Boxcars711 Old Time Radio Pod

Old-Time Radio Researchers Group (ep137) 1952 Watching the Dog Father Knows Best- Watching The Dog (09-11-52) Father Knows Best (ep137) 1952 Watching the Dog n early 1949 General Foods, represented by Young & Rubicam and Benton & Bowles, dropped its sponsorship of the Burns & Allen radio program which advertised its Maxwell House Coffee. Executives blamed the cancellation on the program’s weekly $17,500 price tag which they claimed had become too expensive for radio in a time of growing television power. Not ready to entirely abandon radio, General Foods (still through Benton & Bowles) committed $7,500 per week – less than half their budget for Burns & Allen – to a new domestic comedy, Father Knows Best. The show was created by Ed James – who also scripted it initially – and developed by Rodney-Young Productions. Rodney-Young was a partnership formed years before between Eugene B. Rodney and Robert Young, the latter a Hollywood actor who would be cast as the series lead, the Anderson family patriarch Jim Anderson. Harold “Scrappy” Lambert, a former band vocalist who got into radio in the 1930s - packaged the entire deal. Father Knows Best debuted on August 25, 1949 over NBC. In addition to Robert Young – a contract studio actor who earned over 100 film credits in 20 years on the big screen – Father Knows Best featured Jean Vander Pyl as mother Margaret Anderson for almost the entire run. Pyl’s biggest fame came later in television, most notably as the voice of Wilma Flintstone. The eldest child, Betty, was played by Rhoda Williams, the middle child, Bud, by Ted Donaldson, and the youngest, Kathy, primarily by Norma Jean Nilsson.

The Old Time Radio Researchers Group Father Knows Best (ep137) 1952 Watching the Dog n early 1949 General Foods, represented by Young & Rubicam and Benton & Bowles, dropped its sponsorship of the Burns & Allen radio program which advertised its Maxwell House Coffee. Executives blamed the cancellation on the program’s weekly $17,500 price tag which they claimed had become too expensive for radio in a time of growing television power. Not ready to entirely abandon radio, General Foods (still through Benton & Bowles) committed $7,500 per week – less than half their budget for Burns & Allen – to a new domestic comedy, Father Knows Best. The show was created by Ed James – who also scripted it initially – and developed by Rodney-Young Productions. Rodney-Young was a partnership formed years before between Eugene B. Rodney and Robert Young, the latter a Hollywood actor who would be cast as the series lead, the Anderson family patriarch Jim Anderson. Harold “Scrappy” Lambert, a former band vocalist who got into radio in the 1930s - packaged the entire deal. Father Knows Best debuted on August 25, 1949 over NBC. In addition to Robert Young – a contract studio actor who earned over 100 film credits in 20 years on the big screen – Father Knows Best featured Jean Vander Pyl as mother Margaret Anderson for almost the entire run. Pyl’s biggest fame came later in television, most notably as the voice of Wilma Flintstone. The eldest child, Betty, was played by Rhoda Williams, the middle child, Bud, by Ted Donaldson, and the youngest, Kathy, primarily by Norma Jean Nilsson.

Father Brown - "The Curse Of The Golden Cross" (10-26-86)-STEREO The Curse Of The Golden Cross (Aired October 26, 1986) The first Father Brown story was published in 1910 in the Saturday Evening Post, years before Chesterton had even converted to Roman Catholicism. Forty-eight Father Brown stories were published before Chesterton’s death, and for many, the unassuming Catholic priest, who solved mysteries through close observation and intuition, remains the model clerical detective, unmatched by any subsequent efforts by other authors. Not that these authors haven’t tried. Their success depends on the same factors by which we judge any piece of fiction in general and mystery fiction in particular: is the writing evocative or flat and cliched? Are the characters three-dimensional, or are they just types who do little but lie flat on the page? Do the situations in the narrative arise organically and naturally, or are they obvious constructs? And what does the religious identity of the detective add to the story? Is it relevant to the tale, or is it merely a gimmick in a narrative that could it have just as well have been told with a gas station attendant searching for clues instead? Father Brown was a natural for radio and he has appeared in several series on both sides of the Atlantic, most notably The Father Brown Stories which were originally broadcast on BBC Radio 4 between 1984 and 1987. They starred Andrew Sachs as Father Brown and Olivier Pierre as Monsieur Flambeau.

Order For Murder (Aired May 23, 1951) The veteran character actor Ed Begley was featured as Sgt. O'Hara. Regulars on the program included Petty Garde, Paul Stewart, Linda Watkins, Mary Patton as Lila North, and Vicki Vola, also the female lead in "Mr. District Attorney." Amzie Strickland played the ingenue, Cathy Evans, and Nell Harrison played Runyon's mother during the early episodes. The cast also included Dan Ocko, Roily Bester (wife of Alfred Pester, the science fiction writer), and Robert Dryden. An eleven-piece orchestra was on hand to provide live music, and was directed by Bernard Green, who also wrote that memorably stirring theme. The sound effects were by Ed Blaney, who actually did drop a coin in a change slot each week for the sound of the drug store scale." THIS EPISODE: May 23, 1951. ABC network. "Order For Murder" Sustaining. An ex-major, hated by everyone, is shot in the woods of suburban Washington D. C. Whodunnit? Everyone has a motive! J. Scott Smart, Vicki Vola, Dashiell Hammett (creator). 23:58. Episode Notes From The Radio Gold Index.

Family Theater - Lonely Road (Starring Gregory Peck) Aired May 15, 1947 Each program was preceded by the familiar announcement: “More things are wrought by prayer than this world dreams of”—a quote from Alfred, Lord Tennyson. And always worked in somewhere before the end of the show was the famous slogan that became Peyton’s signature: “The family that prays together stays together!” Father Peyton’s vision of the family is expressed in his book, The Ear of God: “The family was meant to be the cradle of religion,” he wrote. “Restore to the family its religious soul and you enrich the entire country, you strengthen civilization.” Many people, including Hollywood entertainers, were happy to support this vision. The lineup of stars that Peyton recruited for his radio show included Hollywood’s best: Gary Cooper, Loretta Young, Lucille Ball, Jane Wyatt, Henry Fonda, Jack Benny, Rosalind Russell, Shirley Temple, Margaret O’Brien, Gregory Peck, Jimmy Durante, Gene Kelly, Natalie Wood, Vincent Price, Charlton Heston and Raymond Burr, to name a few. THIS EPISODE: May 15, 1947. Mutual network. "The Lonely Road". Sustaining. An honest politician is offered a substantial bribe and a potent threat to "sell out" or else. His decision is made easier by a visit from Abraham Lincoln himself! Max Terr (music), Rod O'Connor, Frederick J. Lipp (writer), Mel Williamson (director), Betty Arnold, Tony La Frano (announcer), John Ryder (producer, director), Nelson Eddy (host), Gregory Peck, Phillip Abbott, Byron Kane, Barney Phillips, Jean Layton, Lou Merrill. 29:39. Show Notes From The Radio Gold Index.

The Case Of The Double Exposure (Aired October 29, 1950) This hard boiled spy drama began as an RKO Radio Pictures theatrical serial in the 1940s, went on radio in 1945, and then came to TV ten years later in this Syndicated series produced for distribution by NBC Films; Charles McGraw had been in many motion pictures before and after including "The Killers", "Spartacus" and "Cimarron"; in this series he played the title role of a man whose real name was supposedly Mike Waring, an American agent whose code name was "Falcon"; Later Charles McGraw starred in a short lived TV version of "Casablanca" (1955 - 1956) in the character of Rick; He also had a role on the detective drama "Staccato" (1959) Actor McGraw (whose birth name was Charles Butters) met an unfortunate death in real life when he fell through a shower glass door in 1980 at his home in Studio City, CA. THIS EPISODE: October 29, 1950. NBC network. "The Case Of The Double Exposure" . Sponsored by: Kraft. A hit man is paid $500 to rub out Jimmy Arcaro. A beautiful dame benefits, but loses $2 million when a dead man comes to life and promptly dies again. Les Damon, Ed Herlihy (announcer), Drexel Drake (creator). 28:27. Episode Notes From The Radio Gold Index.

"The Liar" Aired 02-26-58 Starting as a replacement show for Gangbusters and Counterspy, the series premiered December 11, 1957 and it ran until June 13, 1958. Quoting from Astounding Magazine, "Exploring Tomorrow is the first science fiction radio show of science-fictioneers, by science- fictioneers, and for science-fictioneers" The shows were narrated by the editor of Astounding Magazine, John W. Campbell, Jr., with scripts written by Gordon Dickson, Robert Silverberg and many other notable science fiction writers. THIS EPISODE: February 26, 1958. Mutual network. "The Liar". Commercials deleted. Meet Herbie, a telepathic robot who tells lies! Remember Asimov's laws of robotics! John Campbell Jr. (host), Isaac Asimov (author). 21:06.

Seven Hours To Freedom (Aired October 29, 1950) Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with the introduction, intoned by Paul Frees and William Conrad: “Tired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!” Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. October 29, 1950. CBS network. "Seven Hours To Freedom". Sustaining. Escaped convicts take over a fishing boat and make a break to Mexico. The program was broadcast on the west coast on November 3, 1950. Barney Phillips, Bud Nelson (writer), Jack Kruschen, Jack Moyles, Lou Krugman, Norman Macdonnell (producer, director), Roy Rowan (announcer), Stan Waxman. 29:36. Episode Notes From The Radio Gold Index.

Gates To Death (1969) *The Exact Date Is Unknown. The Epic Casebook Of Inspector Carr - The highly successful detective series, starring Hugh Rouse as Inspector Carr. Written & Produced by Michael Silver at the CRC Studios, Johannesburg. The series aired originally on Thursday evenings at 21H30, sponsored by the Epic Oil Company of S.A. In 1977 the sponsorship ended and the series was renamed "Inspector Carr Investigates" and moved to the earlier slot of 20H30. The first actor to play Inspector Carr was Don Davis, he was replaced in 1959 by Hugh Rouse. Don returned briefly in 1963 for 14 episodes. However Hugh Rouse made this series his own. A short lived television series was made by the SABC in the early 1980's with Michael McCabe, playing the famous Inspector. Sadly the transformation from radio to television was a total disaster. The series ended in June 1985 on Springbok Radio. A local Johannesburg radio station, Radio Today 1485am tried to revive the series in 1997, sadly copyright issues could not be cleared up & the idea was abandoned. The series is currently being rebroadcast on the Internet Radio Service of Springbok Radio & can be heard on Thursdays.

Nikki Porter Suspect (Aired March 5, 1947) Tuska cited Ellery Queen, Master Detective (1940) and Ellery Queen's Penthouse Mystery (1941) as the best of the Bellamy-Lindsay pairings. "The influence of The Thin Man series was apparent in reverse", Tuska noted about Ellery Queen's Penthouse Mystery. "Ellery and Nikki are unmarried but obviously in love with each other. Probably the biggest mystery... is how Ellery ever gets a book written. Not only is Nikki attractive and perfectly willing to show off her figure", Tuska wrote, "but she also likes to write her own stories on Queen's time, and gets carried away doing her own investigations." In Ellery Queen, Master Detective, "the amorous relationship between Ellery and Nikki Porter was given a dignity, and therefore integrity", Tuska wrote, "that was lacking in the two previous entries in the series", made at Republic Pictures before Bellamy and Lindsay were signed by Columbia. THIS EPISODE: March 5, 1947. Grace Gibson syndication. "Nikki Porter Suspect". Commercials added locally. A bank robber with a broken nose has been shot and murdered on board a train. The evidence points to Nikki as the killer. An Australian production. The script was produced in the United States on March 5, 1947. Gypsy Rose Lee (guest armchair detective, she was on tour in Australia), Ken Crossen (writer), Manfred B. Lee (writer), John Saul (director). 25:40. Episode Notes From The Radio Gold Index.

Guests Jimmy Durante & Ann Sothern (Aired March 30, 1949) Duffy's Tavern, an American radio situation comedy (CBS, 1941-1942; NBC-Blue Network, 1942-1944; NBC, 1944-1952), often featured top-name stage and film guest stars but always hooked those around the misadventures, get-rich-quick-scheming, and romantic missteps of the title establishment's malaprop-prone, metaphor-mixing manager, Archie, played by the writer/actor who co-created the show, Ed Gardner. In the show's familiar opening, "When Irish Eyes Are Smiling," either solo on an old-sounding piano or by a larger orchestra, was interrupted by the ring of a telephone and Gardner's New Yorkese accent as he answered, "Duffy's Tavern, where the elite meet to eat. Archie the manager speakin'. Duffy ain't here — oh, hello, Duffy." Duffy, the owner, was never heard (or seen, when a film based on the show was made in 1945 or when a bid to bring the show to television was tried in 1954). THIS EPISODE: March 30, 1949. NBC network origination, Nostalgia Broadcasting Corporation syndication. Commercials added locally. "Guests Jimmy Durante and Ann Sothern" star in Archie's play, "The Mystery Of The Laughing Piano," or "Who Tickled The Ivories?" Ed Gardner does not appear on the program! Eddie Green, Charlie Cantor, Jimmy Durante, Ann Sothern, Matty Malneck and His Orchestra. 29:47. Episode Notes From The Radio Gold Index.

The Big Strip (Aired February 1, 1953) Dragnet was a long running radio and television police procedural drama, about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a Dragnet, meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet was perhaps the most famous and influential police procedural drama in American media history. The series gave millions of Americans a feel for the boredom and drudgery, as well as the danger and heroism, of real life police work. Dragnet earned praise for improving the public opinion of police officers. Actor and producer Jack Webb's aims in Dragnet were for realism and unpretentious acting. He achieved both goals and Dragnet remains a key influence on subsequent police dramas in many media. THIS EPISODE: February 1, 1953. Program #189. NBC network. "The Big Strip". Sponsored by: Chesterfield. A gang of car strippers is running rampant. A sixteen-year-old boy is killed in a crash while resisting arrest. Network, sponsored version of cat. #16312. Jack Webb, Ben Alexander, George Fenneman (announcer), Hal Gibney (announcer), Sarah Selby, Art Gilmore, John Robinson (writer), Walter Schumann (music). 29:59. Episode Notes From The Radio Gold Index.

Boxcars711 Overnight Western "Gunsmoke" - Fall Semester (Aired May 30, 1953) The radio show first aired on April 26, 1952 and ran until June 18, 1961 on the CBS radio network. The series starred William Conrad as Marshal Matt Dillon, Howard McNear as Doc Charles Adams, Georgia Ellis as Kitty Russell, and Parley Baer as Deputy Chester Proudfoot. Doc's first name and Chester's last name were changed for the television program. Gunsmoke was notable for its critically acclaimed cast and writing, and is commonly regarded as one of the finest old time radio shows. Some listeners (such as old time radio expert John Dunning) have argued that the radio version of Gunsmoke was far more realistic than the television program. Episodes were aimed at adults, and featured some of the most explicit content of the day: there were violent crimes and scalpings, massacres and opium addicts. THIS EPISODE: May 30, 1953. CBS network. "Fall Semester". Sustaining. Lee Dargan is being cheated by his foreman Jim Slater. His cattle are being stolen, but he doesn't know how! William Conrad, Parley Baer, Roy Rowan (announcer), Georgia Ellis, Howard McNear, Norman Macdonnell (director), John McIntire, Harry Bartell, John Dehner, John Meston (writer), Rex Koury (composer, conductor). 30:36. Episode Notes From The Radio Gold Index.

Aired November 4, 1948 The Hallmark Playhouse was heard over CBS stations Thursday evenings. This drama anthology of 30-minute shows was sponsored by, of course, Hallmark Greeting Cards. It was preceded by the Radio Readers Digest, which ran from September 13, 1942 thorugh June 3, 1948. Hallmark sponsored the Radio Readers Digest, from January 13, 1946 to it's end. On Feb. 8, 1953, the series name and format was changed. It was now called THE HALLMARK HALL OF FAME and presented biographal sketches of famous persons, past and present. The new format was used until the end of the 1955 season. The exception to the new format was the broadcast each Christmas season of "A Christmas Carol". Like other dramatic series of this time, this one made use of major screen actors in the productions. James Hilton, author of "Random Harvest", "Lost Horizon" and "Goodbye, Mr. Chips" plus others, served as host and Narrator. Dee Engelbach produced and directed the shows. Jean Holloway was the writer. Sound Effects were by Harry Essman and Gene Twombly. Musical conductor was Lyn Murray. The show's theme was "Dream of Olwne" by Charles Williams. THIS EPISODE: Hallmark Playhouse. November 4, 1948. CBS network. "My Friend Flicka". Sponsored by: Hallmark Cards. This classic story about a boy and his horse still stands strong. It's more an inspiring account of growing up and gaining self-assurance than it is a horse story. Wells is a surprising choice for narrating this book. His voice is urban and sophisticated, with no hint of soft edges that might be more suitable for a novel set in a simpler time in the American West. Fortunately, Wells deftly handles the life lessons discovered by 9-year-old Ken. Through Wells's voice we sense the vast gap between Ken's gentle mother and his demanding father, and what each parent brings to the son. Episode Notes From Boxcars711.

The Mark Of Shame (Aired May 4, 1947) When it comes to The Hall of Fantasy, there are some mysteries that persist to this day. Maybe that's appropriate, because it claimed to be "the series of radio dramas dedicated to the supernatural, the unusual, and the unknown." One mystery that remains unknown is who the announcer actually was. His lines were so over-the-top, maybe he wished to remain anonymous. But it's this same dead serious approach to monsters, horror, and the supernatural that makes this series so much fun to listen to in a modern context. Despite this campy dimension to the program, do not assume that the series wasn't scary. Many episodes were rather frightening. If the dark, desolate atmospheres didn't get at your nerves, the down-beat endings usually did. THIS EPISODE: May 4, 1947. CBS network, KALL, Salt Lake City origination. "The Mark Of Shame". Commercials deleted. A dying man's curse comes back to haunt a soldier after a fateful duel. The story is based on, "Evaline's Visitant" by Miss Braden. Miss Braden (author), Robert Olsen (adaptor), Richard Thorne (performer, producer, director), Beth Caulder, Archie Hugely, Ken Jensen, Mike Larogo, Earl Donaldson (music), Nefi Sorenson (engineer). 26:44. Episode Notes From The Radio Gold Index.

Put It On Ice (Aired July 4, 1939) The main character was Britt Reid, a newspaper publisher of the Daily Sentinel by day and the Green Hornet by night. Britt Reid was the great-nephew of the Lone Ranger. Britt Reid's war against crime was an extension of his family history. The Green Hornet fought crime with his high-powered car, the Black Beauty. He also utilized a gun that fired knockout gas instead of bullets. His fists also came in handy on a regular basis. He was assisted by his Filipino valet, Kato. Kato would drive the Black Beauty, keep watch out for the police or the bad guys and sometimes lend a helping fist to the fighting. The Green Hornet pretended to be a villain while really battling the forces of crime in the big city. This would make for some interesting plot twists as the Green Hornet would be actively avoiding detection by the police while at the same time attempting to destroy criminal activity in the city. Many times the Green Hornet would lead the police to believe that the Green Hornet had been the mastermind of the case at hand. THIS EPISODE: July 4, 1939. Mutual network. "Put It On Ice". Music fill for local commercial insert. A meat packing plant is being sabotaged. The Hornet takes a bite out of a plot to control the company. This is a network version. Al Hodge, Fran Striker (writer), George W. Trendle (creator, producer), Charles D. Livingstone (director), Lee Allman, Raymond Toyo, Gilbert Shea, Fielden Farrington (announcer). 26:11. Episode Notes From The Radio Gold Index.

The series had it origins in the meeting of two minds: the ad agency for General Mills at the time, Dancer-Fitzgerald-Sample was looking for a different means to reach a child audience besides television, which was decreasing commercial minutes and increasing costs; and Himan Brown, producer-director of the CBS Radio Mystery Theater, who wanted to introduce new audiences to the dramatic form on radio. Tom Bosley was chosen as the host because of his television recognition from a kid’s oriented series, Happy Days. CBS chose to produce 52 original broadcasts followed by 52 repeat broadcasts. I believe they had hoped to maintain General Mills sponsorship during the complete 104 episodes, but General Mills dropped their sponsorship after the original broadcasts. The series continued for the next 52 repeats as the CBS Radio Adventure Theater. THIS EPISODE: July 10, 1977. Program #46. CBS network, WBBM, Chicago aircheck. "Youth". Sponsored by: General Mills, Orca (movie, local). The program was repeated on January 7, 1978 as, "The CBS Radio Adventure Theatre." Tom Bosley (host), Joseph Conrad (author), James Agate Jr. (adaptor), Himan Brown (producer, director), Russell Horton, Arnold Moss, Robert Dryden, William Griffis. 48:43. Episode Notes From The Radio Gold Index.

General Electric Theater - State Fair (Aired September 10, 1953) General Electric Theater featured a mix of romance, comedy, adventure, tragedy, fantasy and variety music. Occupying the Sunday evening spot on CBS following the Toast of the Town/Ed Sullivan Show from 1 February 1953 to 27 May 1962, the General Electric Theater presented top Hollywood and Broadway stars in dramatic roles calculated to deliver company voice advertising to the largest possible audience. Despite a long technical and practical experience with television production, GE's previous attempts to establish a Sunday evening company program had fared poorly. In the fall of 1948 GE entered commercial television for the first time with the Dennis James Carnival, a variety show dropped after one performance. A quiz program entitled Riddle Me This substituted for twelve weeks and was also dropped. In April 1949 GE returned to Sunday evenings with the musical-variety Fred Waring Show Produced by the Young & Rubicam advertising agency under the sponsorship of GE's Appliance, Electronics and Lamp Divisions, the program occasionally included company voice messages. In November 1951 GE transferred television production to the Batten, Barton, Durstine and Osborn (BBDO) advertising agency, under whose direction the General Electric Theater debuted 1 February 1953 as an "all-company project" sponsored by GE's Department of Public Relations Services. THIS EPISODE: September 10, 1953. CBS network. "State Fair". Sponsored by: General Electric ("Ring The Bell" contest). Ann Blyth, Ken Carpenter (announcer), Wilbur Hatch (music), Jaime del Valle (transcriber), Philip Strong (author), Verna Felton, Tom Tully, Sam Edwards, Joseph Kearns, Dick Ryan, Lamont Johnson, Kathleen Hite (adaptor), Hett Manheim (editorial supervisor). 30:01. Episode Notes From The Radio Gold Index.

The Case Of The Quincy Killers (Aired April 24, 1948) Gangbusters was an American dramatic radio program heralded as "the only national program that brings you authentic police case histories." It premiered as G-Men, sponsored by Chevrolet, on July 20, 1935. After the title was changed to Gangbusters January 15, 1936, the show had a 21-year run through November 20, 1957. Beginning with a barrage of loud sound effects — guns firing and tires squealing — this intrusive introduction led to the popular catch phrase "came on like Gangbusters."The series dramatized FBI cases, which producer-director Phillips H. Lord arranged in close association with Bureau director J. Edgar Hoover. Hoover insisted that only closed cases would be used. The initial series was on NBC Radio from July 20 - October 12, 1935. It then aired on CBS from January 15, 1936 to June 15, 1940, sponsored by Colgate-Palmolive and Cue magazine. From October 11, 1940 to December 25, 1948, it was heard on the Blue Network, with various sponsors that included Sloan's Liniment, Waterman pens and Tide. Show Notes From Boxcars711 OTR Pod

Boxcars711 Overnight Western "Frontier Gentleman" - Big Sam For Governor (Aired March 16, 1958) Frontier Gentleman was a radio Western series heard on CBS from February 2 to November 16, 1958. Written and directed by Antony Ellis, it followed the adventures of J.B. Kendall (John Dehner), a London Times reporter, as he roamed the Western United States, encountering various outlaws and well-known historical figures, such as Jesse James and Calamity Jane. Written and directed by Antony Ellis, it followed the adventures of journalist Kendall as he roamed the Western United States in search of stories for the Times. Along the way, he encountered various fictional drifters and outlaws in addition to well-known historical figures, such as Jesse James, Calamity Jane and Wild Bill Hickok. Music for the series was by Wilbur Hatch and Jerry Goldsmith, who also supplied the opening trumpet theme. THIS EPISODE: March 16, 1958. CBS network. "Big Sam For Governor". Sponsored by: Dodge. "Big Sam" is running for Governor and wants Kendall to write a nice story about him, and he won't take "no" for an answer! John Dehner, Jack Kruschen, Stacy Harris, Vic Perrin, Jean Carson, Harry Bartell, Charles Seel, John Wald (announcer), Antony Ellis (creator, writer, producer, director), Jerry Goldsmith (theme composer). 25:21. Episode Notes From The Radio Gold Index.