Latino USA

According to Haitian-American author Edwidge Danticat, stories are a way of finding inspiration and comfort during the times we’re living through. Her award-winning writing portrays the immigrant experience, Haitian-American identity and loss. In conversation with Maria Hinojosa, Danticat dives into the history of resistance to the police violence that was all around her as a young adult in New York City, the loss of her own uncle who died at the hands of immigration authorities, and how she's making sense of the current moment. The episode originally aired in 2020.

In 1919, an intrepid Texas state representative, José Tomás Canales, decided to lead an investigation into the abuse of power by the Texas Rangers. For several years, residents of South Texas had been reporting that members of the law enforcement agency were going rogue: beating, torturing, and even killing people, in the name of protecting Anglo settlers. The subsequent investigation into these abuses would illustrate the difficulties of reforming and creating oversight over policing on the border—and would leave behind a narrative about justified violence against the Mexican-American community, that lingers to this day. The episode originally aired in 2020.

Latino USA has cycled through quite a few theme songs in its 30 years. There was the original theme, with acoustic guitar and soft woodwinds, followed by a brassier, more Latin Jazz influenced sound. There were even a few years when Latino USA didn’t have a theme song at all, instead featuring unique scoring for each of its stories. In 2017, Latino USA teamed up with musical artist Xenia Rubinos to create a new song—and five years later, it’s the same one you hear on our show today. In this episode, Xenia opens up about her creative process and how her own growth inspired a special 30th anniversary remix.

For years, Anita Flores carried shame: She was a second-generation half-Peruvian who barely spoke Spanish. She pretended she didn’t care; she subtly avoided her paternal family in Lima. Then, her father was diagnosed with dementia. As her dad’s memory started to falter, Anita would see him light up when she made the effort to speak in his first language. She tells the story of reassessing her relationship with her father, with her extended family, and with the language that kept them apart—and had the potential to bring them together.

We tackle the Flamin’ Hot Cheetos controversy and dive into why this story is so much more than just about a processed snack food but a story about race, culture, identity, and the stories that we choose to believe. This story originally aired in June of 2021.

What happens when people living in poverty get a stable income from the government? More than 100 guaranteed income pilot programs have launched across the U.S. and most are found in California. How is a regular income — with no restrictions on how to spend the money — making a difference for participants? In this episode, we spend a month with Martha and Micaela, two participants of a pilot program launched by the city of Los Angeles — one of the biggest guaranteed income programs in the country where half of the beneficiaries are Latinx — and we learn about the history of Universal Basic Income.

For over 25 years, Uruguayan band No Te Va Gustar has been filling concert venues across Latin America. With their mix of pop, rock, reggae, ska, and other styles, the band has evolved over the years from its original three-member composition to its current nine members. Their album, "Otras Canciones," commemorates their 25th anniversary by featuring some of their most popular songs, performed in front of a live audience and featuring collaborations with legendary guests like Julieta Venegas, Draco Rosa, Jorge Drexler, and Flor De Toloache. For this edition of our segment, "How I Made It," we hear from three members of No Te Va Gustar: Diego Bartaburu, Martín Gil, and Francisco Nasser. The episode originally aired in 2019.

Latino USA goes inside the biggest free health clinic in the country, which serves only people without insurance. There are nearly 28 million uninsured people in the United States, and for some of them, free clinics are their safety net. For undocumented people, healthcare options are very limited. For this story, we spend three days behind the scenes at CommunityHealth in Chicago, where more than half of the patients speak Spanish. We shadowed doctors and patients to observe the daily dramas that unfold there and listen in on intimate conversations—all to try to capture a snapshot of how life as an undocumented person can affect an individual's physical and mental health. NOTE: This is a bilingual episode, where some of the audio is untranslated. A transcript of the story with full English translation is available online at www.latinousa.org. The episode originally aired in 2019.

This week Latino USA shares an episode of the In The Thick podcast. Maria Hinojosa and Julio Ricardo Varela reflect on the one-year anniversary of the school massacre in Uvalde, Texas, and the lasting impacts on the community. We go deeper in our roundtable to look at how families of victims—especially mothers, both past and present, bring about change. Maria leads the discussion with Keith Beauchamp, award-winning filmmaker and producer on the film “Till,” and Monica Muñoz Martinez, historian and associate professor at the University of Texas at Austin. You can subscribe to the In The Thick podcast here.

One year after the mass shooting at Robb Elementary School in Uvalde, Texas, Latino USA and Futuro Investigates explore how families in the community are dealing with grief, how they’re navigating their journey to healing, and calling for accountability. “Uvalde Rising,” tells the story of how victims’ parents and survivors are fighting for gun reform and calling for more mental health resources. Some of the reporting for this episode is based on the PBS Frontline documentary film “After Uvalde: Guns, Grief & Texas Politics."

The Mexican singer-songwriter, Julieta Venegas, took a seven-year break before releasing her latest album, a journey of self-discovery in 10 songs that she named “Tu historia.” Now, she shares what happened during that long pause, which included making some major life decisions.

For mother and son chefs Zarela Martinez and Aarón Sanchez, educating others about the cuisines that make up Mexico is a family tradition. Zarela and Aarón have each opened restaurants, written cookbooks, appeared on TV shows, and won awards. In 2020, this duo decided to combine their talents for a podcast, where they discuss the recipes and ingredients that make up their favorite Mexican dishes. In this episode of Latino USA, Aarón and Zarela discuss their careers, how they made it in New York City, and how they’ve navigated Zarela’s Parkinson's diagnosis as a family.

José Ralat is the Taco Editor at Texas Monthly Magazine and consequently the only taco editor in the United States. In his book, “American Tacos: A History and Guide,” Ralat dives into the evolution of tacos in the United States and its history in the borderlands. According to Ralat, tacos were introduced into the U.S. in the late 1800s. Since then, tacos have evolved into fusions —like Korean and Cajun tacos— as cultures blended with one another and chefs across the country experimented with different flavors. In this episode, Ralat gives us a brief history of the American taco and why eventually, all foods will make its way into a tortilla. This episode originally aired in 2020.

Over 300,000 students in the U.S. migrate every year to work in agriculture, from spring to fall. At a high school in South Texas, when these students return, they gather at the Migrant Student Club to discuss their experiences and get support from a migrant student counselor. At a special gathering of the club we met Reyes, who started picking asparagus in Michigan to help support his family when he was 9 years old. And over the course of his last semester of school, we follow him as he works to graduate, financially support his family, and deal with an unexpected twist: the pandemic. This episode originally aired in 2020.

Mariana Enríquez is one of the best-known writers of a growing literary trend in Latin America that uses the horror genre to denounce the violent realities of the region—past and present. Mariana was born in Buenos Aires in 1973, just a few years before a military junta took over the democratic government in Argentina, and grew up in a country under a brutal dictatorship. She retreated to books and writing to process that historical trauma. In this episode, Mariana shares how her connection with horror started, how she uses the genre to speak of her reality, and she reads from her latest novel Our Share of Night.

We continue to celebrate our 30th anniversary, bringing you the voices of some of the most influential Latinos and Latinas in the last three decades. In this episode, we catch up with music legend Linda Ronstadt, known as the “First Lady of Rock.” We talk to her about her memories growing up in Tucson, Arizona, and her decision to return to the traditional Mexican music of her childhood. Linda brings us into her life after retiring from music, and her memoir “Feels Like Home: A Song for the Sonoran Borderlands,” which reckons with her family history.

We start today’s episode at El Edén—the center in San Pedro Sula, Honduras, where child migrants are processed after being deported from Mexico and elsewhere. Then, before diving into the reasons why Hondurans leave for Mexico and the United States, Maria Hinojosa and Latino USA producer Marlon Bishop talk about some of the history of Honduras. This story was produced in association with Round Earth Media. German Andino, in Honduras, co-reported this story with Marlon. This Peabody award-winning episode originally aired in 2014.

On May 5th, 1993, the first episode of Latino USA aired on more than 50 public radio stations across the U.S. Thirty years later, we look back at the creation of Latino USA, the struggle to showcase Latino voices in public media, and the show’s transformations throughout a changing political landscape in the country. In this oral history of our show, three former Latino USA staff join Maria Hinojosa and go behind the scenes to reflect on what it took to keep Latino USA going over three decades. Press play, and join us as we celebrate 30 Years of Latino USA! #LatinoUSA30 #LUSA30

The rock en español group, Maná, is one of the most successful Spanish-language rock bands of this generation. They've sold over 40 million records worldwide, and this year their "Rayando El Sol" tour broke records previously held by the Eagles and Kanye West, when they played seven sold-out shows at the Forum in Los Angeles. But the band didn’t start out playing stadiums—it all began when one member started an English-speaking band three decades ago in Guadalajara, Mexico. Latino USA sits down with drummer Alex Gonzalez, who tells us how they got their start and became Maná. This episode originally aired in December 2019.

Years ago, Gloria Martinez’s son went out to look for a job and never came back. Gloria would spend months searching for him, and she wasn’t alone—many others, mostly young men from rural and poor urban areas, also mysteriously disappeared. In 2008, the “false-positives” scandal broke—and revealed that the Colombian military had been systematically killing innocent civilians as part of a body-count policy they adopted in the conflict against the FARC, a leftist guerilla group. But over a decade after the scandal was exposed, relatives of the victims continue to seek justice. This episode originally aired in December 2019.