and Rolie. On the album, "Lovin', Touchin', Squeezin'" immediately leads into this track, and you will occasionally hear these played together on album-oriented stations and satellite radio. Just the Same Way This single finds Gregg Rolie taking turns with Perry on lead vocals. It was written by Rolie, Schon, and Ross Valory, making it the only song on the album not written or co-written by Steve Perry. It is an infatuation song, with a great call-and-answer in the chorus between Rolie and Perry. ENTERTAINMENT TRACK: The Pink Panther Theme by Henry Mancini The Saturday morning cartoon show with a silent protagonist, "The Pink Panther," ended its run after 10 years. STAFF PICKS: Gold by John Stewart Lynch's staff pick is a top 5 hit from John Stewart's album "Bombs Away Dream Babies," his first solo top 40 hit. Both Lindsey Buckingham and Stevie Nicks contributed to the album, and Nicks provides backing vocals on this song. The vocals describe the dark, cynical side of the recording industry. Planet Claire by The B-52's Rob brings us a musical interpretation of a B-rated sci-fi movie. Once the instrumental and sound-effects - with a Peter Gunn-inspired beat - give way to Fred Schneider's vocals, we find that the girl is from Planet Claire, drives a Plymouth Satellite, and "some say she's from Mars, or one of the seven stars that shine after 3:30 in the morning. Well, she isn't!" Dance the Night Away by Van Halen Bruce features the first US top 20 hit by Van Halen. This song is unusual because it is the only song on the "Van Halen II" album that originated in the studio rather than as a song the group had honed on tour for a long time. It also downplays Eddie Van Halen's guitar virtuosity and brings up the vocal harmonies. Fleetwood Mac's "Go Your Own Way" was an inspiration for this single. Rock n Roll Fantasy by Bad Company Brian's staff pick was written by Bad Co. front...

Did MTV make Duran Duran, or did Duran Duran make MTV? Perhaps a little of both. What is beyond doubt is that Rio, the band's second studio album, would propel Duran Duran into a worldwide new wave and dance phenomenon, and would be a major offensive of the Second British Invasion in the United States. Duran Duran had found success in the UK with their self-titled debut album in 1981, and expectations were high for the group. Rio would find the band leaning heavily on upbeat tracks, a couple of synth-heavy ballads, and more experimentation with musical sounds and instruments than their first album. Many tracks also had accompanying videos, leaning into the MTV market. The photogenic appeal of the band also bolstered the popularity of their videos. Critics were neutral to negative on the album when released, but the commercial appeal was stunning. Duran Duran would dominate American charts from the back half of 1982 throughout 1983, and the band would become an icon of 1980's music. The album was released in May of 1982, but was recorded in January through March of 1982, resulting in our placement of the album in this month. Brian joins us in Wayne's absence, while Rob brings us this iconic New Wave album for today's podcast Rio The title track was the third single released from the album. Bassist John Taylor came up with the title, reflecting optimism and an exotic feel for the album. Sounds at the start of the song were created by throwing small metal rods onto the strings of a grand piano. Andy Hamilton is the saxophone soloist on this track. New Religion This deeper cut leads off side two of the album, and is a dialogue between the ego and the alter-ego, featuring conflicting voices in the chorus. The song is a bit darker than others on the album. "I'm talking for free, I can't stop myself - It's a new religion. I've something to see, I can't help myself - It's a new religion." Last Chance on the Stairway Another deeper cut, the lyrics to this song talk about taking chances and testing limits. "And please don't say leave till later, I've had my last chance on the stairway." Save a Prayer This ballad was Duran Duran's biggest hit in the UK at the time, though not originally released as a single in the US. The lyrics depict two strangers falling into a one-night stand, living in the moment and letting the consequences wait for a later time. The synthesizers create a beautiful but haunting sonic landscape. ENTERTAINMENT TRACK: Main Theme from the motion picture “The Thing” Not to be confused with the Fantastic Four character, this John Carpenter film depicts a research team in Antarctica encountering a hostile extraterrestrial who can assimilate then imitate humans. STAFF PICKS: Leather and Lace by Don Henley and Stevie Nicks Brian brings us a duet from alumni of the Eagles and Fleetwood Mac. Stevie Nicks wrote this song about a relationship between two very different individuals, based on her own experiences in relationships with both Don Henley and fellow Fleetwood Mac member Lindsey Buckingham. Love is Like a Rock by Donnie Iris Bruce features the second single from Iris's second album, "King Cool." It has an infectious riff. It went to number 37 on the Billboard Hot 100. The song originated as an instrumental jam, with lyrics added afterwards. Physical by Olivia Newton-John While Lynch takes some grief for bringing such a pop song into this rock broadcast, the single was a monster hit in the 80's. While the video would portray scenes of exercise in the gym, the lyrics were considered much more sexual and controversial at the time. Addicted by Le Roux Rob closes out the staff picks with a rocking hit lost in time. Le Roux is a band from Baton Rouge, Louisiana. Roux is a cajun thickening base for gumbo. INSTRUMENTAL TRACK: I Advance Masked by Andy Summers & Robert Fripp Police guitarist Andy Summers and long time King Crimson guitarist Robert Fripp had this instrumental rock track out on...

OK, it isn't rock music, but the Soundtrack to "Saturday Night Fever" was a tremendously successful album both commercially and critically, and it had a major impact in popular culture of the later 70's. The theatrical release of the movie actually went back to December of 1977, but it was the winner of the Grammy Award for Album of the Year in February 1979, one of only three soundtrack albums to do so. Composed by the Bee Gees and prominently featuring that band, this soundtrack is the second-best selling of all time behind "The Bodyguard." The Bee Gees actually didn't get involved with the film until it was in post-production. John Travolta was dancing to Stevie Wonder and Boz Scaggs when the scenes were filmed. Columbia Records refused legal clearance for Scaggs material because they were pursuing another disco movie at the time, and the Bee Gees were commissioned to write the songs for the film. The brothers Gibb wrote the songs primarily in a single weekend. The resulting success would change the trajectory of both the Bee Gees and actor John Travolta. The Bee Gees would become a group often compared to the Beatles in the late 70's. Travolta, already well known for his role in the television series "Welcome Back, Kotter," would become an A-list celebrity and a household name. In 2013 the album was added to the National Recording Registry in the Library of Congress for preservation. Lynch is responsible for this travesty, as the other participants do so under protest. Support your local rock band, folks! Night Fever This song was originally called "Saturday Night," but Robin Gibb was concerned about that name because of the number of songs already bearing the name. "Night Fever" was inspired by Percy Faith's "Theme from 'A Summer Place'", and it spent 8 weeks at the top of the Billboard charts. How Deep Is Your Love This pop ballad was released in September of 1977, ahead of the movie. It had hit the top of the Billboard Hot 100 by Christmas Day of 1977, remained there for 3 weeks, and spent 17 total weeks in the top 10. Barry Gibb has commented that this is his favorite Bee Gees song. It won Best Pop Performance by a Group at the February 1978 Grammy awards. You Should Be Dancing Prior to their involvement with the "Saturday Night Fever" soundtrack, the Bee Gees first released this track on their album "Children of the World" in 1976. This is the song playing when Travolta takes over the disco dance floor. Jive Talkin' Here is another song that had been previously issued before the soundtrack was released. The lead single from the album "Main Course" was released in May 1975, long before "Saturday Night Fever." The song was originally called "Drive Talking," and the rhythm was inspired by the sound the band's car made crossing the Julia Tuttle Causeway as they traveled to the studio in Miami. ENTERTAINMENT TRACK: Dancing Queen by ABBA A mockumentary called "ABBA: The Movie" was in the theatres at this time in the U.S. STAFF PICKS: Is She Really Going Out with Him by Joe Jackson Wayne gets the staff picks going with a song that asks why good looking women date horrible men. Joe Jackson is often confused with Elvis Costello, another artist releasing albums at the time. This is Jackson's debut single from his debut album, "Look Sharp." The Gambler by Kenny Rogers Bruce brings us Kenny Roger's signature song. Songwriter Don Schlitz wrote this song in 1976 and it was recorded by several musicians including Johnny Cash before Rogers took it to number 1 on the country charts and number 16 on the Billboard Hot 100. The gambler looks through life through the lens of poker, knowing "every hand's a winner, and every hand's a loser," and of course "you've got to know then to hold 'em, know when to fold 'em." Stumblin' In by Chris Norman and Suzi Quatro Rob's staff pick is the sole top 40 hit by female rock pioneer Suzi Quatro, and Norman's only hit outside of his previous band, Smokie. This duet made it...

By the end of 1970 Three Dog Night was in the middle of their most prolific and successful period of their career. The group would land 21 Billboard Top 40 hits between 1969 and 1975 with three of these taking the top slot. The group was formed by three vocalists in 1967 - Chuck Negron, Cory Wells, and Danny Hutton. The other members of the band for this album are Mike Allsup on guitar, Joe Schermie on bass, Jimmy Greenspoon on keyboards, and Floyd Sneed on drums. All of the instrumentalists in the band also provide backing vocals on at least one of the songs from the album. Naturally is the fifth album from the band and the second released in 1970. Three singles from the album entered the Billboard top 20, with "Joy to the World" topping the charts. As with contemporaries like the Beach Boys and Crosby, Stills, and Nash, you get an abundance of vocal harmonies with Three Dog Night. Given the origins with three vocalists, perhaps this is not surprising. Three Dog Night takes its name from the Australian Outback, and how the Aborigines would keep warm at night by sleeping with a dingo - dogs native to the continent. A very cold evening would be known as a three-dog night. While the group was inducted into the Vocal Group Hall of Fame in 2000, they have not yet been inducted to the Rock and Roll Hall of Fame. Much of their work was composed by others, and this has been used as an excuse for their lack of recognition. Three Dog Night continues to produce music today, though Danny Hutton is the only original member still with the group. Wayne takes us through this album for today's podcast. One Man Band The first single released from the album went to number 19 on the Billboard charts. The lyrics describe a man who wants to be the only one for his lover - her one man band. There are great close harmonies and work on the Hammond organ in this one. Joy to the World The big hit from the album went to number 1 on the Billboard charts and remained there for six weeks. It was not expected to be a hit, but was instead expected to just be a "filler" song for the album with nonsensical but catchy lyrics. Singer-songwriter, guitarist, and actor Hoyt Axton wrote the song. Chuck Negron is the lead singer on this hit. Liar Russ Ballard of Argent wrote this song, and released it as Argent's first single off their self-titled album. While that version did not chart, the Three Dog Night rendition went to number 7 on the Billboard charts, benefitting from its release after their number 1 hit with "Joy to the World." The haunting lyrics describe a relationship in trouble. I Can Hear You Calling This song leads off the album and appears as the B-side to "Joy to the World," but was never released as a single itself. The funky grooves feature heavy use of the Hammond organ and a big drum beat. The lyrics reflect a person who keeps getting called on the phone by a lover he has left behind. ENTERTAINMENT TRACK: Main theme from the television series “H.R. Pufnstuf” This odd children's show from Sid and Marty Krofft left the airwaves in October 1970. STAFF PICKS: Fire and Rain by James Taylor Rob starts off the staff picks with this soft rock hit. Taylor wrote the song after the suicide of a friend. It was the second single from Taylor's second album, "Sweet Baby James." It peaked at number 3 on the Billboard Hot 100. It Don't Matter to Me by Bread Bruce brings us another soft hit. Bread was a soft rock group formed and fronted by David Gates, along with Jimmy Griffin and Rob Royer. Gates, a native of Tulsa, Oklahoma, ran in the same circles as Leon Russell in Tulsa bar bands before moving to California. The song reflects an openness in the singer's relationship, wanting only the best for his love. Knock Three Times by Dawn Lynch features a group which would later be known as Tony Orlando and Dawn. Orlando was working as an executive at April-Blackwood Music, and released the song without listing his name to protect his...

The Electric Light Orchestra, also known as E.L.O., was formed in Birmingham in 1970 by multi-instrumentalists Jeff Lynne and Roy Wood, and by percussionist Bev Bevan. Wood was in a band called the Move in 1968 and had the idea of a new band which would feature classical instruments more prominently than the guitars, hoping to "pick up where the Beatles left off." He recruited Lynne to the cause in 1970. Wood would leave the band in 1972 at which point Lynne would be the leader of the band, producing and arranging all the albums and writing most of the songs. Face the Music was ELO's fifth studio album, and the one which would be their real worldwide breakthrough. The album moved away from the large-scale orchestral pieces and contained more single-friendly material. It would be the first ELO album to go Platinum. The band at the time consisted of multi-instrumentalist and creative heart Jeff Lynne, Bev Bevan on percussion, Richard Tandy on keyboard, Kelly Groucutt on bass and vocals, Mik Kaminski on violin, Hugh McDowell on cello, and Melvyn Gale on cello. Louis Clark was the conductor of the orchestra and did some of the orchestral and choral arrangements along with Lynne and Tandy. We're catching ELO on their way up with this album. The band would hit the pinnacle of their success with 1977's double album "Out of the Blue." In 1986 Lynne would leave the group to pursue other projects, while Bevan would form the group "ELO, part II," eventually renamed "The Orchestra." Lynne would reform the group as Jeff Lynne's ELO along with Richard Tandy in 2014. Bruce presents this symphonic rock album in this week's podcast. Fire On High The opening track is a largely instrumental piece. Drummer Bev Bevan is vocalizing the backward lyrics, "The music is reversible but time is not. Turn back, turn back, turn back, turn back!" Lynne had received criticism from some fundamentalist groups about backward masking on the El Dorado album, and this is his joking response. The song's mix of symphony with rock and roll was played at home games for the Atlanta Thrashers hockey team. Strange Magic This was the second single from the album and features keyboardist Richard Tandy playing the guitar part while Lynne plays a 12-string acoustic fed through a phase shifter. It went to number 14 on the Billboard Hot 100. Nightrider While this is a deeper cut, it actually was released as a single and just didn't chart. Bassist Kelly Groucutt takes turns with Jeff Lynne to provide lead vocals on this song. The title was also the title of Lynne's first major band prior to forming ELO. Evil Woman This song about a bad woman is the first single and the big hit off the album. As seems common with many hit singles, it was originally written as a filler track to give the album a longer runtime with no thought to its being a hit. Lynne wrote it in about 30 minutes. It went to number 10 on both the US Billboard Hot 100 and the UK singles charts. ENTERTAINMENT TRACK: Theme from Mahogany (Do You Know Where You're Going To) (from the motion picture "Mahogany") Diana Ross stars in this film about a woman torn between a life in Rome as a fashion designer and life in Chicago with the man she loves. Ross sane the theme as well. STAFF PICKS: Fool for the City by Foghat Wayne launches the staff picks with this rocking tribute to the city from the Platinum-selling album of the same name. "I'm ready for the city, air pollution, here I come." The album cover features the drummer fishing in a manhole in New York City. New York City policemen on patrol stopped at the scene and jokingly asked if they had a fishing license. Foghat came out of the remnants of a group called Savoy Brown. They Just Can't Stop It (Games People Play) by The Spinners Rob features a crossover success that hit the number 1 spot on the US Hot Soul Singles chart and number 5 on the Billboard Hot 100. The song was recorded at Philadelphia's Signa Sound Studios, and the female vocals...

The year 1985 would find the band R.E.M. in transition between college band success and the mainstream powerhouse they were to become in future years. The quartet of Michael Stipe on vocals, Mike Mills on bass and vocals, Peter Buck on guitar, and Bill Berry on percussion and backing vocals were moving towards a greater variety of instrumentation and a bit more experimentation with their third studio album, Fables of the Reconstruction. The album actually has two names, as "Fables of the Reconstruction" was the name if you held the cassette or album with one side up, and if you flipped it over the name appeared as "Reconstruction of the Fables." The suggestion of the name "Reconstruction" came from Michael Stipes' father who was a carpenter. It is also a loaded term in the American South from which the Athens, Georgia band hails — “Reconstruction” is the period of time immediately following the American Civil War when the South was being brought back into the Union. The songs on the album have a darker sound than earlier works, and the lyrics draw from Southern Gothic works. This was the first album recorded outside the U.S., as the band traveled to London to work at Livingston Studios with producer Joe Boyd. While the singles from the album would not be considered hits in the United States, the album reached number 28 on the US Billboard 200 chart, and number 35 on the UK Albums Chart. It would feature two singles, “Driver 8’ and“Can't Get There from Here,” which would become well known over time. Rob brings us this transitional album for today's podcast Driver 8 The second single released from the album refers to the Southern Crescent train line. It ran under the Southern Railway until 1979 when Amtrak bought them out, and continues as the Amtrak Crescent today. “And the train conductor says take a break, Driver 8.” Green Grow the Rushes This deeper cut was written as a pact between Michael Stipe and Natalie Merchant of 10,000 Maniacs, relating to the poor treatment of indigenous peoples and migrant workers. “Green grow the rushes, go. The compass points the workers home.” Maps and Legends Inspired by preacher and Southern folk artist Howard Finster, this song uses the reading of a map as a metaphor for reading a person. Like the map reveals stories in little symbols on it, people are the accumulation of their experiences and stories. Can't Get There from Here This song was the lead single from the album and peaked at number 10 on the Bubbling Under Hot 100 Singles chart - meaning it peaked at about 110 in US popularity. It is the first R.E.M. song to have a horn section. You can sense the Soul inspiration in it. The lyrics about “Philomath” refer to an unincorporated community just outside of Athens, Georgia. ENTERTAINMENT TRACK: Weird Science by Oingo Boingo (from the motion picture “Weird Science”) Two geeky high school students create the perfect woman in this sci-fi comedy partly based on Frankenstein, and largely based on the 1951 comic “Made of the Future” by Al Feldstein. STAFF PICKS: Drive by The Cars Lynch brings us a version of the Cars single from the 1985 Live Aid concert. Bassist Benjamin Orr takes on the lead vocal duties for this ballad which was written by frequent front man Ric Ocasek. The studio version appeared on their 1984 album Heartbeat City, and became one of the bands biggest hits. Take On Me by a-ha Bruce features the first US hit by a Norwegian band. While a-ha released the song twice before without it becoming a hit, the third release with its video combining pencil sketch animation and live performance would propel it to the number 1 slot in the U.S. Its 2 1/2 octave-spanning chorus makes it one of the hardest songs to sing. Summertime Girls by Y & T Wayne's staff pick is a hair band rocker, the first and only hit by Y&T. It went to number 55 on the Billboard Hot 100, but was played frequently on the television series “Baywatch.” The Band Y&T was originally known as...

Yes, you are right - Toto IV was released in March of 1982, not April of 1985. However, the rock group Toto was a celebrity phenomenon in 1985, particularly in Japan. In April of 1985 MTV broadcast a special episode showcasing a Toto concert from Japan. Toto IV was both a commercial and critical success. Three of the singles would be top 10 hits, and the album would achieve triple Platinum status as it became known as one of the best albums of the year. Critically, the group would earn six Grammy awards including Album of the Year, and Record of the Year for the single “Rosanna.” The group would spend much of 1982 and 1983 on tour, though there would be some changes in personnel. Bassist David Hungate left the group shortly after the release of Toto IV, sensing that the success of the album and the fame of the group would negatively impact time with his family. Lead singer Bobby Kimball was in and out of court fighting prosecution on drug-related charges. Those charges would eventually be dismissed in late May 1983, but he would be released from the band after missing many recording sessions. The album is a soft-rock masterpiece, with balanced synth and keyboard sounds and soaring harmonies. Songs have a jazzy feel, interspersed with piano-based ballads. Lynch has been lobbying for a long time to do this album, and we hope you enjoy it for this week's podcast. Rosanna The biggest hit from the album was often thought to be inspired by actress Rosanna Arquette who was dating keyboardist Steve Porcaro. However, writer David Paich says the lyrics were based on various girls he had known in the past rather than a single individual. The shuffle drum pattern is reminiscent of both Bo Diddley rhythms and John Bonham's groove on "Fool in the Rain." Make Believe This sunny-feeling single hit number 30 on the Billboard Hot 100. It describes a time of looking back with an old lover, remembering the moments they shared. It was the second US single from the album. David Paich wrote the song, and Bobby Kimball is on lead vocals. I Won't Hold You Back The piano-oriented ballad peaked at number 10 on the Billboard Hot 100, and held the number 1 spot on the US Adult Contemporary chart for three weeks. It looks back on a failed romance as the singer lets go of what he had. Guitarist Steve Lukather takes lead vocals duties for this track, and Eagles alumnus Timothy B. Schmidt provides backing vocals in the chorus. Africa While this song did well as a single, it has grown into a cultural icon. It did top the Billboard Hot 100 in 1983, but would see a resurgence in popularity over time, particularly after Weezer's cover in 2018. The lyrics depict a man struggling between his love for the continent and returning to his relationship elsewhere. ENTERTAINMENT TRACK: Main theme from the motion picture “Ladyhawke” This fantasy movie starring Rutger Hauer, Michelle Pfeiffer, and Matthew Broderick hit the big screen in April of 1985. STAFF PICKS: Walking on Sunshine by Katrina and the Waves Wayne starts us off with a popular and optimistic song that got the band Grammy-nominated for Best New Artist. It is off their debut and eponymously named album. It was first released in Canada, though the band was out of England. It went to number 9 on the Billboard Hot 100. Summer of '69 by Bryan Adams Bruce brings us this well-known song from Adams' album "Reckless," which was released in April of 1985. The original name was going to be "Best Days of My Life," and in the first draft the lyric "summer of '69" only appeared once. With the name change, "Summer of '69" replaced several appearances of the phrase "best days of my life," in the track. High On You by Survivor Rob's staff pick is an ode to the intoxication and infatuation of new love. It is the first top 10 single from their album "Vital Signs," and arose from a jam during touring sound checks. Mickey Thomas from Jefferson Starship and Peter Wolf from the J. Geils Band are...

If you thought these songs were from Jane's Addiction, it is an understandable mistake. Porno for Pyros was formed in 1992 after the first break-up of Jane's Addiction by members by lead vocalist Perry Farrell and percussionist Stephen Perkins. They added Peter DiStefano on guitar and Martyn LeNoble on bass for their eponymously named debut album. The inspiration for the band's name came from a fireworks advertisement that Perry Farrell saw in a pornographic magazine. Inspiration was also connected to the 1992 LA riots which occurred in the band's hometown. The album Porno for Pyros benefitted from the success of Jane's Addiction and the buzz surrounding the new group. Porno for Pyros began a nationwide tour to support the band prior to the release of the first album. By the time the album was released in 1993 there was a pent-up demand for it, causing it to surge to number 3 on the Billboard 200 album chart. With a blend of punk, psychedelic rock and alternative, the album gained both commercial and critical success. The band was impactful on the alternative rock scene, but was short-lived. They would release a follow-up album in 1996 before disbanding in 1998. They would have reunions in 2009 and 2020, and the original line-up has recorded new material as of 2023 to be released as an EP in 2024. Wayne takes us through this alternative rock album. Cursed Female This track was released as the first single as a medley with the song “Cursed Male.” The lyrics reflect the abuse women face in life. It reached number 3 on the Modern Rock charts. “Cursed to be born beautiful, poor, and female, there's none that suffer more.” Cursed Male Forming a medley with “Cursed Female” for the first single, this song turns to the difficulties males face in life. “All the guys that really have the money are too old to have a good time with it...Too old to turn the women on, too old to have a fast car and drive it.” Pets This is the hit from the album. It deals with dissatisfaction with the human race on the brink of destruction. The song describes how aliens might take over the world and treat human beings as great pets. It reached number 1 on the Billboard Modern Rock Tracks chart. Packin' .25 This track has the LA riots as its inspiration. It reflects the idea of people carrying a handgun in order to achieve respect. Interestingly, a 25-caliber pistol is not a very powerful weapon. “I dreamt all yesterday how I might make a man feel with a gun up to his face! Show respect to me. I don't care what you're thinking, I'll wipe that thought away! ENTERTAINMENT TRACK: I'm Gonna Be (500 Miles) by The Proclaimers (from the motion picture “Benny and Joon”) Johnny Depp and Mary Stuart Masterson star in this film about two eccentric people falling in love. STAFF PICKS: Daughter by Pearl Jam Lynch gets the staff picks rolling with the second single from Pearl Jam's "Vs." album. It talks about a girl with severe dyslexia whose mother doesn't understand the condition. The lack of understanding prompts the mother to abuse the daughter, thinking she is being deliberately lazy and disruptive. Woman by Brother Cane Rob features a deeper cut from Alabama band Brother Cane off their debut album. This grunge-tinted song has a slow, haunting, mournful feel that builds into a faster paced, minor epic by the middle of the song before returning to the slow theme at the end. The singer discusses an unstable relationship. “I used to know better, now I don't know what's worse - having it all maybe, or having nothing for sure.” Rebirth of Slick (Cool Like Dat) by Digable Planets Bruce brings us the first single from the debut album Reachin' (A New Refutation of Time and Space).” The lyrics are a celebration of hip-hop, the Brooklyn underground scene, jazz, style, and the confidence of the group. Digable Planets sampled “Stretching” by Art Blakley & the Jazz Messengers for the chorus. Lollipop Serenade by Insane Jane Wayne's staff pick is from a...

One of the groups that defined the Motown sound was the Detroit Quartet known as The Four Tops. The group originally called themselves the Four Aims, but changed the name to avoid confusion with the Ames Brothers. The group was composed of Abdul "Duke" Fakir, Renaldo "Obie" Benson, Lawrence Payton, and lead singer Levi Stubbs, four boys who met at Pershing High School and would remain in the same lineup as the Four Tops from 1953 through 1997. The quartet signed to Chess Records in 1956, but did not experience success with that label. In fact they would not find significant success with multiple records including Red Top, Riverside Records, and Columbia Records for the next seven years. What they would gain is a lot of opportunities to polish their act and stage presence with extensive touring. Berry Gordy Jr. convinced them to move to Motown in 1963, initially to record jazz standards and sing backup. At Motown they experienced success in their own right. Reach Out is their fourth studio album, and their biggest selling album. The Four Tops had multiple hits, primarily through the writing of the Motown team known as Holland-Dozier-Holland. Reach Out would be their last album with that songwriting team, as Holland-Dozier-Holland left Motown shortly after this album was recorded. It went to number 11 on the Billboard Top LP's chart. The Four Tops were inducted into the Rock and Roll Hall of Fame in 1990, and still perform today, with Duke Fakir as the sole original member. Bruce presents this soulful album in this week's podcast. Bernadette This song was released in February of 1967 and reached number 4 on the Billboard Hot 100. It would be the final top 10 hit for the Four Tops in the 1960's. The song is a plea from the boy to Bernadette to stick with him. Standing In the Shadows of Love This single is a heartbreak song about sleepless nights and soul searching for what went wrong. It hit number 2 on the soul charts and number 6 on the Billboard Hot 100 in 1967. It is a bit of a reworked song, as the Supremes had a B-side in 1963 called "Standing at the Crossroads of Love." Last Train to Clarksville Reach Out was a mixture of original songs and covers, and this song made famous by the Monkees is one of the covers. They also included "If I Were a Carpenter," "Walk Away Renee," and "I'm A Believer" on this album. Reach Out I'll Be There Here is the signature song of the Four Tops. It was released in 1966 and spent two weeks at the top of the Billboard Hot 100. It alternates between a minor and major key, giving it a Russian feel in the verse and a gospel feel in the chorus according to Lamont Dozier. The writers intentionally put Levi Stubbs at the top of his vocal range to make sure there was a hunger and wailing in his voice. ENTERTAINMENT TRACK: Light My Fire by The Doors The Doors appearance on The Ed Sullivan Show was their first and last when they promised to change the lyrics "girl we couldn't get much higher," only to leave them unedited in the live performance. STAFF PICKS: Brown Eyed Girl by Van Morrison Lynch launches the staff picks with this hit single off Morrison's debut album, which peaked at number 10 on the Billboard Hot 100. The nostalgic lyrics which seem tame today were considered too suggestive for the time and were banned by some radio stations. However, it remains popular today, and as of 2015 was the most downloaded and played song of the entire 60's decade. The Letter by The Box Tops Rob features a short song with a blue-eyed soul feel. The Box Tops took this song to number 1 on the charts, making it The Box Tops best seller. Joe Coker would cover this in 1970, and take it to number 7 on the charts. The producer overdubbed the song with an airplane sound he located at a local library. Testify by Parliament Wayne brings us an early hit from George Clinton and Parliament before their Funkadelic days. Actually, George Clinton is the only member of Parliament who is recorded on...

We may have an obscure album for your listening pleasure today. Crabby Appleton was a short-lived band that was formed by the combination of musicians from an acid blues band called Stonehenge and singer-songwriter frontman Michael Fennelly. The band is out of the Laurel Canyon counterculture, which produced many groups like The Mamas & the Papas, Jim Morrison, Carole King, and Jackson Browne. The group gets its name from a character on the late 50's cartoon series Tom Terrific, which was a part of the children's television show "Captain Kangaroo." Their debut album was eponymously named Crabby Appleton. In addition to Michael Fennelly, the group consisted of percussionist Felix "Flaco" Falcon, Casey Foutz on keyboards, Phil Jones on drums, and Hank Harvey on bass. Phil Jones was the catalyst in the formation of the group after he met Fennelly in a club on the Sunset Strip and asked him to join Stonehenge as lead singer and guitarist. The group signed with Elektra Records, and had a top 40 single with "Go Back." Their second album was called "Rotten to the Core" and was recorded in 1971. After experiencing disappointing sales with this sophomore effort the group split up. They would get some mileage out of their initial success before this happened, and would appear on American Bandstand as well as opening for a number of groups including the Doors, Three Dog Night, ABBA, and the Guess Who. Wayne takes us through this lesser known rock album. Friend of the show Bill Cook sits in for Bruce on this podcast. Peace by Peace This song grooves with the Hammond organ and talks about getting back what you give. If you lead with a gun others will respond in kind, while if you lead with peace others will respond with peace. It has a sound similar to the Doors, or Emerson, Lake and Palmer. Try The lead song from side two starts and ends with an upbeat groove with a Santana-esque percussion jam sandwiched in the middle. The lyrics are about a relationship that could go several ways. “We can try or we can throw it away.” Catherine A slower jam, this short acoustic-based ballad feels like Crosby, Stills, and Nash. It is about a guy who longs for a woman who is in another relationship. Go Back This is the hit from the record, which went to number 36 on the Billboard Hot 100. This was called a proto-power-pop single. The song is about a woman in a new relationship who can't give up her love for her ex. “And you know it's not right when you kiss me tonight and you pretend his lips are mine.” ENTERTAINMENT TRACK: Main Theme from the motion picture “Chisum” You can't go wrong with John Wayne. This western was set in 1870's New Mexico. STAFF PICKS: Ride Captain Ride by Blues Image Rob launches the staff picks with a song which got its initial lyrics from the number of keys that singer-guitarist Mike Pinera had on his keyboard. “Seventy-three men sailed up from the San Francisco Bay.” The band is out of Tampa Florida, and this was their only top 40 hit, reaching #4 on the Billboard Hot 100. Signed, Sealed, Delivered by Stevie Wonder Lynch brings us a grooving, soulful song that would be the anthem for Motown at the time. It went to number 3 on the Billboard Hot 100. The song itself is about a guy who has some back to his love, realizing that what he has is all he wants, never to roam again. The Long and Winding Road by the Beatles Bill features a song off the Beatles “Let It Be” album. It was written by Paul McCartney and was released as a single the month after the group broke up. The original recording was more sparse, and the orchestration was added by Phil Spector. McCartney hated the Spector “wall of sound” arrangement, citing the treatment of the song as one of six reasons for justifying the dissolution of the Beatles partnership. Ohio by Crosby, Stills, Nash, and Young Wayne's staff pick takes a political turn with a protest song inspired by the shootings at Kent State. Neil Young wrote and sang lead on this...

Ian Moore may have been born in Berkeley, California, but the sound from his eponymously named debut studio album reflects Austin, Texas, the place he called home. Moore began playing violin at a young age, but switched to guitar as a teen under the influence of artists like Albert King and Stevie Ray Vaughan. Moore's influence runs well beyond the blues genre, however, from Curtis Mayfield to Stevie Wonder, and from Sly & the Family Stone to the Rolling Stones. Moore's debut album is based in the blues and roots rock. Comparisons to Stevie Ray Vaughan, another Austin guitarist, come naturally with Moore's songwriting lyrics and his obvious guitar skills. The album's success was a testament to Moore's ability to bridge the gap between traditional blues roots and contemporary rock sounds. While Ian Moore got his start in blues rock, he has been hard to pigeonhole into a single genre. The record company wanted Moore to be a continuation of Stevie Ray Vaughan's legacy, but Moore had other ideas. After his third album submission reflected a more power pop and roots rock sensibility, Capricorn Records dropped him. Moore would continue a career as a touring musician and singer-songwriter, giving up greater fame for greater freedom as an artist to pursue his own path. Rob brings us this lesser known blues album for this week's podcast Nothing The bluesy southern rock opening track to the album is a call back to a far-away love, perhaps reflecting life on the road. “Miles and miles from nowhere but it's always someplace new. My time is spent with strangers but my mind is spent with you.” Revelation This funky song reminds us of the Black Crowes. Even the background singers are eerily similar, but beautiful. It chronicles the discovery that the singer's girl is lying to him, and the revelation of her true character. Unlike other lovers, the singer is going to break free of her trap. Harlem Inspired by the energy of Harlem, Moore's lyrics explores the ways we are separated from each other by neighborhoods and experiences, even through physical barriers when you're “riding through Harlem in my bulletproof car.” How Does It Feel This song tells a story about a girl who continues to break up with a guy only to come back over and over. It was one of the songs that received airplay at the time the album had been released, along with “Nothing.” It starts slowly and builds to the chorus. ENTERTAINMENT TRACK: Main Theme from the motion picture “Wayne's World 2” “Party on, Wayne!” “Party on, Garth!” This second outing from Mike Myers and Dana Carvey dropped in December 1993. STAFF PICKS: Good by Better Than Ezra Wayne kicks off the staff picks with a hit from the indie band Better Than Ezra. The band came out of Baton Rouge where they attended LSU. The song is about the positive things that come from the end of a relationship. While there is always drama and hurt feelings, there are also good things on which to reflect when the dust settles. She Hates Me by Puddle of Mudd Lynch was able to find a clean version of this song for the podcast. Wes Scantlin wrote this song along with Jimmy Allen, the original guitarist. By the time the demo tape was heard and a decision was made to sign the band, the original group had broken up. Scantlin was set up with new bandmates when signed to Flawless Records, and people didn't hate the song or the band. Purple Haze by The Cure Bruce brings us a cover of a famous piece by Jimi Hendrix. A tribute album called “Stone Free: A Tribute to Jimi Hendrix” was released in 1993, and The Cure provided this take on Purple Haze. It went to number 2 on the Billboard Modern Rock Tracks chart. Like the Weather by 10,000 Maniacs Rob closes out the staff picks with an acoustic rendition of this song recorded for “MTV Unplugged.” The song originally came out in 1987 on their third album. Natalie Merchant would leave the group for a solo career shortly after this live performance. NOVELTY TRACK: (I...

Synchronicity would be the most commercially successful, fifth, and final studio album from the Police. The trio of percussionist Stewart Copeland, guitarist Andy Summers, and bassist and front man Sting would be known as “The Biggest Band in the World” after the release of this album but would never produce a studio album again. Like “Ghost in the Machine,” the Police's previous album, Synchronicity drew its name from the works of Artheur Koestler, an author of whom Sting was an avid reader. Unlike that album, Synchronicity toned down both the reggae influences and the overdubbing. The resulting album increased the use of synthesizers and utilized a sequencer for the first time. It also drew on world music influences on several songs. The album hit number 1 on the Billboard 200 album charts in late July and would spend 17 total weeks at the number one position on the chart, an achievement that meant it had to interrupt the reign of Michael Jackson's Thriller. It would also produce the number 1 song of the year with “Every Breath You Take.” Sting was beginning both his solo work and becoming more involved with film at the time, and between this and contentious egos of the members, the Police would not record another album after this. An attempt was made at a sixth studio album, but Stewart Copeland broke his collarbone just before they entered the studio and progression to the album was scuttled. Lynch features this iconic trio at the height of the Second British Invasion for this week's podcast. Friend of the show Bill Cook sits in for Bruce in this episode. King of Pain Sting wrote this second US single from the album when considering the effects of his separation from his wife. The psychological effects are inspired by thoughts from Carl Jung and Arthur Koestler. It went to number 3 on the Billboard Hot 100. Synchronicity II The final song on the first side of the album went to number 16 on the US charts as a single. The lyrics toggle between a man's increasing anxiety and paranoia and the symbolic rise of the Loch Ness Monster in parallel. "and every single meeting with his so-called superior is a humiliating kick in the crotch." Wrapped Around Your Finger The fourth US single was written by Sting as a dark song about turning the tables on someone who had been in charge of your life. There is a Faustian feel in the lyrics, which also feature references to Greek mythology like Scylla and Charybdis - from which we derive idioms like "between a rock and a hard place," and "between the Devil and the deep blue sea." Every Breath You Take Despite its beautiful music, this single is actually quite dark in its obsessive and controlling lyrics. Sting wrote the song after his separation from his wife and the beginning of a new relationship. The lyrics came to him in the middle of the night, and he wrote the song on piano in a half hour. It would be biggest commercial single he ever wrote, hitting number 1 on the US charts for 8 weeks, and becoming the best selling single of 1983. Interestingly, it was the only number 1 hit by the Police. ENTERTAINMENT TRACK: Stayin' Alive by the Bee Gees (from the motion picture "Staying Alive") John Travolta starred in this sequel to the 70's Disco hit "Saturday Night Fever." It was directed by Sylvester Stallone. STAFF PICKS: Our House by Madness Wayne brings us a group from Northern London that was a bigger hit in the UK than the US. It has a lot going on musically between the piano, violins and saxophone. Lyrically it hearkens back to childhood days, slices of mundane domestic life in England. Madness performed this song as a part of the closing ceremonies for the 2012 Olympics Big Log by Robert Plant Rob's staff pick is the first hit for Plant as a solo artist. As he often did in Led Zeppelin, the title of the song does not appear in the lyrics. It was written in the middle of winter, and the artists had run out of fuel for the fire. They found a large tree trunk and...