I SEE U

Houston is home to the most successful musical talent in the world. But decades ago, the city was once the epicenter for the blues genre. Why has the city's blues history been neglected for so long? Stay tuned as host Eddie Robinson chats unguarded with acclaimed filmmaker, Drew Barnett-Hamilton. Her new documentary, When Houston Had The Blues, is currently touring the festival circuit with an astonishing goal of putting the city of Houston on the map as a major music city. The film explores the blues scene and culture from back in the day – from Texas bluesman and guitarist Sam "Lightnin'" Hopkins; superstar singer Bobby "Blue" Bland; to renowned blues saxophonist Grady Gaines and influential songstress ‘Big Mama' Thornton – even rock pioneer Little Richard signed a recording contract with a label based out of Houston. Barnett-Hamilton takes I SEE U on a vintage musical journey that showcases the artists, the performance venues, and the Bayou City's unique role in defining this remarkable genre.

Legendary singer-songwriter Luther Vandross pioneered a golden age of silky-smooth R&B and passionate slow jams. In addition to countless hits and platinum albums, he earned eight Grammy Awards, including ‘Song of the Year’ in 2004 for “Dance With My Father” – a track that was released while he was hospitalized after suffering from a stroke. He studied from the best at a young age, spending hours watching and recreating the routines of Diana Ross and Dionne Warwick that he saw on television. He wrote, arranged and sang back up for David Bowie, Chaka Khan, Bette Midler, Barbra Streisand and Roberta Flack, before finally deciding to step into the spotlight as a solo artist.Despite his success, the powerhouse balladeer had a very public struggle with weight, especially with an unforgiving media fixated on image. He was also dogged by constant questions over his sexuality, despite pleas to respect his privacy. It’s hard to believe that a man responsible for some of the most beautiful ballads ever recorded had a difficult time finding true love in his own life. Nonetheless, Vandross persevered with an unprecedented work ethic and an unrelenting spirit to succeed.Join I SEE U as host Eddie Robinson chats unguarded with award-winning filmmaker, Dawn Porter. Her latest documentary, Luther: Never Too Much, has received critical acclaim for uncovering details of Luther Vandross’ life previously unknown to even the most die-hard fan. Utilizing a hefty trove of archival footage and rare rehearsal recordings, Porter allows Vandross to tell his own story with assistance from his closet friends and collaborators, including Warwick, Mariah Carey, Marcus Miller, Richard Marx and Nile Rodgers. With the recent news of CNN Films and OWN acquiring the film, the director chronicles for I SEE U the triumphs and tribulations of an extraordinary vocalist who grew up admiring the heroines of ‘60s music royalty to become one of the most influential and decorated artists of the last few decades.

Ballet traces its origins to the 15th century and the Italian Renaissance. But the art form has continued to evolve, with choreographers and dancers creatively incorporating new interpretations reflective of contemporary culture. Despite its evolution, today’s ballet still lacks dancers of color, especially in principal roles.Trailblazer Lauren Anderson was one of the first Black dancers to climb the ranks to become the principal dancer at a major ballet company. Though it’s been 34 years since she made history in that role, Anderson tells I SEE U that while progress has been made, more needs to be done so that young people of color can feel like they belong in this industry. She admits that more ballerinas of color are, indeed, taking lead roles – but too often, preference is given to light-skinned dancers. Anderson, who is dark skinned and has a muscular physique, was told as a teen that she didn’t fit the right look of a ballerina – despite being recognized as a huge talent at a young age.Stay tuned as host Eddie Robinson chats unguarded with the first African American Principal Dancer with the Houston Ballet, Lauren Anderson. Born and raised in Houston’s Third Ward, the iconic dancer reveals how she dealt with discrimination, which led her to unhealthy coping mechanisms due to the pressures of perfection. While she almost lost her way because of addiction, Anderson is now celebrating 14 years of sobriety as she continues to educate and mentor students on their quest to achieve their own hopes and dreams.

Despite a highly successful acting career with some of the biggest names in Hollywood, Luis Guzmán never really wanted to be an actor. He was born in Puerto Rico and raised in Loísada, the name given to Manhattan’s Lower East Side by the massive working-class Puerto Rican community that migrated to New York in the 1950s. Loísada was also a hot bed for activism, with residents coming together to fight against discrimination and for better housing and working conditions. Guzmán admits to I SEE U that his calling was to be a social worker as he embraced the culture and spirit of his community, working extensively with youth to enhance their lives and help guide them to their own aspirations.Guzmán started performing in popular street theater as a hobby to showcase his acting ability through the art of social and political advocacy. To supplement his social work with more cash, he also appeared in several indie films, including his first movie role in 1977, Short Eyes—a prison life drama written by close friend and playwright, Miguel “Mickey” Piñero. Co-founder of the Nuyorican Poets Café, a haven for Black and Latinx artists and activists, Mickey even helped him land a role on NBC’s Miami Vice in 1985—a role that would change Guzmán’s life forever. 50 years and nearly 200 film and TV projects later, his comedic brilliance and authentic bravado have positioned him to become one of the most renowned and recognizable actors around the world.Join us as host Eddie Robinson chats with award-winning actor and producer, Luis Guzmán, from his farm in Vermont. The veteran performer reminisces on his family and how paying a phone bill as a young adult led to finding his biological father in Puerto Rico. Plus, Guzmán shares an incredible moment of vulnerability as he remembers his friend, the late Robin Williams—one of the greatest comedians of all time—and recalls how his death by suicide over a decade ago still affects him to this day.

In 1974, CBS premiered Good Times, a TV sitcom that would showcase the first Black mother and Black father on screen – two parents, trying to make ends meet, while raising three children. Set in a public housing project in the south side of Chicago, Good Times elevated stories of struggle – the joy, the pain and the dreams of a determined Evans family during the economically turbulent 1970s. With legendary producer Norman Lear at the helm, the program would be one of three of the top ten rated shows with Black casts on American TV at that time – the other two gems were Sanford & Son and The Jeffersons.But there were many, including actors on these shows, who believed that producers equated the black experience with poverty and that too often writers pushed negative stereotypes and tropes, especially after the progress in civil rights of the previous decade. Times also weren’t all that good for the Black creators of Good Times, Eric Monte and Mike Evans – both men struggled with Lear to receive recognition for their work. In the last 50 years, we’ve seen a (mostly) upward trajectory of positive Black representation in film and television – from the likes of The Cosby Show to Abbott Elementary or HBO’s Insecure. Despite this advancement, negative stereotypes persist – and a new animated reboot of Good Times on Netflix is igniting fresh criticism, with many viewers saying the show promotes an image of Blacks as criminal, prone to violence, uneducated and hypersexualized. Would a reboot of a classic sitcom with an all-white cast like The Brady Bunch or Leave It to Beaver receive the same kind of treatment today?Join us as I SEE U host Eddie Robinson chats with the actor who portrayed the first Black teen on network television – Bern Nadette Stanis, who starred as Thelma, the daughter of the Evans family in Good Times. Stanis shares her thoughts on the adult reboot and how she felt misled after portraying one of the characters in the modern series. Plus, Variety TV critic, Aramide Tinubu, provides her perspective on why Hollywood still refuses to let go of outdated and harmful depictions of American Black life.

Celebrated author of the award-winning book, The Color of Money: Black Banks and the Racial Wealth Gap, Mehrsa Baradaran states that when the Emancipation Proclamation was signed in 1863, Blacks had 0.5% of the nation’s wealth. This statistic makes sense, since Blacks weren’t allowed to own capital as enslaved people — their bodies were, indeed, the capital used to develop lending in this country. Fast-forward more than 160 years to today, Black households currently have a total wealth of just over 4% - not much growth, especially when U consider that one-in-four Black households overall have no wealth or in debt, compared to about one-in-ten U.S. households. What if our nation’s financial systems were rigged — not by evil puppet masters or villains — but by law-abiding judges, lawyers, policy makers and lobbyists? In Baradaran’s latest book, The Quiet Coup: Neoliberalism and The Looting of America, the acclaimed professor of law at the University of California, Irvine argues that our political and economic systems of government have shifted in recent decades to yield more complex laws and regulations designed to benefit the rich and powerful—while at the same time, proclaiming smaller government and less regulation. The result has been a large section of Americans left poor and disenfranchised. Join us as I SEE U host Eddie Robinson chats with one of our country’s leading intellectuals and legal scholars, Mehrsa Baradaran. We examine how the Civil Rights movement and the push for economic justice by Black activists led to a so-called neoliberal movement. Baradaran explores this ideology of neoliberalism and explains how it infected our politics to ensure and maintain a dominant system of economic power over democracy – a movement she says is far from over, and even accelerating.

There are 64 million Latinos in the United States – nearly 20% of the population. By 2050, it’s projected that a third of the country’s population will be Latino. But despite being such a significant part of the country, Latinos are still often viewed as being immigrants, not fully American – even though they’ve been a part of American life for centuries. Join us as host Eddie Robinson chats candidly with renowned author and journalist, Marie Arana. Her latest book, LatinoLand: A Portrait of America’s Largest and Least Understood Minority, draws from hundreds of interviews and expansive research that not only examine the diverse background of the fastest-growing minority in this country, but also the importance of understanding their history and contributions to this country. Arana, who also served as the inaugural Literary Director of the Library of Congress, shares her own provocative story from growing up in Lima, Peru to arriving in Summit, New Jersey in the wake of the murder of Emmett Till – an African American teen whose death reinvigorated the Civil Rights Movement. She tells I SEE U that Latinos have largely been invisible with a cultural influence that has for too long been dismissed or hidden from public view. Her mission is to encourage all Americans to discover more about this burgeoning population—while the Latino community grapples with understanding its own past, its promising future and its inherent power.

Critically acclaimed musician, Samora Pinderhughes has emerged as one of the most conscientious performers of the moment. The multidisciplinary artist has collaborated with a plethora of musicians, including Herbie Hancock, Common, Robert Glasper, Jill Scott, Sara Bareilles, Daveed Diggs and Lalah Hathaway, just to name a few.Pinderhughes is a filmmaker, a composer and a pianist, and he’s known for creating performance pieces that are extensions of the conversations of his community – from the political to the personal – that incorporate elements of theatre, poetry, even paintings and digital art. His work is also deeply rooted in social justice and the traditions of Black surrealists of the African Diaspora. For nearly a decade, the 32-year-old has been working on his signature concept known as, “The Healing Project,” which centers around testimonials of community members, whose lives have been shattered by senseless violence, incarceration, detention and extreme policing. The initiative has since expanded and evolved into an arts organization based in New York City that’s been featured in short films, museum exhibitions and live concerts.Join us as I SEE U’s Eddie Robinson chats in-studio with multidisciplinary artist, Samora Pinderhughes. The Julliard School graduate guides us through his spiritual process of integrating visuals, sound, and emotions to create a musical landscape that touches the heart and soul of its listeners. He’s already performed his compositions at Carnegie Hall, the Kennedy Center as well as the historic El Dorado Ballroom in Houston’s Third Ward, just blocks away from our I SEE U Studios.

With his signature voice and charismatic presence, legendary actor Keith David has starred in almost 400 projects, including film, television, stage and interactive media. From devils to angels, David has played just about every kind of role you can think of – including voice work in Disney and Manga animation, to roles in classic horror and comedy, to small time crooks and mega-church preachers. His acting range is incomparable, and as a classically trained actor, he’s a firm believer that talent alone is not enough – you must put in the hard work and training to be successful. That’s why he’s won three Emmys, an NAACP Image Award, as well as being nominated for a Tony Award. But how has he remained passionate about acting for so many years, while delivering grace and splendor to each character he portrays?Join us as I SEE U’s Eddie Robinson chats with one of Hollywood’s most sought-after performers, Keith David. The Harlem-born veteran actor shares family stories and insight into his very first movie role—the 1982 horror classic, The Thing. He also reminisces about his relationship with the church, and how he had considered becoming a minister at one point in his career. He channeled that love of ministry into his character, Bishop James Greenleaf, for a powerful performance in the Oprah-produced drama series, Greenleaf. David shows no sign of slowing down as he reveals to I SEE U the secret to his remarkable longevity as a successful actor in a competitive and ever-evolving entertainment industry.

Country music is often referred to as the quintessential American music – and yet the contributions and influences of Black Americans is often erased and ignored. A prime example: Members of the Carter family were among country music’s first big stars, producing some of the earliest commercial recordings in the 1920s. While the Carters are celebrated to this day, few know the name of Lesley Riddle, a Black musician who was instrumental in developing the Carter sound. Even the banjo – an instrument most associated with Appalachia where A.P. Carter and Lesley Riddle researched folk music – has had its African roots neglected over time. The rich cultural legacy of this American genre is only recently getting reexamined as African Americans and other communities of color are telling their own stories and histories of contribution to the origins of country music. As Houston’s own Beyoncé drops her most recent album, “Cowboy Carter”, some are saying that an artist mostly linked to R&B and hip-hop has no business on the country charts or airwaves. But the owners of a new music enterprise in Houston would respectfully disagree as they live the country life right here in Space City. Join us as I SEE U’s Eddie Robinson chats with the founders of LaChachere Music Group (LMG), a premiere country music entertainment company based in Houston and Nashville. Owners Dennis Chachere and Ahsaki LaFrance-Chachere stop by our Third Ward studios — just blocks away from Queen Bey’s childhood home. We’ll dive deep into why there remains tension in country music spaces when Black artists desire the spotlight — a notion Beyoncé modestly referred to in a recent Instagram post. Plus, LMG artist, singer-songwriter Caleb James, breaks out his guitar and offers up powerful vocals reminiscent of Charley Pride in an exclusive, live in-studio performance of his latest single, “Just a Few Things.”

Country star Reyna Roberts was born two months prematurely, at just two pounds. Her doctors feared developmental issues; so, her mother – a student at the University of Alaska – teamed up with professors to develop a unique music therapy to aid in her cognitive growth. The therapy not only worked, but it also gave Roberts a deep-seated passion for music. While she is a classically trained pianist and vocalist, her love of music led her to explore all genres before she found her groove in writing and singing country music. And this 26-year-old has been a fighter since birth, with her bold flair and genre-busting sound exemplified on her debut album, “Bad Girl Bible, Vol. 1.” As Houston’s own, Beyoncé releases “Cowboy Carter” – I SEE U is taking a moment to explore the stories and lives of Black country musicians. Join us for this special bonus podcast as Eddie Robinson chats unguarded with the multi-talented country singer-songwriter, Reyna Roberts. We’ll gain insight into how she’s navigated race and gender inside a challenging music industry as an up-and-coming Black female country artist. Roberts also responds to the criticism female musicians often receive when embracing and displaying a very risqué image.

‘Peanuts’ creator Charles Schulz once shared that a news editor from the South told him, “I don’t mind you having a Black character [on your comic strip], but please don’t show them in school together.” Racial tensions were heated back then when Schultz introduced Franklin, the first Black character in ‘Peanuts,’ in July of 1968—just three months after the assassination of civil rights icon, Martin Luther King, Jr. Despite Franklin’s historic arrival to a legendary comic strip, pushback remained for quite some time.Join us as host Eddie Robinson dedicates a powerful episode to two individuals who are making a profound impact on the lives of young students – syndicated cartoonist, Robb Armstrong and bestselling author, Tiffany Jewell. Armstrong, who would later become Schultz’s close friend and protégé, chats unguarded about the impetus to create Franklin and how the character has evolved—as he’s co-written a new origin story entitled, “Snoopy Presents: Welcome Home, Franklin,” now available on AppleTV+. Later in the episode, Jewell explores highlights from her latest book, “Everything I Learned About Racism I Learned In School,”—a collaborative memoir of her own story, along with other contributors, about how they were often racialized, at times subtle or blatant, both in and out of classrooms.While children of any race absorb coded messaging and information—whether from a ‘Peanuts’ comic, a playground incident or an experience with a teacher—I SEE U takes on a provocative conversation that helps identify opportunities to course correct generations of systemic racism in places and spaces of education once thought to be safe, fair, inclusive and equitable.

In many ways, Texas is representative of the demographic and economic dynamism of America. The Lone Star State is very diverse with Latinos as the largest ethnic group; plus, it boasts the largest African American population in the country. Despite the sweeping demographic change of the last few decades, Texas remains deeply conservative with only one Black and one Latino among statewide elected officials – pushing political observers to begin questioning why Texas politics have remained unchanged. The economic boom of the last decade, dubbed the Texas Miracle, has also skipped over Black and Brown families who are themselves helping to drive this growth and expansion. This is especially true for historic Black communities in one of the wealthiest parts of the world – Houston and the Texas Gulf Coast. Join us as I SEE U’s Eddie Robinson speaks unguarded with award-winning filmmaker, Alex Stapleton. Her documentary, “The Price of Oil,” is part of HBO’s ‘God Save Texas,’ a three-part docuseries now streaming on Max. The renowned director turns a critical eye on the lucrative oil and gas industry – and documents how these companies created a toxic hell for her family and their Houston-area community – destroying the hard-won oasis where Black families could finally own their homes and build wealth. When outsiders would merely suggest to these Texas residents that they should simply move – Stapleton turns the table to question why business leaders and government officials failed from the start to fully compensate generations of Black and Brown communities through adequate health resources and regulation of an industry run amok.

Arguably, the state of Texas’ most famous death row exoneree, Anthony Charles Graves spent nearly 20 years in prison for a brutal crime that he did not commit, including 12 years on death row — all while receiving two execution dates. Since his release more than a decade ago, Graves has been working extensively with the justice system that mistakenly put him behind bars in the first place! Join us for one of the most riveting episodes of I SEE U, as former inmate Anthony Graves speaks unguardedly with host Eddie Robinson about how he really feels about the state of Texas, his recent in-person interaction with the prosecutor in the case, and what he thinks needs to take place for criminal justice reform in this country.

Media depictions of Black men historically have been centered around not so flattering stereotypes: unintelligent, lazy, prone to violence, hypersexual — and worst of all, criminal and dangerous. When he’s out in public, acclaimed actor Eric Kofi Abrefa tells I SEE U he has to be make himself small and always be conscious of not appearing too aggressive. He’s garnered a growing fanbase because of his breakout role as the villain in the STARZ hit crime-drama series, BMF (Black Mafia Family). He explains that a white actor is given the opportunity to portray any — and every kind of role and the audience ‘won’t bat an eye’ or think twice about that depiction. But when a Black actor walks on stage, without uttering a word or reciting a line of script, he is a “walking political statement.” Does this mindset unknowingly restrict audiences’ thinking of what Black actors can achieve or accomplish? Join us as host Eddie Robinson chats with the man BMF fans “love to hate:” British/Ghanaian actor, Eric Kofi Abrefa. Star of the biblical comedy epic, The Book of Clarence, Kofi Abrefa shares why he is proud of his Ghanaian ancestry and why he is the biggest promotor of Ghana’s film industry. The London-based actor also reveals details of an upcoming sci-fi Netflix series that will feature an all-Black cast with superhero powers.

Ibram X. Kendi is a National Book Award-winning and #1 New York Times bestselling author who has dedicated his life to educating all Americans, from grade school to adults, on the unvarnished history of the United States. His latest release, Barracoon: Adapted for Young Readers, is a middle-grade offering for the critically acclaimed Barracoon: The Story of the Last “Black Cargo,” written by the legendary writer, anthropologist and folklorist, Zora Neale Hurston. The book tells the story of Cudjo Lewis, one of the last-known survivors of the Trans-Atlantic slave trade who shared his story with Hurston in 1927. Kendi tells I SEE U that it’s more important than ever for young people to understand slavery and its origins, particularly when book bans targeting writers of color are on the rise. Join us as I SEE U travels to the downtown Houston Public Library where host Eddie Robinson chats unguarded with one of the most sought-after historians in the country, Ibram X. Kendi. The author of the award-winning Stamped From the Beginning — now a Netflix documentary — chronicles the creation of racist ideas and myths which were used to codify discriminatory policies that have affected inequalities in everything from health to wealth in America.

Are concepts of race and racism so embedded in our culture, that kids as young as 3 have a racial identity? How do environment and family dynamics impact a child’s perceived sense of self? These were just some of the questions a husband-and-wife team of psychologists asked during their groundbreaking investigation of the racial formation of young Black children. During the 1940s, Kenneth and Mamie Clark recorded the negative impacts of segregation through a series of studies and experiments which came to be known as the “Doll Tests.” A student would choose between a Black doll and a White one when asked a series of questions, like “Which doll is the good doll?” or “which doll is the pretty doll?” Most Black children chose White dolls, and to the dismay of the Clarks, some students were upset and felt devastated after having to identify with the doll they had previously labeled as bad or ugly. I SEE U host Eddie Robinson candidly chats with acclaimed author, Tim Spofford, about his latest book, What the Children Told Us: The Untold Story of the Famous “Doll Test” and the Black Psychologists Who Changed the World. Spofford, who grew up in an all-white mill town in upstate New York, shares his thoughts on why he felt the need to tell the full story of this pioneering couple – whose research, scholarship and activism played a critical role in the landmark Brown v. Board of Education case, which declared the infamous “separate but equal” doctrine unconstitutional. He also offers up insight on how today’s generation of children would perform if given the same doll tests from back in the day.

Racism is deeply complex and multifaceted, especially when a historically marginalized group can experience discrimination while simultaneously be discriminatory. Take for instance, the gunman who committed the 2023 mass shooting at an outlet mall some 25 miles north of Dallas; the arsonist who set fire to a mosque in Victoria, Texas; or the former national chairman of the right-wing extremist group, known as the Proud Boys, and his role in the attack on the U.S. Capitol. The perpetrators who carried out these tragic events were all Latino. What do U think would draw Latinos to harbor white supremacist views and why do U think extremist groups are, in turn, embracing them? Join us as I SEE U host Eddie Robinson sits down with acclaimed author, Tanya Katerí Hernández, for a provocative conversation that examines racial beliefs in the Latino community. Her latest book, Racial Innocence: Unmasking Latino Anti-Black Bias and the Struggle for Equality, explores the challenges and complexities associated with race, skin color, stereotypes and cultural symbols that inform the interactions and prejudices of Latinos in the United States. The Fordham University Professor of Law unpacks a misconception that Latinos could be exempt from experiencing racism or discrimination because of their background or ethnicity. Plus, she shares her vulnerabilities in how colorism plays out in her own family. As a Latino, and a Black woman with a leadership role in academia, Hernández also touches on the recent controversies at major universities, where Black women accused of being ‘diversity hires’ with radical race agendas are being pushed out of the workforce. Does she fear for her own job given her focus on race and the law?

When a defiant opponent of the apartheid government was assassinated during the Easter weekend in 1993, South Africans were certain that all hell would break loose. The country was slowly moving towards the dismantling of the apartheid system and transition to a true democracy. But the murder of Chris Hani, carried out by a white supremacist in broad daylight, threatened to provoke a civil war and rollback the peace process. Were there other extremists, potentially even members of the government, involved in this plot to rid the nation of Chris Hani, a popular heir apparent to anti-apartheid activist, Nelson Mandela? Rookie journalist Justice Malala was one of the first reporters at the crime scene over three decades ago. His latest book, The Plot to Save South Africa, takes readers on a riveting, nine-day account of what transpired and how a country on the brink survived falling into a civil war. Join us as I SEE U host Eddie Robinson chats candidly with renown political commentator and best-selling author, Justice Malala. The award-winning storyteller will dive deep into how Mandela’s leadership style and his ability to reach out to adversaries ultimately set the stage for a new South Africa. As we continue to highlight untold cultural histories throughout February, Malala will also take a provocative look at how a system that Hani so relentlessly fought for until his death, ironically helped save the life of the assassin who sought to eradicate his life’s work.

His father, born into slavery, had become one of the first African American millionaires in the United States. His mother, though devoted to Black civil rights, was a renowned actress and had kept her racial background a secret. And in 1897, Alonzo and Adrienne Herndon had a son – their only child – named Norris Herndon, who would become the second President, inherited by his father, of the historic, Black-owned Atlanta Life Insurance Company. Behind the scenes, Norris was a major financier of the Civil Rights Movement and often gave large sums of money to several organizations, community groups and universities. He also lived a very private life and learned to hide his attraction for men. Could his homosexuality be a reason why his story remains unknown to so many people? Join host Eddie Robinson as I SEE U takes an in-depth look at the life of Norris Herndon with insight and perspective from writer/columnist, Ryan Lee and history scholar, Pamela Flores – both based in Atlanta.